scholarly journals Ludwik Wołowski and His Contribution to the French Credit Revolution of the 19th Century

2021 ◽  
Vol 39 (1) ◽  
pp. 3-32
Author(s):  
Rafał Dobek
Keyword(s):  
Mortgage Loan ◽  
Political Activity ◽  
Second Empire ◽  
Second Republic ◽  
Theoretical Concepts ◽  
The Third ◽  
History Of ◽  
The Moment ◽  
The 19Th Century ◽  
Mortgage Law

Abstract Ludwik Wołowski was a Polish November emigrant in France. There, he gained recognition as an outstanding economist, banker and republican politician. The article focuses on the issue of mortgage loan, which is extremely important for Wołowski. It presents both the theoretical concepts of the Pole from 1834, his political activity in the years 1848–1851 aimed at changing the provisions of the mortgage law in France, and finally the moment of co-creation by Wołowski Crédit Foncier, the first modern mortgage bank in France, and the further history of the bank managed by Wołowski, in the board of which he sat until his death in 1876. In the first part, the text presents not only the criticism of the French mortgage system by Wołowski (primarily the so-called secret mortgages), but also his draft changes and the loan and mortgage model proposed by him and the companies that may grant it. In the second, it shows the parliamentary activity of Wołowski, an attempt to force through appropriate changes in the banking law and the reasons for its defeat. In the third, the most extensive, the article describes not only the very moment of establishing Crédit Foncier and the two-year period of management by Wołowski, but also the further, controversial operation of the bank until the second half of the 1870s. All this against the backdrop of the changing French Monarchy of July, the Second Republic and the Second Empire.

Historiography of one city: colonialism, colonization, frontir. On the historiography of the history of functioning of the fortress city of the left wing of the Caucasian cordon line on the example of the history of Kizlyar in the first half of the 19th century

2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva
Keyword(s):  
19Th Century ◽  
Historical Context ◽  
Left Wing ◽  
Theoretical Concepts ◽  
History Of ◽  
The 19Th Century ◽  
The City

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.

scholarly journals Praca, robotnicy, archiwa, fotografia — utrwalanie stereotypów i walka o emancypację

2015 ◽  
Vol 59 (3) ◽  
pp. 203-221
Author(s):  
Tomasz Ferenc
Keyword(s):  
Historical Perspective ◽  
Methodological Problem ◽  
Digital Repository ◽  
The Third ◽  
Working People ◽  
Soviet Russia ◽  
The Moment ◽  
And Control ◽  
The 19Th Century ◽  
Scientific Tool

Work, workers, and workers’ living conditions quickly became a field of interest for photographers. Already by the middle of the 19th century there were photographs showing working people. Nevertheless, the contexts in which such photographs were taken varied considerably. The first part of this article presents, in the historical perspective, the different causes and strategies involved in making these types of documents, up to the moment when photographs began to appear that had been made by workers themselves. The movement to photograph workers, which developed in the first decades of the 20th century, is recalled in the second part of the article (using the examples of the Weimar Republic and Soviet Russia). The third part is devoted to photographic projects whose purpose was to increase the productivity of, and control over, workers. Photography is presented as a scientific tool for measuring movement and as an illustration of the most effective manners of organizing work. At the end, the Digital Repository of Worker Photography is described, as an example of work on a collection of photos and the creation of a platform permitting further work, but also as a legal and methodological problem.

Marx as the Historical Materialist: Re-reading The Eighteenth Brumaire

2013 ◽  
Vol 21 (2) ◽  
pp. 21-46 ◽  
Author(s):  
Massimiliano Tomba
Keyword(s):  
Middle Class ◽  
The Political ◽  
Second Empire ◽  
Modern Democracy ◽  
National Assembly ◽  
The Third ◽  
Historical Materialist ◽  
History Of ◽  
Good For ◽  
The Revolution

