scholarly journals La ficción medieval de Arthur Conan Doyle

Author(s):  
José Miralles Pérez

Resumen:A final de la era Victoriana, cuando el nuevo siglo presentaba sus desafíos y rutas de progreso, Arthur Conan Doyle decide revivir la época de Eduardo III y el Príncipe Negro. Su estudio de la caballería y del arquero inglés genera un caudal educativo que dirige hacia los jóvenes y adultos de clase media. La reconstrucción del siglo XIV en The White Company (1891) y Sir Nigel (1906) re fleja su compromiso con el honor y el deber nacional, su manera de ver la historia y la ficción, su disfrute de la aventura y la lucha, y su sentido de humor.Palabras clave: Novela histórica, era Victoriana, siglo XIV, tradiciones nacionales, caballería, masculinidad.Title in English: Medieval fiction in Arthur Conan DoyleAbstract:As the Victorian age neared its end and the new century presented challenges and new courses of progress, Arthur Conan Doyle decided to revive the days of Edward III and the Black Prince. His research into chivalry and the English archer became a source of example and instruction for both young and adult middle class citizens of Britain. In the writing of The White Company (1891) and Sir Nigel (1906), he was led by his commitment to patriotic duty and honour, his consideration of history and fiction, his passion for adventure and fighting, and his sense of humour.Keywords: Historical novel, Victorian age, fourteenth century, national traditions, chivalry, manhood. 

2013 ◽  
Vol 11 ◽  
pp. 193
Author(s):  
Antonio José Miralles Pérez

In The White Company (1891) and Sir Nigel (1906), Arthur Conan Doyle reconstructed the fourteenth century and explored the culture and visions of chivalry. He created many different knights with the intention of dissecting the mind and conduct of this historical type. He was concerned with his human as well as his romantic aspect, and he addressed the conflicts the divergent obligations of external duty and personal aspirations caused. Doyle’s reflections focused on the dreadful and illusory game played by knights like Sir Nigel Loring, the most curious and significant representative of idealistic and delusional chivalry in his medieval fiction. His youth and adult age show the tensions between the two worlds whose paths he must tread. His life is a long struggle for virtue and honour, oscillating between the responsibilities of a nobleman in the days of Edward III and the Hundred Years War and the pursuit of chivalry.


Author(s):  
Durba Banerjee

RESUMEN España ha visto una nueva ola de literatura publicada en la primera década de este siglo que trata el tema de la Guerra Civil y que se nutre de las preocupaciones y debates que rodean al movimiento de la recuperación de la memoria de la guerra y la posguerra. Este trabajo pretende indagar en la representación de la Guerra Civil en la novela histórica en particular, centrándose en su estructura narrativa fragmentada. El artículo reconoce la yuxtaposición de diferentes elementos del discurso político, periodístico y historiográfico dentro de las narrativas histórico-ficcionales y la estudia según la idea posmoderna de fragmentación. A manera de ejemplo, toma el caso de dos escritores – Javier Cercas y Alberto Méndez – y sus obras Soldados de Salamina (2001) y El impostor (2014), y Los girasoles ciegos (2004) respectivamente. Se utilizan los ejemplos tomados de las tres novelas históricas contemporáneas para demostrar cómo los textos se convierten en sitios de recuperación de la memoria de la guerra y en herramientas de una reconstrucción novedosa pero crítica de la historia de España mediante la adopción de la fragmentación de manera textual, temática y discursiva. ABSTRACT Spain has witnessed a new wave of literature published in the first decade of this century that deals with the theme of the Civil War and that draws upon the concerns and debates surrounding the movement of recover the memory of the war and the postwar. This work attempts to analyze the representation of the Civil War in the historical novel in particular by focusing on its fragmented narrative structure. The article acknowledges the juxtaposition of different elements from political, journalistic and historiographic discourse within the historical-fictional narratives and studies it according to the postmodern idea of fragmentation. For the purpose of explanation, it takes the case of two writers – Javier Cercas and Alberto Méndez – and their works Soldados de Salamina (2001) y El impostor (2014), and Los girasoles ciegos (2004) respectively. The examples taken from the three contemporary historical novels are used to demonstrate how the texts become sites of recovery of the memory of the war and tools of a novel yet critical reconstruction of the history of Spain by adopting textual, thematic and argumentative fragmentation.


