Postcolonial theory is a body of thought primarily concerned with accounting for the political, aesthetic, economic, historical, and social impact of European colonial rule around the world in the 18th through the 20th century. Postcolonial theory takes many different shapes and interventions, but all share a fundamental claim: that the world we inhabit is impossible to understand except in relationship to the history of imperialism and colonial rule. This means that it is impossible to conceive of “European philosophy,” “European literature,” or “European history” as existing in the absence of Europe’s colonial encounters and oppression around the world. It also suggests that colonized world stands at the forgotten center of global modernity. The prefix “post” of “postcolonial theory” has been rigorously debated, but it has never implied that colonialism has ended; indeed, much of postcolonial theory is concerned with the lingering forms of colonial authority after the formal end of Empire. Other forms of postcolonial theory are openly endeavoring to imagine a world after colonialism, but one which has yet to come into existence. Postcolonial theory emerged in the US and UK academies in the 1980s as part of a larger wave of new and politicized fields of humanistic inquiry, most notably feminism and critical race theory. As it is generally constituted, postcolonial theory emerges from and is deeply indebted to anticolonial thought from South Asia and Africa in the first half of the 20th century. In the US and UK academies, this has historically meant that its focus has been these regions, often at the expense of theory emerging from Latin and South America. Over the course of the past thirty years, it has remained simultaneously tethered to the fact of colonial rule in the first half of the 20th century and committed to politics and justice in the contemporary moment. This has meant that it has taken multiple forms: it has been concerned with forms of political and aesthetic representation; it has been committed to accounting for globalization and global modernity; it has been invested in reimagining politics and ethics from underneath imperial power, an effort that remains committed to those who continue to suffer its effects; and it has been interested in perpetually discovering and theorizing new forms of human injustice, from environmentalism to human rights. Postcolonial theory has influenced the way we read texts, the way we understand national and transnational histories, and the way we understand the political implications of our own knowledge as scholars. Despite frequent critiques from outside the field (as well as from within it), postcolonial theory remains one of the key forms of critical humanistic interrogation in both academia and in the world.
Deus ex machina, czyli o doświadczeniu fonografii w poezji Stanisława Barańczaka / DEUS EX MACHINA, OR THE EXPERIENCE OF PHONOGRAPHY IN THE POETRY OF STANISŁAW BARAŃCZAK