Abstract The purpose of this paper is to re-read Marx’s Eighteenth Brumaire by highlighting the political meaning of a materialist historiography. In the first part, I consider Marx’s historiographical and political intention to represent the history of the aftermath of the revolution of ’48 as a farce in order to liquidate ‘any faith in the superstitious past’. In the second part I analyse the theatrical register chosen by Marx in order to represent the Second Empire as a society without a body, a phantasmagoria in which the Constitution, the National Assembly and law – in short, everything that the middle class had put up as essential principles of modern democracy – disappear. In the third part I argue that Marx does not elaborate a theory of revolution that is good for every occasion. What interests him is a historiography capable of grasping, in the various temporalities of the revolution, the chance for a true liberation.

scholarly journals The concept of “musical degeneration”: From fin-de-siècle pesimism to the nationalsocialist rule

2012 ◽  
Vol 23 (3) ◽  
pp. 237-252
Author(s):  
Maja Vasiljevic
Keyword(s):  
Third Reich ◽  
History Of Ideas ◽  
Richard Wagner ◽  
Medical Terminology ◽  
The Third ◽  
German Speaking ◽  
History Of ◽  
The Third Reich ◽  
The 19Th Century ◽  
The Given

The paper follows the discursive path of one of the dominant, and yet forgotten, terms in the history of ideas - that of ?degeneration.? The richness of uses and various illuminations of the term, as well as its discursive dispersion and blurring, can be seen from the mid 19th until the first decades of the 20th century. The term was almost inescapable in studies of thinkers from various fields starting in the middle of the 19th century, it was successfully adopted from French, Italian and British medical terminology into the art discourse of modern European societies. By focusing on music, the given term became permanently tied to thinking about relations of music and society in the German-speaking world. In a complex discursive development of the term, the author necessarily made certain choices, paying special attention to the Austro-Hungarian psychologists, Max Nordau who carried the concept of ?degeneration? from the medical to the art (and music) sphere. The debate regarding the ?degeneration of music,? was developed chronologically, starting from the Second Reich (being the time in which one of the most controversial composers lived, Richard Wagner). While Wagner developed a theory of ?degeneration? and its overcoming through ?regeneration,? he was still considered ?degenerated.? The given example reveals the complexity of the problem we face when we study the concept of ?degeneration of music.? The consideration is completed with a glance at the life of ?degenerated? musicians and music during the Weimar Republic, that is, their interpretation in the Third Reich.

scholarly journals Plague: A natural history of Yersinia pestis

2004 ◽  
Vol 26 (2) ◽  
pp. 11-14
Author(s):  
Richard W. Titball
Keyword(s):  
Yersinia Pestis ◽  
Causes Of Death ◽  
World Health ◽  
South East Asia ◽  
The Third ◽  
The World ◽  
The Usa ◽  
History Of ◽  
Health Organization ◽  
The 19Th Century

Yersinia pestis is the aetiological agent of plague, a disease that has a place in history as one the major causes of death from the 14th to the 17th Centuries1. It is estimated that, during the Black Death pandemic, approximately 30% of the population of Europe died of plague, and so great in number were the corpses that, in many parts of Europe, the dead were placed in burial pits rather than receiving individual burials. Y. pestis has also been responsible for two other pandemics of disease. The first of these, the Justinian plague, occurred during the 1st Century. The third pandemic occurred during the latter part of the 19th Century and was confined mainly to South-East Asia1. Even today, several thousand cases of plague are reported to the World Health Organization each year, mainly from South-East Asia, the southwestern parts of the USA, Madagascar and Africa.

The old regime of hygiene: Life in the nineteenth-century French countryside

Rural History ◽  
2019 ◽  
Vol 30 (1) ◽  
pp. 17-36 ◽  
Author(s):  
Steve Zdatny
Keyword(s):  
Nineteenth Century ◽  
Third Republic ◽  
Rural Life ◽  
Second Empire ◽  
Old Regime ◽  
The Third ◽  
Political Upheaval ◽  
History Of ◽  
Object Lesson ◽  
Material Conditions

AbstractThis article provides an object lesson in the history of thelongue durée, reflected in the comprehensive filthiness of rural life in the nineteenth century. Political upheaval had not changed the material conditions of peasant existence or sensibilities relating to hygiene. Economic revolution had as yet made no practical difference to the dirtiness of daily life. Peasants under the Second Empire lived much as they had under the Old Regime – in dark, damp houses with no conveniences, cheek by jowl with the livestock. Their largely unwashed bodies were wrapped in largely unchanged clothes. Babies were delivered with germ-covered hands, drank spoilt milk from dirty bottles, and spent their young days swaddled like mummies and marinating like teriyaki. The Third Republic set out to ‘civilize’ the rural masses, but this snapshot of material life in the nineteenth-century French countryside illustrates just how much work lay in front of it.

