The Abbé Prevost and the English Novel

PMLA ◽  
1927 ◽  
Vol 42 (2) ◽  
pp. 443-464 ◽  
Author(s):  
James R. Foster

The true nature of the so-called Gothic novel has been misunderstood, and the problem of its origin rendered unnecessarily difficult in consequence of a classification which takes only one of the many features into account. The critics who have hit upon supernaturalism as the most distinctive and significant element, have done this in spite of the fact that a part of the body of the fiction they pretend to describe is plainly controlled by a rationalism that forbids anything more than a mere toying with the appearances of the marvellous. No procedure of the authors of such novels is more usual than the lifting of the mask when the mysterious scene has gone far enough to produce its emotional effect. To insist upon the usual classification is to render oneself incapable of differentiating between the Radcliffian novel on the one hand, and Otranto, the Monk and the German Schauerroman on the other.

1899 ◽  
Vol s2-42 (168) ◽  
pp. 477-495
Author(s):  
EDWIN S. GOODRICH

According to the foregoing account, the evidence of carefully executed injections strongly favours the view that a continuity exists between the contractile vascular system and the noncontractile sinus system in Hirudo. This continuity is proved to exist in various regions of the body by means of serial sections. The communication takes place through the capillary systems. The hæmolymph system of Hirudo consists of four main longitudinal trunks, sending out transverse branches to the body-wall. The dorsal branches of the lateral vessels pass into small annular vessels communicating with the plexus of minute capillaries in the epidermis. From these, again, arise capillaries going to small sinuses which run into the lateral transverse sinuses, and so into the dorsal sinus. Similarly (he ventral sinus sends annular sinuses along the ventral region of the body-wall opening into the epidermal plexus, whence arise capillaries joining the latero-abdominal vessels. Continuity between the two systems has also been shown to take place by means of capillaries on the wall of the alimentary canal, and probably exists on the other internal organs of the body. Two questions still remain to be solved: firstly, as to the circulation of the hæmolymph; secondly, as to the exact homology of the channels in which it flows. With respect to the first of these problems, I have no direct observations to record; but it may be pointed out that the presence of the valves described above show, at least, that the hæmolymph must flow in a constant direction--that there is a real circulation, not a mere motion backwards and forwards. It seems to me extremely probable that the annular vessels collect the oxygenated blood from the epidermal plexus, and carry it into the latero-dorsal and latero-lateral vessels, whence it would be pumped into the lateral vessels. From these some of the hæmolymph must be carried by the latero-abdominal vessels to the various organs of the body, and to the ventral cutaneous plexus. The annular sinuses would collect it from this plexus and carry it into the ventral sinus. The abdominodorsals and the dorsal sinus would appear to supply the dorsal and lateral cutaneous plexus. We are left in considerable uncertainty as to the true nature of some of the spaces. That the lateral vessels belong to the real vascular system, and that the ventral sinus and perinephrostomial sinuses belong to the true cœlomic system, seems to be clearly established both by comparative anatomy and by the embryological researches of Bürger (2). This observer, however, could not trace the dorsal sinus to a cœlomic origin, and since its branches bear the same relation to the cutaneous plexus as those of the latero-abdominal vessels, I am inclined to think that the dorsal sinus may represent the dorsal vessel of other annelids. In that case the cœlomic cavities do not persist dorsally, or have never reached the median dorsal region in the Gnathobdellidæ. The annular channels may possibly represent the annular cœlomic lacunæ so well described and figured by Oka in Clepsine (10), and it may perhaps be through them that the chief communication between the cœlom and the vascular system has been established. The observation of the some-what variable relations of these annular channels tends to support this view. With the very imperfect knowledge of the development of the cœlom and blood-vessels in Hirudo at our disposal, we cannot say for certain at present where the one ends and the other begins, nor whether a given capillary really belongs to the one or the other. Nor can we safely conjecture how the continuity has actually taken place. But one thing seems fairly certain, namely, that it is not only by means of the botryoidal channels that the communication has been brought about. It is very tempting to compare the leech with the Vertebrate, in which a third system of spaces--the lymphatic system--has been interpolated, allowing a communication to take place between the originally distinct cœlom and blood-vascular system.1 But the botryoidal tissue is not so inter-polated in the case of Hirudo; if it were obliterated, the two systems would still be in free continuity by means of capillaries. The botryoidal channels would seem to be rather of the nature of a by-path, through which the hæmolymph does not necessarily circulate. In this connection it should be mentioned that in sections they are rarely seen to be as much distended with the fluid as the neighbouring capillaries of similar size. Whatever may be the process whereby the continuity between the cœlom and vascular system has been established in the Gnathobdellidæ, there can be little doubt that it is a secondary condition, and that the structure of such a form as Acanthobdella, in which a closed blood-system lies in a normally developed cœlom, is really the more primitive.


