Contextual Analysis and the Space of Communication:

2021 ◽  
pp. 105-122
Keyword(s):  
2017 ◽  
Vol 74 (2) ◽  
pp. 109-120 ◽  
Author(s):  
DW Gamble ◽  
D Burrell ◽  
J Popke ◽  
S Curtis

2011 ◽  
Vol 3 (11) ◽  
pp. 91-93
Author(s):  
Claudia Isac Claudia Isac ◽  
◽  
Codruta Dura Codruta Dura ◽  
Rascolean Ilie Rascolean Ilie

2020 ◽  
Vol 81 (2) ◽  
pp. 56-63
Author(s):  
S. A. Karpukhin

The article considers the competition of verbal aspects from a new perspective. Instead of employing the traditional method of demonstrating this phenomenon — an empirical replacement of the aspect of a verb in a phrase with the opposite — the author examines Dostoevsky’s choice between the variants found in different manuscripts of the same text. For the first time, based on a two-component theory of the semantic invariant of a verb type, the aspectual meaning of the selection of a verb aspect is revealed and, as a result of contextual analysis, an artistic interpretation of the selected type is proposed.


Author(s):  
Irina Kryukova

The article presents the results of the study devoted to the semantic transformations of chronofact names understood as proper names referring to resonance events that are often tragic. In spite of many studies devoted to the processes of new words activation in various historical periods, proper names, with rare exceptions, are not included in the phenomena under the study. The objective of the following research is to identify universal features of chronofact names that make it possible to study these names as a separate group of onyms with their specific semantic and motivational characteristics. The proper names that have become the symbols of technological disasters, terrorist attacks, antigovernment actions, etc. (Chernobyl, Fukushima, Nord-Ost, Beslan, Bolotnaya Square, Maydan, and so on) served as the material of this study. Contextual analysis of these names in Russian media in the last decades, as well as component analysis of the connotative semantics of each name, allowed the author to select several common characteristics of chronofact names. First, every chronofact name undergoes rapid semantic transformations in the following order: it denotes a certain object – it denotes a singular tragic event (metonymy) and the development of a connotative onym – it denotes any other similar event (metaphor) and develops the characteristics of a precedent name. Second, chronofact names display same lexical and grammatical signs and they are used in homogenous contexts. Third, under certain extra-linguistic conditions, chronofact names are capable of expanding their figurative meanings and denoting a genuine notion for a long time. The material under the analysis is of interest to theoretical understanding of connotation as well as lexicographic description.


Author(s):  
Olga Sheverinova

The article is aimed at revealing the specificity of socio-pragmatic informative value of literary anthroponyms used by H. Böll in his literary works. The study of the onyms mentioned in such an aspect demonstrates the lack of comprehensive research. As a result, the findings covered this aspect are dispersal in scientific and practical work. However, literary onyms are considered to be semantic and text-forming units of a literary text and they are used to identify and differentiate the persons on their social, cultural, and psychological background, as well as to create the characters with national peculiarities. The object of the study includes the contextual units representing the «family names» anthroponymic category. The data collected are based on the following literary works by H. Böll: «Where Were You, Adam?» («Wo warst du, Adam?»), «Billiards at Half-Past Nine» («Billard um halb zehn»), «House without Guardians» («Haus ohne Hüter»), «The Clown» («Ansichten eines Clowns»). The continuous sampling method, qualitative-quantitative and descriptive ones, component and contextual analysis have been used as study methodology. The article contains certain essential results of the dissertation that have not been published yet. It is established that family names used by H. Böll are a means of revealing the following socio-pragmatic information: 1) the character’s nationality (a correlation between literary family names and the real national anthroponymic system is revealed); 2) a geographical location (family names with a typical sound and alphabetic composition that helps to define the place where the events occur); 3) social status (family names with the «von» component indicate both the character’s social status and their relationship with other members of the community); 4) a direct / indirect character’s description (family names with pure inner forms of the words and an updated internal form and appellatively based family names).


Sign in / Sign up

Export Citation Format

Share Document