scholarly journals Married Dostoevsky? The History of Relations between V.V. Rozanov and A.P. Suslova

2021 ◽  
Vol 26 (3) ◽  
pp. 398-413
Author(s):  
Alexey Nicolaeyvich Varlamov
Keyword(s):  
Life History ◽  
Documentary Evidence ◽  
Scientific Level ◽  
Literary Research ◽  
The Brothers Karamazov ◽  
History Of ◽  
Brothers Karamazov ◽  
The Relationship ◽  
Objective Study ◽  
Deep Interest

The article examines in detail the history of the relationship between A.P. Suslova and V.V. Rozanov in connection with the notion existing in the historical and literary science that Rozanovs marriage to Suslova was based on his deep interest in the work of F.M. Dostoevsky and his desire in such an unusual way to penetrate deeper into the secrets of the life and work of the author of The Idiot and The Brothers Karamazov. However, an appeal to various documentary evidence shows that Rozanovs marriage motives came from the warehouse of his nature and constituted a complex of rather complex reasons, among which the human, and not literary, research principle still dominates. The desire for a benevolently objective study of the life history of A.P. Suslova makes it possible to clarify at the modern scientific level the important facts of the biography of F.M. Dostoevsky and V.V. Rozanov, to free them from the stratifications of legends and myths.

scholarly journals The First Production of The Brothers Karamazov on the Russian stage in the Mirror of the Press (Based on the Collections of the Vladimir Dahl State Museum of the History of Russian Literature)

2020 ◽  
pp. 219-241
Author(s):  
Pavel E. Fokin ◽  
Ilya O. Boretsky
Keyword(s):  
Russian Literature ◽  
The Novel ◽  
Theatrical Production ◽  
Distinctive Features ◽  
The Brothers Karamazov ◽  
The Press ◽  
State Museum ◽  
History Of ◽  
Brothers Karamazov

The first Russian theatrical production of Dostoevsky's novel The Brothers Karamazov premiered on the eve of Dostoevsky’s 20th death anniversary on January 26 (February 7) 1901 at the Theater of the Literary and Artistic Society (Maly Theater) in St. Petersburg as a benefit for Nikolay Seversky. The novel was adapted for the stage by K. Dmitriev (Konstantin Nabokov). The role of Dmitry Karamazov was performed by the famous dramatic actor Pavel Orlenev, who had received recognition for playing the role of Raskolnikov. The play, the staging, the actors’ interpretation of their roles became the subject of detailed reviews of the St. Petersburg theater critics and provoked controversial assessments and again raised the question about the peculiarities of Dostoevsky’s prose and the possibility of its presentation on stage. The production of The Brothers Karamazov at the Maly Theater in St. Petersburg and the controversy about it became an important stage in the development of Russian realistic theater and a reflection of the ideas of Dostoevsky’s younger contemporaries about the distinctive features and contents of his art. The manuscript holdings of the Vladimir Dahl State Museum of the History of Russian Literature includes Anna Dostoevskaya’s collection containing a set of documentary materials (the playbill, newspaper advertisements, reviews, feuilletons), which makes it possible to form a complete picture of the play and Russian viewers’ reaction to it. The article provides a description of the performance, and voluminous excerpts from the most informative press reviews. The published materials have not previously attracted special attention of researchers.

scholarly journals The First Production of The Brothers Karamazov on the Russian stage in the Mirror of the Press (Based on the Collections of the Vladimir Dahl State Museum of the History of Russian Literature)

2020 ◽  
pp. 219-241
Author(s):  
Pavel E. Fokin ◽  
Ilya O. Boretsky
Keyword(s):  
Russian Literature ◽  
The Novel ◽  
Theatrical Production ◽  
Distinctive Features ◽  
The Brothers Karamazov ◽  
The Press ◽  
State Museum ◽  
History Of ◽  
Brothers Karamazov

The first Russian theatrical production of Dostoevsky's novel The Brothers Karamazov premiered on the eve of Dostoevsky’s 20th death anniversary on January 26 (February 7) 1901 at the Theater of the Literary and Artistic Society (Maly Theater) in St. Petersburg as a benefit for Nikolay Seversky. The novel was adapted for the stage by K. Dmitriev (Konstantin Nabokov). The role of Dmitry Karamazov was performed by the famous dramatic actor Pavel Orlenev, who had received recognition for playing the role of Raskolnikov. The play, the staging, the actors’ interpretation of their roles became the subject of detailed reviews of the St. Petersburg theater critics and provoked controversial assessments and again raised the question about the peculiarities of Dostoevsky’s prose and the possibility of its presentation on stage. The production of The Brothers Karamazov at the Maly Theater in St. Petersburg and the controversy about it became an important stage in the development of Russian realistic theater and a reflection of the ideas of Dostoevsky’s younger contemporaries about the distinctive features and contents of his art. The manuscript holdings of the Vladimir Dahl State Museum of the History of Russian Literature includes Anna Dostoevskaya’s collection containing a set of documentary materials (the playbill, newspaper advertisements, reviews, feuilletons), which makes it possible to form a complete picture of the play and Russian viewers’ reaction to it. The article provides a description of the performance, and voluminous excerpts from the most informative press reviews. The published materials have not previously attracted special attention of researchers.

