scholarly journals Entre autonomia e heteronomia: para uma concepção crítica de cuidado de si em Michel Foucault [Between autonomy and heteronomy: for a critical conception of care of the self in Michel Foucault]

2018 ◽  
Vol 25 (46) ◽  
pp. 59
Author(s):  
Fernando Gimbo

Trata-se de mostrar como a ideia de “cuidado de si” deve ser compreendida a partir de um tensionamento caracterizado por um duplo movimento: por um lado, a afirmação da autoafecção como condição do processo de subjetivação; por outro lado, a necessidade de inscrever tal ipseidade no quadro mais amplo das pesquisas genealógicas centradas nas práticas de assujeitamento e dominação. Com isso, o objetivo é sugerir como o problema fundamental do último e inconcluso momento da obra de Foucault é a necessidade de repensar as condições de gênese do sujeito. Para tanto, o artigo é divido em dois momentos: primeiramente, recuperamos uma autocrítica realizada ao final da década de 70, quando, ao introduzir em suas análises o conceito de governamentalidade, Foucault une a temática do governo sobre os outros ao problema do governo de si. Em segundo lugar, analisar estrategicamente o tema da confissão (l’aveu) como exemplo do reconhecimento dessa dimensão autoafectiva da subjetividade dentro de relações de poder e assujeitamento. A partir disso, é possível assinalar certas consequências críticas em torno de uma certa “ética do cuidado de si” que seria própria ao pensamento foucaultiano. [This article aims to show how the idea of “care of the self" must be understood from the tension of a double movement: on the one hand, the affirmation of an auto-affection as a condition to a process of individuation. On the other hand, the need to incorporate such ipseity to the broader framework of genealogical research focused on the subjugation and domination practices. Thus, my goal is to suggest how the initial problem that runs through Foucault’s later works is the need to rethink the conditions of subjectivity genesis. Therefore, the article is divided into two parts: firstly, I recover Foucault’s self-criticism performed at the end of the 70s, when he introduces in his analysis the concept of governmentality. Secondly, I strategically analyze the theme of confession (l'aveu) as an example of recognizing this auto-affectivity dimension of subjectivity even within power relations. Finally, I point out certain possible consequences of such exposure on the theme of ethics in Foucault's thought.]

2017 ◽  
Vol 7 (2) ◽  
pp. 135
Author(s):  
Roberta Carvalho Romagnoli

ResumoEste texto pretende problematizar crise, crítica e clínicaatravés de um plano de imanência no qual coexistem linhas molares e moleculares, reproduções e invenções.  Baseado nas ideias de Deleuze e Guattari, a crise emerge como movimento de desestabilização, que tanto pode forçar a saída de territórios conhecidos, como se garantir em microfascismos. Por outro lado, a crítica é discutida emassociação ao cuidado de si, de Michel Foucault, associada à conquista de autonomia, à possibilidade de nos libertarmos a nós mesmos das racionalidades e tecnologias de poder da sociedade atual. Nessa perspectiva, a clínicacorre o risco de silenciar a crise, ao buscar uniformizar condutas, igualar modos de agir com modelos de sujeitos. Mas também pode se agenciar com a invenção ao sustentar multiplicidades, conexões entre diversos elementos que possuem dimensões próprias e conservam suas diferenças.Assim, crise, crítica e clínica podem formar planos de expansão da vida.Palavras-chave: Micropolítica; Crise; Crítica: Clínica AbstractThis paper intends to discuss the crisis, critique and clinic through a plane of immanence with the coexistence between molar and molecular lines, reproductions and inventions. Based on Deleuze and Guattari's ideas, the crisis emerges as destabilizing movement which both operates to force out of known territories and to ensure microfascisms. On the other hand, critique is discussed in association with the Michel´s Foucault concept Care of the Self, associated with the autonomy´s achievement, the ability to escapeof the rationalities and power technologies of our society. In this perspective, clinic risks to silence the crisis, to standardize the practices with subject models. But you can also connect with the invention when you sustain multiplicities, connections between various elements that have their own dimensions and retain their differences. Thus, crisis, critique and clinic can form expansion plans of life.Keywords: Micropolitics; Crisis; Critique;Clinic


