scholarly journals Male superiority and famale resistance in Indonesian fairytales themed Seven Nymphs

BAHASTRA ◽  
2021 ◽  
Vol 41 (1) ◽  
pp. 84
Author(s):  
Ryan Hidayat ◽  
Fauzi Rahman ◽  
Denik Wirawati ◽  
Muhammad Sega Sufia Purnama
Keyword(s):  
1979 ◽  
Vol 3 (4) ◽  
pp. 173-174
Author(s):  
John T. Talbert ◽  
Robert D. Heeren

Abstract A disproportionately large number of first-generation selections from natural stands of green ash (Fraxinus pennsylvanica Marsh.) have been male. A study was undertaken to determine if male and female green ash differed in several important economic characteristics. Only straightness differences could be shown to be statistically significant, and, even for this trait, several opinions were needed to detect male superiority. Sufficient variation should exist in natural stands to allow inclusion of superior individuals of both sexes in a tree-improvement program.


Africa ◽  
1989 ◽  
Vol 59 (3) ◽  
pp. 300-337 ◽  
Author(s):  
Audrey Wipper

Opening ParagraphAfrican men, like men everywhere, have dominated the public sphere, holding the vast majority of official positions of power and authority. In pre-colonial African societies women were formally subordinate to male authority and male dominance was buttressed by an ideology of male superiority and a status system where women showed deference to men. But formal systems, ideologies and codes of etiquette are not realities. In some societies women wielded considerable influence and authority, so much in fact that these systems have been characterised as dual-sex political systems with each sex managing its own affairs (Okonjo, 1976). Women were not so much involved in hierarchical orders of relationships as in complementary, mutually dependent relationships.


1999 ◽  
Vol 36 (1) ◽  
pp. 70-76 ◽  
Author(s):  
Agnès Lacreuse ◽  
James G. Herndon ◽  
Ronald J. Killiany ◽  
Douglas L. Rosene ◽  
Mark B. Moss

TAJDID ◽  
2021 ◽  
Vol 28 (1) ◽  
pp. 53
Author(s):  
Kamil Kamil ◽  
Suriadi Suriadi

The issue of the status of women in Islamic studies is still interesting and inexhaustible and invites polemics. Historical facts prove that women were placed in an inferior position almost throughout Muslim history while men were in a superior position. It’s happening because of the interpretation of the Qur'an carried out by classical commentators who tend to be influenced by deeply entrenched patriarchal culture. In the view of a society that adheres to patriarchy, the view of subordinating women to male superiority is influenced by religious doctrine but if you look at the doctrine of Islam itself, it turns out that the idea of egalitarianism is highly upheld. Basically, the Qur'an provides an obvious justification for the equality of women with men but at the level of reality, it turns out that egalitarian ideas in the Qur'an often clash with public responses that tend to be biased.


2017 ◽  
Vol 6 (1) ◽  
pp. 1 ◽  
Author(s):  
Abu Saleh Mohammad Sowad

Back in history, muscular and strong male body has always been used to promulgate masculinity. This idealized male figure was proliferated mainly for spreading the notion of male superiority in relation to power and to give a strong base to the social construction of masculinity. This study targets to disclose the perception about the attributes masculinities among the male students of Dhaka city regarding male beautification. It attempts to unveil young men’s perspectives regarding their masculinities and beauty. From history we can see men have always been assumed as the ambassador of roughness but in recent time the emergence of fashion-conscious men can be seen, who are slowly occupying a handsome position in the society. Concerning study attempts to bring out the way in which such changing trend of male beauty is perceived among the male students of Dhaka city. What could be the ideologies of these young men who are being involved with it? What is influencing them to be part of such arena which, to a great extent, is still considered as female domain? Is their perception about construction of masculinity is shifting from the so called idealized masculinity? The study tries to find out the answers.


2016 ◽  
Vol 46 (2-3) ◽  
pp. 251-287 ◽  
Author(s):  
Colette Harris

From the late 1970s when serious economic woes hit Nigerians in general and the inhabitants of Kaduna in particular, the latter began to seek explanations for the ills that beset their country and support to deal with them. Some found this in new religious movements, both Christian and Muslim, that rejected earlier sects/denominations as religiously and ethically unacceptable and focused on more modern, individualistic lifestyles as well as providing some measure of material support, explanations, and solutions based in the supernatural for the ills the population was suffering. The situation sparked fear of social chaos, partly owing to men’s uneasiness at the threat of losing their dominance over wives and offspring along with their control of economic resources. The new religious movements support male superiority while offering greater space for women, provided they keep to their assigned places. These movements thus combine material and social support with the spiritual.


Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Bimbola Oluwafunlola Idowu-Faith

The feminine image, as a gendered discourse, requires attention to ethical and gender details so that its textual representations do not promote biases and discriminations but rather counter them. While previous studies have investigated the gendering of the feminine figure in secular Nollywood, few have extended similar investigations to Nigerian Christian/evangelical films. This article attends to this gap with the feminist stylistic/textual analysis of Tumini’s Song (2005) and Never Happened (2008). Chronicling the lives of girls who defy a childhood characterised by abuse and social oppression and grow into womanhood defined by personal fulfilment and the erasure of the past because of their Christian faith, it is implied that the two films advocate sociocultural conditions in which vulnerable females have a right to life and self-fulfilment. However, because the films are sermon films that intend to teach the doctrines of forgiveness and divine retribution, they neither formulate appropriate responses to the breaches of women’s rights nor counter women’s constant vulnerability. Consequently, the films perpetuate female powerlessness and male superiority rather than countering these dynamics. This article concludes that Christian films may need to pay attention to ethical and gender issues alongside their intent to proselytise.


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