scholarly journals The 60s of the 20th Century: Modern Movement Public Catering Buildings in Latvia

2019 ◽  
Vol 15 (1) ◽  
pp. 101-105
Author(s):  
Luīze Marta Aizpurva

AbstractThe study summarizes information on buildings of catering establishments of the 1960s in Latvia. The analysis of the interior, exterior, location of the buildings as well as the possibilities for their restoration has been carried out. Information on the restoration and preservation of the Modern Movement architecture in the world has been analysed as well.

Spatium ◽  
2014 ◽  
pp. 39-46 ◽  
Author(s):  
Dzemila Beganovic

Contemporary urban development has changed the traditional cities all over the world. In our region, the typical Balkan cities of oriental origin, structure and outlook were almost totally transformed in the second half of the 20th century. Modern movement brought new models of urban organization, different communication concepts and a variety of concepts of modern buildings. Among others, the idea of complex urbarchitectonic structures in urban tissue spread under specific influences and models. After a short review of modern urban development and the idea of complex urban structures, this paper explores urban transformation of less researched cities such as Pristina and Novi Pazar. The focus is on the phenomenon of complex urbarchitectonic structures built in related cities in a short period from 1969-1989. Four complex urbarchitectonic structures will be presented: Kicma and complex in JNA Street in Pristina and Lucne buildings and Jezero buildings in Novi Pazar.


2010 ◽  
Vol 27 (3) ◽  
pp. 221-223
Author(s):  
Piers Spencer

John Paynter's death this year has deprived British music education of its most inspirational advocate during the second half of the 20th century. John's teaching in primary and secondary schools during the 1950s played a major role in shaping his vision of music at the heart of the curriculum. With his ear for an apt phrase, John loved to quote American novelist Toni Morrison's description of the wonderful presence and power of music as ‘a way of being in the world’. During the 1960s, John trained teachers in colleges in Liverpool and Chichester, before joining the innovative music department at the University of York, where he remained until his retirement in 1997. It was with the publication in 1970 of Sound and Silence that his years of pioneering work with children and older students came to fruition and the force and originality of his ideas about music education made their first big impact.


Islamovedenie ◽  
2020 ◽  
Vol 11 (3) ◽  
pp. 72-80
Author(s):  
Seferbekov Ruslan Ibragimovich ◽  
◽  

The article provides a description of an age-old predial profane rite of Tabasaran people that was practised down to the 1960s. The rite was performed in an extraordinary situation, since it violated both communist ideology and Muslim tradition. Villagers began the ritual by perform-ing the rite of zikr, and ended it by distributing the sadaka of mercy. The aim of the rite was tak-ing off the so-called “evil eye” from a farm field that did not bear fruit for three years. The rite began by the discovery of the field to be cleared from the evil eye. To this end, a dog was brought to the field and killed. Then, its dismembered body was scattered around. In some cas-es, instead of a dog, a boar or a cat were immolated. The ritual was acccompanied by a variety of magical actions. Overlooking the translucent pagan nature of this rite, local authorities and Muslim believers did not prevent it, but were active participants thereof. In the second half of the 20th century, with the transformation of most collective farms into state farms, this agricul-tural rite terminated. However, the existence of this ritual up to the era of “developed socialism” in an Islamic region testifies to its stability and importance in the predial ritualism of the Tabasa-ran, the syncretic nature of their views, forming a bizarre mixture of ancient pagan rites and Muslim traditions under the tight control of the official Marxist-Leninist doctrine. Similar syn-cretic views, common among the Tabasaran and other peoples of Dagestan, may be attributed to the category of “folk”, “everyday” or “traditional” Islam diverged from its “orthodox” Koranic version. Rites of cathartic magic with the same semantics existed not only in Tabasaran farming, but also in demonology and hunting rites. They had analogues with other peoples of Dagestan and the world.


Author(s):  
A. V. SARABIEV

Social and political processes in Syria and Lebanon analyzes on the  material of archival documents through the prism of global and  regional ideological confrontation. On the background of the world  bipolar system in the first half of the 1960s the most powerful  ideological currents, combining Arab nationalism and socialist ideas,  were most clearly manifested in the Middle East. On a broader scale,  these ideological currents have found their short-term  expression within the framework of the Non-Aligned Movement. By the end of the 1960s, the ideas of Arab socialism had ceased to be perceived as competitive in a system of bipolar global  confrontation. Nevertheless, the important historical processes of the  early 1960s cannot be analyzed without taking into account that  powerful factor in the Middle East development.


1998 ◽  
Vol 22 (7) ◽  
pp. 452-456 ◽  
Author(s):  
Allan Beveridge
Keyword(s):  

In Scotland's National Portrait Gallery, there hangs the only portrait of a 20th century Scottish psychiatrist to have been commissioned by this pantheon to the country's great and good. The subject of the painting is, of course, R. D. Laing, who was not only Scotland's most famous psychiatrist, but, for a brief period in the 1960s and early 1970s, the most famous psychiatrist in the world. He was the world's first media psychiatrist, and his books sold in millions and were translated into more than 20 languages.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


Transfers ◽  
2011 ◽  
Vol 1 (1) ◽  
pp. 73-96 ◽  
Author(s):  
Charissa N. Terranova

This essay focuses on a body of photoconceptual works from the 1960s and 1970s in which the automobile functions as a prosthetic-like aperture through which to view the world in motion. I argue that the logic of the “automotive prosthetic“ in works by Paul McCarthy, Dennis Hopper, Ed Ruscha, Jeff Wall, John Baldessari, Richard Prince, Martha Rosler, Robert Smithson, Ed Kienholz, Julian Opie, and Cory Arcangel reveals a techno-genetic understanding of conceptual art, functioning in addition and alternatively to semiotics and various philosophies of language usually associated with conceptual art. These artworks show how the automobile, movement on roads and highways, and the automotive landscape of urban sprawl have transformed the human sensorium. I surmise that the car has become a prosthetic of the human body and is a technological force in the maieusis of the posthuman subject. I offer a reading of specific works of photoconceptual art based on experience, perception, and a posthumanist subjectivity in contrast to solely understanding them according to semiotics and linguistics.


Author(s):  
S. E. Sidorova ◽  

The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.


2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.


1995 ◽  
Vol 12 (4) ◽  
pp. 496-517
Author(s):  
Abdullah Saeed

The prohibition of riba (interest) in Islam has been a hotly discussedissue among contemporary Muslims since the 1960s. Since rihd is perceivedby a considerable number of Muslims to be bank interest, andalmost all banking systems in the world, including those of the Muslimworld, are based on interest, many Muslims are concerned whether it islawful. For those who regard bank interest as rihd, any increase in a loantransaction over and above the principal is rihd because it involves anincrease over and above the principal. They contend that the fiqhi interpretationof riba is the interpretation and must be followed. For otherMuslims, the prohibition of riba is related closely to the “exploitation” ofthe needy and poor by the relatively well-off, an element that, for them,may or may not exist in modem bank interest. These Muslims have arguedthat the fiqhi interpretation given to riha is inadequate and does not takeinto consideration the moral emphasis associated with the prohibition.This paper looks at a) the overall context of the Qur’anic prohibitionof rihd; b) how the term is used in the Qur’an, the Sunnah, and in thefiqhlliterature; and c) the lack of moral emphasis in the current debate.Riba and the Qur’an: The Context of ProhibitionThe Qur’an’s condemnation and ultimate prohibition of riba was precededby its condemnation of several other morally unacceptable forms ofbehavior toward the socially and economically weaker strata of theMakkan community. From the very beginning of the Prophet’s mission, ...


Sign in / Sign up

Export Citation Format

Share Document