Religious Offences in Italy: Recent Laws Concerning Blasphemy and Sport

2011 ◽  
Vol 13 (2) ◽  
pp. 182-197 ◽  
Author(s):  
Anna Gianfreda
Keyword(s):  
Criminal Law ◽  
Religious Freedom ◽  
Church And State ◽  
The Third ◽  
Recent Developments ◽  
History Of ◽  
Historical Remarks ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Religious offences in Italy, as in many European countries, have a long and complex history that is intertwined with the events in the history of the relationship between church and state and the institutional and constitutional framework of a nation.This article is divided into three parts. The first part aims to offer some historical remarks concerning the rules on the contempt of religion and blasphemy in Italian criminal law from the end of the 19th century to the present day. The second part focuses on changes to the law on vilification introduced in 2006 and the third part deals with the recent developments in blasphemy law in the context of sport.The article shows that, on the one hand, reforms of the offences grouped under vilification of religion are anachronistic and do not stand up against the religious freedom of individuals, yet on the other, despite the traditional rules for the protection of religion being considered obsolete, they are applied in new areas of law, for example sport, and are used to curb bad manners and bad behaviour. The relationship between the new functions of these criminal rules and the traditional ones, however, remains uncertain and fluctuating, and reveals a moralistic approach to religious offences.

A History of Medical Scientists on High Heels

1998 ◽  
Vol 28 (2) ◽  
pp. 201-225 ◽  
Author(s):  
Marc Linder ◽  
Charles L. Saltzman
Keyword(s):  
French Revolution ◽  
Health Problem ◽  
Behavioral Change ◽  
Epidemiological Studies ◽  
The Public ◽  
The Third ◽  
History Of ◽  
High Heels ◽  
The 19Th Century ◽  
Medical Interest

For 250 years medical scientists have propagandized about the health hazards of high-heeled shoes, which originated four centuries ago. Physicians, however, largely unaware of their own profession's tradition, keep reinventing the diagnostic wheel. This professional amnesia has held back the momentum of the process of educating the public. Consequently, despite these warnings, millions of women continue to wear high-heeled shoes. This article describes the history of the medical profession's recognition of this worldwide health problem and the current understanding of the deleterious and often irreversible biomechanical effects of high-heeled shoewear. The article emphasizes that the reemergence of high heels and of medical interest in them in the third quarter of the 19th century, following their disappearance in the wake of the French Revolution, was associated with increasing pressure by employers to wear such shoes for long hours at work. Although medical scientists have recognized this specifically occupational phenomenon for more than a century, full-scale epidemiological studies may be necessary to bring about substantial social-behavioral change.

Marrying “Well”: Debating Consanguinity, Matrimonial Law, and Brazilian Legal Medicine, 1890–1930

2015 ◽  
Vol 33 (3) ◽  
pp. 703-743 ◽  
Author(s):  
Okezi Otovo
Keyword(s):  
Catholic Church ◽  
Critical Issue ◽  
Civil Code ◽  
Law Schools ◽  
The Third ◽  
History Of ◽  
The Law ◽  
Old Republic ◽  
The Moment ◽  
Special Circumstances

