Cultural Heritage and Tourism

2020 ◽  
Author(s):  
Dallen J. Timothy

This book provides a comprehensive overview of the issues, practices, current debates, concepts and management concerns associated with cultural heritage-based tourism, as well as applied knowledge. The 2nd edition expands on timely and emerging topics and includes up-to-date data, statistics, references, case material, figures and plates.

2006 ◽  
Vol 13 ◽  
pp. 143-154 ◽  
Author(s):  
Ian Barber

The selective pressures and processes of cultural heritage management effectively disinherit some interest groups. Where this occurs in the context of postcolonial or nationalist conflict, the material archaeological record may be referenced to support or reject particular views. The disciplinary assumptions behind the archaeological evidence so produced are not usually contested in judicial contexts. A review of archaeology’s theoretical foundations suggests that this naivety itself may be problematic. A descriptive culture history approach dominated archaeology over the first half of the twentieth century with a strong political appeal to nationalist politics. Subsequently archaeology became concerned with processual explanation and the scientific identification of universal laws of culture, consistent with postwar technological optimism and conformity. A postprocessual archaeology movement from the 1970s has promoted relativism and challenged the singular authority of scientific explanation. Archaeologists caught within this debate disagree over the use of the archaeological record in situations of political conflict. Furthermore, the use of archaeology in the sectarian debate over the Ayodhya birthplace of Rama suggests that the material record of the past can become highly politicized and seemingly irresolvable. Archaeological research is also subject to other blatant and subtle political pressures throughout the world, affecting the nature and interpretation of the record. A system that privileges archaeological information values may be irrelevant also to communities who value and manage their ancestral heritage for customary purposes. Collectively this review of theory and applied knowledge suggests that it is unrealistic to expect that archaeology can authoritatively resolve strident claims and debates about the past. Instead, an important contemporary contribution of archaeology may be its potential to document cultural and historical contradictions and inclusions for the consideration of contemporary groups in conflict.


Author(s):  
Nil Engizek ◽  
Filiz Eroğlu

Corporate social responsibility (CSR) is described as companies' voluntary practices on social and environmental issues. It is employed as a PR activity which also gives consumers a positive company image and provides sustainability and profit increase for the benefit of the company. Namely, consumers become one of the crucial parties that companies deal with because the view is that consumers are prone to buy products produced by the companies with CSR. However, consumers should perceive an added value for themselves provided by these products. At this point, subject of CSR is important to create this added value and cultural product may be a good issue which customers may feel good to be involved. In other words, the more companies benefit from valorization of cultural products in the context of CSR, the more consumers perceive added value for themselves. This chapter aims to provide a comprehensive overview the relationships among CSR, cultural product, and customer value.


Heritage ◽  
2021 ◽  
Vol 4 (1) ◽  
pp. 316-332
Author(s):  
Ying Liu ◽  
Hui-Wen Lin

Interpretation and presentation is an essential component of the whole heritage conservation process. In response to the new opportunities and challenges arising from the changing perspectives on heritage conservation, the development of display technologies and the rise of cultural tourism, it becomes a challenging task for cultural heritage institutions to construct a systematic interpretation and presentation system of a cultural heritage site that can effectively communicate heritage significance and value to the public and provide visitors with positive and valuable experience. From four main aspects (site, technology, public, and education and research), this research provides a comprehensive overview of the implementation details of the interpretation and presentation system of Old Zuoying City, which is considered an unprecedented large-scale cultural heritage preservation plan in Taiwan, through participative site investigation and in-depth interviews, thereby providing a reference for the construction, implementation, and management of interpretation and presentation system at cultural heritage sites.


Author(s):  
Z. Y. Li ◽  
Y. Gu ◽  
R. Zhang

Abstract. Rebuilt in 857 AD, the East Main Hall of Foguang Temple is the highest ranking wooden architecture to survive from the Tang Dynasty, and is regarded as a rare cultural and architectural gem of China and of the world at large1. Since its rediscovery in 1937, extensive research on the East Main Hall of Foguang Temple has been conducted, mostly about its high values and methods applicable to its conservation and management, while less attention is given to its interpretation and representation, especially to the public audiences.Based on continued digital documentation and study of the East Main Hall of Foguang Temple by Tsinghua Univeristy and Beijing Guowenyan Cultural Heritage Conservation Center over the past 16 years, this paper is a comprehensive overview of the ongoing systematic attempt to leverage digital documentation and acquired research results as content and tool for heritage interpretation and presentation. The works involved include translation of digital survey and documentation of the wooden structure, colored statues and murals of Foguang Temple as content in three approaches: the first approach is the development of an on-site digital display system for Foguang Temple; the second approach involves the planning and designing of a large-scale interactive museum exhibition; the third approach, which wraps up the whole system into a public-centered storytelling experience, involves an ongoing animation series on air at multiple social media platforms that tells unknown stories about Foguang Temple. All three approaches are intended at developing emotional connections between the public and the cultural heritage through reinterpretation and representation, with the aim of making heritage dissemination more dialogical and sustainable by bringing history to life.


2021 ◽  
Author(s):  
Yuanhong Ma ◽  
Shao-Jie Lou ◽  
Zhaomin Hou

This review article provides a comprehensive overview to recognise the current status of electron-deficient boron-based catalysis in C–H functionalisations.


Crisis ◽  
2011 ◽  
Vol 32 (4) ◽  
pp. 178-185 ◽  
Author(s):  
Maurizio Pompili ◽  
Marco Innamorati ◽  
Monica Vichi ◽  
Maria Masocco ◽  
Nicola Vanacore ◽  
...  

Background: Suicide is a major cause of premature death in Italy and occurs at different rates in the various regions. Aims: The aim of the present study was to provide a comprehensive overview of suicide in the Italian population aged 15 years and older for the years 1980–2006. Methods: Mortality data were extracted from the Italian Mortality Database. Results: Mortality rates for suicide in Italy reached a peak in 1985 and declined thereafter. The different patterns observed by age and sex indicated that the decrease in the suicide rate in Italy was initially the result of declining rates in those aged 45+ while, from 1997 on, the decrease was attributable principally to a reduction in suicide rates among the younger age groups. It was found that socioeconomic factors underlined major differences in the suicide rate across regions. Conclusions: The present study confirmed that suicide is a multifaceted phenomenon that may be determined by an array of factors. Suicide prevention should, therefore, be targeted to identifiable high-risk sociocultural groups in each country.


1975 ◽  
Vol 20 (8) ◽  
pp. 641-642
Author(s):  
JUDITH LONG LAWS

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