Bonobos

2018 ◽  
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

Marine Chronometers at Greenwich

2017 ◽  
Author(s):  
Jonathan Betts
Keyword(s):  
19Th Century ◽  
Historical Data ◽  
Line Drawings ◽  
History Of ◽  
The 19Th Century ◽  
First Time

This is a comprehensive, illustrated catalogue of the 200+ marine chronometers in the collections of Royal Museums Greenwich. Every chronometer has been completely dismantled, studied and recorded, and illustrations include especially commissioned line drawings as well as photographs. The collection is also used to illustrate a newly researched and up-to-date chapter describing the history of the marine chronometer, so the book is much more than simply a catalogue. The history chapter naturally includes the story of John Harrison’s pioneering work in creating the first practical marine timekeepers, all four of which are included in the catalogue, newly photographed and described in minute detail for the first time. In fact full technical and historical data are provided for all of the marine chronometers in the collection, to an extent never before attempted, including biographical details of every maker represented. A chapter describes how the 19th century English chronometer was manufactured, and another provides comprehensive and logically arranged information on how to assess and date a given marine chronometer, something collectors and dealers find particularly difficult. For further help in identification of chronometers, appendices include a pictorial record of the number punches used by specific makers to number their movements, and the maker’s punches used by the rough movement makers. There is also a close-up pictorial guide to the various compensation balances used in chronometers in the collection, a technical Glossary of terms used in the catalogue text and a concordance of the various inventory numbers used in the collection over the years.

scholarly journals The dramatization of the Holy Week in Švėkšna church in the first half of the 19th century

Menotyra ◽  
2017 ◽  
Vol 24 (1) ◽  
Author(s):  
Asta Giniūnienė
Keyword(s):  
19Th Century ◽  
Old Testament ◽  
18Th Century ◽  
Complicated Structure ◽  
Adam And Eve ◽  
Death Of Jesus ◽  
History Of ◽  
Church Art ◽  
The 19Th Century ◽  
First Time

The article for the first time analyses the decoration parts of the Christ’s tomb of the second halfof the 18th century found a few years ago in Švėkšna church. The Christ’s tomb from the oldchurch was transferred to the  new church, which was built in 1804 and used until the  4thdecade of the 19th century. On the basis of the sources and remained fragments we can statethat this was a complicated structure of the Paschal decoration designed under the Europeanbaroque scenery principles. It was composed of the paintings on boards and canvas and mis-cellaneous accessories. The  Christ’s tomb paintings are characterised by a  symbolic allegoriccontent and artistry. The prophets of the Old Testament and characters the New Testamentreflecting the Paschal Triduum liturgy were depicted in the decoration. The survived outlinepaintings of Adam and Eve in Paradise, Noah waiting for the Saviour, and Angels Lamentingover the Death of Jesus are the exceptional iconography images in the Lithuanian church art.The decorations of the Christ’s tomb were created by the professional masters who decoratedthe churches in Samogitia in the second part of the 18th century. The images of suffering anddead Jesus used in the figuration of the Paschal Triduum influenced the spread of the Passionscenes. This is supported by an interesting archival fact about the shrine with a group of sculp-tures depicting the tomb of Christ in the Švėkšna churchyard.The fragments of the Paschal decorations in the Švėkšna church are important baroque scen-ery exhibits, which are valuable for the history of the Lithuanian church art and scenography.The investigation of the Holy Week figuration in the Švėkšna church is a valuable illustrationof this multidimensional cultural, religious and artistic phenomenon.

Revisiting the Memory of Solferino: Knowledge Production and the Laws of War

2021 ◽  
pp. 256-275
Author(s):  
Eyal Benvenisti ◽  
Doreen Lustig
Keyword(s):  
Civil Society ◽  
19Th Century ◽  
Knowledge Production ◽  
Agenda Setting ◽  
International Committee ◽  
Red Cross ◽  
Laws Of War ◽  
History Of ◽  
The 19Th Century ◽  
First Time

During the course of the second half of the 19th century, the rules regulating the conduct of armies during hostilities were internationally codified for the first time. The conventional narrative attributes the codification of the laws of war to the campaign of civil society, especially that of the founders of the Red Cross—Henry Dunant and Gustav Moynier. In what follows, we problematize this narrative and trace the construction of this knowledge. We explore how the leading figures of the Red Cross, who were aware of the shortcomings of their project, were nonetheless invested in narrating its history as a history of success. Their struggle to control the narrative would eventually confer the International Committee of the Red Cross (ICRC) with considerable interpretive and agenda-setting authority in the realm of the laws of war. We dwell on the meaning of this conscious exercise in knowledge production and its normative ramifications.

