scholarly journals The social origins and political uses of popular narratives on Serbian disunity

2005 ◽  
pp. 65-104 ◽  
Author(s):  
Slobodan Naumovic

The text offers an examination of socio-political bases, modes of functioning, and of the consequences of political instrumentalisation of popular narratives on Serbian disunity. The first section of the paper deals with what is being expressed and what is being done socially when narratives on Serbian disunity are invoked in everyday discourses. The next section investigates what political actor sty, by publicly replicating them, or by basing their speeches on key words of those narratives. The narratives on Serbian disunity are then related to their historical and social contexts, and to various forms of identity politics with which they share common traits. The nineteenth century wars over political and cultural identity, intensified by the struggle between contesting claims to political authority, further channeled by the development of party politics in Serbia and radicalized by conflicts of interest and ideology together provided the initial reasons for the apparition of modern discourses on Serbian disunity and disaccord. Next, addressed are the uninnally solidifying or misinterpreting really existing social problems (in the case of some popular narratives on disunity), or because of intentionally exploiting popular perceptions of such problems (in the case of most political meta-narratives), the constructive potential related to existing social conflicts and splits can be completely wasted. What results is a deep feeling of frustration, and the diminishing of popular trust in the political elites and the political process in general. The contemporary hyperproduction of narratives on disunity and disaccord in Serbia seems to be directly related to the incapacity of the party system, and of the political system in general, to responsibly address, and eventually resolve historical and contemporary clashes of interest and identity-splits. If this vicious circle in which the consequences of social realities are turned into their causes is to be prevented, conflicts of interest must be discursively disassociated from ideological conflicts, as well as from identity-based conflicts, and all of them have to be disentangled from popular narratives on splits and disunity. Most important of all, the practice of political instrumentalisation of popular narratives on disunity and disaccord has to be gradually abandoned.

2021 ◽  
Vol 6 (4(17)) ◽  
pp. 263-286
Author(s):  
Tope Shola Akinyetun

Nigeria is a nation with plural ethnic, religious, lingual and cultural identities that are constantly exploited by the political class to promote their selfish interest. Although not a determinant forconflict, diversity in Nigeria has unjustifiably sparked identity-based conflicts which necessitateseparatism, insurgency and ethnic restiveness – among others, which threatens to drive the country to a perpetual state of fragility. This paper thence sought to assess Nigeria’s tortuous experience with identity and identity politics with particular reference to ethnic, religious, and lingual challenges. The paper furthers the discussion on identity politics in Nigeria to proffer practicable solutions. It argues that identity consciousness has overtaken national consciousness and engendered a relationship characterized by domination, superiority and hegemony by the various groups. It reveals that the currency of politics is an ethnic-hegemony-rivalry sentiment that threatens national integration. The paper reviews available literature on the subject matter from peer-reviewed journal articles, reports of reputable international organizations, working papers and newspaper articles. It concluded that identities have become powerful manipulative instruments in the hands of the political elites used to divide the Nigerian populace. It recommended the promotion of justice, equity and fairness in governance to ameliorate the chances of identity dissension and identity-based conflicts.


Africa ◽  
2017 ◽  
Vol 87 (1) ◽  
pp. 120-136 ◽  
Author(s):  
Jean-Pierre Olivier de Sardan

AbstractIn Niger, there is an increasing rejection ofpolitik(a term with highly pejorative connotations): that is, party politics and the politics of democracy, characterized by personal rivalries and power struggles between clans and factions. But there is a direct link (albeit not a causal one) between the social perceptions of intra-familial rivalries and the social perceptions of political rivalries. The archetypical relationship among thebaab-izey(children of one father but different mothers) is characterized by competition and jealousy. This is a product of the latent rivalry that pits co-wives against each other. Polygamy is clearly at odds with a number of received ideas and clichés about ‘the African family’ as primarily a locus of support and solidarity. Such formal social norms may reign in public situations, but in private de facto practical norms give rise to subtle discriminations and the omnipresence of more or less hidden conflicts within the family. The same is true for the political microcosm of Niger. While the public norm of the concern for the public good is supposed to regulate political behaviours, rivalry and jealousy are structural components of the political world. Thebaab-izeypattern is frequently used in reference to politicians. Political conflicts are above all personal/factional conflicts in which friends and supporters are implicated, and are rivalries of proximity. In the familial space as in the political space, ‘magico-religious entrepreneurs’ (i.e. experts in the occult) are merely an ‘accelerator’ of these conflicts: they reinforce suspicions about the familial or political entourage, which, in turn, intensify rivalries.


