scholarly journals 9. An Analysis of the Vocal Ensembles from the Opera “I Puritani” by Vincenzo Bellini

2018 ◽  
Vol 15 (1) ◽  
pp. 84-97
Author(s):  
Cristina Simionescu
Keyword(s):  
Close Connection ◽  
Bel Canto ◽  
Vincenzo Bellini ◽  
Poetic Text ◽  
The Creation

Abstract I Puritani is the masterpiece that crowned the creation of the Italian composer Vincenzo Bellini, being remarked and appreciated for the richness of his melodicity and profound symbols filled with the inspiration and creativity of a creator. This was the last of the ten works composed by Bellini, whose disappearance was premature, at only 33 years, but the passion and talent with which he created revealed a work dominated by essence and emotion, which establishes a close connection between chant and the poetic text, providing new expressive valences to the lyrical universe. The extremely difficult and demanding vocal writing raises serious challanges, the Bel-canto style meaning not only a “beautiful chant” but also a difficult texture, a certain specific phrasing and a spread of spectacular acute tones.

ECOLOGICAL TOURISM AND RECREATIONAL GEOGRAPHY

InterConf ◽  
2021 ◽  
pp. 6-13
Author(s):  
Ayan Mirzayeva
Keyword(s):  
Local Communities ◽  
Tourism Industry ◽  
Close Connection ◽  
Economic Opportunities ◽  
The Creation ◽  
Ecological Tourism

Ecological tourism is a direction in the tourism industry, which is primarily interested in preserving nature and its surroundings: monuments, plants, animals. An integral part of ecotourism development is the promotion of the utilization, conservation of water and energy and the creation of economic opportunities for local communities. Tourism is in close connection with a new branch of geography - recreational geography, which studies natural-geographical, cultural-historical and other conditions conducive to the development of tourism.

scholarly journals Text application as a marker of intertext links in modern Ukrainian poetry

2021 ◽  
Vol IX(257) (75) ◽  
pp. 12-16
Author(s):  
A. Berestova
Keyword(s):  
World Literature ◽  
Meaning Making ◽  
Folk Art ◽  
Language Play ◽  
Poetic Text ◽  
The Creation

In the article proposed, the researcher tries to characterize the main manifestations of text applications on the basis of Ukrainian poetry of the late XX - early XXI centuries. The author of the research concludes that the text application is actively used in modern Ukrainian poetry as a marker of intertextual interaction and an actualizer of precedent texts of religious content, various genres of Ukrainian folk art, as well as Ukrainian and world literature. The text applications found in the processed poetic works play an important role in the creation of poetic text and perform the function of setting, informative-signaling, meaning-making, plotforming functions, as well as the means of creating figurative and stylistic figures and the means of language play.

scholarly journals The Dorjéling Armoury in the Potala According to the Fifth Dalai Lama’s gsung ’bum

2021 ◽  
Author(s):  
Federica Venturi
Keyword(s):  
Dalai Lama ◽  
Military Readiness ◽  
Poetic Text ◽  
The Creation ◽  
The Government ◽  
Set Up ◽  
Military Preparedness

Although the government established through the alliance of the Gélukpa (Dge lugs pa) and the Khoshud in 1642 took its appellation from the Ganden Palace (Dga’ ldan pho brang/Ganden Phodrang) at Drepung (’Bras spung), the symbolic seat of power of this government was the Potala, at the same time fortress, administrative centre, earthly copy of the celestial palace of Avalokiteśvara, and official residence of the Fifth Dalai Lama. Less known, however, is that the Potala also came to symbolise military readiness. It acquired this new martial function in 1667, when an armoury, called Dorjéling (Rdo rje gling), was set up at the base of the White Palace. The Fifth Dalai Lama memorialised its establishment with a poetic text, which is included in volume nineteen (ma) of his collected works. This paper examines this text, which provides information both on the contents of the armoury and on the logic employed to justify the creation of spaces dedicated to military preparedness within a palace that was fast becoming one of the most revered sites in the Tibetan sphere.

