scholarly journals The Cultural Significance of Construction and International Communication Reflection of San Kong in Qufu, Confucius’ Hometown

2021 ◽  
Vol 4 (1) ◽  
pp. 6-11
Author(s):  

In 1956, UNESCO confirmed the top ten cultural celebrities in the world, and Confucius was ranked first in the list. In recent years, “Confucius fever” has become a trend all over the world, and Confucius Institutes have been set up in many countries. Qufu, Confucius’ hometown, is an important material carrier of Confucius thought, Confucian philosophy and Chinese culture. It is of far-reaching cultural significance. Its overseas communication has made some achievements, but still needs redoubled efforts. In the context of globalization, it is necessary to take measures to promote the global understanding of the San Kong, also called “The Three Confucian [sites]” in Qufu, including the Temple and Cemetery of Confucius and the Kong Family Mansion.

Author(s):  
Kendall Marchman

Fo Guang Shan is a transnational Buddhist organization that rose to prominence in the late 20th century. Founded in 1967 by the charismatic monk Hsing Yun, who remains the face of the organization, Fo Guang Shan’s main temple and headquarters are in Kaohsiung, Taiwan. The temple has become a major tourist attraction that welcomes millions of visitors annually. Starting in the 1980s, Fo Guang Shan began building other large branch temples around the world, the first of which is Hsi Lai Temple in Hacienda Heights, California. Hsi Lai Temple, like the main Fo Guang Shan campus, has become a popular tourist destination. Fo Guang Shan, Hsi Lai Temple, and the other branches serve their communities with regular services, retreats, festivals, and youth programming that promote Buddhism as well as traditional Chinese culture. The rise of Fo Guang Shan and other Buddhist organizations in Taiwan occurred alongside the economic rise of Taiwan and its citizens. As it continued to grow, the organization developed its own schools and universities, a television station, and a publishing house in order to further spread the teachings of the Buddha.


Impact ◽  
2019 ◽  
Vol 2019 (10) ◽  
pp. 18-20
Author(s):  
Akimichi Takemura

Shiga University opened the first data science faculty in Japan in April 2017. Beginning with an undergraduate class of 100 students, the Department has since established a Master's degree programme with 20 students in each annual intake. This is the first data science faculty in Japan and the University intends to retain this leading position, the Department is well-placed to do so. The faculty closely monitors international trends concerning data science and Artificial Intelligence (AI) and adapt its education and research accordingly. The genesis of this department marks a change in Japan's attitudes towards dealing with information and reflects a wider, global understanding of the need for further research in this area. Shiga University's Data Science department seeks to produce well-trained data scientists who demonstrate a good balance of knowledge and skills in each of the three key areas of data science.


Author(s):  
Hallie M. Franks

In the Greek Classical period, the symposium—the social gathering at which male citizens gathered to drink wine and engage in conversation—was held in a room called the andron. From couches set up around the perimeter of the andron, symposiasts looked inward to the room’s center, which often was decorated with a pebble mosaic floor. These mosaics provided visual treats for the guests, presenting them with images of mythological scenes, exotic flora, dangerous beasts, hunting parties, or the specter of Dionysos, the god of wine, riding in his chariot or on the back of a panther. This book takes as its subject these mosaics and the context of their viewing. Relying on discourses in the sociology and anthropology of space, it argues that the andron’s mosaic imagery actively contributed to a complex, metaphorical experience of the symposium. In combination with the ritualized circling of the wine cup from couch to couch around the room and the physiological reaction to wine, the images of mosaic floors called to mind other images, spaces, or experiences, and, in doing so, prompted drinkers to reimagine the symposium as another kind of event—a nautical voyage, a journey to a foreign land, the circling heavens or a choral dance, or the luxury of an abundant past. Such spatial metaphors helped to forge the intimate bonds of friendship that are the ideal result of the symposium and that make up the political and social fabric of the Greek polis.


Agronomy ◽  
2021 ◽  
Vol 11 (5) ◽  
pp. 978
Author(s):  
Beatrice Aighewi ◽  
Norbert Maroya ◽  
Lava Kumar ◽  
Morufat Balogun ◽  
Daniel Aihebhoria ◽  
...  

Yam (Dioscorea spp.) is a valuable food security crop in West Africa, where 92% of the world production occurs. The availability of quality seed tubers for increased productivity is a major challenge. In this study, minitubers weighing 1, 3, and 5 g produced from virus-free single-node vine cuttings of two improved yam varieties (Asiedu and Kpamyo) growing in an aeroponics system were assessed for suitability in seed production at a population of 100,000 plants ha−1. A 3 × 2 factorial experiment with randomized complete block design and three replications was set up during the cropping seasons of 2017 to 2019 at the International Institute of Tropical Agriculture Research Station in Kubwa, Abuja, Nigeria. Results showed field establishments of 87%–97.8%. Yields differed with minituber size, variety, and cropping season; the highest was 31.2 t ha−1 in 2019 and the lowest, 10 t ha−1 in 2018 from 5 and 1 g Kpamyo minitubers, respectively. The estimated number of tubers produced per hectare by 1, 3, and 5 g minitubers was 101,296, 112,592, and 130,555, with mean weights per stand of 159.2, 187.3, and 249.4 g, respectively. We recommend using less than 6 g minitubers for seed yam production due to their high multiplication rates.


2020 ◽  
Vol 132 (1) ◽  
pp. 84-107
Author(s):  
Gard Granerød
Keyword(s):  
The City ◽  

AbstractThe article discusses the lament over the Temple of YHW in Elephantine from three angles: from the perspective of the internal rhetoric or composition of the letter, from the perspective of the world of the Judaeans who wrote the petition, and from the perspective of the world of the intended recipient of the letter. In addition, the article explores how the mention of collective mourning and curse in the petition letter from Elephantine may provide a text of comparison – and context – for the laments over the destruction of the city of Zion and her temple found in the Book of Lamentations.


Religions ◽  
2019 ◽  
Vol 10 (8) ◽  
pp. 478
Author(s):  
Verónica Roldán

The present study on the religious experience of the Peruvian community in Rome belongs to the area of studies on immigration, multiculturalism, and religion in Italy. In this article, I analyze the devotion of the Peruvian community in Rome to “the Lord of Miracles”. This pious tradition, which venerates the image of Christ crucified—painted by an Angolan slave—began in 1651 in Lima, during the Viceroyalty of Peru. Today, the sacred image is venerated in countries all over the world that host Peruvian immigrant communities that have set up branches of the Confraternity of the Lord of Miracles. I examine, in particular, the cult of el Señor de los Milagros in Rome in terms of Peruvian popular religiosity and national identity experienced within a transnational context. This essay serves two purposes: The first is to analyze the significance that this religious experience acquires in a foreign environment while maintaining links with its country of origin and its cultural traditions in a multilocal environment. The second aim is to examine the integration of the Peruvian community into Italian society, beginning with religious practice, in this case Roman Catholicism. This kind of religiosity seems not only to favor the encounter between the two cultures but also to render Italian Roman Catholicism multicultural.


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