2017 ◽  
Vol 13 (4) ◽  
pp. 109-117
Author(s):  
V.V. Bocharov

Traditionalism as a "return to traditional values" is widely represented today in the world political process, but it is particularly striking in the East. This phenomenon is analyzed from the standpoint of cultural-historical psychology. The revival of "archaic" manifestations is explained by the political elites’ (conscious or unconscious) appeal to deep layers of people's consciousness which provided the legitimacy of the "power of tradition" in the traditional society. The paper reveals the essence of this power embodied in social fear that had emerged together with first behavioral norms. It analyses taboo as a norm which initially labeled the hierarchy in the primary society, prescribing an asymmetry of behavior to the higher and lower strata (the ones in power and the ones in their power). There is a relation between the taboo and the psychophysiological mechanism of the prohibition (I. Pavlov, J. Castro) which transformed the "natural" fear into the "social" one. The paper describes the ambivalent nature of social fear as well as its intentional object: representatives of the higher strata (L. Vygotsky). The archetype of power behavior is illustrated by the political practices of the East where taboos in the shape of «absurd laws», religious and etiquette norms are widely existent in the legal field of this region’s states. This archetype also largely determines the behavior of politicians which often appears in archaic forms. Similar "psychological documents" (L. Vygotsky) are recorded in the behavior of actors in the political process of the West.


2000 ◽  
Vol 1 (2) ◽  
pp. 229-248 ◽  
Author(s):  
Ikuo Kabashima ◽  
Steven R. Reed

On 30 June 1994 the Social Democratic Party of Japan (SDPJ, formerly the Japan Socialist Party) joined its historic enemy, the Liberal Democratic Party (LDP), to form a coalition government in a Japanese equivalent of Italy's ‘historic compromise’. Competition between the conservative LDP and the progressive socialists had defined the Japanese party system since 1955. In this paper we analyze voter reactions to this and other confusing events surrounding the end of the LDP's 38-year dominance. We find, first, that the Japanese electorate was able to make sense of these events. The political space reflected in public opinion mapped the political space reflected in the mass media remarkably well. Secondly, our findings support the idea that attitudes toward political parties are endogenous to the political process: strategic moves by political actors alter the political space within which they maneuver. Coalitions of strange bedfellows force voters to revise their perceptions of political space and reevaluate their attitudes toward the actors involved. Strange bedfellows seemed less strange, friendlier after they had been seen in bed together.


2021 ◽  
pp. 019251212096737
Author(s):  
Gianfranco Baldini ◽  
Edoardo Bressanelli ◽  
Emanuele Massetti

This article investigates the impact of Brexit on the British political system. By critically engaging with the conceptualisation of the Westminster model proposed by Arend Lijphart, it analyses the strains of Brexit on three dimensions developed from from Lijphart’s framework: elections and the party system, executive– legislative dynamics and the relationship between central and devolved administrations. Supplementing quantitative indicators with an in-depth qualitative analysis, the article shows that the process of Brexit has ultimately reaffirmed, with some important caveats, key features of the Westminster model: the resilience of the two-party system, executive dominance over Parliament and the unitary character of the political system. Inheriting a context marked by the progressive weakening of key majoritarian features of the political system, the Brexit process has brought back some of the traditional executive power-hoarding dynamics. Yet, this prevailing trend has created strains and resistances that keep the political process open to different developments.