2013 ◽  
Vol 24 ◽  
pp. 45-61 ◽  
Author(s):  
Ambrogia Cereda

The body has come to play an increasingly crucial role in social context, where appearance represents the privileged sphere for self-expression and identity construction. Among the many ways of decorating, adorning and camouflaging the body, some traditional techniques (tattoing, piercing, scarification) are competing with newer and technological ones (aesthetic surgery, implants) to shape and portray individualities. On the one hand, those techniques are borrowing from the world of fashion purposes and codes of presentation, on the other hand, they challenge that fluidity and continuous change by materializing long term identity projects aimed at resisting transformation.In both cases individuals refer to the body as a privileged realm to narrate and reflect upon their own personal story, they also seem more capable to manage the different techniques, and to mix them for their expressive purposes. The result is a combination of visual codes that can reveal different bodily models as well as different ways of experiencing corporeality and embodiment.The article tries to account for this variety by referring to a research carried out on four techniques (tattoing, scarification, aesthetic surgery and piercing) among a group of users and professionals.


Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 40-54
Author(s):  
Oyeh O. Otu

This article examines how female conditioning and sexual repression affect the woman’s sense of self, womanhood, identity and her place in society. It argues that the woman’s body is at the core of the many sites of gender struggles/ politics. Accordingly, the woman’s body must be decolonised for her to attain true emancipation. On the one hand, this study identifies the grave consequences of sexual repression, how it robs women of their freedom to choose whom to love or marry, the freedom to seek legal redress against sexual abuse and terror, and how it hinders their quest for self-determination. On the other hand, it underscores the need to give women sexual freedom that must be respected and enforced by law for the overall good of society.


Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 380
Author(s):  
Matthew John Paul Tan

This paper will focus on one element of the pushback against the massive influx of immigrants taken in for humanitarian purposes, namely, an identity-based chauvinism which uses identity as the point of resistance to the perceived dilution of that identity, brought about by the transformation of culture induced by the incorporation of a foreign other. The solution to this perceived dilution is a simultaneous defence of that culture and a demand for a conformity to it. While those in the critical tradition have encouraged a counter-position of revolutionary transformation by the other through ethics, dialogue, or the multitude, such a transformation is arguably impeded by what is ultimately a repetition of the metaphysics of conformity. Drawing on the personalism of Emmanuel Mounier and the Eucharistic theology of Creston Davis and Aaron Riches, this paper submits an alternative identity politics position that completes the revolutionary impulse. Identity here is not the flashpoint of a self-serving conflict, but the launch-point of politics of self-emptying, whose hallmarks include, on the one hand, a never-ending reception of transformation by the other, and on the other hand, an anchoring in the Body of Christ that is at once ever-changing and never-changing.


2000 ◽  
Vol 11 (3) ◽  
pp. 261-264 ◽  
Author(s):  
Tricia S. Clement ◽  
Thomas R. Zentall

We tested the hypothesis that pigeons could use a cognitively efficient coding strategy by training them on a conditional discrimination (delayed symbolic matching) in which one alternative was correct following the presentation of one sample (one-to-one), whereas the other alternative was correct following the presentation of any one of four other samples (many-to-one). When retention intervals of different durations were inserted between the offset of the sample and the onset of the choice stimuli, divergent retention functions were found. With increasing retention interval, matching accuracy on trials involving any of the many-to-one samples was increasingly better than matching accuracy on trials involving the one-to-one sample. Furthermore, following this test, pigeons treated a novel sample as if it had been one of the many-to-one samples. The data suggest that rather than learning each of the five sample-comparison associations independently, the pigeons developed a cognitively efficient single-code/default coding strategy.


