scholarly journals The Origin and Formation of the National Symbols of Catalonia within the Framework of the Renaixença and their Visual Representation in the 19th Century

2021 ◽  
Vol 5 (4) ◽  
pp. 114-130
Author(s):  
N. A. Kuzina
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Visual Representation ◽  
Time History ◽  
National Unity ◽  
National Symbols ◽  
History Of ◽  
Cultural Code ◽  
Visual Materials ◽  
The 19Th Century

The article presents the study of national symbols of Catalonia: their emergence and visual representation in the art of the 19th century. National symbolic system of Catalonia date back to the Renaixença movement in literature that initiated the formation of the Catalan language and literature. The scope and purpose of the article included an investigation of the works of the most prominent representatives of the Catalan national renaissance in order to identify the origins of the symbols they deploy. Consideration of symbols serves the purpose of defining the way national aspects get their visual representation. The method of historical typology was used to systematize the sources. Memoirs and publications in the press were analyzed with the textual method, and visual materials – with stylistic and iconic methods. Detailed research of the works of Renaixença has shown that Catalan cultural code initially emerged in poetry. In the second half of the 19th century, the symbols acquired visuality in fine art, namely paintings and visual design of the front pages of Catalan newspapers and magazines. The article provides a detailed account of selected examples of such visuals. At that time, Catalan intellectuals created works devoted to the history of Catalan-speaking lands, seeking to find roots that would picture the ancient nature of their motherland. They searched the archives and looked into medieval literature and folklore to prove the continuity of prosperous medieval Catalonia, part of the Kingdom of Aragon, and nineteenth-century Catalonia. Thinking over national history gave birth to national identity. At the same time history acquired a visual dimension. Churches, monasteries, memorable dates, leaders and thinkers that bore distinct national identity were visualized. Medieval plots penetrated art that tapped into heroic deeds of the past for inspiration. The spread of visual images helped bridge the gap between past and present. The newly acquired continuity of tradition strengthened the national narrative. The process enabled the national unity of the Catalan people with the central idea of an imaginary community of a nation-state.

scholarly journals Building national identity in opposition to otherness in liberal Age. Racial prejudices in trademark images in Central State Archives

2020 ◽  
Vol 7 (1) ◽  
pp. 99-114
Author(s):  
Domenico Francesco Antonio Elia
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Racial Stereotypes ◽  
Central State ◽  
Colonial Studies ◽  
History Of ◽  
Trademark Images ◽  
State Archives ◽  
The 19Th Century ◽  
Racial Stereotyping

The paper analyses the origins of Italian national identity in opposition to the «otherness» of the African peoples subject to colonization between the end of the 19th century and the 1920s. The paper takes into consideration background studies in the history of pedagogy, among which, Gabrielli (2013, 2015) and colonial studies as Del Boca (1988) and Labanca (2002) in order to investigate the development of racial stereotypes outside the school. Racial stereotyping increased in advertising and emerged in trademark images of Italian companies so that it influenced the idea of otherness between 1890 – i.e. the conquest of Eritrea – and 1922 – i.e. the advent of Fascism.

scholarly journals Polsko-litewskie dziedzictwo kulturowe – różnice w świadomości społecznej. Perspektywy zbliżenia dzięki wspólnym bohaterom narodowym na przykładzie Michała Kleofasa Ogińskiego

2021 ◽  
pp. 231-261
Author(s):  
Małgorzata Gumper
Keyword(s):  
National Identity ◽  
19Th Century ◽  
The Past ◽  
The Future ◽  
Political Activist ◽  
History Of ◽  
Historical Education ◽  
National Hero ◽  
The 19Th Century

The uncomfortable situation of Poles in Lithuania is, among other things, the effect of Lithuanian historical education. Excerpts from the textbook on the history of Lithuania show diametrical differences in contemporary ideas about the past of both nations. Shared heroes are useful to overcome prejudices of the previous century (which affect the image of 1385-1795). One of them is Michał Kleofas Ogiński, Lithuanian nobleman, a political activist during the last years of the Polish-Lithuanian Commonwealth and two decades after its collapse. He has the rank of a great national hero in Lithuania and Belarus but is valued in Poland above all because of his piano compositions. The analysis of fragments of his work Memoirs about Poland and Poles helps us to regard a representative of the noble nation from a different perspective. It makes us aware of the cohesion of Polish and Lithuanian national identity at the turn of the 19th century, helps us to appreciate the heritage of the past and offers a chance to build positive relations between us. Rectifying a distorted vision of history is a prospect for a mature partnership now and in the future.