Author(s):  
Stefan Krause ◽  
Markus Appel

Abstract. Two experiments examined the influence of stories on recipients’ self-perceptions. Extending prior theory and research, our focus was on assimilation effects (i.e., changes in self-perception in line with a protagonist’s traits) as well as on contrast effects (i.e., changes in self-perception in contrast to a protagonist’s traits). In Experiment 1 ( N = 113), implicit and explicit conscientiousness were assessed after participants read a story about either a diligent or a negligent student. Moderation analyses showed that highly transported participants and participants with lower counterarguing scores assimilate the depicted traits of a story protagonist, as indicated by explicit, self-reported conscientiousness ratings. Participants, who were more critical toward a story (i.e., higher counterarguing) and with a lower degree of transportation, showed contrast effects. In Experiment 2 ( N = 103), we manipulated transportation and counterarguing, but we could not identify an effect on participants’ self-ascribed level of conscientiousness. A mini meta-analysis across both experiments revealed significant positive overall associations between transportation and counterarguing on the one hand and story-consistent self-reported conscientiousness on the other hand.


Author(s):  
Stacy Wolf

This chapter examines the eight female characters inCompany, what they do in the musical, and how they function in the show’s dramaturgy, and argues that they elicit the quintessential challenge of analyzing musical theater from a feminist perspective. On the one hand, the women tend to be stereotypically, even msogynistically portrayed. On the other hand, each character offers the actor a tremendous performance opportunity in portraying a complicated psychology, primarily communicated through richly expressive music and sophisticated lyrics. In this groundbreaking 1970 ensemble musical about a bachelor’s encounters with five married couples and three girlfriends, Sondheim’s female characters occupy a striking range of types within one show. From the bitter, acerbic, thrice-married Joanne to the reluctant bride-to-be Amy, and from the self-described “dumb” “stewardess” April to the free-spirited Marta,Company’s eight women are distillations of femininity, precisely sketched in the short, singular scenes in which they appear.


Author(s):  
Feng Zhu

This paper aims to critically introduce the applicability of Foucault’s late work, on the practices of the self, to the scholarship of contemporary computer games. I argue that the gameplay tasks that we set ourselves, and the patterns of action that they produce, can be understood as a form of ‘work on the self’, and that this work is ambivalent between, on the one hand, an aesthetic transformation of the self – as articulated by Foucault in relation to the care or practices of the self – in which we break from the dominant subjectivities imposed upon us, and on the other, a closer tethering of ourselves through our own playful impulses, to a neoliberal subjectivity centred around instrumentally-driven selfimprovement. Game studies’ concern with the effects that computer games have on us stands to gain from an examination of Foucault’s late work for the purposes of analysing and disambiguating between the nature of the transformations at stake. Further, Foucault’s tripartite analysis of ‘power-knowledge-subject’, which might be applied here as ‘game-discourse-player’, foregrounds the imbrication of our gameplay practices – the extent to which they are due to us and the way in which our own volitions make us subject to power, which is particularly pertinent in the domain of play.


2019 ◽  
Vol 78 (1) ◽  
pp. 141-166 ◽  
Author(s):  
Vicente L. Rafael

In our current moment, authoritarian figures loom large. One of them is Philippine President Rodrigo Duterte. He seems to embody two notions of sovereignty. One is related to law, the other to norms: on the one hand, the power of taking exception to the former, deciding who will live and who will die; on the other hand, the freedom from the limits of the latter by way of dissipation, irresponsibility, and excess. This article explores the double sources of his power with reference to the works of Michel Foucault and Achille Mbembe. While most of Foucault's work has focused on Europe, Mbembe has written about postcolonial conditions in ways that make critical use of Foucault. Drawing from their writings, this article situates Duterte as a “sovereign trickster” who seeks to dominate death while monopolizing laughter. Finally, this article speculates on the comparative usefulness of this figure of the sovereign trickster with regard to President Donald Trump, whose form of tricksterism derives, the author argues, from the tradition of blackface minstrelsy.


2017 ◽  
Vol 46 (1) ◽  
Author(s):  
Marta Faustino

AbstractThis paper examines Nietzsche’s relation to the therapeutic philosophical tradition paradigmatically represented by the Hellenistic schools. On the one hand, given his project of rehabilitating Western culture and his understanding of the philosopher as a “physician of culture”, Nietzsche seems also to hold a therapeutic understanding of philosophy; on the other hand, he is extremely critical of any (philosophical, moral or religious) attempt to heal mankind. This paper does not aim to solve this tension but rather characterizes Nietzsche’s endeavor in this respect as a therapy of therapy. Through analysis of a) the basic features of the Hellenistic conception of philosophy, b) Nietzsche’s development of the analogy of the “philosophical physician”, c) his diagnosis of culture, and d) his criticism of previous therapists, I show that Nietzsche can be formally included in this tradition of thought, even if this inclusion has implications for the tradition itself. As I suggest, given the self-referentiality of Nietzsche’s therapy, his inclusion in this tradition might in fact simultaneously entail its own self-suppression.