On August 28, 1919, Brazil's most famous pediatrician, Dr. Carlos Arthur Moncorvo Filho, addressed his colleagues at the illustrious National Academy of Medicine in Rio de Janeiro, reminding them that consanguineous marriage was the topic of the moment. Dr. Moncorvo Filho's insistence that “everyone knew why” was a reference to a proposal made before the Senate just three months prior by Senators Eloy de Souza of the state of Pernambuco and Álvaro de Carvalho of São Paulo. The senators proposed that language prohibiting marriage between blood relatives in the recently ratified Brazilian Civil Code be amended to allow for special juridical or medical dispensation. Souza and Carvalho, with the backing of the Catholic Church and a minority of members of the Brazilian Institute of Attorneys, supported permitting marriage between third-degree relatives under special circumstances. At issue for the attorneys was how the law would deal with situations in which couples had a compelling need to marry within the third degree of kinship. A recent case of an uncle who had “deflowered” his niece and then offered to “remedy the damage” through marriage brought this issue to public debate. Marriages between uncles and their nieces and aunts and their nephews (third-degree relations) were traditional in Brazil, and Brazilian law had a long history of yielding to custom and context. However, under the new laws of the 30-year-old republic, this type of marriage was no longer legal, having been specifically prohibited by the 1916 Civil Code. Senators Souza and Carvalho, both lawyers by training, proposed reforming the Code, while their ultimately unsuccessful amendment sparked vigorous debate in both legal and medical circles on the validity of marriage restrictions within the third degree of consanguinity. As a result, physicians at Brazil's leading medical schools and their jurist counterparts at the law schools took sides on this critical issue, dividing themselves into rival camps of consanguinistas and anticonsanguinistas.

scholarly journals The Image of Garibaldi in Fyodor Dostoevsky’s Works

2020 ◽  
pp. 37-45
Author(s):  
Svetlana V. Murzina ◽  
◽  
Elena G. Novikova ◽  
Keyword(s):  
Creative Writing ◽  
Political Activity ◽  
Main Body ◽  
Face To Face ◽  
Textual Evidence ◽  
History Of ◽  
Political Thinker ◽  
The 19Th Century ◽  
Artistic Image ◽  
Political Figure

The study is the first to collect, describe and analyze the main body of Fyodor Dostoevsky’s comments related to Giuseppe Garibaldi. The image of the Italian political figure is reconstructed in the creative works of the Russian writer. The image is analyzed from historical and political perspectives of the nineteenth-century Russia (1860–1870) and the Italian Risorgimento. The relevance of the study is due to the modern perception of Dostoevsky as an original political thinker and the wide context of Russian-Italian relations. Giuseppe Garibaldi is one of the most distinguished political figures in the European history of the middle of the second half of the 19th century. He is a national hero of Italy, one of the leaders of the Risorgimento whose main political achievement was unification of the country and nation. Dostoevsky repeatedly referred to Garibaldi during two decades, from 1860 to 1876. Dostoevsky’s creative works related to the image of Garibaldi are as follows: Petersburg Dreams in Verse and Prose, Winter Notes on Summer Impressions, The Double, The Adolescent, A Writer’s Diary, as well as his letters of 1867 and 1868. The way Garibaldi’s image is reflected in Dostoevsky’s creative writing is worth noting: Garibaldi is mentioned only in final versions of two works of the beginning of the 1860s, i.e. Petersburg Dreams in Verse and Prose and Winter Notes on Summer Impressions; in the works of the 1860s–1870s (The Double, The Adolescent, A Writer’s Diary), Garibaldi is mentioned only in preliminary drafts, not in the final canonical versions of the works. Garibaldi’s image is of particular importance in Dostoevsky’s creative writing; however, it is often “hidden” being not explicit, but implicit textual evidence. All the mentioned materials show that Dostoevsky was aware of the events and circumstances related to Garibaldi and the Italian Risorgimento as a whole. He received the information from European and Russian newspapers and journals, Garibaldi’s Notes, and, finally, an occasional face-to-face meeting with him in 1867. Garibaldi’s image is created in different ways: Dostoevsky simply mentions his name or creates a vivid artistic image (A.G. Dostoevskaya also contributed to shaping Garibaldi’s image). With all the attention that Dostoevsky paid to Garibaldi’s political activity, the image that he finally created in his works stands out for personal features and traits associated with the unique personality of the “Italian hero”. According to Dostoevsky, “genius” and “open-heartedness” are the essential features of Garibaldi’s personality.

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