scholarly journals ПРЕЛЮДИИ ДЛЯ ФОРТЕПИАНО КОМПОЗИТОРОВ РЕСПУБЛИКИ МОЛДОВА В РЕПЕРТУАРЕ СТУДЕНТОВ-ПИАНИСТОВ АКАДЕМИИ МУЗЫКИ, ТЕАТРА И ИЗОБРАЗИТЕЛЬНЫХ ИСКУССТВ

2020 ◽  
pp. 281-292
Author(s):  
Инна Хатипова ◽  
Keyword(s):  
20Th Century ◽  
Teaching Practice ◽  
Fine Arts ◽  
Piano Music ◽  
The Other ◽  
Original Music ◽  
Musical Language ◽  
Republic Of Moldova ◽  
The Republic ◽  
First Time

In the present article the author presents a review of piano preludes written by Moldovan composers in the second half of 20th century which are frequently studied at the Academy of Music, Theatre and Fine Arts of the Republic of Moldova. The author seeks to characterize their imagery, musical language means and technical difficulties that can be encountered by young performers. The works analyzed are approved in the author's teaching practice. The preludes were written by Gheorghe Neaga, Vladimir Rotaru, Semion Lungul, Constantin Rusnac, Alexei and Marian Stârcea, Vitaly Sechkin. Some information about these miniatures can be found in research by musicologists E. Kletinich, A. Miroshnikova, E. Gupalova. A detailed analysis from a performer's standpoint presented in the article is made for the first time. The piano pieces indicated above are diverse. The two preludes by A. Stârcea contrast with one another: one has a lyrical character, whereas the other one differs in its drama and flustered character. The piece by Gh. Neaga bears the traces of impressionist music. C. Rusnac’s and V. Rotaru’s creations are composed using Moldovan doina stylistics, and S. Lungul’s lyrical miniature is nationally neutral. In the two preludes by M. Stârcea, modern musical language means are used, and sharp rhythms and dissonant harmonies abound. The article also presents five preludes-pictures by Vitaly Sechkin, a Ukrainian composer who spent his last period of life in Moldova. Inspired by Moldovan vivid landscapes, they differ in their imagery and tempo. Nonetheless, each of the miniatures has its own individual appearance and peculiarities of style. All the works reviewed are distinguished by bright themes and original music language. They represent a substantial enrichment of national piano repertoire and are a striking contribution of autochthonous authors to the development of the prelude genre in the world’s piano music.

Piano works by composers from the Republic of Moldova: genre and modal-tonal relationships with musical folklore

2020 ◽  
Vol 61 (12) ◽  
pp. 74-77
Author(s):  
Inna Alimovna Khatipova ◽  
Keyword(s):  
Folk Music ◽  
Piano Music ◽  
Folk Songs ◽  
Primary Sources ◽  
Musical Language ◽  
Correct Treatment ◽  
Musical Education ◽  
Republic Of Moldova ◽  
Piano Works ◽  
The Republic

In the article, the author analyzes some piano pieces written by the composers of the Republic of Moldova from the standpoint of determining how genre peculiarities and musical language elements of Moldavian folk songs and folk dances are reflected in them. In this light, an analysis of miniatures by Gh.Neaga, A.Starcea, C.Rusnac, and other Moldavian composers, which are a part of pedagogical repertoire in the country’s musical education institutions, is performed. The purpose of this article is to elucidate various forms of manifestation of national groundedness in the creations of Moldavian composers, the ways in which these forms evolved, and to characterize the evolution of the composers’ attitude towards the folk base of musical material. An examination of folk elements in the musical language of autochthonous piano pieces allows one to elucidate the national specificities of piano music by the composers of the Republic of Moldova, its originality and artistic uniqueness. The author shows conclusively that a familiarity with folk primary sources and a skillful modeling of their elements assists in creating a correct treatment of the piece performed. Key words: Moldavian composers, piano music, cantilena character, virtuoso character, Moldavian folk music genres, folk modes

Supra-constitutional norms in constitutional law

2021 ◽  
Vol 30 (1) ◽  
pp. 100-127
Author(s):  
Dmitry Shustrov
Keyword(s):  
International Law ◽  
20Th Century ◽  
Natural Law ◽  
Constitutional Law ◽  
The Other ◽  
Constitutional Court ◽  
Definition Of ◽  
First Time ◽  
Positive Character ◽  
Constitutional Changes

