scholarly journals The Past Contains a Promise of Regeneration: Narratives of Ireland’s Future in Early-Twentieth-Century Juvenile Periodicals

2021 ◽  
Vol 6 (2) ◽  
Author(s):  
Elena Ogliari

This article investigates the popular periodicals for juveniles Our Boys, Fianna, Young Ireland, and St. Enda’s, which were cherished by Irish nationalists as home-grown substitutes for the alienating British story papers in the Ireland of the early twentieth century. With Ireland still under British rule, these periodicals were concerned about the role of youths in the context of nation-building and my contention is that the people involved in such editorial enterprises viewed them as potentially transformative forces of society, which not only harnessed the power of the idea of political upheaval, but also forged the agents who were to build the envisioned free Irelands. Contributing to the definition of an appropriate ‘post-independence’ national identity, they thus offered to the young visions of the future nation that predicated its legitimacy upon an appeal to the past and the appreciation of traditions. At the same time, young readers were presented with exemplary models of Irish citizenship drawn from Irish heritage of myths and histories. Hence, through the close scrutiny of primary texts from the crucial 1914–23 years, my objective is to show how the future Irelands first imagined and narrated in the periodicals would find their roots in the past and draw energies and strength from the nation’s cultural heritage.

2021 ◽  
pp. 36-54
Author(s):  
Larry T. Shillock

Contributor Larry T. Shillock discusses the ways mid-twentieth century film forms limit the role of place on women. Shillock tests standard assessments of the femme fatale before detailing the ways in which noir stories change when approached through the women. Following Shillock's argument, these women often occupy the center of the stories. Shillock uses one of the quintessential noir narratives, Out of the Past (1947), and its heroine, Kathie Moffat (Jane Greer), to support this idea. The adjustments Jacques Tourneur makes to Daniel Mainwaring’s novel, Build My Gallows High (1946), to show the care taken to ensure that Moffat appears as something other than "a dame, a moll, or an object of male affection." Shillock maintains that Tourneur’s Moffat proves herself equal to the men she encounters. By the end of the film, she is their better since she recognizes the constraints her world places on her as a woman.


Futures ◽  
2021 ◽  
pp. 51-68
Author(s):  
Sandra Kemp

This essay analyses the role of museums in the creation of futures imaginaries and the ways in which these are embedded in socio-political narratives over time (narratives of nation, empire, power, consumption, and home). The essay tests its hypotheses through charting the evolution of the nineteenth-century phenomenon of the soirée—exhibitions and events showcasing technological, scientific, and cultural innovations of the future—from their heyday in the mid nineteenth century to their demise in the early twentieth century. In particular, the essay explores the social, spatial, and temporal organization of nineteenth- and early twentieth-century soirée display spaces as carriers of future worlds. It argues that the creation of futures imaginaries depends on interrelationships between people and objects across space and time, and that the complex web of relations established between words, objects, spaces, and people in exhibitions provides catalysts for ideas, ideologies, and narratives of the future.


Author(s):  
Megan Eaton Robb

This chapter delves into the role of space and time in the formation of the public. Statements in Madīnah linked Bijnor’s physical isolation to a temporal distance, a spatial-temporal rift that allowed it to define a segment of the Urdu public that stood at odds with the “Westernized city,” and from this position also to reach out and connect with a broader Muslim qaum. This chapter explores the power of alternate temporalities, enabled by nostalgia, as a mechanism of power. Statements about the passage of time were irruptive, enabling the construction of an alternative qasbah timescape, and with this alternative timescape, an alternative public. While the qasbah has more recently been tied to an idealized past, close analysis of the discourse of Madīnah newspaper reveals an early twentieth-century voice that saw the present, past, and future as productively intertwined in the qasbah.


2016 ◽  
Vol 10 (1) ◽  
pp. 98-115
Author(s):  
Adam Timmins

What has come to be known as the ‘linguistic turn’ in historical theory over the past forty years or so has finished what the two World Wars began in demolishing the confidence that the historical discipline possessed at the turn of the twentieth century. This confidence was most memorably expressed by Lord Acton that one day we would possess ‘ultimate history’. Today most historians are probably more inclined to subscribe to Pieter Geyl’s view that history is ‘an argument without end’. Yet the jettisoning of a teleological goal for historical accounts does not mean that we have to also part with the idea of progress; we just need a new definition of it. In this article I argue that we should adopt an evolutionary epistemology of history which sees progress as something pushed from behind, rather than aiming at an undefined point in the future; but this is not the only advantage an evolutionary epistemology can offer us. I go on to outline two further aspects of evolutionary epistemology which may benefit historical theorists.


1994 ◽  
Vol 7 (1) ◽  
pp. 121-142 ◽  
Author(s):  
Joseph Mali

The ArgumentDuring the last two decades the debate on the use and abuse of narrative in historiography has taken a new form: ideological instead of methodological. According to poststructuralist critics, the representation of past events and processes in the form of a coherent story turns history into mythology, which is (or serves) conservative ideology. This is so because the fabrication of organic continuity and unity between the past and the present (as well as the future) of society depicts its most fundamental laws and institutions as divine-natural rather than human creations and thereby renders them impervious to any rational or historical refutation. The main aim of this essay is to reclaim some credibility for narrative history against its critics, both ancient and modern, and on both methodological and ideological grounds, by reappraising the role of myth in the constitution of all norms and forms of life. Setting out from the observation that the narratives and other symbolic interpretations of historical reality in which the people believe are as real as the conditions and events in which they actually live, the author calls upon historians not to eliminate, but to illuminate, myths in history, by showing their extension or configuration of historical reality.


