scholarly journals Sam Hughes and Mobilization of Canadian Volunteers for War (August 1914 — October 1915)

2021 ◽  
pp. 429-443
Author(s):  
E. S. Symonenko

The process of mobilization of Canadian volunteers, carried out by the Minister of Militia Sam Hughes during the First World War, is considered. The chronological framework is limited by the dates of Canada’s entry into the war (August 4, 1914) and the end of the active phase of the mobilization of Canadian volunteers (October 1915) in connection with the first symptoms of the army manning crisis. The relevance of the study is due to insufficient knowledge of the specifics of Canada's mobilization activity during the First World War. For the first time, ideas are formulated and the activities of the Minister of Militia S. Hughes in the process of mobilizing Canadian troops during the war years are analyzed. The sources for the study were Canadian historical and statistical collections, as well as a collection of official documents of the Canadian government and publications of the Canadian federal and provincial press for two military years (1914—1915). The article traces the views of S. Hughes on the issue of Canada's participation in the war and his activities in the field of recruiting the volunteer army (1914—1915). It is proved that the decisive character of S. Hughes and the authoritarian style of his leadership predetermined the nature of the Canadian mobilization. In fact, it got out of the control of the British authorities due to the minister's refusal from the official mobilization plan, which provided for a too slow pace of manning. Thus, the personal efforts of S. Hughes to organize the process of mobilization contributed to its complete success.

Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


2008 ◽  
Vol 44 ◽  
pp. 354-364
Author(s):  
Andrew Atherstone

The twenty-five theological colleges of the Church of England entered the 1960s in buoyant mood. Rooms were full, finances were steadily improving, expansion seemed inevitable. For four years in succession, from 1961 to 1964, ordinations exceeded six hundred a year, for the first time since before the First World War, and the peak was expected to rise still higher. In a famously misleading report, the sociologist Leslie Paul predicted that at a ‘conservative estimate’ there would be more than eight hundred ordinations a year by the 1970s. In fact, the opposite occurred. The boom was followed by bust, and the early 1970s saw ordinations dip below four hundred. The dramatic plunge in the number of candidates offering themselves for Anglican ministry devastated the theological colleges. Many began running at a loss and faced imminent bankruptcy. In desperation the central Church authorities set about closing or merging colleges, but even their ruthless cutbacks could not keep pace with the fall in ordinands.


Rilke ◽  
2020 ◽  
pp. 304-356
Author(s):  
Charlie Louth

This chapter continues the examination of Rilke’s ‘interim’ work with a focus on his responses to German literature, which he began to read in a more systematic fashion at this time, moving away from the French tradition which he had virtually made himself part of in Paris. Although the First World War stifled Rilke’s writing, he remained committed to a poetics of experimentation. The chapter looks in detail at his relationship with the poetry of Hölderlin, which was edited fully for the first time in these years and, within the context of the war, goes on to deal with the ‘phallic’ ‘Sieben Gedichte’ and other poems including ‘Der Tod’, ‘An die Musik’ and ‘Laß dir, daß Kindheit war…’ ending with ‘Solang du Selbstgeworfnes fängst…’ as a prelude to the Duineser Elegien.


2021 ◽  
Vol 21 (2021) (2) ◽  
Author(s):  
Janez Osojnik ◽  
Aleš Maver

The article discusses plebiscites held in years after the First World War, specifically in 1920 and 1921. They were conducted for the purpose of redrawing borders in areas where this was difficult due to their multinational structure, as well as economic, geographical, and historical factors. Thus, the great powers, who were on a winning side in the First World War, in some cases decided for an instrument of popular vote, which was not a novelty in history, but was then used for the first time to a greater extend. In the article, the authors present the similarities and differences between the discussed plebiscites.


2017 ◽  
Vol 8 (1) ◽  
pp. 27-40
Author(s):  
Hans-Christian von Herrmann

"In den Jahren nach dem Ersten Weltkrieg wurde im Jenaer Zeiss-Werk im Auftrag des Deutschen Museums in München das Projektionsplanetarium als immersives Modell des Universums entwickelt. In ihm hallte eine lange Geschichte von Himmelsgloben, Armillarsphären, Astrolabien und mechanischen Planetarien nach, die seit der Antike als astronomische Demonstrationsobjekte gedient hatten. Erstmals aber fand sich diese Aufgabe nun mit einer Simulation des raum-zeitlichen In-der-Welt-Seins des Menschen verbunden. In the years following the First World War, commissioned by the German Museum in Munich, the projection planetarium was developed as an immersive model of the universe at the Zeiss plant in Jena. In it, a long history of celestial globes, armillary spheres, astrolabes, and mechanical planetaria resonated, which had served as astronomical demonstration objects since ancient times. For the first time, however, this task was associated with a simulation of man’s spaciotemporal being-in-the-world. "


1960 ◽  
Vol 64 (599) ◽  
pp. 687-691
Author(s):  
J. A. Miller

Whenever a new and truly great idea is put forward for the first time it is usually received with scorn and derision by those whom it directly concerns. Such was the initial reception of the idea of refuelling aircraft in flight.Soon after the First World War air carnivals became very popular around the flying fields of the United States of America and it was in a search for new stunts that two intrepid fliers hit on the idea of transferring fuel by hose pipe from one aircraft to another. The two single-seater aeroplanes flew one above the other, the upper one carrying the extra fuel; in order to transfer it the pilot threw a length of hose overboard leaving it trailing behind him. The receiver aircraft then manoeuvred into position and the pilot caught the hose and put the nozzle into his reserve fuel tank. When a small quantity of fuel had been transferred, he pulled out the hose and threw it clear of his aircraft, leaving the donor aircraft to haul it in.