On the History of the Creation of Works by Sergei Taneyev for the Magazine “Zakholustye”

10.34690/06 ◽  
2019 ◽  
pp. 122-137
Author(s):  
Н.С. Ганенко ◽  
Т.А. Зайцева
Keyword(s):  
Poetic Text ◽  
History Of ◽  
The Creation

В статье впервые рассмотрена история создания произведений С. И. Танеева, написанных специально для любительского журнала «Захолустье» (1876-1889). Из 46 представленных нами миниатюр разных жанров десять завершенных и одно неоконченное сочинение до сих пор не опубликованы. Большинство юмористических произведений написано «по случаю»: приведены некоторые факты из жизни композитора и его друзей Масловых - участников журнала. Подчеркнута приверженность Танеева к выбору определенных стихов Козьмы Пруткова, Пушкина, Фета, Тютчева и других. В некоторых произведениях композитор предстает автором не только музыки, но и поэтического текста. Составлена хронологическая таблица сочинений для журнала «Захолустье», в которой указаны даты создания миниатюр, их первого издания, место хранения рукописей, авторские ремарки, уточняющие принадлежность произведения к журналу. The article is the first study of the history of the creation of works by S.I.Taneyev written for the magazine Zakholustye (18761889). Ten completed and one unfinished work from the 46 miniatures of different genres presented by us have not been published so far. The most humorous works were written on occasion: some facts from the life of the composer and his friends Maslovs, participants of the magazine, are given. Taneyevs commitment to the choice of certain verses by Kozma Prutkov, Pushkin, Fet, Tyutchev is underlined. In some works, the composer appears as the author not only of music, but also of poetic text. A chronological table of works for the magazine Zakholustye indicates the dates of creation and first edition, the place of storage of the manuscripts, authors remarks specifying the works affiliation to the magazine.

scholarly journals L’EDIZIONE CRITICA DEI «PURITANI» DI VINCENZO BELLINI: ALCUNI ASPETTI DI METODO

2014 ◽  
Author(s):  
Fabrizio Della Seta
Keyword(s):  
Critical Edition ◽  
Literary Text ◽  
Multiple Sources ◽  
Vincenzo Bellini ◽  
Theatrical Performance ◽  
The Creation

The critical edition of I Puritani, published in 2013, provides an opportunity for some reflections on the nature of the operatic score compared with that of the literary text. Unlike the latter, the written dramatic-musical text does not coincide with the artwork; rather, it is the premise to the creation of a complex event, the theatrical performance. Bellini’s opera excellently exemplifies the point: the author’s thought is transmitted by multiple sources, each of which contains variants that are not in conflict with each other; they embody a compositional thought that contains within itself the flexibility of the performance. A case in point is offered by metronome markings: Bellini wrote up to four different indications for the same passage in different manuscripts. None of these should be considered to represent the author’s final idea; rather, they delimit the spectrum of options within which the interpreter is called to choose.

scholarly journals To the problem of interpreting the genre of choral miniatures in the creation of Lesya Dichko (on the example of choral miniatures on poetic texts „Winter”, „Na chovni”, „Spring”)

2019 ◽  
pp. 5-17
Author(s):  
І. М. Рябцева
Keyword(s):  
Visual Arts ◽  
Complex Analysis ◽  
Scientific Investigation ◽  
Practical Implementation ◽  
Musical Language ◽  
Basic Principles ◽  
Choral Works ◽  
Poetic Text ◽  
The Creation ◽  
Poetic Texts

The purpose of the article is to identify the features of the genre ofUkrainian choral miniature and to identify the basic principles of theirimplementation in the choral works by Lesya Dychko. The purpose of thework determines the relevant tasks, which are in identifying the genrestyle landmarks of the musical language of L. Dichko, available in selectedchoral miniatures for poetic texts and, based on their analysis, outline anumber of immanent features inherent in the creativity of the composer.The methods of the research is formed by the using of empiricalapproaches of scientific investigation, namely observations, analyzes and generalizations, which allow the practical implementation of this studyingthemetic destination. The textological and semantic analytical approachesof the poetic text are also used in the work. The scientific novelty of thearticle is determined by the factor of primacy of the complex analysis ofselected choral miniatures from the standpoint of revealing immanentgenre-stylistic traits of L. Dychko’s creativity. Conclusions. The analysisof choral miniatures „Winter”, „Na chovni”, „Spring” on poetic textsallows to classify them as extremely bright, artistically expressiveexamples of modern interpretation of the genre with a relief display ofnationally characteristic stylistic features, which can be considered as anexample of the synthesis of neo-folklore neo-romantic orientation ofcreativity of L. Dychko. The choir miniature of Lesya Dychko is nowfirmly in the repertoire of numerous choirs of Ukraine. The composerforms a comprehensive outlook model of being in interaction with creativethinking. Her vision of the artistic text takes place at the same time in thedimension of literature, music and painting due to the constantinvolvement of elements of the visual arts vocabulary in her works,orientation to „painting”, and work with poetic images.