Presocratic Philosophy

Classics ◽  
2013 ◽  
Author(s):  
Richard D. McKirahan
Keyword(s):  
19Th Century ◽  
Social Practices ◽  
Greek Philosophy ◽  
Beliefs And Practices ◽  
Presocratic Philosophy ◽  
History Of ◽  
And Mathematics ◽  
The 19Th Century ◽  
First Time ◽  
Source Materials

The word “Presocratic” was invented in the 19th century ce and does not represent a category recognized in antiquity. The expression “Presocratic philosophy” is misleading: first, because some “Presocratics” were Socrates’ contemporaries, some of them surviving him by decades, and second, because they did not call themselves philosophers and because the fields of inquiry they practiced extend far beyond what we think of as philosophy. Nevertheless, the label “Presocratic” is commonly applied to the intellectual figures of the 6th and 5th centuries bce (and a few that lived into the 4th) who dwelt in the Greek-speaking lands from what is now coastal Turkey to Sicily and who are included in this bibliography. Evidence of the influence of Presocratic thought on other areas of culture than philosophy is found in texts ranging from historical and rhetorical works to tragedy and comedy and beyond, to the Hippocratic medical writings and the Derveni Papyrus. Since no original texts of the Presocratics survive entirely, our knowledge of them is based on quotations (“fragments”) from their works and on reports (“testimonia”) about their views, lives, and writings in other authors whose works have been transmitted. Presocratic philosophy is the earliest phase of Greek philosophy; Plato and Aristotle were strongly influenced by the Presocratics and recognized them as their intellectual predecessors. The subsequent interest in the Presocratics in antiquity and in consequence our knowledge of them is largely due to Aristotle. In more recent times, systematic study of them began in the 19th century. Diels’s Doxographi Graeci (Diels 1879, cited under Source Criticism) for the first time permitted a rational reconstruction of much of the testimonial material, and Die Fragmente der Vorsokratiker (Diels and Kranz 1952, cited under Collections of Source Materials; first published in 1903) provided a collection of fragments and testimonia that brought the study of the Presocratics within the range of students and nonspecialist scholars of philosophy, classics, and the history of science. The study of “Presocratic philosophy” has traditionally extended to more subjects than we commonly consider philosophical. It includes topics not only in method, logic, metaphysics, epistemology, ethics, cognition, cosmology, and “psychology”—here meaning views about the nature of the psuchē (frequently translated “soul”)—but also examines connections with science and mathematics, and a variety of social practices. Recently this tendency has further expanded to include religious and mystical beliefs and practices, while by no means excluding the philosophical and scientific aspects of Presocratic thought, which remain the dominant topics of research.

Les anthologies surréalistes : l’élaboration collective d’un genre littéraire hybride

2016 ◽  
pp. 74-80
Author(s):  
Roberto Mannu
Keyword(s):  
19Th Century ◽  
Literary Genre ◽  
Structural Elements ◽  
Traditional Form ◽  
Textual Structure ◽  
Louis Aragon ◽  
History Of ◽  
History Of Literature ◽  
The 19Th Century ◽  
First Time

Published for the first time in 1940 the André Breton’s Anthology of black humor inaugurates the great season of surrealist anthologies, which will last until late 60s. The use of the traditional form of the modern anthology by the Surrealists, does not involve into a complete acceptance of its rules, already codified since the end of the 19th century, but rather a deformation of its textual structure and of its objectives, producing a literary genre with particular characteristics. The surrealist anthology, such as those realized by André Breton, Paul Éluard, Louis Aragon and Benjamin Péret, represent an hybrid literary object with structural elements in common with the dictionary, the glossary, the anthology and the catalogue. The surrealist literary collections represent both a different approach to the history of literature and an expression of surrealist poetics.

