THE ARCHITECTURE OF WOODEN TEMPLE BUILDINGS - MODERNITY AND THE FORM OF IDENTITY

2020 ◽  
Vol 2020 (2) ◽  
pp. 207-213
Author(s):  
Hnidets R ◽  
◽  
Yasinskyi M ◽  

Understanding the tradition, innovation and national identity of examples of wooden temple buildings, in particular, Ukrainian churches, certain trends are identified, which in their essence become the main ones, regarding the intensity of development in temple construction. The factors of tradition and innovation are identified as important mediums for establishing the national identity of the image of wooden temple buildings, and their expression in the modern temple-building process of creating a Christian shrine.

Author(s):  
Rizki Briandana ◽  
Azman Azwan Azmawati

This study aimed to analyse the abundance of Malaysian television broadcasts’ impact on building Indonesian society’s national identity on Sebatik Island. The residents of this island have been watching Malaysian television for a long time as the primary source of communication in their daily lives. In this context, the interaction between the community and television is manifested through interpreting images and meanings. Furthermore, it becomes the basis for the building process of the community’s national identity. This was a case study with observation and focus group discussion as the method of data collection. The results showed that Malaysian television conveys the meaning and values of its nationality to the Indonesian people. This manifests a high tendency among the Sebatik residents towards Malaysia, which is considered an ideal reference of life.


2019 ◽  
Vol 1 (1) ◽  
pp. 88-97
Author(s):  
Iulia Oprea

Abstract The paper examines the process of the Turkish nation building process starting from the premises that whether we talk about culture, religion, ethnicity, language, traditions or other elements nations identify with and take pride in, continuity in time is an essential requirement to legitimize the bases of national identity in the nationalist discourse.


Author(s):  
Hamid Ahmadi

While it is true that Iran is composed of various religious-linguistic minority groups, making ethnicity an issue worth studying, Iran has specific features that differentiate it from other societies that have more recent experience in political heritage and the nation-state-building process. Bearing the characteristics of ancient nations, as some theorists of ethnicity and nationalism have elaborated, Iran represents a specific historical case in which the saliency of nationalism and an Iranian national identity is more remarkable than that of ethnicity and ethnic nationalism. The present study of Iranian Azeris and Iran-Azerbaijan Republic relations can shed more light on this fact. This chapter argues that Iranian Azeris have produced the most enduring and systematic response to the Azerbaijan Republic’s pan-Turkist irredentist and ethnic nationalist claims.


2004 ◽  
Vol 5 (1) ◽  
Author(s):  
Rogéria Campos de Almeida Dutra

A proposta deste artigo é analisar o papel das cozinhas regionais na formação da nação brasileira. O processo histórico de construção da identidade nacional fundamenta-se na conciliação entre a unidade territorial e a diversidade regional, onde as cozinhas regionais atuam como operadores distintivos que qualificam a riqueza nacional. Nation, region, citizenship: the construction of regional cuisines in the Brazilian national project Abstract This article investigates the role of regional cuisines in the building process of Brazilian national identity. Historically, this process has been based on the conjunction of territorial unity and regional diversity, in which regional cuisines act as hallmarks of national wealth.


Author(s):  
Hamdullah Baycar

Coffee plays a significant role in today’s Arab culture, and it has long been considered one of the main aspects of Arab history, culture, heritage, and hospitality. It has even been recognized by UNESCO, which added Arabic coffee to its Intangible Cultural Heritage List following the application by several Gulf countries. This study explores the nation-building process of the United Arab Emirates (UAE) through its heritage, with specific reference to the coffee pot (dallah). The UAE forms its national identity (the Emirati identity) by deriving it from a broader identity (that is, being Arab) and defining it to a regional identity (Khaleeji). Moving from a regional to a national identity is intended to unite the seven emirates under one standard identity, but at the same time contain common characteristic features and solidarity with Khaleej and other Arabs. Slight differences to strengthen the desired national (Emirati) identity and differentiate the UAE from the neighbors will be enough in creating national heritage. This study examines how the UAE attempts to create its own heritage, one that is common among its seven emirates, to unite them under one identity. The coffee pot, however, has common features with other Arab and Khaleeji countries, as can be clearly seen from the map. Meanwhile, the process is still in progress, and to date, no consensus has been achieved.


