Le « mythe » de l’adolescence dans Le roman de l’adolescent myope de Mircea Eliade

2021 ◽  
Vol 66 (1) ◽  
pp. 13-26
Author(s):  
Simona Jișa

"The Myth of Adolescence in Mircea Eliade’s Diary of a Short-Sighted Adolescent. The article investigates the origins of this novel, which was published decades after its completion, thus identifying the elements that are specific to the genres of the self (autobiography, journal, Bildungsroman). It analyzes some key terms of Mircea Eliade’s world vision which can be pertinently applied to the Diary of a Short-Sighted Adolescent. The article demonstrates the way in which the young Eliade conceives his relation to the profane time of adolescence (the high school years), as well as to its profane spaces (such as the school, the attic, the library), and how he is able to move towards a sacred spatiality and temporality, both of which are spiritualized through his readings and imaginary. This return ab origo, aiming at a better understanding of the homo saber that Mircea Eliade has become, facilitates the sketching of a literary myth – i.e., that of adolescence. Keywords: Mircea Eliade, Diary of a Short-Sighted Adolescent, Bildungsroman, sacred and profane, the myth of adolescence "

2021 ◽  
Vol 15 (2) ◽  
pp. 338
Author(s):  
Ihsan Kamaludin ◽  
Suheri Suheri

Religion within Indonesian society is considered as a sacred institution. The appearance of a Cross Hijab phenomenon in social media has created a controversy for netizens because of its cross-gender clothing style. The presence of members of this group has caused unrest among most Muslims in Indonesia because its potential to decrease the sacredness of the hijab in society. This paper aims to analyze how cross hijab affects religious sacredness in society. This study used a qualitative approach in tracing cross-hijab group data on social media, and conducting a survey of 165 respondents from junior high school, high school, undergraduate, graduate, and non-Islamic boarding schools. The theory uses in this study is the sacred and profane theory of Mircea Eliade. The results showed that the emergence of the cross hijab phenomenon can have a major effect on the level of sacredness in some Islamic values of Indonesian Muslim communities. Besides, it also causes a shift in views and social situations regarding the function of hijab which theologically means sacred to something profane (accessories).Agama dalam masyarakat Indonesia merupakan salah satu institusi yang memiliki nilai sakral. Munculnya Cross Hijab di media sosial menimbulkan pro-kontra di masyarakat karena anggotanya mengenakan pakaian lintas gender yaitu hijab. Kehadiran anggota kelompok ini menimbulkan keresahan pada sebagian besar muslim di Indonesia karena dianggap dapat menggeser sakralitas hijab di masyarakat. Tulisan ini bertujuan untuk menganalisis bagaimana cross hijab mempengaruhi sakralitas keagamaan di masyarakat. Penelitian ini menggunakan pendekatan kualitatif  berupa penelusuran data kelompok cross hijab di media sosial, dan diperkuat dengan melakukan survey terhadap 165 responden dari jenjang pendidikan SMP, SMA, S1, S2, S3, lulusan pesantren maupun non-pesantren. Adapun teori yang penulis gunakan sebagai alat analisis adalah teori sakral dan profan dari Mircea Eliade. Hasil penelitian menunjukan bahwa munculnya fenomena cross hijab dapat berpengaruh besar terhadap tingkat sakralitas pada sebagian nilai keislaman masyarakat muslim Indonesia. Disamping itu juga menimbulkan pergeseran pandangan dan situasi sosial tentang perubahan fungsi hijab yang secara teologis bermakna sakral menjadi sesuatu yang profan (aksesoris).


