Nativism describes an ideology that favors the rights and privileges of the “native born” population over and against those of “foreign” status, however these categories might be defined and ascribed. In the United States, the term has usually been employed to designate hostility against foreign immigration, although nativist arguments have been used against various internal minority groups as well. Although the term is often used as a synonym for the anti-Catholicism of the antebellum era, nativism has usually focused its apprehensions on ethnic and racial differences rather than religious diversity; since religious identity is often interdependent with racial or ethnic heritage, however, any religious divergence from the dominant white Anglo-Saxon Protestant culture likewise falls under suspicion. While not all forms of religious intolerance in the United States have been grounded in nativist attitudes and activities, the relationship between antipathy toward immigration and antagonism toward certain religions has been a recurrent and resilient theme in American culture. From the various forms of political and social enmity directed against Catholic immigrants during the antebellum era to the passage of Asian “exclusion acts” and the rise of anti-Semitism in the late 19th and early 20th centuries and from attitudes toward the civilizing “mission” of the United States to contemporary expressions of Islamophobia, antagonism toward the foreign Other has often been inseparable from expressions of religious chauvinism and xenophobia.
Such chauvinism represents an appropriation of the idea of American exceptionalism by participating in the cultural mythology of the American civil religion, which posits both a divine origin of and special destiny for the United States. Scholars of American religion have long traced this theme of American exceptionalism, particularly as it has been expressed through the way in which Americans have read themselves into the biblical narrative as God’s “new Israel,” as a “shining city on a hill,” or as the location for the realization of the Christian millennial hope of a “new heaven and a new earth.” In less biblical but no less religious terms, the United States has been presented as the reification of a “new world order” (novus ordo seclorum, one of the three Latin mottos included on the Great Seal of the United States) or as offering humanity “the last best hope of earth.” By thus conceptualizing “America” as a type of utopian sacred space, these metaphors have simultaneously created the need for establishing the restrictions that mark one’s inclusion or exclusion in this redemptive process. Through identifying the foreign Other—by ethnicity, race, or religion—nativism has been one way to provide this religious function of defining the symbolic boundaries that keep this new “promised land” pure.
The End of Modernism: Elias Canetti's "Auto-da-Fé"
