The Caroline Church Heroic: The Reconstruction of Epic Religion in Three Seventeenth-Century Communities

1997 ◽  
Vol 50 (3) ◽  
pp. 771-818
Author(s):  
Reid Barbour

In his biography of Nicholas Ferrar, A.L. Maycock speaks volumes in describing the Ferrar family's transition in 1625 as a movement from one venture (the Virginia Company) to another, the “great adventure” of Little Gidding. In this one phrase Maycock comprehends the view of its founders that no less than the Virginia Company's epic plantation of true religion among the Indians, the community at Little Gidding ranks as a heroic enterprise, the discursive preoccupation of which proves to be the very nature of Christian heroism itself. Even if readers of the Ferrar papers do not know how highly Nicholas Ferrar prized the Acts and Monuments, it is impossible for them to miss the Foxeian narratives of “heroic suffering” so pervasive in the “story books” left as folio records of the dialogues performed by the so-called Little Academy.

Author(s):  
Jenny Boulboullé

This article demonstrates how multi-layered and open-ended the genre of the manual could be. It focuses on the so-called Mayerne manuscript, a seventeenth-century source text, comprising more than 300 recipes and ‘how-to’ instructions. Many of the entries are dated and include geographical and professional information that identify artisans and master painters as sources of detailed descriptions of materials and techniques. The article deconstructs an interpretation of Theodore de Mayerne’s recipe compilation as a handbook intended for practical use, and instead shows that many voices lay behind Mayerne’s extensive documentation of artisanal know how. The article argues that the manuscript was perhaps never intended for publication, but that it provides an exceptional testimony to the practice of an early modern ethnographer of artisanal working methods. A closer look at Mayerne’s practice of note taking as a physician suggests that it functioned as a working tool to document technical and artisanal knowledge of materials.


Author(s):  
Erin M. Presley

The Marina Warner’s novel Indigo, or Mapping the Waters (1992) explores the effects of colonialism on the islanders of Liamuiga and the Everard family through a complex retelling of Shakespeare’s The Tempest that spans over three hundred years. Much like the appropriative novels of Gloria Naylor, in which past and present blend and meld, Indigo also suggests that time is not linear in its development. The subtitle, or Mapping the Waters, positions a sense of place at the crux of Warner’s novel. Moving back and forth between the twentieth century and the dawn of the seventeenth century, the novel also shifts between London and the Caribbean, suggesting the global import of Shakespeare’s late romance. The scene, in the Burkean sense, influences the actions of the characters as they struggle to be heard in their respective settings. Language also affects the ways in which these characters come to terms with their personal histories. Ultimately, the novel seeks to displace the hopelessness of Caliban’s decree in The Tempest —“You taught me language, and my profit on’t / Is I know how to curse” (1.2.364-65)— by giving a voice to the people silenced by colonialism.


2009 ◽  
Vol 9 (3) ◽  
pp. 32-41
Author(s):  
jaap harskamp

Throughout the seventeenth century the Dutch and Flemish enjoyed the reputation of being the best-fed population in Europe. Immigrants and refugees from the Low Countries brought their know-how and eating habits with them. Their arrival in the late-sixteenth and early-seventeenth centuries coincided with the beginning of commercial market gardening in England. Dutch and Flemish immigrants were the first to grow them on a commercial scale. The skill of Dutch and Flemish gardeners did much to alter the English landscape. Many varieties of flowers now considered native to England were brought over from the Low Countries, not to mention the cultivation of bulbs. The tulip became an object of insane speculation. Paintings were often cheaper than the flowers they depicted. Dutch flower painter Simon Pieterszoon Verelst (1644––1721?) became the best-paid artist in London after he settled there. Immigrants from the Low Countries also engineered some of the most fertile areas of Britain today. Cornelius Vermuyden (1590––1677) was responsible for the draining the Fens (Cambridgeshire) which gave an enormous boost to England's agricultural development. In summary: the English agricultural revolution coincided with an influx of immigrants from the Low Countries who enriched almost every aspect of British agriculture.