2020 ◽  
Vol 39 (2) ◽  
pp. 188-224
Author(s):  
Erik Gunderson

This is a survey of some of the problems surrounding imperial panegyric. It includes discussions of both the theory and practice of imperial praise. The evidence is derived from readings of Cicero, Quintilian, Pliny, the Panegyrici Latini, Menander Rhetor, and Julian the Apostate. Of particular interest is insincere speech that would be appreciated as insincere. What sort of hermeneutic process is best suited to texts that are politically consequential and yet relatively disconnected from any obligation to offer a faithful representation of concrete reality? We first look at epideictic as a genre. The next topic is imperial praise and its situation “beyond belief” as well as the self-positioning of a political subject who delivers such praise. This leads to a meditation on the exculpatory fictions that these speakers might tell themselves about their act. A cynical philosophy of Caesarism, its arbitrariness, and its constructedness abets these fictions. Julian the Apostate receives the most attention: he wrote about Caesars, he delivered extant panegyrics, and he is also the man addressed by still another panegyric. And in the end we find ourselves to be in a position to appreciate the way that power feeds off of insincerity and grows stronger in its presence.


Author(s):  
George Pattison

This chapter sets out the rationale for adopting a phenomenological approach to the devout life literature. Distinguishing the present approach from versions of the phenomenology of religion dominant in mid-twentieth-century approaches to religion, an alternative model is found in Heidegger’s early lectures on Paul. These illustrate that alongside its striving to achieve a maximally pure intuition of its subject matter, phenomenology will also be necessarily interpretative and existential. Although phenomenology is limited to what shows itself and therefore cannot pass judgement on the existence of God, it can deal with God insofar as God appears within the activity and passivity of human existence. From Hegel onward, it has also shown itself open to seeing the self as twofold and thus more than a simple subjective agent, opening the way to an understanding of the self as essentially spiritual.


Author(s):  
James Deaville

The chapter explores the way English-language etiquette books from the nineteenth century prescribe accepted behavior for upwardly mobile members of the bourgeoisie. This advice extended to social events known today as “salons” that were conducted in the domestic drawing room or parlor, where guests would perform musical selections for the enjoyment of other guests. The audience for such informal music making was expected to listen attentively, in keeping with the (self-) disciplining of the bourgeois body that such regulations represented in the nineteenth century. Yet even as the modern world became noisier and aurally more confusing, so, too, did contemporary social events, which led authors to become stricter in their disciplining of the audience at these drawing room performances. Nevertheless, hosts and guests could not avoid the growing “crisis of attention” pervading this mode of entertainment, which would lead to the modern habit of inattentive listening.


2013 ◽  
Vol 2013 (1) ◽  
Author(s):  
George Pattison

AbstractNoting Heidegger’s critique of Kierkegaard’s way of relating time and eternity, the paper offers an alternative reading of Kierkegaard that suggests Heidegger has overlooked crucial elements in the Kierkegaardian account. Gabriel Marcel and Sharon Krishek are used to counter Heidegger’s minimizing of the deaths of others and to show how the deaths of others may become integral to our sense of self. This prepares the way for revisiting Kierkegaard’s discourse on the work of love in remembering the dead. Against the criticism that this reveals the absence of the other in Kierkegaardian love, the paper argues that, on the contrary, it shows how Kierkegaard conceives the self as inseparable from the core relationships of love that, despite of death, constitute it as the self that it is.


Transilvania ◽  
2021 ◽  
pp. 22-34
Author(s):  
Andreea Apostu

This paper aims to analyze the way in which Mircea Eliade became, in 1926, a vector of the cultural and scientific transfer between Western Europe and Romania, through his translations of eight fragments from Aldo Mieli, Raffaele Pettazzoni and Sylvain Lévi’s major works. Two out of these eight translations seem to have been ignored to this day by researchers, whilst the others have only been mentioned in passing. The choices made by Eliade, the context in which these translations were published (the journal Orizontul/The Horizon and its public, the precarious state of the history of religions at that time in Romania etc.) and their echoes in Eliade’s works prove that they can be seen as an example of cultural transfer. They also play an important part in the foundation of the history of religions as a discipline in Romania, being, in a way, the textual equivalents of Eliade’s institutional aspiration to found an association and a library for the study of religions, as expressed in his letters to Raffaele Pettazzoni.