The idea of supra-constitutionality was formulated in the science of constitutional law in the second quarter of the 20th century and associated with the names of M.Hauriou and K.Schmitt, who for the first time noticed the possibility of the existence of norms that are higher than the constitution. This article is an attempt to give the doctrine of supra-constitutionality an actual theoretical and dogmatic meaning in the context of the study of the material limits of constitutional changes. The doctrine of supra-constitutionality claims to play an important role in explaining that unchangeable norms can exist in constitutional law and that they cannot be excluded, changed, limited, overcome, affected by the other sources of constitutional law, including the constitution itself. Supra-constitutionality is viewed as a characteristic of unchangeable constitutional norms that constitute the material limits of constitutional changes. Supra-constitutionality presupposes the existence of norms that surpass the rest of the constitutional norms and predetermine their content through the definition of what can, should and should not be included in the constitution or excluded from it. The basis of constitutional supra-constitutionality is the argument of hierarchical differentiation. In addition to recognizing unchangeable constitutional norms as supra-constitutional, the article raises the question of the existence of natural law and international law supra-constitutional norms. Natural law supra-constitutional norms have an external and non-positive character. They are not enshrined in the constitution, but stem from a reasonably understood concept of what is due in the most civilized societies, which is determined by the constitutional court. International law supra-constitutionality is understood as the superiority of the norms of international law over the constitution. It has an external and positive character. International law supra-constitutionality can cause political objections from opponents of the absolute rule of international law. Supra-constitutional constitutional, natural and international law norms can come into conflict with each other. The paradox of the doctrine of supra-constitutionality lies in the fact that it creates a hierarchy of norms within the constitution itself, distinguishing between simple and supra-constitutional constitutional norms, or distinguishes certain non-positive norms that are outside the constitution, as having priority over the constitution, or puts some norms of international law over all norms of national law, including the constitution. The purpose of the doctrine of supra-constitutionality is to preserve the inviolable fundamental (natural or generally recognized) values, which justifies its logical flaws and paradoxicality.

scholarly journals Book graphics in the creation of the plastic artist Liudmyla Kozhokar

2021 ◽  
Author(s):  
Victoria Rocaciuc ◽  
Keyword(s):  
Fine Arts ◽  
Art Museum ◽  
Art Exhibitions ◽  
Full Member ◽  
Republic Of Moldova ◽  
Illustrated Books ◽  
The Arts ◽  
Publishing Houses ◽  
The Republic ◽  
Children's Stories

The fine arts artist Liudmyla Kozhokar had professional studies in Ukraine: the Arts Studio in Kherson (1975–1978) and the Ukrainian Polygraphic Institute „I. Fyodorov” in Lvov (1978–1983). Since 1984, Liudmyla Kozhokar participates in fine art exhibitions in Chisinau and abroad. Since then, the artist has collaborated with various Moldovan publishing houses, combining publishing with teaching in the field of fine arts. Since 1999 Liudmyla Kozhokar is a full member of the UAP of the Republic of Moldova, and since 2001 – a member of the A.I.A.P. UNESCO, Paris, France. Liudmyla Kozhokar’s works are in the collections of the National Art Museum of Moldova and in private ones in Romania, the Republic of Moldova, France, USA, Iraq, Italy, Germany, Japan, England, etc. The graphic designer illustrated books of different kinds: ABC books, textbooks, children’s stories, encyclopedic literature, etc. Liudmyla Kozhokar perceives each graphic book separately, finding new plastic formulas and stylistic methods, delving into the text and studying it to the last sentence.

scholarly journals Жизнеспособные традиции в живописи Сергея Галбена

2021 ◽  
pp. 50-63
Author(s):  
L.A. Toma
Keyword(s):  
Everyday Life ◽  
Fine Arts ◽  
Rural Residents ◽  
Republic Of Moldova ◽  
The People ◽  
Creative Personality ◽  
The Republic ◽  
Ethical Basis ◽  
Panoramic Views