1952 ◽  
Vol 5 (1) ◽  
pp. 24-28
Author(s):  
B. De Kretser

The consideration of this problem is important for at least two reasons. In many countries there are reports of an increasing decline in public morals and of growing dishonesty and corruption in the life of the body politic. This is taking place at a time when the established religious systems are being subjected to the pressure of pseudo-scientific secularism on the one hand and the claims of modern alternative faiths on the other. Clearly the two developments are interconnected. Yet, to judge from the burden of many public utterances of responsible leaders, including the now important and significant ‘Moral Re-armament’ Group, the close dependence of moral truth and the truth about the character of reality is not realised. Most people are content to mutter the usual platitudes—‘Honesty is the best policy’, ‘Do please try to be good and speak the truth’. But the problem of truth is more complicated than our naīve moralists would have us believe.


1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.


2020 ◽  
Vol 7 (2) ◽  
pp. 411-430
Author(s):  
Maja Tabea Jerrentrup

Abstract The art of bodypainting that is fairly unknown to a wider public turns the body into a canvas - it is a frequently used phrase in the field of bodypainting that illustrates the challenge it faces: it uses a three-dimensional surface and has to cope with its irregularities, but also with the model’s abilities and characteristics. This paper looks at individuals who are turned into art by bodypainting. Although body painting can be very challenging for them - they have to expose their bodies and to stand still for a long time while getting transformed - models report that they enjoy both the process and the result, even if they are not confident about their own bodies. Among the reasons there are physical aspects like the sensual enjoyment, but also the feeling of being part of something artistic. This is enhanced and preserved through double staging - becoming a threedimentional work of art and then being staged for photography or film clips. This process gives the model the chance to experience their own body in a detached way. On the one hand, bodypainting closely relates to the body and on the other hand, it can help to over-come the body.


2016 ◽  
Vol 72 (4) ◽  
Author(s):  
Joel Willitts

This article defines, explains and argues for the necessity of a post-supersessionistic hermeneutical posture towards the New Testament. The post-supersessionistic reading of the New Testament takes the Jewish nature of the apostolic documents seriously, and has as its goal the correction of the sin of supersessionism. While supersessionism theologically is repudiated in most corners of the contemporary church through official church documents, the practise of reading the New Testament continues to exhibit supersessionistic tendencies and outcomes. The consequence of this predominant reading of the New Testament is the continued exclusion of Jewish ethnic identity in the church. In light of the growing recognition of multiculturalism and contextualisation on the one hand, and the recent presence of a movement within the body of Messiah of Jewish believers in Jesus on the other, the church’s established approach to reading Scripture that leads to the elimination of ethnic identity must be repudiated alongside its post-supersessionist doctrinal statements. This article defines terms, explains consequences and argues for a renewed perspective on the New Testament as an ethnic document; such a perspective will promote the church’s cultivation of real embodied ethnic particularity rather than either a pseudo-interculturalism or the eraser full ethnicity.


Text Matters ◽  
2016 ◽  
pp. 15-34
Author(s):  
Agnieszka Łowczanin

This paper reads The Monk by M. G. Lewis in the context of the literary and visual responses to the French Revolution, suggesting that its digestion of the horrors across the Channel is exhibited especially in its depictions of women. Lewis plays with public and domestic representations of femininity, steeped in social expectation and a rich cultural and religious imaginary. The novel’s ambivalence in the representation of femininity draws on the one hand on Catholic symbolism, especially its depictions of the Madonna and the virgin saints, and on the other, on the way the revolutionaries used the body of the queen, Marie Antoinette, to portray the corruption of the royal family. The Monk fictionalizes the ways in which the female body was exposed, both by the Church and by the Revolution, and appropriated to become a highly politicized entity, a tool in ideological argumentation.


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