On auditory choreography: How walking anticipates sound and movement resonates

2019 ◽  
Vol 10 (2) ◽  
pp. 197-212
Author(s):  
Leonie Persyn
Keyword(s):  
The Body ◽  
Close Connection ◽  
Creation Process ◽  
Main Action ◽  
The Creation

Abstract Benjamin Vandewalle and Yoann Durant label their performance Hear (2016) as an auditory choreography. Starting from an elaboration on the etymology of choreography I research what the auditory dimension adds and changes to choreography. Choreographing based on auditory decisions inverses sound and movement. This inversion has consequences from the process to the end result. Based on the sonic quality as main decision principle I unravel the creation process of Hear in seven main action: to stand, to walk, to breathe, to look, to move, to disappear and to sound. This division reveals how the actual choreographing doesn't stop at the end of the creation process. In the second half of the paper, I turn to the experience of an auditory choreography, where the body of the audience functions as a resonance box. The discomfort of a blindfold during the experience, leads to the installation of a delicate intimacy and reveals the close connection between sound, touch and movement. The precariousness of the installed intimacy triggers and enforces the audience imagination. Through my own experience of Hear I discover how the audience in an auditory choreography becomes a co-creator.

Sociohistorical Self-Choreography: A Second Dance with Castoriadis

2019 ◽  
Vol 7 (1) ◽  
pp. 87-104
Author(s):  
Joshua M. Hall
Keyword(s):  
Twentieth Century ◽  
Social Justice ◽  
Present Article ◽  
The Self ◽  
Fatal Flaw ◽  
Cornelius Castoriadis ◽  
Poetic Text ◽  
The Creation

Abstract Twentieth-century Greco-French philosopher, economist, psychoanalyst and activist Cornelius Castoriadis offers a creative new conception of imagination that is uniquely promising for social justice. Though it has been argued that this conception has one fatal flaw, the latter has recently been resolved through a creative dialogue with dance. The present article fleshes out this philosophical-dancing dialogue further, revealing a deeper layer of creative dialogue therein, namely between Castoriadis’ account of time and choreography. To wit, he reconceives time as the self-choreography of the sociohistorical, in which performance the sociohistorical plays two dancing roles simultaneously, both choreographer and choreographed dancer. More precisely, as interpreted by Castoriadis in a late essay, the creation and emergence of forms in time consists of a poetic “scansion” or “scanning” of time. Thus, the sociohistorical is both choreographer and dancer, poet and reader, reinterpreting the poetic text of time as the music for its evolving dance.

scholarly journals Ecoacoustic and shamanic technologies for multimedia composition and performance

2005 ◽  
Vol 10 (1) ◽  
pp. 3-19 ◽  
Author(s):  
MATTHEW BURTNER
Keyword(s):  
Musical Instrument ◽  
Instrument Design ◽  
Musical Composition ◽  
Close Connection ◽  
Composition Theory ◽  
Far North ◽  
Environmental Systems ◽  
The Creation ◽  
And Performance ◽  
Multimedia Performance

The author's close connection to traditional Alaskan culture has inspired the creation and implementation of new multimedia instruments based on the use of ritual objects in shamanic cultures of the far north. Simultaneously, the musical processes articulated by this music are structurally tied to environmental systems in a technique discussed here as ‘ecoacoustics’. In this work, performer/composer interaction, musical composition theory, multimedia performance, and musical instrument design have been transformed in response to these influences.

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