Developing online content : the principles of writing and editing for the Web

2002 ◽  
Author(s):  
Claire Harrison
Keyword(s):  
2020 ◽  
Author(s):  
William Billingsley

In the early 2000s, colleagues and I developed The Intelligent Book – a suite of technologies for adaptive materials, that let students work with smart graphical exercises as if the AI was their partner rather than their marker. We envisaged a future where online content would be brimming with interactive models, lettings students explore and tinker with problems alongside AI that would guide students in their thinking. The browsers of the day were technically limited, but since then, the technological landscape of the web has transformed. Meanwhile, online education (especially during the Covid-19 pandemic) has grown the need for interactive materials that “understand what they teach” and can make explanations explorable and “proddable”. In online education, physical group activities (e.g., programming robots) are not available to us, and we see a growing need for digital experiences and models to replace the responsiveness that comes from tangible interaction with a device or experiment. Over the last two years, I have begun revisiting the ideas of the Intelligent Book for the modern technology landscape. This paper gives an early overview of the project, working once again towards infrastructure for self-publishable courses that can be full to overflowing with proddable and explorable models.


Author(s):  
Miłosz Markiewicz

The article is an attempt to reflect on the issue of content moderation on the Internet, in particular, visual content. The author refers to the book "Algorithms of Oppression," in which Safiya Umoja Noble describes oppressive discrimination systems functioning within the network, as well as two narratives describing the work of the so-called content moderators – artistic installation "Dark Content" and documentary "The Cleaners." The author asks about the ways of the existence of a digital image that has been removed from the web, raises the issue of its non-presence, and also reflects on the place of power and supervision in the ontology of digital visuality.


2019 ◽  
Vol 58 (4) ◽  
pp. 202 ◽  
Author(s):  
Elizabeth Leonard

In my experience, librarians believe they try very hard to be aware and supportive of people with differing abilities, both physical and intellectual. Our successes in this area tend to be public facing, with detailed attention paid to construction of public spaces, design of accessible online content, and creation of inclusive public programming. We talk about library services and outreach to people with disabilities—the web pages, articles, and blog posts out there are legion. Yet when it comes time to make hiring changes within our ranks, inclusivity doesn’t happen. While I genuinely believe we want to support diversity in hiring, we fall short.


2014 ◽  
Vol 115 (7/8) ◽  
pp. 376-393 ◽  
Author(s):  
Jackie Young

Purpose – This paper aims to observe, measure and record comparative cognitive processes in print and online to explain the differences, if any, in the readers’ information-gathering processes and their subsequent comprehension and retention of information. It also examined the strategies that readers adopt that differ from print when reading online. Standardized reading comprehension scores were also collected. The results indicated that the participants demonstrated functional equivalency in both media, but they had a preference for print. The linear individualistic mentality learned through print gave the study group participants the skills to successfully navigate through the dense web of information that constitutes the Internet. Story presentation and hierarchy, key elements of the print design process, are less evident or absent online. As a consequence, as previous research has demonstrated, online readers are more poorly informed than print readers – but not in this case. The research from this study demonstrates that when the authors of the print media are those who also control the integrity of online content, print and Web readers are equally well-informed. Design/methodology/approach – Coded texts from The Guardian Newspaper, The Economist and The New Yorker were used in a media lab to measure the study group’s ability to read and retrieve information from the publications’ print and Web editions. They were scored on how well they retrieved the core information in the articles from both media. Focus-group sessions probed for information about reading in print and online at the end of the reading sessions. This gave valuable insight into the coping strategies that the participants used when engaging with online texts. There were two sessions, each of three hours, and the participants were university students. Findings – The study results show that the group participants were functionally equivalent in both print and online reading. However, they had a profound distrust for online content in general, which they found to be inaccurate and unstable. Web sites, they conclude, never achieve “fixity”. When reading online, the study group scrolls through the text to retrieve facts and then goes to a print source to verify the accuracy of the content. They do not engage with the content online as they do with print. While acknowledging that the publications in the study were reputable and of a high quality, the group still found scrolling through the Web sites tedious. The printed page was to the study group, a cultural object. Research limitations/implications – This was a small study with 11 participants in a controlled environment on two evenings, each lasting three hours. While the readings were intense, the researchers saw no evidence of fatigue. The group were very vocal during the focus-group sessions and gave valuable insights into the reading process. The stories were exactly the same in both media, were well-written and edited. Typographic cues that give the reader priorities when engaging with the texts were transferred from the print to the online editions. HTML texts to this group are an impediment to the reading process, and the amount of texts require too much time to read. A larger study with a more diverse readership reading more general news is required to verify the findings. This is being planned. As one from the study group stated “I grew up with print but younger people do not have the benefits of print”. Practical implications – Typography provides a language with visual form and through that form, conveys the meaning of a text. The print reader decodes what she reads on the printed page, allowing her to quickly absorb and parse large amount of text, discarding redundant content. The question now becomes which print-reading operations are being transferred to the process of extracting relevant facts. Five centuries of continuous improvement of print communications have yet to be successfully transferred to the Internet. The visual aspects of print, the color advertisement, the photograph and elements that aided the print reader’s navigation are an intrusion on the Web. A new form of navigation, one that is more elegant and intuitive than the present, is required. Social implications – The social implications of reading are a fundamental characteristic of any society. The codex provided the model for the book, the newspaper and the magazine. These became and still are trusted sources of information. When the study group gets a Twitter or Facebook prompt on a breaking news story, they check a trusted broadcasting source for confirmation of its accuracy. If the findings of this study are confirmed in subsequent research studies on the process of reading online, it will have profound implications for the industry. Publishing to be successful requires the reader to engage with and respond to a message. There is strong evidence that this is not the case with what the advertising industry would consider an important core audience, the Internet “reader”. Originality/value – As a newspaper and magazine designer and teacher, the author been increasingly concerned with the transfer of information from the printed page to the computer screen. Many studies have been conducted on aspects of reading and designing for online reading. They are very often inaccurate and as such inconclusive. Reading is complex and measuring it difficult. The author conducted this study as both a designer and from an academic perspective. It is hoped that it encourages a robust debate.


2015 ◽  
pp. 119 ◽  
Author(s):  
Eszter Simon ◽  
Ivett Zs. Benyeda ◽  
Péter Koczka ◽  
Zsófia Ludányi

We introduce an ongoing project whose objective is to provide linguistically based support for several small Finno-Ugric digital communities in generating online content. To achieve our goals, we collect parallel, comparable and monolingual text material for the following Finno-Ugric (FU) languages: Komi-Zyrian and Permyak, Udmurt, Meadow and Hill Mari and Northern Sami, as well as for major languages that are of interest to the FU community: English, Russian, Finnish and Hungarian. Our goal is to generate proto-dictionaries for the mentioned language pairs and deploy the enriched lexical material on the web in the framework of the collaborative dictionary project Wiktionary. In addition, we will make all of the project’s products (corpora, models, dictionaries) freely available supporting further research.


2008 ◽  
Vol 11 (2) ◽  
pp. 83-85
Author(s):  
Howard Wilson
Keyword(s):  

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