The article highlights the stages of the life and work of the artist from the Republic of Moldova — Sergei Galben, who asserts the value of the emotionality of fine arts and viability of traditions of plastic culture, offering an example of their deep development and individual implementation in his works. Though his achievements were marked by awards in different competitions, being also appreciated by critics in press, and many paintings were purchased by museums and private collectors, the artist's creative way wasn't investigated. The author of the article fills this gap, having studied his numerous works and documentary materials. Most of S. Galben's paintings are connected with the images of Moldavian village. Genre motifs are interpreted as a part of the eternal course of life. His inclination for lyrical expression of feelings helps to reflect the spiritual purity and spontaneity of emotions in his portraits of rural residents, painted with great sympathy. Panoramic views and fragmentary sketches recreate the image of Moldova, “breathing” and emitting a soft light. The “landscape vision” of the artist, who lives in harmony with Nature, is also reflected in those rare semi-abstract compositions, characterized by well considered architectonics and correlation of color spots that express the mobility of the atmosphere. The integrity of the creative personality of Sergei Galben is largely due to the organic connection with the land on which he grew up. The artist is close to the ethical basis of the life of the people and the traditions preserved in everyday life, in the forms of folklore. В статье освещены этапы жизни и творчества молдавского живописца Сергея Галбена, известного c 1970-х годов по многим республиканским и международным выставкам. Его достижения отмечались победами в конкурсах, многие полотна хранятся в музеях и частных коллекциях. В 2020 году на ретроспективной выставке его произведений в Национальном художественном музее Молдовы с презентацией альбома «Сергей Галбен» наиболее полно раскрылось своеобразие творческой личности. Картины, разнообразные по мотивам и экспрессивным средствам, выявили гармоническое единение автора с природным миром, открытость эмоций и умение придать живописи свободное дыхание. Творческий путь художника до недавнего времени не исследовался, и автор статьи восполнил этот пробел, изучив его многочисленные работы и документальные материалы. Сергей Галбен утверждает ценность эмоциональности искусства, жизнеспособность традиций пластической культуры, давая пример их глубинного освоения и индивидуального претворения. Труд этого мастера достоин введения в широкий искусствоведческий оборот.

scholarly journals The originality of transposed maqams with few composed works: Examples from Ruhnevaz and Reng-i DilAz eser bestelenmiş şed makamların özgünlüğü: Ruhnevaz ve Reng-i Dil örnekleri

2016 ◽  
Vol 13 (3) ◽  
pp. 5362
Author(s):  
Esra Berkman
Keyword(s):  
Fine Arts ◽  
The Other ◽  
Directorate General ◽  
Similarities And Differences ◽  
The Republic ◽  
Republic Of Turkey ◽  
Made In

The Directorate General of Fine Arts of the Ministry of Culture and Tourism of the Republic of Turkey organized a “Competition for Compositions in Infrequently-Used Maqams and Usuls” with November 1, 2005 as the deadline of applications, and the competition ended with the awards ceremony in April 2006. Almost 500 composers applied with their compositions in 50 infrequently-used maqams determined by a board, and a total of 50 works from six groups received awards. The organizing institution emphasized that the objectives of the competition were to bring those 50 identified maqams to light, to encourage composers to compose works in these maqams, and to enrich the repertory of maqamic music.Grouped by their tonics and çeşni’s, only two of these 50 maqams were şed (transposed) maqams. One was Rûhnevâz, the transposed maqam of Bûselik, with the tonic in Hüseynîaşîran, and the other was Reng-i Dil, the transposed maqam of Neveser, with the tonic in Acemaşîran. This article seeks to explain why so few compositions have been made in the maqams Rûhnevâz and Reng-i Dil, which are compared for similarities and differences with other maqams that use the same scales in the context of maqamic analysis and transpositions, as well as the originality of these maqams. ÖzetT.C. Kültür ve Turizm Bakanlığı, Güzel Sanatlar Genel Müdürlüğü tarafından 2005 yılı 1 Kasım günü çağrılı “Az Kullanılan Makam ve Usûllerde Beste Yarışması” düzenlenir ve Nisan 2006’da bir ödül töreniyle sonlandırılır. Bir kurul tarafından belirlenen 50 az kullanılmış makamda yaklaşık 500 eser sahibi başvuru yapar ve altı gruptan toplam elli eser ödüllendirilir. Düzen­leyen kurumca, yarışma düzenleme amacının, belirlenen 50 makamın yeniden gün ışığına çıkarılması, bestecilerin bu makamlarda eser üretmelerini teşvik etmek ve makam müziği repertuarını zenginleştirme olduğu vurgulan­mıştır.Karar perdeleri ve karar çeşnileri üzerinden bir tabloda gruplandırılan bu 50 makamın sadece ikisinin şed makam olduğu görülmüştür. Bir tanesi Hüseynîaşîran perdesi kararlı Buselik makamı şeddi Rûhnevâz diğeri ise, Acemaşîran perdesi kararlı Neveser makamı şeddi olan Reng-i Dil’dir. Bu yazıda, makamsal analiz, göçürme uygulaması ve aynı dizileri kullanan diğer makamlarla arasındaki benzerlikler / farklılıklar bağlamında, bunlara ek olarak,  özgünlük kavramı üzerinden irdelenmiş olan Rûhnevâz ve Reng-i Dil makamlarında, neden nicelik bakımdan az sayıda eser verilmiş olabileceği araştırılmıştır. 

scholarly journals Complexul parazitoid al cinipidului Neuroterus Quercusbaccarum (Hymenoptera, Cynipidae) ce se dezvoltă pe frunze de stejar