Author(s):  
Igor Likhuta

The purpose of the article is to consider and identify the features of enterprise and engagement as forms of production in the context of the formation of the profession of producer in the late nineteenth – early twentieth century. The methodology involves the use of cultural and historical methods to understanding the cultural and historical features of the profession of producer, understanding the essence of enterprise and engagement as forms of production. Scientific novelty. From the standpoint of cultural and historical approach, the author's definition of enterprise and commitment as concepts of humanitarian knowledge and business reality is presented, the essence and specificity of these phenomena are reflected as forms of production. Conclusions. It is argued that entrepreneurship and engagement in the context of the formation of mass culture are effective forms of the formation of production in the field of mass culture. It is shown that both entrepreneurs and artists – actors, directors, playwrights – played the role of producer in institutions of an enterprise type. The indicated trend continues to persist, nevertheless, the activities of the producer are constantly being transformed and improved.


HISTOREIN ◽  
2018 ◽  
Vol 17 (1) ◽  
Author(s):  
Helena Mollo ◽  
Rodrigo Turin ◽  
Fernando Nicolazzi

The recent Brazilian history of historiography perceives the period from 1830 to 1930 as a decisive one for the development of Brazilian historiography, be it for the definition of the disciplinary protocols that frame the historian’s work or for the emergence of problems concerning the disputes over and elaboration of a national identity. The importance of this century has already been established in works on the role of national institutions, such as the Brazilian Historical and Geographical Institute (IHGB) and the National Museum, and in works on the discursive dimensions of historiographical practice. Thus, a new way to consider the experience of time has been proposed, resulting in a thoughtful understanding of the history of historiography and its field. Therefore, this article aims to offer an overview of the different modulations of temporal experience that appear in nineteenth- and early twentieth-century Brazilian historiography, presenting some of the topoi that have organised and shaped it.


2021 ◽  
Vol 8 ◽  
pp. 261-273
Author(s):  
Ihor Stambol

The article clarifies the role of the Olshany cemetery in Prague as a location for the memory of Ukrainians and about Ukrainians. Olshany is one of the largest necropolises of prominent Ukrainians outside Ukraine. Most Ukrainians buried here became emigrants as a result of the defeat of the Ukrainian National Revolution of 1917-1921. The purpose of this article is to demonstrate the perception of this necropolis among Ukrainians, to show some aspects of mentions of Olshany in the Ukrainian information space and to find out its possible role as a place of memory. The topic of Olshany became more active in the Ukrainian media in 2017 due to the threat of losing the grave of one of the most prominent Ukrainian poets of the early twentieth century – Oleksandr Oles (Kandyba) and his wife. The periodicity of attention to Olshany is explained by the interest of Ukrainians in the subject of the Ukrainian National Revolution of 1917-1921, which also acquires a greater resonance closer to the memorable dates. Members of the Ukrainian governments buried in the cemetery, including Fedor Shvets, Stepan Siropolko, Volodymyr Leontovych, Sofia Rusova, Hryhoriy Sydorenko, Apollinarii Marshynsky, as well as scientists and artists Spiridon Cherkasenko, Mykola Andrusov, Yevhen Ivanenko and others, together with the military UGA, are very important part of the memory of Ukrainian post-revolutionary emigration, and involve people in understanding their destinies through the fields in which they were engaged before, during and after the Revolution. That is why Olshany already acts as a place of memory for Ukrainian historians, teachers, diplomats, etc. But given the professional diversity of the people buried there and the significant legacy they have left behind, this place has greater potential. And new generations of Ukrainians who work or study in the Czech Republic now can contribute even more to this.


2020 ◽  
Vol 34 (1) ◽  
pp. 127-146
Author(s):  
Anita Jarczok

The aim of this article is to demonstrate that memoirs, which are usually examined in terms of their connection to the past, are often oriented towards the future. Using immigrant memoirs from the early twentieth century United States, this essay shows that immigrant authors wrote their memoirs with a specific audience in mind, an audience they believed they can instruct. One the one hand, immigrants addressed American citizens, and wanting to gain their sympathy, they described the difficulties of the immigrant life. On the other hand, they wrote for their fellow immigrants to show them that determination pays off and one can have a comfortable, or even successful, life in a new country. Their aim was to envision and promote a better future for the American society, a future based on tolerance and equality.


2017 ◽  
Vol 225 (3) ◽  
pp. 189-199 ◽  
Author(s):  
Tina B. Lonsdorf ◽  
Jan Richter

Abstract. As the criticism of the definition of the phenotype (i.e., clinical diagnosis) represents the major focus of the Research Domain Criteria (RDoC) initiative, it is somewhat surprising that discussions have not yet focused more on specific conceptual and procedural considerations of the suggested RDoC constructs, sub-constructs, and associated paradigms. We argue that we need more precise thinking as well as a conceptual and methodological discussion of RDoC domains and constructs, their interrelationships as well as their experimental operationalization and nomenclature. The present work is intended to start such a debate using fear conditioning as an example. Thereby, we aim to provide thought-provoking impulses on the role of fear conditioning in the age of RDoC as well as conceptual and methodological considerations and suggestions to guide RDoC-based fear conditioning research in the future.


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