scholarly journals Milutin Bojic’s letters to Milan Grol sent from Corfu 1916-1917.

Author(s):  
Miroslav Jovanovic

The Archive of the Serbian Academy of Sciences and Arts in Belgrade holds three letters that the young writer Milutin Bojic (1892-1917) sent to dramaturge and politician Milan Grol (1876-1952). Bojic wrote to Grol from the island of Corfu, where, together with the Serbian government and the army, he was spending his days in exile. Bojic had a great desire to continue his education and thus to contribute to the Serbian people and the state. These letters are very important historical sources about the life of a young poet who has famously described the suffering of Serbian Army in World War I in his Ode to a Blue Sea Tomb.

Author(s):  
Britta Lange

This article aims to consider not only sound recordings of speech samples as historical sources, but also the absence of words and the content hereof: silences in speech. Its focus are sound recordings made by prisoners in German camps during World War I, today kept in the Lautarchiv (Sound Archive) of the Humboldt-Universität zu Berlin (http://www.lautarchiv.hu-berlin.de/). The World War I recordings comprise one of the archive’s three founding collections. The fi rst contains voice portraits of illustrious fi gures such as Kaiser Wilhelm II and Paul von Hindenburg, the recordings of which began during the war in connection with the autograph collection of Ludwig Darmstaedter. The second collection is made up of voice portraits of people who were not well-known or prominent individuals, but exemplary speakers of particular languages and dialects. Between 1915 and 1918, in German prisoner of war camps, the state-funded Königlich Preußische Phonographische Kommission (Royal Prussian Phonographic Commission) produced sound recordings of a range of languages, dialects and ethnic groups for the purposes of linguistic and musicological research.


Muzikologija ◽  
2005 ◽  
pp. 119-129 ◽  
Author(s):  
Katarina Tomasevic

This article represents a fragment of the author's doctoral dissertation Serbian Music at the Crossroads of the East and the West? On the Dialogue between the Traditional and the Modern in Serbian Music between the Two World Wars (the review of the thesis see on www.newsound.org.yu, issue No 24). The thesis (mentor: prof. Dr Mirjana Veselinovic-Hofman) was defended at the Faculty of Music, Belgrade, on January 2004. A revised text of the dissertation is forthcoming, in an edition of the Institute of Musicology of the Serbian Academy of Sciences and Arts. The article describes the creative orientation of composers Miloje Milojevic, Petar Konjovic and Josip Slavenski as the key figures of the epoch, indicates their choices of an Eastern or Western orientation, and explains the antagonism between the poetics of the "Europeans" and the representatives of avant-garde trends. The topicality of the East-West dichotomy in the critical consciousness of the protagonist of this period is marked as one of the main and the most important dilemma of the polemical context of the Serbian art after the World War I. Conducted from standpoints "Pro et Contra Europe", East-West discussion was also the part of the debate of Serbian national art's development strategy in the new, modern epoch of its history.


2020 ◽  
Vol 27 (2) ◽  
pp. 154-165
Author(s):  
Patrick Hodgson

AbstractThis article provides a synopsis of the spread of epidemic influenza throughout Queensland in 1919–20.1 Statewide the story was, to a greater or lesser extent, the same – regardless of occupation or whether one was from the city or the bush, on the coast or in the far west, no one was immune; even being 300 kilometres from the nearest epicentre of the outbreak was no guarantee of safety. An examination of the state’s newspapers, particularly the Brisbane Courier, makes it evident that outbreaks of influenza erupted almost simultaneously throughout the state. Aided and abetted by Queensland’s network of railways and coastal shipping, together with the crowding of people at country shows, race meetings and celebrations of the formal conclusion of World War I, the disease was swiftly diffused throughout the state. This article hopes to give the reader a sense of how the sheer scale and urgency of the crisis at times overwhelmed authorities and communities.


Author(s):  
Brent A. R. Hege

AbstractAs dialectical theology rose to prominence in the years following World War I, the new theologians sought to distance themselves from liberalism in a number of ways, an important one being a rejection of Schleiermacher’s methods and conclusions. In reading the history of Weimar-era theology as it has been written in the twentieth century one would be forgiven for assuming that Schleiermacher found no defenders during this time, as liberal theology quietly faded into the twilight. However, a closer examination of this period reveals a different story. The last generation of liberal theologians consistently appealed to Schleiermacher for support and inspiration, perhaps none more so than Georg Wobbermin, whom B. A. Gerrish has called a “captain of the liberal rearguard.” Wobbermin sought to construct a religio-psychological method on the basis of Schleiermacher’s definition of religion and on his “Copernican turn” toward the subject and resolutely defended such a method against the new dialectical theology long after liberal theology’s supposed demise. A consideration of Wobbermin’s appeals to Schleiermacher in his defense of the liberal program reveals a more complex picture of the state of theology in the Weimar period and of Schleiermacher’s legacy in German Protestant thought.