1945 ◽  
Vol 11 ◽  
pp. 39-60 ◽  
Author(s):  
M. Raymond Lantier

During these four hard years of German occupation and in spite of hindrances of all kinds—preliminary permits to be obtained, censorship and severe limitations imposed on the liberty of the scientific press—research and the publication of works on our national antiquities have not meanwhile been interrupted. Excavations have been carried on with an activity, which the struggles for liberation during the summer of 1944, have not invariably retarded. The reviews and publications of the learned societies of the departments, although perceptibly reduced in bulk, continued to record discoveries and to print erudite articles. A new documentary review, Gallia: Excavations and Archaeological Monuments of Metropolitan France, was even published for the first time in 1943. Edited under the aegis of the National Centre for Scientific Research, its object is to publish, with the least delay possible, the reports of excavators upon their discoveries. Such results could not have been attained without the co-operation of all archaeologists, editors and printers, in fulfilling a single and imperative duty, namely, to assure the continuity of French archaeology in spite of the uncertainties and distress of the period. This amounted moreover, at the same time to a form of service and was one of the aspects of resistance to the invader. All were thus only following the example, set at the time of the first world war by Camille Jullian, the great historian of Gaul, who then placed his science and his eloquence at the service of his country. The book, dedicated to him by Albert Grenier, is no mere biography; it traces another page of the history and archaeology of contemporary France.


1951 ◽  
Vol 4 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Felix Gilbert

Ever since Woodrow Wilson, in the course of his attempts to lay a new and secure basis for peace after the First World War, proclaimed the necessity for “open covenants of peace, openly arrived at,” the methods of diplomacy have been regarded as having had their part in bringing about the outbreak of the First World War, and the demand for a “new diplomacy” has been raised. Although this concept has come into frequent use only in our century, it was soon realized that its history could be raced back into the nineteenth century, but its exact provenance has never been fully established. This article will show that the term can be found even earlier than is generally assumed, namely as early as 1793. As in all such disputes about the origin of a term, it would be ridiculous to maintain that this was definitely the first time this concept made its appearance, but it seems justified to propose that the concept definitely belongs to the second part of the eighteenth century.


2001 ◽  
Vol 6 (1) ◽  
pp. 107-126
Author(s):  
Edmundas Gimžauskas

The paper is devoted to a relatively recently researched subject – the relations between the Lithuanians and the Belorussians and the role of the latter in the genesis of the Lithuanian state in the early twentieth century. At the start of the First World War in the German-occupied regions there was a chance to re-establish the Republic of the Two Nations for the first time after 1795. However, that was not the German intention. Initially they supported only the illusion of the re-establishment of Lithuanian statehood in the lands of the former Grand Duchy of Lithuania. In this policy there was also some space for the rudiments of the political activity of Lithuanian and Belorussian intellectuals. Since the beginning of the ‘Los von Russland’ Campaign of 1916 it is possible to trace certain open efforts to obtain Lithuanian and Belorussian statehood. In the Lithuanian political struggle formulas of historical and ethnic statehood were applied taking into consideration the practical political manoeuvres of the warring countries. After the declaration of Polish statehood on 5 November 1916 the ethnic model became more important. In the east an ethnic Lithuanian state was to coincide with the historic ‘Lithuania Proper’. That was a basis for more or less constructive relations with the Belorussians, who also preferred to adhere to the historical formula. After the February Revolution, when the Belorussians started requiring the historical statehood of the whole of the GDL, contacts were broken, and they were renewed in the autumn of 1917 after the election of the Lithuanian Council (Taryba).


Author(s):  
Marina V. Moskaljuk ◽  
Lilia R. Stroy

The article is devoted to the art processes that took place in Siberia, Krasnoyarsk, during 1914–1920. The main methodology of scientific study on the creative component of the city during the First World War and Revolution is based on the principles of historicism, objectivity, a systematic approach and unique archival data that allowed reconstructing the history of the art life in the city during the First World War and learning about war prisoner artists who brought the traditions of European art into the Krasnoyarsk creative architectonics. For the first time ever, there was found information not used earlier in the analysis of art processes; the data found incorporated the names of professional masters and amateur artists from Germany, Austria, Hungary, Slovenia, who were in military captivity and worked as designers, organized art exhibitions, taught drawing and interacted with local art community. The authors conclude that the selected directions of the creative process formed the art life of the city during the First World War and Revolution, with the participation of foreign masters not only enriching the city culture, but also helping people survive in one of the most dramatic periods of world history


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