PMLA ◽  
1954 ◽  
Vol 69 (4-Part1) ◽  
pp. 953-964
Author(s):  
George R. Coffman

This paragraph introduces a paper which illustrates a larger project: a study of aspects of Gower's works in fourteenth-century historical relationships. The objective is an interpretation of his writings as mirroring the attitude and point of view of a conservative middle-class Englishman for the years 1381-1400 and through them an interpretation of the England of his day. Though these writings show the long heritage of an economic, political, ethical, and religious past, our interest always centers in his immediate present. Non-literary contemporary records consequently provide the first essential materials for this interpretation. Macaulay's standard edition of his works, published half a century ago, based on all manuscripts then available, constitutes the printed source for this study. The high quality of Gower's preserved manuscripts, which give his own revisions, and the fact that these revisions show important changes in his attitudes toward individuals and organizations or institutions, make a re-examination of all of them now available an essential part of this interpretation and raise again the unresolved problem of his ethical integrity. Gardiner Stillwell's able article, “John Gower and the Last Years of Edward III,” provides a suggestive introduction for the interested student. The title of the present article is John Gower, Mentor for Royalty: Richard II.


1956 ◽  
Vol 6 ◽  
pp. 115-138 ◽  
Author(s):  
J. R. L. Highfield

THE English hierarchy in the period between the Norman Conquest and the death of Edward II has attracted the attention of a number of modern scholars. Recently Mr. Pantin has extended those studies in an outline survey of the episcopate for the whole of the fourteenth century. The primary object here is to fill in with more detail the background of that out-line for the reign of Edward III. I shall, however, break up one of his categories into four. In general I shall suggest that care must be taken not to exaggerate the importance of bishops with experience in the royal administration or of those with high aristocratic connections. I shall seek to classify the 85 bishops in order to show their origin, their experience and, in the case of the aristocrats, their social class. In a century when civil servants might also be scholars like Richard of Bury, or when monks could hold great offices of state like Simon Langham, any attempt at an exclusive division into categories is bound to be artificial. Exclusive percentages will not, therefore, be relied on. Bishops may occur in one or more categories.


1957 ◽  
Vol 7 ◽  
pp. 117-136 ◽  
Author(s):  
E. L. G. Stones

On a date which cannot be exactly discovered in 1340 or early in 1341, a priest called Richard de Folville, who had long been notorious as a habitual criminal, took refuge from justice, with some of his followers, in the church of Teigh, Rutland, of which he had been rector for twenty years. After he had killed one of his pursuers, and wounded others, by arrows shot from within, he was at length dragged out and beheaded by Sir Robert de Colville, a keeper of the peace.2 In itself this sordid occurrence is of no special interest, but if we look into the long career of crime which ended thus, we may find that we have come upon something of wider significance. This Richard proves to have been one of six brothers who were all criminals, and their history has left a considerable mark in the records. Thanks to the work of a number of scholars in recent years, we now know a good deal about the apparatus of criminal jurisdiction in the earlier fourteenth century, but of what might be called the forces of disorder, indispensable though they were to the working of the system of justice, we are still very ignorant. ‘Who were the burglars, robbers, and murderers … the sleepers by day and wanderers by night? What was their political, social, and economic status?’ These questions, given here in the words of Professor Putnam, are the reason for devoting this paper to so narrow a subject as the history of one obscure midland family during the early years of Edward III.


2019 ◽  
Vol 92 (258) ◽  
pp. 680-704 ◽  
Author(s):  
Matt Raven

Abstract This article examines the retinues of two English earls from 1330–60 to ascertain the extent and nature of their local influence, within a wider context of military activity and the changing form of local government and peacekeeping. It demonstrates that the followers of the earl of Northampton in Essex were recruited largely for military purposes but that those of the earl of Arundel in Sussex enjoyed a substantial degree of influence over local government. Ultimately, this article argues that comital influence in local government was imposed by Edward III as part of the growth of government through the mid fourteenth century.


2021 ◽  
Vol 8 (15) ◽  
pp. 62-91
Author(s):  
Jorge Enrique Blanco García

This paper addresses the contemporary historical novel as a practice of critical ontology of the present. That is to say, a field of reflection that investigates the current ontological status. In the Colombian case, historical fiction has been attentive to interpret the past of violence and armed conflict in an aesthetic way as a mechanism to understand the future of the present. This essay proposes that historical novels, despite being located in a space-time already travelled, maintain a matrix of meaning anchored in the present reality's interpellation. To this end, this paper analyzes the novels The Crime of the Century (2006) by Miguel Torres and So much blood seen (2007) by Rafael Baena.


2018 ◽  
pp. 153
Author(s):  
María de los Ángeles Ayala

<p>En el presente artículo se analiza la novela histórica La corona de perlas (1857) de Pilar Sinués de Marco<br />(1835-1893), resaltando sus características más peculiares y relevantes: fuentes, datos históricos, elementos folletinescos y principales recursos utilizados por la escritora.</p><p><br /><br />This article analyzes the historical novel La corona de perlas (1857) by Pilar Sinués de Marco (1835-1893),<br />highlighting its most peculiar and relevant characteristics: sources, historical data, folletinesque elements and main resources used by the writer.</p>


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