scholarly journals Kiran Desai’s Hullabaloo in the Guava Orchard: A Critique

2020 ◽  
Vol 8 (7) ◽  
pp. 98-104
Author(s):  
Avinash L. Pandhare

In Hullabaloo in the Guava Orchard, her debut novel, Kiran Desai has experimented in the making of a comic fable.  She presents a hilarious story of life, love, and family relationships - simultaneously capturing the vivid culture of the Indian subcontinent and the universal intricacies of human experience.  The story is set in a small Indian but fictitious town called Shahkot.  Sampath is the protagonist who belongs to a middle class family.  After experiencing drastic boredom in his life, Sampath decides to spend his life in trees.  And then after, the story reveals its real mood.  At a deeper level, the novel displays the theme of alienation, magic realism, rebellion, etc.  Desai is a masterful dialogue writer, and she uses this skill to great effect in Hullabaloo in the Guava Orchard.  She infuses the dialogue with local idioms and paints a vivid portrait of life in a small city in India.  With a clear objective of writing a comic satire, she also makes a satirical attack against the creation of gurus in Indian society.

1970 ◽  
Vol 4 (6) ◽  
pp. 17
Author(s):  
Vikram Patel

hetan Bhagat is one of the most influential fiction writers of contemporary Indian English literature. Postmodern subjects like youth aspirations, love, sex, marriage, urban middle class sensibilities, and issues related to corruption, politics, education and their impact on the contemporary Indian society are recurrently reflected thematic concerns in his fictions. In all his fictions, he has mostly depicted the contemporary urban social milieu of Indian society. Though the fictions of Chetan Bhagat are romantic in nature, contemporary Indian society and its major issues are the chief of the concerns of all his fictions. He has focused on the contemporary issues of middle class family in his fictional works. All of the chief protagonists of his works are sensitive youth and they do not compromise with the prevalent situations of society. Most of the characters are like caricatures that represent one or the other vice or virtue of the contemporary Indian society. The author has a mastery to convince the reader about the prevalent condition of society so that one can easily reproduce in mind, a clear cut image of contemporary Indian society. The present article is a sincere endeavor to present the detailed literary analysis of the select fictions of Chetan Bhagat keeping in mind how the contemporary Indian society has been replicated in the fictions.


2016 ◽  
Vol 6 (3) ◽  
pp. 482-488
Author(s):  
Varun Dev Vasishtha

In this paper, Intizar Husain’s novel on Partition, Basti is examined which depicts the human denouement that followed Partition of the Indian subcontinent in 1947. The novel looks back at the aftermath of Partition after more than two decades, talks about the turmoil caused by the socio-political situation in Pakistan and the realization that the Partition was an ever going on event. The process of separate homeland for Muslims, the chief motive that resulted in Partition, was reversed with the secession of Bangladesh. Partition and migration have failed to provide stability to the migrants. Intizar Husain has recaptured the agony of Partition after a lapse of two decades. The novel, dealing with the Muslim perspective of Partition, depicts the plight of the members of the community who crossed over to Pakistan with the euphoria of the creation of a separate homeland, fail to realise their hopes. Feeling of alienation has been delineated in a highly subtle manner.


2011 ◽  
Vol 44 (1-2) ◽  
pp. 93-101
Author(s):  
Tina Grobin

Indian English post-colonial women's prose has seen many a change in the last sixty years since the pioneering writers gave voice to the Indian women. By breaking away from the burden of the colonial past and the traditional limitations of Indian society, the writers carved out a place for a distinct female identity in the Indian English literary sphere. The more recent women's prose addresses a wide range of universal issues of human experience, usually closely interwoven with the colourful heritage of the Indian subcontinent. As such it has become a highly acclaimed and internationally recognized global voice of contemporary India and the Indian diaspora.