2019 ◽  
Author(s):  
Gheorghe Manic ◽  
◽  
◽  
Keyword(s):  
New Species ◽  
Republic Of Moldova ◽  
Parasitoid Complex ◽  
Laboratory Conditions ◽  
The Republic ◽  
First Time ◽  
A New Species

The research of parasitoid calcidids associated with the cinopid Neuroterus quercusbaccarum L. (Hymenoptera, Cynipidae) was performed in the forest ridges of the northern and central districts of the Republic of Moldova during the years 2016-2018. In total, more than 1000 gallons were collected, of which eights pecies of entomophagus included in 7 genres and 6 families were obtained under laboratory conditions: Pteromalidae – Mesopolobus tibialis Westw., M. Fasciiventris Westw.; Eupelmidae – Eupelmus fulvipes Förster, Eulophidae – Olynx gallarum L., Tetrastichus sp., Ormyridae – Ormyrus diffinis Fonsc., Eurytomidae – Eudecatoma biguttata Swed.; Torymidae – Torymus flavipes Walker. In the parasitoid complex with a higher percentage of parasites, threes pecies were found: Torymus flavipes Walker (Chalcidoidea, Torymidae), Mesopolobus tibialis Westw., M. Fasciiventris Westw. (Chalcidoidea, Pteromalidae). The lowest percentage of parasites was recorded in Tetrastichus sp. (Chalcidoidea, Eulophidae). Torymus flavipes Walker iscited as a new species for Moldova’s fauna. For the first time there has been infestation of this host with parasitoids: Mesopolobus fasciiventris Westw. (Pteromalidae), Ormyrus diffinis Fonsc. (Ormyridae), Eudecatoma biguttataSwed. (Eurytomidae), Eupelmus fulvipes Förster (Eupelmidae); Tetrastichus sp. (Eulophidae), Torymus flavipes Walker (Torymidae).

scholarly journals Ecological-evolutionary ethology of the amphibians: conceptual synthesis of research results at regional and European level

2021 ◽  
Author(s):  
Tudor Cozari ◽  
Keyword(s):  
Sexual Selection ◽  
Reproductive Behavior ◽  
Reproductive Strategies ◽  
European Level ◽  
Republic Of Moldova ◽  
Parental Input ◽  
The Republic ◽  
First Time ◽  
Fundamental Mechanism

Following long-term investigations of over 50 amphibian populations in the Republic of Moldova and Italy, the ecological and evolutionary peculiarities of reproductive behavior in some species of the orders Caudata and Anura were elucidated. For the first time, at the autecological and synecological level, the evaluation of amphibian nuptial systems - parental input, reproductive success, “r” and “K” reproductive strategies and their role in the evolution of sexual selection and the realization of the reproduction potential as a fundamental mechanism for the survival of amphibian populations in various environmental conditions was emphasized.

scholarly journals New record of Collembola (Hexapoda) from the Prutul de Jos scientific reserve

2021 ◽  
Author(s):  
Galina Busmachiu ◽  
◽  
Wanda Maria Weiner ◽  
Keyword(s):  
Species Diversity ◽  
New Record ◽  
Floodplain Forest ◽  
Republic Of Moldova ◽  
Collembolan Species ◽  
The Republic ◽  
First Time

The paper presents new data about the species diversity of the order Collembola from the Prutul de Jos Scientific Reserve. A total of 13 species of Collembola from 11 genera and 5 families were identified for the first time in the floodplain forest of the Prutul de Jos Scientific Reserve. Among the identified collembolan species one - Endonura lusatica Dunger, 1966 is new for the fauna of the Republic of Moldova.

Etologia ecologico-evolutiva a amfibienilor: sinteza conceptuala a rezultatelor investigatiilor la nivel regional si european

2019 ◽  
Author(s):  
Tudor Cozari ◽  
Keyword(s):  
Sexual Selection ◽  
Reproductive Behavior ◽  
Reproductive Strategies ◽  
Reproductive Potential ◽  
Ambient Conditions ◽  
Republic Of Moldova ◽  
Parental Contribution ◽  
The Republic ◽  
First Time ◽  
Fundamental Mechanism

Following from long investigations of more than 50 populations of amphibians from the Republic of Moldova and Italy were elucidated ecological particularities and evolutionary reproductive behavior of some species of Caudata and Anura Orders. For the first time, on Autecological & Sinecological level, has been made assessment of nuptial systems of amphibians – of parental contribution, reproductive success, „r” & „K” reproductive strategies and their role in sexual selection and evolution the attainment of reproductive potential as a fundamental mechanism of survival of amphibian populations in various ambient conditions.

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