scholarly journals Silencios y repeticiones de la violencia en Colombia. La novela histórica como ontología crítica del presente

2021 ◽  
Vol 8 (15) ◽  
pp. 62-91
Author(s):  
Jorge Enrique Blanco García

This paper addresses the contemporary historical novel as a practice of critical ontology of the present. That is to say, a field of reflection that investigates the current ontological status. In the Colombian case, historical fiction has been attentive to interpret the past of violence and armed conflict in an aesthetic way as a mechanism to understand the future of the present. This essay proposes that historical novels, despite being located in a space-time already travelled, maintain a matrix of meaning anchored in the present reality's interpellation. To this end, this paper analyzes the novels The Crime of the Century (2006) by Miguel Torres and So much blood seen (2007) by Rafael Baena.

2018 ◽  
Vol 47 (1) ◽  
pp. 99-103
Author(s):  
Rae Greiner

In “Is There a Problem with Historical Fiction (or with Scott's Redgauntlet)?”—an essay, as it happens, on Sir Walter Scott's great counterfactual novel—Harry E. Shaw calls on literary critics more fully to register “the remarkable variety of things history can do in novels, by short-circuiting the assumption that the representation of history in fiction is really always doing the same sort of work, or should be.” History might be a source of imaginative energy, a sort of launching pad for a book about timeless truths, as in Charles Dickens's A Tale of Two Cities (“ultimately about individual sacrifice and transcendence, not about the French Revolution in the way in which Scott's Waverley is about the Forty-Five”); or the past might function as “a pastoral,” which is to say, as a field onto which authors project the concerns of their own times, as in Romola (depicting problems “in definitively Victorian terms and then project[ing them] back on to Renaissance Italy,” where they would have been understood quite differently [176–77]). Or history, what Shaw calls “objective history,” might be a work's actual subject (180). An historical novel of this last sort tells it like it was, or tries to. But even that novel is only doing so much, only making a use of history. Georg Lukács is therefore wrong in thinking that “a sufficiently dialectical mode of representation could capture everything” (Shaw 175). No one mode can capture all of even a highly delimited history at once.


Author(s):  
Durba Banerjee

RESUMEN España ha visto una nueva ola de literatura publicada en la primera década de este siglo que trata el tema de la Guerra Civil y que se nutre de las preocupaciones y debates que rodean al movimiento de la recuperación de la memoria de la guerra y la posguerra. Este trabajo pretende indagar en la representación de la Guerra Civil en la novela histórica en particular, centrándose en su estructura narrativa fragmentada. El artículo reconoce la yuxtaposición de diferentes elementos del discurso político, periodístico y historiográfico dentro de las narrativas histórico-ficcionales y la estudia según la idea posmoderna de fragmentación. A manera de ejemplo, toma el caso de dos escritores – Javier Cercas y Alberto Méndez – y sus obras Soldados de Salamina (2001) y El impostor (2014), y Los girasoles ciegos (2004) respectivamente. Se utilizan los ejemplos tomados de las tres novelas históricas contemporáneas para demostrar cómo los textos se convierten en sitios de recuperación de la memoria de la guerra y en herramientas de una reconstrucción novedosa pero crítica de la historia de España mediante la adopción de la fragmentación de manera textual, temática y discursiva. ABSTRACT Spain has witnessed a new wave of literature published in the first decade of this century that deals with the theme of the Civil War and that draws upon the concerns and debates surrounding the movement of recover the memory of the war and the postwar. This work attempts to analyze the representation of the Civil War in the historical novel in particular by focusing on its fragmented narrative structure. The article acknowledges the juxtaposition of different elements from political, journalistic and historiographic discourse within the historical-fictional narratives and studies it according to the postmodern idea of fragmentation. For the purpose of explanation, it takes the case of two writers – Javier Cercas and Alberto Méndez – and their works Soldados de Salamina (2001) y El impostor (2014), and Los girasoles ciegos (2004) respectively. The examples taken from the three contemporary historical novels are used to demonstrate how the texts become sites of recovery of the memory of the war and tools of a novel yet critical reconstruction of the history of Spain by adopting textual, thematic and argumentative fragmentation.