ON THE SOCIAL FUNCTIONS OF THE VARIANTS OF THE SERBO-CROATIAN LANGUAGE

2021 ◽  
pp. 85-116
Author(s):  
Maria A. Egorova ◽  
Keyword(s):  
National Identity ◽  
19Th Century ◽  
Common Language ◽  
Symbolic Language ◽  
Social Functions ◽  
Free Communication ◽  
The Social ◽  
The Status ◽  
History Of ◽  
The 19Th Century

The issue of the status of languages that emerged on the basis of the Serbo-Croatian language after the collapse of Yugoslavia remains relevant until now. The standard Serbo-Croatian language arose in the 19th century as a common language of Serbs, Croats, Bosnians and Montenegrins and existed in two main variants, “western” and “eastern”, from the very outset. These variants were close enough to maintain free communication, and at the same time, each variant had symbolic significance as a marker of the corresponding ethnic group. This article provides an outline of the history of the Serbo-Croatian language from its origin to the collapse of Yugoslavia in the light of two social functions of the language, communicative (language as a means of exchanging information) and symbolic (language as a symbol of national identity).

scholarly journals PECULARITIES OF THE OSSETIAN NATIONAL IDENTITY

2019 ◽  
Author(s):  
А.Л. Чибиров
Keyword(s):  
National Identity ◽  
19Th Century ◽  
National Unity ◽  
South Ossetia ◽  
External Threats ◽  
Unity Of Language ◽  
The 19Th Century ◽  
North And South

Единство языка, культуры и традиций было важным фактором, объединяющим разрозненные осетинские сообщества, расположенные как на территории Северной и Южной Осетии, так и на сопредельных территориях. Одной из особенностей осетин как этноса является то, что, согласно сведени- ям В.Ф. Миллера, в XIX в. у них не было единого самоназвания. Это же отмечала и Н.Г. Волкова, которая утверждала, что в своей собственной среде осетины четко различают две группы: иронцев и дигорцев. Она же считала, что общее название для всей территории Осетии в осетинском языке отсутствует. Осе- тины почувствовали себя единой нацией впервые за долгое время в конце 80-х – начале 90-х годов двадцатого века под воздействием внешних угроз. The unity of language, culture and traditions was an important factor in bringing together separate Ossetian communities located in the territory of both North and South Ossetia, as well as in the neighbouring territories. One of the characteristics of the Ossetians, as an ethnos, is that they have no common name, according to V.F. Miller in the 19th century. The same was noted by N.G. Volkova, who claimed that the Ossetians in their own environment are clearly distinguished into two groups: the Irons and Digors. She also considered the Ossetic language lacked a common name for the whole territory of Ossetia. The Ossetians felt national unity for the fi rst time in many years in late 1980s and early 1990s, being under the infl uence of external threats.

MASJID BESAR RAJA HAJI ABDUL GHANI PULAU BURU KEPULAUAN RIAU

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Nurman Kholis
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
19Th Century ◽  
Qualitative Research Methods ◽  
District Level ◽  
History Of ◽  
Chinese Buddhists ◽  
The Right ◽  
The 19Th Century ◽  
Level Government

Abstract. Many Muslims in the Riau Islands do not know the history of the development of Islamic theory from the center of power to spread to various corners. This is as the existence of the Great Mosque of Raja Haji Abdul Ghani (MBRHAG) on Buru Island, Karimun. Thus, to uncover the existence of this mosque, qualitative research methods are used so that history, architecture, and socio-religious functions can be known. Based on the results of the study it was concluded that the establishment of MBRHAG was initiated by Raja Haji Abdul Ghani. He was the first Amir (sub-district level government) of the kingdom of Riau-Lingga on Buru Island, in the 19th century. The architecture is a Chinese. Therefore, on the right side of this mosque is around 200 m, there is also the Sam Po Teng Temple and the Tri Dharma Dewa Bumi. Thus, the close location of the mosque with Chinese and Confucian worship houses's shows a harmonious relationship between Malay Muslims and Chinese Buddhists. In fact, in the continuation of this relationship there was information that a Chinese Buddhist had joined a Muslim friend to fast for half a month of Ramadan.Keywords: Mosque, Malay Muslims, Chinese Buddhists/Confucians, Harmonious RelationsAbstrak. Umat Islam di Kepulauan Riau banyak yang tidak mengenal sejarah perkembangan ajaran Islam dari pusat kekuasaan hingga tersebar ke berbagai pelosok. Hal ini sebagaimana keberadaan Masjid Besar Raja Haji Abdul Ghani (MBRHAG) di Pulau Buru, Karimun. Dengan demikian, untuk mengungkapkan keberadaan masjid ini digunakan metode penelitian kualitatif  agar dapat diketahui sejarah, arsitektur, dan fungsi sosial keagamaannya.  Berdasarkan hasil penelitian diperoleh kesimpulan bahwa pendirian MBRHAG diprakarsai oleh Raja Haji Abdul Ghani. Ia adalah Amir (pemerintah setingkat kecamatan) pertama kerajaan Riau-Lingga di Pulau Buru, pada abad ke-19. Adapun arsitekturnya adalah seorang Tionghoa. Karena itu, di sebelah kanan masjid ini sekitar 200 m juga terdapat Kelenteng Sam Po Teng dan cetya Tri Dharma Dewa Bumi. Dengan demikian, dekatnya lokasi masjid dengan rumah ibadah umat Tionghoa dan Khonghucu ini menunjukkan hubungan yang harmonis antara muslim Melayu dengan Budhis Tionghoa. Bahkan, dalam kelangsungan hubungan ini terdapat informasi seorang Buddhis Tionghoa pernah ikut temannya yang beragama muslim untuk berpuasa selama setengah bulan Ramadhan.Kata Kunci: Masjid, Muslim Melayu, Buddhis/Khonghucu Tionghoa, Hubungan Harmonis

On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

Bonobos

2018 ◽  
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

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