Christian Affirmation in The Book of the Duchess
Chaucer's elegy, The Book of the Duchess, has been read in the past either as an exercise in exclusively human consolation without religious meaning or—by the patristic critics—as so rigidly iconographic that the obvious dramatic situation has been sacrificed to accommodate patristic truths. Chaucer's real intention is more divinely directed than the former and more humanly directed than the latter. The poem offers Christian consolation complementary to the dramatic situation by weaving images of the resurrection into the warp and woof of mute pity. The recurrence of sleeping images, for example, in the case of the Dreamer himself and in the case of Ceys and Alcione, functions as a salubrious intermission between an anguished consciousness and a redemptive awakening. The repetition of horn blasts, both in the underworld episode and the hart-hunting scene, suggests the resurrectional trumpet of the New Testament. And the hunting scene, ambiguously involved as it is with the hart, suggests through the echoic use of resurrectional diction from the Canticle of Canticles further Christian affirmation about the mystery of immortality.