Author(s):  
Heather Dyke

Perhaps the most important dispute in the metaphysics of time is over the passage of time. There are two basic metaphysical theories of time in this dispute. There is the A-theory of time, according to which the common sense distinction between the past, present and future reflects a real ontological distinction, and time is dynamic: what was future, is now present and will be past. Then there is the B-theory of time, according to which there is no ontological distinction between past, present and future. The fact that we draw this distinction in ordinary life is a reflection of our perspective on temporal reality, rather than a reflection of the nature of time itself. A corollary of denying that there is a distinction between past, present and future is that time is not dynamic in the way just described. The A-theory is also variously referred to as the tensed theory, or the dynamic theory of time. The B-theory is also referred to as the tenseless theory, or the static, or block universe theory of time. The A-theory comes in various forms, which take differing positions on the ontological status granted to the past, present and future. According to some versions, events in the past, present and future are all real, but what distinguishes them is their possession of the property of pastness, presentness or futurity. A variation of this view is that events are less real the more distantly past or future they are. Others hold that only the past and present are real; the future has yet to come into existence. Still others, presentists, hold that only the present is real. Events in the past did exist, but exist no longer, and events in the future will exist, but do not yet exist. According to the B-theory, all events, no matter when they occur, are equally real. The temporal location of an event has no effect on its ontological status, just as the spatial location of an event has no effect on its ontological status, although this analogy is controversial. The A-theory has a greater claim to being the theory that reflects the common sense view about time. Consequently, the burden of proof is often thought to be on the B-theorist. If we are to give up the theory of time most closely aligned with common sense, it is argued, there must be overwhelming reasons for doing so. However, the A-theory is not without its problems. McTaggart put forward an argument that an objective passage of time would be incoherent, so any theory that requires one cannot be true. The A-theory also appears to be, prima facie, inconsistent with the special theory of relativity, a well-confirmed scientific theory. Although the B-theory is less in line with common sense than the A-theory, it is more in line with scientific thinking about time. According to the special theory of relativity, time is but one dimension of a four-dimensional entity called spacetime. The B-theory sees time as very similar to space, so it naturally lends itself to this view. However, it faces the problem of reconciling itself with our ordinary experience of time. Because the two theories about time are mutually exclusive, and are also thought to exhaust the possible range of metaphysical theories of time, arguments in favour of one theory often take the form of arguments against the other theory. If there is a good reason for thinking that the A-theory of time is false, then that is equally a good reason for thinking that the B-theory of time is true, and vice versa.


Author(s):  
Demetris Nicolaides

Heraclitus declares the being (that which exists, nature) but identifies it with becoming, but Parmenides declares just the Being; only what is, is, what is not, is not. All “follows” from that: change, he argues, is logically impossible and so what is, is one and unchangeable! This dazzling absolute monism is in daring disagreement with sense perception, but curiously it has found a well-known genius as a supporter. Emboldened by his theory of relativity, Einstein considers the universe as a four-dimensional “block” (a space-time continuum like a loaf of bread) which, remarkably, contains all moments of time (of past, present, and future) always, and where change is an illusion. He said, “For we convinced physicists, the distinction between past, present, and future is only an illusion, however persistent.” In the block universe, the past is not gone, it is present; and the future, like the present, is, well, present, too.


2009 ◽  
Vol 43 (1) ◽  
pp. 89-100
Author(s):  
SARAH MARTIN

The article considers the political impact of the historical novel by examining an example of the genre by Native American novelist James Welch. It discusses how the novel Fools Crow represents nineteenth-century Blackfeet experience, emphasizing how (retelling) the past can act in the present. To do this it engages with psychoanalytic readings of historical novels and the work of Foucault and Benjamin on memory and history. The article concludes by using Bhabha's notion of the “projective past” to understand the political strength of the novel's retelling of the story of a massacre of Native Americans.


Author(s):  
Fiona Price

The historical novel has often been defined in the terms set by Walter Scott’s fiction, as a reflection on a clear break or change between past and present. Returning to the range of historical fiction written before Scott, Reinventing Liberty explores this often neglected and misunderstood genre by reconstructing how conservatives and radicals fought through the medium of the historical past over the future of Britain. Aware of the events of the Civil War and 1688, witness to the American and French Revolutions, Scott’s precursors realized the dangers of absolutism, on the one hand, and political breakage, on the other. Interrogating the impact of commercial modernity, the works considered here do not adopt the familiar nineteenth-century Whig narrative of history as progress but instead imagine and reimagine the possibilities of transition. As such, they lay the groundwork for the British myth of political gradualism, while problematizing the rise of capital.


2018 ◽  
Vol 29 (4) ◽  
pp. 677-701 ◽  
Author(s):  
Heng Li ◽  
Yu Cao

AbstractAccording to the Temporal Focus Hypothesis (TFH), people’s implicit spatial conceptions are shaped by their temporal focus. Whereas previous studies have demonstrated that people’s cultural or individual differences related to certain temporal focus may influence their spatializations of time, we focus on temporal landmarks as potential additional influences on people’s space-time mappings. In Experiment 1, we investigated how personally-related events influence students’ conceptions of time. The results showed that student examinees were more likely to think about time according to the past-in-front mapping, and student registrants, future-in-front mapping. Experiment 2 explored the influence of calendar markers and found that participants tested on the Chinese Spring Festival, a symbol of a fresh start, tended to conceptualize the future as in front of them, while those tested on the Tomb Sweeping Day, an opportunity to remember the ancestors, showed the reversed pattern. In Experiment 3, two scenarios representing past or future landmarks correspondingly were presented to participants. We found that past-focused/future -focused scenarios caused an increase in the rate of past-in-front/future-in-front responses respectively. Taken together, the results from these three studies suggest that people’s conceptions of time may vary according to temporal landmarks, which can be explained by the TFH.


2013 ◽  
Vol 54 (3) ◽  
pp. 53-67
Author(s):  
Jacek Hajduk

Summary This is a comparative study of two 20th-century historical novels set in the late antiquity, Teodor Parnicki’s Ætius, the Last of the Romans and Hanna Malewska’s The Fashion of This World Passeth Away. Drawing their inspiration from St Augustine’s De civitate dei, their authors found their fictions on a clear and coherent historiosophicsystem. Such an approach to the past seems to be characteristic feature of the modernist historical novel.


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