scholarly journals Calculation of LTC Premiums Based on Direct Estimates of Transition Probabilities

2005 ◽  
Vol 35 (2) ◽  
pp. 455-469 ◽  
Author(s):  
Florian Helms ◽  
Claudia Czado ◽  
Susanne Gschlößl
Keyword(s):  
Life History ◽  
Generalized Estimating Equations ◽  
Transition Matrix ◽  
Transition Probabilities ◽  
State Model ◽  
Link Function ◽  
History Of ◽  
The Relationship ◽  
Pseudo Values ◽  
Almost Unbiased

In this paper we model the life-history of LTC-patients using a Markovian multi-state model in order to calculate premiums for a given LTC-plan. Instead of estimating the transition intensities in this model we use the approach suggested by Andersen et al. (2003) for a direct estimation of the transition probabilities. Based on the Aalen-Johansen estimator, an almost unbiased estimator for the transition matrix of a Markovian multi-state model, we calculate so-called pseudo-values, known from Jackknife methods. Further, we assume that the relationship between these pseudo-values and the covariates of our data are given by a GLM with the logit as link-function. Since the GLMs do not allow for correlation between successive observations we use instead the “Generalized Estimating Equations” (GEEs) to estimate the parameters of our regression model. The approach is illustrated using a representative sample from a German LTC portfolio.

Some problems in interpreting Anglo-Saxon coinage

1976 ◽  
Vol 5 ◽  
pp. 173-224 ◽  
Author(s):  
Stewart Lyon
Keyword(s):  
Economic History ◽  
Economic Life ◽  
Documentary Evidence ◽  
Anglo Saxon ◽  
The Past ◽  
History Of ◽  
The Times ◽  
The Relationship ◽  
Dividing Line

This discussion of Anglo-Saxon coinage attempts to look beyond the detail of numismatic classification in order to consider the relationship between the underlying variations and the economic life of the times. Those parts of it which deal with the classification of the coinage and analyse the observed metrology are intended to be a critical summary of the numismatic research carried out in the past thirty years. Other parts, in which I seek to relate the metrology to such documentary evidence as is known to me – and thus trespass across the vague dividing line between numismatics, of which I have some knowledge, and economic history, of which I have little – are aimed at stimulating awareness and discussion of the problems involved. Finally, a section is devoted to numismatic methods because it is important that their use and limitations be generally understood.

scholarly journals Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel

PANALUNGTIK ◽  
2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Laila Abdul Jalil ◽  
Nuralam
Keyword(s):  
Life History ◽  
Data Collection ◽  
Historical Archaeology ◽  
Research Use ◽  
Literature Study ◽  
Literary Works ◽  
The Past ◽  
Maritime Culture ◽  
History Of ◽  
The Relationship

Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing text studies is because Hamzah Fansuri produced many literary works in the form of poetry. The approach used in this study is historical archaeology to reveal the maritime culture of Singkel trough Syair Perahu by Hamzah Fansuri. Data collection is done trough literature study by collecting books, documents, and paper relating to the life history of Hamzah Fansuri and and literary works that he produces. The purpose of this reseach is to determine the relationship between Syair Perahu and maritime culture of Singkel. Based on a study of Syair Perahu, it is known that Hamzah Fansuri not only discusses the Sufism but also provides information about Singkel and trade in its time.

RESPONDING TO DOSTOYEVSKY? JULIO JURENITO BY ILYA EHRENBURG

2021 ◽  
pp. 30-42
Author(s):  
George S. Prokhorov ◽  
Keyword(s):  
First World War ◽  
Russian Revolution ◽  
The Novel ◽  
World War ◽  
The Brothers Karamazov ◽  
The First World War ◽  
History Of ◽  
Moral Damage ◽  
Brothers Karamazov ◽  
First World

Julio Jurenito – a 1924 Modernist novel by Ilya Ehrenburg, written hot on the heels of the 1917 Revolution and is distinguished by both a wide intertextual spectrum and an acute satirical orientation in relation to all ideological trends and factions. The article focuses on references of the novel by Ilya Ehrenburg to the legacy of Dostoevsky – primarily – The Brothers Karamazov. Ilya Ehrenburg resets Dostoevsky’s features – his protagonists and some elements of plot – into the reality of European history of the First World War, Russian Revolution and Civil War. But also, Ehrenburg goes beyond Dostoevsky’s semantic continuum, replacing the author’s sense of History as a process striving for its endpoint with a History in which an end is fundamentally impossible, and there is always at least the potential to put the flow of event on pause and rewrite their mistakes. As well, the idea important for Dostoevsky that of the moral damage of the modern atheist-minded person is transformed into a demonstration of the people’s inclination to create idols and devoutly worship the latter. Ilya Ehrenburg’s novel is grounded on an interpretation of Dostoevsky, perfected through the prism of the traditions of the Jewish Enlightenment.