2021 ◽  
pp. 1-18
Author(s):  
Ayça Ergun

Abstract The aim of this article is to shed light on the process of nation-building and the formation of national identity in post-Soviet Azerbaijan. The peculiarity of Azerbaijani nation-building is that the debates on how to build a nation and define national identity were nourished by two discourses: Azerbaijanism (Azerbaycançılıq) and Turkism (Tűrkçűlűk). The article focuses firstly on the discourses on national identity and nation-building in the pre-independence period while elaborating on the roots and premises of the nationalist independence movement. Secondly, it highlights the discourses of nation-building in the post-independence period while discussing the meanings attributed to national identity and nationhood. It shows how these two discourses shaped the existing identity formation in Azerbaijan with a particular emphasis on citizenship identity, marked by multiculturalism, hospitality, tolerance, and patriotism. Yet one can still categorize the country as having an incomplete nation-building process, due the violation of territorial integrity as a result of the Karabakh conflict.


2015 ◽  
Vol 43 (3) ◽  
pp. 399-416 ◽  
Author(s):  
Rico Isaacs

Nation-building is a process which is often contested, not just among different ethnicities within a nation-state, but also among the titular ethnic majority. This article explores the contested nature of the nation-building process in post-Soviet Kazakhstan through examining cinematic works. Utilizing a post-modern perspective which views nations and national identity as invented, imagined and ambivalent it identifies four discursive strands within recent post-Soviet Kazakh cinema pertaining to nationhood and national identity (ethno-centric, civic, religious and socioeconomic). Rather than viewing government-sponsored efforts of identity formation in cinema as a top-down process in which the regime transmits its version of nationhood and identity, the discursive strands revealed in this article illustrate there are varying understandings of what constitutes the nation and national identity in Kazakh cinematic works. Furthermore, the strand which focuses on the socioeconomic tensions of modern nation-building in Kazakhstan uncovers how film is used as a site for dissent and social critique of Kazakhstan's modern political condition. What the article illuminates is how discourses related to nation-building can be both competing and complementary and that nation-building is a fluid and transgressive process in which among the titular majority there is no fixed unambiguous understanding of nationhood and national identity.


Navegações ◽  
2017 ◽  
Vol 10 (1) ◽  
pp. 30
Author(s):  
Orquidea Maria Moreira Ribeiro ◽  
Fernando Alberto Torres Moreira

A identidade cultural moçambicana forja-se pela força do diálogo e da articulação funcional de diferentes identidades. Neste particular, a obra de Mia Couto destaca-se pelo modo único como congrega a riqueza desse mecanismo, afirmando-se como um interlocutor original no processo de construção da identidade nacional para o qual concorrem diversos elementos identitários que formam a especificidade moçambicana no conjunto da africanidade. Viajante do tempo, Mia Couto faz a história (e a identidade) moçambicana pela soma de um enorme conjunto de estórias, marca de um conhecimento ancestral que se revela necessário para a construção de um novo paradigma identitário – uma identidade que se constrói no compromisso entre o passado e o presente – que o autor vai afinando em cada nova obra porque se reconhece como “mulato de existências” que anseia pela esperança do futuro.********************************************************************Mia Couto: traveler and tuner of identitiesAbstract: Mozambique's cultural identity is forged by the force of dialogue and functional articulation of different identities. In this regard, Mia Couto’s work is distinguished by the unique way he brings together the wealth of this mechanism, asserting itself as an original party in the national identity building process to which many identity elements contribute to form the Mozambican specificity in set of Africanness. Time traveler, Mia Couto makes Mozambican history (and identity) summing up a huge set of stories, marks of an ancestral knowledge that proves necessary for the construction of a new identity paradigm – an identity that is built on a compromise between past and present – that the author tunes in each new work because he is recognized as "mulatto of existences" that yearns for future hope.Keywords: Mozambique; Mia Couto; Identity; Tradition; Hybridity 


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