2018 ◽  
Vol 142 (10) ◽  
pp. 1292-1301 ◽  
Author(s):  
James R. Wright ◽  
Samuel J.M.M. Alberti ◽  
Christopher Lyons ◽  
Richard S. Fraser

Context.— In the early 1900s, it was common practice to retain, prepare, and display instructive pathologic specimens to teach pathology to medical trainees and practitioners; these collections were called medical museums. Maude Abbott, MD, established her reputation by developing expertise in all aspects of medical museum work. She was a founder of the International Association of Medical Museums (later renamed the International Academy of Pathology) and became an internationally renowned expert on congenital heart disease. Her involvement in the Canadian Medical War Museum (CMWM) is less well known. Objective.— To explore Abbott's role in the development of the CMWM during and after World War I and to trace its history. Design.— Available primary and secondary historical sources were reviewed. Results.— Instructive pathologic specimens derived from Canadian soldiers dying during World War I were shipped to the Royal College of Surgeons in London, which served as a clearinghouse for museum specimens from Dominion forces. The Canadian specimens were repatriated to Canada, prepared by Abbott, and displayed at several medical meetings. Abbott, because she was a woman, could not enlist and so she reported to a series of enlisted physicians with no expertise in museology. Plans for a permanent CMWM building in Ottawa eventually failed and Abbott maintained the collection at McGill (Montreal, Quebec, Canada) until her death in 1940. We trace the CMWM after her death. Conclusions.— Sadly, after Abbott had meticulously prepared these precious teaching specimens so that their previous owners' ultimate sacrifice would continue to help their military brethren, the relics were bureaucratically lost.


Author(s):  
Ian Kumekawa

This chapter examines Pigou's life during World War I. At no time in his life were his private thoughts about noneconomic values more public than between 1914 and 1918. Economists often grant that war is a period of exception, that policies and rules considered wise in peacetime are not applicable during wars. For Pigou, this exceptionalism applied not only to matters of economic policy but also to his own silence on policy and ethical imperatives. Yet the war left Pigou disheartened by the human capacity for atrocity. Moreover, the byzantine machinations of politics and bureaucracy left him disenchanted with something else entirely: the state apparatus. Thus, the war and its aftermath hollowed Pigou out; his youthful idealism was shaken, and his conception of the state as a fundamental theoretical agent in his system of welfare economics shattered.


2018 ◽  
pp. 238-246
Author(s):  
Tricia Starks

The onset of World War I brought prohibition to alcohol but an explosion of tobacco use on the front lines, with even government sponsored tobacco collection drives, yet the Bolshevik Revolution, carried the downfall of the tobacco queens and ushered into power a new state with its own conflicted relationship to tobacco. The participation of the tobacco workers in the Kronstadt rebellion spurred attacks on women workers as backward and erased them from the record. The triumph of public health as a major policy point of the revolution closed one chapter on tobacco’s relationship to state and citizen and brought a new era for anti-tobacco advocacy although the continued situation of tobacco use within the disease cluster of neurasthenia did little to change opinions on therapy. Despite the avowed interest of the state, the anti-tobacco drive floundered as smoking became more popular, ubiquitous, and profitable.


2021 ◽  
pp. 136-160
Author(s):  
Roger Mac Ginty

This chapter examines informal truces and acts of humanity and reciprocity during violent conflict. It is interested in the ‘hard cases’ of all-out warfare and draws on World War I and World War II personal diaries and memoirs. The chapter demonstrates that in some circumstances, everyday peace—or at least everyday tolerance and civility—has been possible during warfare. It contains multiple examples of ‘ordinary’ combatants showing humanity, compassion, and generosity to their supposed opponents. These cases are particularly interesting from the point of view of this book as they often occurred ‘under the radar’ or outside the surveillance of the state and others. Indeed, in many cases, they were expressly forbidden by military organisations and were contrary to the prevailing national mood of antagonism towards the enemy. They show individual and group initiative, as well as resistance to a national or wider group.


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