Root life history of non-dehiscent sesame (Sesamum indicum L.) cultivars and the relationship with canopy development

2019 ◽  
Vol 241 ◽  
pp. 107560 ◽  
Author(s):  
Romain M. Gloaguen ◽  
Annie Couch ◽  
Diane L. Rowland ◽  
Jerry Bennett ◽  
George Hochmuth ◽  
...  
Keyword(s):  
Life History ◽  
Sesamum Indicum ◽  
Canopy Development ◽  
History Of ◽  
The Relationship

Bone microstructure: quantifying bone vascular orientation

2007 ◽  
Vol 85 (1) ◽  
pp. 63-70 ◽  
Author(s):  
M. de Boef ◽  
H.C.E. Larsson
Keyword(s):  
Life History ◽  
Bone Microstructure ◽  
Quantitative Approach ◽  
Three Dimensions ◽  
History Of ◽  
Primary Bone ◽  
Novel Methods ◽  
Radial Index ◽  
The Relationship ◽  
Nonlinear Pattern

Bone microstructure often preserves a temporal record of the life history of the animal to which it belongs. Previously used bone microstructure metrics to differentiate between primary bone types are reviewed and tested with a broad sample of bone types. Two new metrics, the radial index and the longitudinal index, are developed to quantitatively differentiate bone types based on bone vascular orientation in three dimensions. All previously used metrics described the bone microstructure in a nonlinear pattern and were unable to separate bone types satisfactorily. The radial index and longitudinal index effectively differentiated bone types and described bone microstructure within a linear continuum. The continuous nature of the range of vascular orientation in bone microstructure necessitates a quantitative approach rather than the commonly used qualitative classifications. The radial index and longitudinal index, which objectively detect small differences in vascular orientation in three dimensions, are therefore preferable to other metrics for inter- and intra-specific comparisons of bone microstructure. These metrics offer novel methods to facilitate examinations of the relationship between primary bone type and ontogeny, biomechanics, and phylogeny.

scholarly journals The Reduce to Dostoevsky’s Artistic Mastery.The Brothers Karamazov and The Devils on the Stage of the Moscow Art Theater and in the Russian Press

2021 ◽  
pp. 193-231
Author(s):  
Marina V. Kudimova
Keyword(s):  
Dramatic Works ◽  
The Brothers Karamazov ◽  
The Future ◽  
History Of ◽  
Brothers Karamazov ◽  
Russian Theater

The article is dedicated to the history of the Moscow Art Theater productions in 1913–1914 based on F.M. Dostoevsky’s novels The Brothers Karamazov and The Devils, and to the fierce controversy that surrounded them. It analyzes the problem of finding an adequate stage form for the two novels, and the story of the birth of the so-called “Dostoevsky theater” and the Director’s theater, now dominating the stage. Despite Dostoevsky’s great interest in theater and his brother’s witness that the future novelist’s literary activity began with three (unfortunately lost) dramatic works, the writer himself was far from being confident that theatrical productions of his novels could be a success. The founders of the Moscow Art Theater challenged this opinion and proved that Dostoevsky’s novels could write a new page in the history of Russian theater. The article analyzes in detail newspaper and magazine reviews of the performances directed by Vladimir Nemirovich-Danchenko.

scholarly journals Calculation of LTC Premiums Based on Direct Estimates of Transition Probabilities

2005 ◽  
Vol 35 (02) ◽  
pp. 455-469 ◽  
Author(s):  
Florian Helms ◽  
Claudia Czado ◽  
Susanne Gschlößl
Keyword(s):  
Life History ◽  
Generalized Estimating Equations ◽  
Transition Matrix ◽  
Transition Probabilities ◽  
State Model ◽  
Link Function ◽  
History Of ◽  
The Relationship ◽  
Pseudo Values ◽  
Almost Unbiased

In this paper we model the life-history of LTC-patients using a Markovian multi-state model in order to calculate premiums for a given LTC-plan. Instead of estimating the transition intensities in this model we use the approach suggested by Andersen et al. (2003) for a direct estimation of the transition probabilities. Based on the Aalen-Johansen estimator, an almost unbiased estimator for the transition matrix of a Markovian multi-state model, we calculate so-called pseudo-values, known from Jackknife methods. Further, we assume that the relationship between these pseudo-values and the covariates of our data are given by a GLM with the logit as link-function. Since the GLMs do not allow for correlation between successive observations we use instead the “Generalized Estimating Equations” (GEEs) to estimate the parameters of our regression model. The approach is illustrated using a representative sample from a German LTC portfolio.

Sign in / Sign up

Export Citation Format

Share Document