Author(s):  
Christoph Sondermann-Wo¨lke ◽  
Thomas Mu¨ller ◽  
Jens Geisler ◽  
Ansgar Tra¨chtler ◽  
Joachim Bo¨cker

Integrating dependability in self-optimizing systems is a challenging task. Self-optimizing systems incorporate on the one hand the opportunity to apply novel solutions to complex mechatronic systems, but on the other hand constitute a possible risk because of non-determined behavior. The dependability concept in this paper covers both aspects: Increasing safety with self-optimization and minimizing the risk of self-optimization. This dependability concept is combined with the self-optimization process of the active guidance module which is currently under development at the Collaborative Research Center 614 at the University of Paderborn.


Sincronía ◽  
2021 ◽  
Vol XXV (80) ◽  
pp. 160-175
Author(s):  
Celeste Florencia Ramirez ◽  

In the present work, in the light of the reading of the philosopher Santiago Castro-Gómez, we will try to elucidate his theory about the coloniality of power and the way in which such a device codified the bodies according to the discourse of blood cleansing. So, first, we will briefly develop two different types of theories about power: on the one hand, the theory of the coloniality of power, presented by the Peruvian sociologist Aníbal Quijano; on the other hand, the analytics of power, developed by Michel Foucault. Both theories, which seem incommensurable, are put into dialogue by our philosopher. In the second part of our work, we will prepare to present the practices and modus operandi corresponding to the coloniality of power to manifest its uniqueness in comparison to other types of powers. Likewise, we will show how a certain sector of the population, in an attempt to consolidate their family and personal interests, used these practices to limit corporality. Third, and by way of conclusion, we will make a brief sketch about the link between the coloniality of power and the political practices of current Colombia.


Author(s):  
Pau Conde Arroyo

Este artículo trata de problematizar la definición taxonómica de Testo yonqui desde una óptica literaria que atiende a su faceta narrativa para dilucidar los cauces por los que se manifiesta en tanto que ensayo queer. Dicha problematización es abordada desde dos lugares: por un lado, desde la propia obra, atendiendo a las autodefiniciones presentes en el texto, que son examinadas a partir del marco teórico de la autobiografía; y, por otro lado, desde la recepción crítica de Testo yonqui. En último lugar, a la luz de lo anterior, se exponen una serie de tensiones relativas a la relación entre narración, referente y representación en la propuesta experimental del principio autocobaya.   This article aims to question the taxonomical definition of Testo Junkie from a literary perspective that considers its narrative aspect in order to elucidate the ways in which it can be regarded as a queer essay. Such questioning is approached from two angles: on the one hand, from the work itself, examining the self-definitions found in the text, which are studied on the basis of the theoretical framework of autobiography; and, on the other hand, from Testo Junkie’s critic reception. Lastly, the principle of the auto-guinea pig is also explored, in reference to the series of tensions arising from the relationship between narration, referent and representation.


2018 ◽  
Vol 21 (3) ◽  
pp. 103-119
Author(s):  
Alireza Khormaee ◽  
Rayeheh Sattarinezhad

Different representations of social actions create distinct types of discourses. Applying van Leeuwen’s 'Social Actions' framework (2008), the present study critically analyzes the power relations between the main characters of Radi’s dramas From behind the Windows and Hamlet with Season Salad. The objective of our study is to account for the differences between the discourse of the dominant and the discourse of the dominated. In order to elucidate such differences we count and analyze the characters’ social (re)actions and, in turn, identify four types of contrasts: cognitive vs. affective and perceptive reactions; material vs. semiotic actions; transactive vs. non-transactive actions; interactive vs. instrumental actions. Two opposing discourses emerge from these contrasts. On the one hand, the dominant characters mostly react cognitively and their actions are often semiotic, transactive, and interactive. On the other hand, the dominated characters’ reactions are often affective and perceptive, while most of their actions are material, non-transactive, and instrumental. As the results show, the author’s linguistic choices underscore the power relations between the dominant and the dominated characters. Building upon the fact that our analysis sheds light on the underlying ideologies and intentions of the author, we tentatively conclude that despite its being predominantly employed in the analysis of political discourses, van Leeuwen’s framework also proves effective in the critical analysis of literary works.


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