2021 ◽  
Vol 9 (1) ◽  
pp. 134-140
Author(s):  
Taner Bozkuş ◽  

This study aimed to examine the self-esteem of those who did sports in physically disabled individuals by some variables. Based on this aim, the study was designed quantitatively. In this descriptive research, the general survey model that is coherent with the main purpose was used. The study group of the research consisted of 140 individuals aged 18 and over who had physical disabilities and actively engage in sports. Purposeful sampling approaches and easily accessible sampling methods were used in the selection of the study group. The scale form was used to collect research data. The scale form consisted of two parts. In the first part of this form, there was a personal information form containing information about the participants and in the second part, there was the "Rosenberg Self-Esteem Scale" developed by Rosenberg (1965) and adapted into Turkish by Çuhadaroğlu (1986). This form was applied to the participants on a voluntary basis, on the internet between 13.05.2020 and 03.06.2020. Necessary explanations were made to the participants while filling the form and they were provided to answer correctly. In this study, the self-esteem of physically disabled athletes was examined according to some variables. The research group consisted of 140 participants; 42 (30.0%) of them were female and 98 (70.0%) of them were male and the number of male participants was approximate twice the number of female participants. It was found that 18 (12.9%) participants were graduated from elementary and secondary schools, 59 (42.1%) from high school, and 63 (45%) from college, and the number of the participants belonging to the group consisted of graduates from high school and college were approximately four times more than the participants from the elementary and secondary school graduate group. It was determined that 9 (13.6%) of the participants had low, 105 (75%) had medium and 16 (11.4%) had a high level of income. It was observed that 83 (59.3%) of the participants were congenitally disabled and 57 (40.7%) of the participants disabled after birth and the number of congenitally disabled participants approximately 1.5 times more than the number of participants with disabilities after birth. It was determined that the number of participants who were national athletes was approximately 2.5 times those who were not. Among the variables examined, it was seen that there was only a statistically positive and low-level significant relationship between the sports age variable and the self-esteem mean score of the participants (r = .147; p < 0.05). In this context, as the age of the participants increased, the self-esteem of the participants also increased. As a result, it was determined that there was a positive correlation between the age of starting sports and self-esteem in physically disabled individuals, and individuals who started sports at an early age had a higher rate than other individuals.


2021 ◽  
Vol 8 (1-2) ◽  
pp. 29-43
Author(s):  
Daniel S. Traber

Herman Melville’s Redburn approaches the topic of corporeal coding via the outer layer of clothing. Throughout the novel, the young protagonist consciously uses clothing as a means of self-representation and expression, deploying fashion to create and position himself in different contexts; for example, taking pride in his ragged clothes amongst well-dressed ship passengers becomes a form of social protest. But Redburn is also used to comic effect because his choices are often based on incorrect assumptions of propriety, such as his notion of the way a sailor is supposed to dress not matching the onboard reality. The rules of appearance that construct and restrain an identity are paradoxically bolstered at the same time they are broken, which allows Melville the opportunity to explore rebellion alongside the performative aspect of the self as a body constituting both a visible sign and a living vehicle for the mores, beliefs and ideologies that shape a society.


2017 ◽  
Vol 1 (2) ◽  
pp. 118-133
Author(s):  
Mathijs Sanders

AN HOUR WITH DIRK COSTER The self-fashioning of a literary informant In 1927, the French literary magazine La Nouvelle Littéraire published an interview with the Dutch writer Dirk Coster by the renowned critic Frédéric Lefèvre in the series ‘Une heure avec ...’. Coster used the opportunity to present himself as an international cultural mediator and as a spokesman of a humanistic conception of literature. This article analyses the interview by focussing on the way Coster was portrayed in front of a French audience and by interpreting his statements concerning both Dutch and French literature.


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