Flauia Amala Amalafrida Theodenanda e un elogio funebre della famiglia reale ostrogota (ICUR I, 2794)

Augustinianum ◽  
2020 ◽  
Vol 60 (2) ◽  
pp. 543-569
Author(s):  
Rocco Ronzani ◽  
Keyword(s):  
19Th Century ◽  
Royal Family ◽  
The Family ◽  
History Of ◽  
The 19Th Century ◽  
First Time ◽  
Intended Use

The note reinterprets an important epigraphic testimony of the Ostrogoth age (ICUR I, 2794), published for the first time by Giovanni Battista de Rossi in 1894. It is a polymetric funeral eulogy commissioned among the Amali royal family, perhaps dedicated by Flavia Amala Amalafrida Theodenanda to one or more relatives, unless one wishes to identify her with one of the dedicatees of the eulogy. After a presentation of supportive material and a new edition of the text, the history of the discovery of the inscription is retraced, involving leading figures of the 19th century political and ecclesiastical culture including cardinal Vincenzo Vannutelli and H. Stevenson Jr., a pupil of de Rossi. The contribution dates the artifact between the end of the 5th century and the beginning of the 6th; it studies the hypothesis of identifying Amalafrida with one of the princesses in the family circle of King Theodoric and with the Ostrogothic wife of Flavius Maximus; it illustrates a hypothesis of the intended use of the epigraph for a funeral monument in the cemetery area of the Martyrial Basilica of S. Secondino on the Praenestina.

scholarly journals Neurology of Ukraine in the mirror of exonumia

2021 ◽  
Vol 16 (8) ◽  
pp. 57-62
Author(s):  
O.V. Syniachenko ◽  
M.V. Yermolaeva ◽  
S.M. Verzilov ◽  
K.V. Liventsova ◽  
T.Yu. Syniachenko ◽  
...  
Keyword(s):  
19Th Century ◽  
Systematic Approach ◽  
Scientific Discipline ◽  
Historical Science ◽  
History Of Neurology ◽  
Level Of Education ◽  
The Past ◽  
History Of ◽  
The 19Th Century ◽  
First Time

The main goal was to analyze the history of neurology of Ukraine using exonumia materials. Exonumia (a form of medallic educational art) is a branch of historical science numismatics (from the Latin numisma — coin), which originated in the 19th century and became closely related to economics, politics, culture and law; it includes the thematic study of medals and plaques. The medal became the prototype of a commemorative (memorial) coin. This work presents a catalogue of 43 numismatic materials (me­dals), including some unique ones, presented for the first time, brief biographies of physicians (21 persons) who have made an invaluable contribution to the formation of this scientific discipline. Unfortunately, for now the memory of famous doctors of the past has not been sufficiently marked by the release of numismatic (exonumia) products, so in the future we hope for a systematic approach to this matter, for the purposeful promotion of the achievements of neurology by meaning of numismatics, which provides an illustrative example for studying the history of medicine, contributes to an increase in the level of education of doctors. The authors expect the appearance of new interesting materials of such small forms of art.

Konstantin Somov’s Early Works and Impressionism: A New View on the Issue

2021 ◽  
Vol 18 (4) ◽  
pp. 409-415
Author(s):  
Anna E. Zavyalova
Keyword(s):  
19Th Century ◽  
Sufficient Information ◽  
Art Exhibition ◽  
Work History ◽  
Black And White ◽  
French Art ◽  
History Of ◽  
The Subject ◽  
The 19Th Century ◽  
First Time