Urban History ◽  
2019 ◽  
Vol 47 (4) ◽  
pp. 568-588
Author(s):  
Frederik Buylaert ◽  
Jelten Baguet ◽  
Janna Everaert

AbstractThis article provides a comparative analysis of four large towns in the Southern Low Countries between c. 1350 and c. 1550. Combining the data on Ghent, Bruges and Antwerp – each of which is discussed in greater detail in the articles in this special section – with recent research on Bruges, the authors argue against the historiographical trend in which the political history of late medieval towns is supposedly dominated by a trend towards oligarchy. Rather than a closure of the ruling class, the four towns show a high turnover in the social composition of the political elite, and a consistent trend towards aristocracy, in which an increasingly large number of aldermen enjoyed noble status. The intensity of these trends differed from town to town, and was tied to different institutional configurations as well as different economic and political developments in each of the four towns.


2015 ◽  
Vol 53 ◽  
pp. 93-136
Author(s):  
Gökçen Başaran İnce

AbstractThe Free Republican Party (FRP; Serbest Cumhuriyet Fırkası), founded and dissolved in 1930, represented the second attempt to transition to a multi-party system in Turkey, following the formation of the Progressive Republican Party (Terakkiperver Cumhuriyet Fırkası) in 1924. In contrast to the oppositional establishment of the latter, the FRP seemed to be a state-originated project whose establishment was decided upon by the elites of the day, led by Mustafa Kemal Atatürk. Its representation in contemporary cartoons is deemed important today given the political cartoon’s ability to simplify complex political messages into understandable symbols and metaphors and to address or reach those who may not be literate. Taking into account the social structure of society during this period, this aspect of the reach of cartoons becomes particularly important. Political cartoons’ ability to both support the text in a newspaper and penetrate historical memory through stereotypes is also significant in terms of the representation of personalities and events. This article will attempt to analyze the formation of the FRP and the depiction of its elites through newspaper cartoons. Three prominent and pro-Republican People’s Party (Cumhuriyet Halk Partisi) newspapers of this period—namely Cumhuriyet, Milliyet, and Vakit—will provide the material for the content and thematic analysis of the study.


Author(s):  
P. Eric Louw

A song about a Boer War general, released in 2006, stirred controversy in South Africa by triggering a gearshift amongst Afrikaners towards re-engaging in the political process. The song “De la Rey”, which became a popular South African hit, captured the alienation many Afrikaners felt at having become a politically marginalized and disempowered ethnic minority within a state where Black Nationalism had become the dominant discourse. The song triggered the De la Rey phenomenon in which Afrikaners became once more politically assertive, following a decade in which this community had been politically dormant. Afrikaners took to singing “De la Rey” as a sort of ‘national anthem' when they gathered in sports stadiums, BBQs, pubs and parties. Twelve months after “De la Rey” was released, the South African government expressed concern the song could become “a rallying point for treason”. The De la Rey phenomenon offers an excellent fulcrum to consider how music can provide a platform for political messages which have consequences for the political process.


2020 ◽  
pp. 733-752
Author(s):  
P. Eric Louw

A song about a Boer War general, released in 2006, stirred controversy in South Africa by triggering a gearshift amongst Afrikaners towards re-engaging in the political process. The song “De la Rey”, which became a popular South African hit, captured the alienation many Afrikaners felt at having become a politically marginalized and disempowered ethnic minority within a state where Black Nationalism had become the dominant discourse. The song triggered the De la Rey phenomenon in which Afrikaners became once more politically assertive, following a decade in which this community had been politically dormant. Afrikaners took to singing “De la Rey” as a sort of ‘national anthem' when they gathered in sports stadiums, BBQs, pubs and parties. Twelve months after “De la Rey” was released, the South African government expressed concern the song could become “a rallying point for treason”. The De la Rey phenomenon offers an excellent fulcrum to consider how music can provide a platform for political messages which have consequences for the political process.


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