2020 ◽  
pp. 191-201
Author(s):  
Karolina Gansovskaya

The literary works of Sever Gansovsky are an excellent example of modern eco-literature. For many years, the writer worked with the genre of eco-science fiction, which is engaged into the study of the nature of human existence and the interaction of humans with non-human animals. The methods of Human-Animal Studies, applied to science fiction works, allowed us to analyze the writer’s novels in the context of the latest research in eco-literature and bioethics. The object of this study is the novel Little Animal, written in 1969. The novel tells a story of a small boy who is particularly cruel to animals. Little Animal represents the creation of a man as an exponent of a new eco-culture. The novel shows the formation of a new cognitive model of the world, in whichanimals are playing a mediating role between the man and the nature that is beyond the limits of human experience.


2020 ◽  
Vol 8 (3) ◽  
pp. 10
Author(s):  
Manish Kumar Ishan

This research article, Political and Familial Repercussions of Naxalism in Lahiri’s The Lowland seeks to examine Jhumpa Lahiri’s The Lowland as a saga of two Bengali brothers; Subhash and Udayan Mitra, who belong to a middle-class family in the light of Naxalite movement. The narrative of The Lowland purports to depict how the tenderest of ties are torn asunder and the absence of loved ones haunts the subconscious mind of the affected characters in the novel. At the same time, Lahiri questions the politics of nationality with both pathetic desperation and revolutionary zeal. It examines the impact of Naxalite movement on socio-political life of the time, which later turns into a complete fiasco. It shows how Lahiri’s depiction evokes our feeling of familial responsibilities and we become dejected by devastating stories of passion and indifference. Above all, it tries to analyze Lahiri’s sense of history which is not as insightful as her grasp of human heart that are palpable in her other works.


2019 ◽  
Vol 64 ◽  
pp. 71-99
Author(s):  
Borislav Knežević

The article discusses the theme of acquisition and circulation of capital in Charles Dickens’s novel Great Expectations. The analysis proceeds from an observation that the novel is not centrally concerned with representing the processes of production of wealth, as it is about the circulation of social and economic capital. The protagonist of the novel entertains a specific notion of social mobility (his great expectations), which he eventually renounces, and develops a common middle-class idea of the centrality of hard work to the accumulation of wealth. However, by examining the construction of the protagonist’s relationship to wealth, as well as the construction of the circulation of wealth in the narrative, the article suggests that the novel questions its declarative ideology by placing a great deal of emphasis on the various ways in which transfers of money enable the creation of social and economic capital for the characters in the novel.


The novel depicts how Sunaina grows up in a North Indian middle-class family under the tender care of her mother. The daughter belatedly recognizes her mother’s role in creating a fertile space of freedom in which she could cultivate herself despite the stifling patriarchal environment into which she was born. Sunaina also reevaluates her mother’s silence as a subtle effort to protect her against the stringencies of the society. Thus, the text exposes the rigid system that frames women within domestic confines but in doing so, advocates for borderline sites where women manifest themselves. Outlining the tradition and custom Mai stands for how the stereotype of womenhood is gradually changed through these three generation women.


2020 ◽  
Author(s):  
A Overwater ◽  
SN van Munster ◽  
G Mihaela Raicu ◽  
CA Seldenrijk ◽  
JJGHM Bergman ◽  
...  

2019 ◽  
Vol 49 (2) ◽  
pp. 276-289
Author(s):  
Naoise Murphy

Feminist critics have celebrated Kate O'Brien's pioneering approach to gender and sexuality, yet there has been little exploration of her innovations of the coming-of-age narrative. Creating a modern Irish reworking of the Bildungsroman, O'Brien's heroines represent an idealized model of female identity-formation which stands in sharp contrast to the nationalist state's vision of Irish womanhood. Using Franco Moretti's theory of the Bildungsroman, a framing of the genre as a thoroughly ‘modern’ form of the novel, this article applies a critical Marxist lens to O'Brien's output. This reading brings to light the ways in which the limitations of the Bildungsroman work to constrain O'Brien's subversive politics. Their middle-class status remains an integral part of the identity of her heroines, informing the forms of liberation they seek. Fundamentally, O'Brien's idealization of aristocratic culture, elitist exceptionalism and ‘detachment of spirit’ restricts the emancipatory potential of her vision of Irish womanhood.


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