The article reveals literary (Emile Zola’s novel “L’Œuvre”, Richard Muther’s work “History of Painting in the 19th Century”), literary and artistic (magazines “Mercure de France”, “L’Ermitage”, “La Revue Blanche”, “La Plume”) and artistic (exhibits of the French art exhibition of 1896) sources of Konstantin Somov’s acquaintance with the art of French impressionism at the beginning of his independent activity (before leaving for Paris in the late 1890s). There are also identified sources of phenomena in his work that are similar to impressionism only externally. These issues become the subject of special consideration for the first time. The scientific novelty of the work lies in the fact that it first reveals that the artist did not address to impressionism in the period before his departure to France, as it has been long believed. To study the tasks set, the article involves sources of personal origin (letters and diaries of K.A. Somov and his friend A.N. Benois), as well as A.N. Benois’s articles of the 1890s, published on the pages of the magazine “World of Art”. The author comes to the conclusion that K.A. Somov did not turn to the artistic method of the impressionists in his work at that time, since the information he had been able to get from the identified sources was of a verbal and theoretical nature. Black-and-white reproductions of impressionist paintings in literary and art magazines and in Muther’s “History of Painting in the 19th Century” had not provided sufficient information for the artist. The phenomena similar to impressionism in Somov’s works are based on the study of nature, the heritage of the old European artists, the art of the Barbizonians, J.-F. Millet, W. Turner.

Information on the study of ancient Slavic monuments of writing in the mid-19th century in the correspondence of Spiridon Palauzov and Aleksey Viktorov

2020 ◽  
pp. 465-479
Author(s):  
Marina S. Krutova ◽  
Keyword(s):  
19Th Century ◽  
History Of Research ◽  
Introductory Article ◽  
Russian State ◽  
History Of ◽  
The 19Th Century ◽  
First Time

Letters of 1869–1872 of the famous figure of the Bulgarian Renaissance Spiridon Nikolayevich Palauzov to the outstanding researcher and collector of manuscript books Aleksey Yegorovich Viktorov, stored in the Russian State Library’s manuscripts department, are published in full for the first time. The value of these epistolary documents for Russian and Slavic literature of the 19th century lies in the fact that they contain little-known information on the history of research, attribution and publication of handwritten monuments such as “The Life and Praise of Saint Philothei of Athens”, “The Commendation of Saint Euthymius of Tarnovo” by Gregory Tsamblak, the Service of Holy Venerable Theodosius of Tarnovo, and the writings of Saint Clement of Ohrid and Tsar Simeon I the Great, the Great Menaion Reader was compiled in the 1530s–1540s under the supervision of Metropolitan Macarius of Moscow, etc. An introductory article gives a brief description of the letters. The text of the epistolary documents is provided with historical, literary and real commentary.

Pre-symbolism — Faces and Reflections

2020 ◽  
Author(s):  
Keyword(s):  
19Th Century ◽  
Russian Literature ◽  
Russian Culture ◽  
European Culture ◽  
Literary Heritage ◽  
History Of ◽  
The 19Th Century ◽  
First Time ◽  
Broad Understanding

The collective monograph examines one of the least studied pages in the history of Russian literature of the 19th century — pre-symbolism. There are two versions of the approach to the pre-symbolism studies as an independent phenomenon are proposed in the book: “narrow” — consideration of the literary situation of the “timelessness” era of the 1870s-1880s, and “broad” — understanding of pre-symbolism as a special trend in Russian culture, which became a “bridge” connecting romanticism and symbolism. The following problems are discussed in the collective monograph are pre-symbolism – modernism – theory and individual practices; pre-symbolism as a phenomenon of Russian and European culture; pre-symbolism – predecessors and heirs; religious and philosophical aspects of the creativity of the pre-symbolists; the prosaic heritage of the pre-symbolist poets; poetics of A.K. Tolstoy, A.A. Fet, S.Ya. Nadson, K.K. Sluchevsky, Vl.S. Solovyov, A.A. Golenishchev-Kutuzov et al.; reception of pre-symbolists creativity in literature and criticism of the Symbolists (Andrei Bely, Fyodor Sologub) and the post-symbolists (Igor Severyanin, E. Zamyatin). For the first time, the book introduces archival materials from the epistolary and literary heritage of Vl. Solovyov, I.F. Annensky, A.L. Volynsky et al. The book can be recommended to philologists, philosophers, culturologists, and also to everyone interested in the development of Russian culture in the 19th – the first half of the 20th centuries.

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