1997 ◽  
Vol 33 ◽  
pp. 329-342
Author(s):  
Damian Nussbaum

When the prosecutors of William Laud were seeking damning evidence against the Archbishop, they seized upon the fate of John Foxe’s Acts and Monuments in the 1630s. They produced a catalogue of abuses, occasions on which Laud had attacked, impugned, or banned the volumes. In his report of the trial, Prynne gave these cases of Foxe-hunting an important position, directly after the accusation that Laud had hindered the distribution of Bibles. The prominence given to Foxe, and the close association with the Bible, were typical of the ways the martyrologist was handled in the early seventeenth century, and tell us much about the regard in which he was held within the English Church. His Book of Martyrs had attained the status of a quasi-biblical text. His works, invoked with an almost scriptural reverence, were appealed to as an unquestionable authority on matters of ecclesiastical history and Protestant tradition.


1992 ◽  
Vol 5 (1) ◽  
pp. 139-163 ◽  
Author(s):  
Bernd Ludwig

The ArgumentIn this paper it will be shown that Newton's Principia gives an explication of and an argument for the first Law of Motion, that seems to be outside the scope of today's philosophy of science but was familiar to seventeenth-century commentators: The foundation of classical mechanics is possible only by recurrence to results of a successful technical practice. Laws of classical mechanics gain their meaning as well as their claims to validity only when considered as statements about artifacts whose production belongs to the shared know-how of a scientific community.


Author(s):  
G.D. Danilatos

The advent of the environmental SEM (ESEM) has made possible the examination of uncoated and untreated specimen surfaces in the presence of a gaseous or liquid environment. However, the question arises as to what degree the examined surface remains unaffected by the action of the electron beam. It is reasonable to assume that the beam invariably affects all specimens but the type and degree of effect may be totally unimportant for one class of applications and totally unacceptable for another; yet, for a third class, it is imperative to know how our observations are modified by the presence of the beam. The aim of this report is to create an awareness of the need to initiate research work in various fields in order to determine the guiding rules of the limitations (or even advantages) due to irradiation.


Author(s):  
G.F. Bastin ◽  
H.J.M. Heijligers ◽  
J.M. Dijkstra

For the calculation of X-ray intensities emitted by elements present in multi-layer systems it is vital to have an accurate knowledge of the x-ray ionization vs. mass-depth (ϕ(ρz)) curves as a function of accelerating voltage and atomic number of films and substrate. Once this knowledge is available the way is open to the analysis of thin films in which both the thicknesses as well as the compositions can usually be determined simultaneously.Our bulk matrix correction “PROZA” with its proven excellent performance for a wide variety of applications (e.g., ultra-light element analysis, extremes in accelerating voltage) has been used as the basis for the development of the software package discussed here. The PROZA program is based on our own modifications of the surface-centred Gaussian ϕ(ρz) model, originally introduced by Packwood and Brown. For its extension towards thin film applications it is required to know how the 4 Gaussian parameters α, β, γ and ϕ(o) for each element in each of the films are affected by the film thickness and the presence of other layers and the substrate.


ASHA Leader ◽  
2013 ◽  
Vol 18 (2) ◽  
Keyword(s):  
Know How ◽  

How to use your local know-how to get the media to pay attention.


2010 ◽  
Vol 11 (1) ◽  
pp. 21-24
Author(s):  
Nicole M. Mancini

Abstract At first, grant writing may look like a daunting task. You may ask yourself, “Is it really worth the time and effort?” With today's economic situation, teachers and therapists need ways to supplement their programs and grants provide such an opportunity. However, many of us do not know how to get started. After a few experiences and many lessons learned, I have come to enjoy researching and writing grants to supplement my students' learning. It is well worth the time and effort. This article provides information about a personal journey, lessons learned, and resources to get you started.


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