scholarly journals The Subject Matter of Logic: Explaining what logic is about

2021 ◽  
Author(s):  
Elizabeth Olsen

<p><b>Logics are formal systems with many different applications. The boundary between logics and other formal systems, like mathematics, is unclear. One way of clarifying this boundary is by appealing to the subject matter; defining their purpose, for instance, showing how the truth of the premises guarantees the conclusion, demonstrating reasoning, or modelling an argument. </b></p><p>There are two contemporary philosophical debates where the subject matter of logic is relevant. The first is that of logical pluralism, which needs a way to determine whether a logic is correct. The second is the argument that the normativity of logic supplies a mechanism for determining whether a logic is correct. In these debates, the subject matter of logic is relevant, but not discussed. And it does not need to be because the participants implicitly agree that the answer is validity. They also agree that this does not advance the debate. </p><p>Validity is a dead-end because it only transforms the question. Logicians clarify validity by giving a definition. But it is a well-established fact that there is more than one way of defining a relation of logical consequence. So, how does one determine whether a given definition is correct? Or to put it another way, how does one know whether that definition captures validity? On this point, opinions are deeply divided. Moreover, there is no clear strategy for resolving the difference of opinion. MacFarlane comments that appeals to intuitions about validity are prevalent in these debates. Furthermore, he remarks, these intuitions are a product of education. </p><p>In many parts of the advanced literature, logicians agree that the subject matter of logic is validity. But this explanation won't do as an introduction for a beginner. As Newton-Smith says, this 'has the fault of explaining the obscure in terms of the equally obscure.' Instead, teachers must give what Mates calls 'an informal and intuitive account of the matters with which logic is primarily concerned.' </p><p>The constraints on introductory explanations provide an opportunity to investigate the subject matter of logic in a novel way and perhaps reveal the source of intuitions about validity, which might, in turn, shed light on questions of pluralism and normativity. My thesis examines the way that teachers introduce the subject matter of logic to beginners. </p><p>I begin by exploring a slice of history and a tradition of logic instruction. I argue that a reliance on this tradition leads to flawed teaching in the modern context. After that, I examine modern introductory texts and the strategies they use to present the subject matter of logic. I draw several lessons from this examination. </p><p>I conduct three interviews with Gillian Russell, Dave Ripley, and Johan van Benthem in which I ask philosophic and pedagogic questions directed by each of their interests. These dialogues are illuminating on their own. But brought together they show the interaction between the teacher's theory of the subject matter of logic and the practice of introductory logic teaching. </p><p>After this investigation into modern logic pedagogy, I present a framework for a solution to the pedagogic problem. It is a framework because there is no single best way to introduce logic to a beginner. But it is possible to develop a guiding structure. The solution which I present relies on a widely accepted 'trivial' form of pluralism and a kind of relativism which I introduce, and argue for, in this thesis. This discussion also includes practical suggestions for developing introductory logic courses.</p>

2021 ◽  
Author(s):  
Elizabeth Olsen

<p><b>Logics are formal systems with many different applications. The boundary between logics and other formal systems, like mathematics, is unclear. One way of clarifying this boundary is by appealing to the subject matter; defining their purpose, for instance, showing how the truth of the premises guarantees the conclusion, demonstrating reasoning, or modelling an argument. </b></p><p>There are two contemporary philosophical debates where the subject matter of logic is relevant. The first is that of logical pluralism, which needs a way to determine whether a logic is correct. The second is the argument that the normativity of logic supplies a mechanism for determining whether a logic is correct. In these debates, the subject matter of logic is relevant, but not discussed. And it does not need to be because the participants implicitly agree that the answer is validity. They also agree that this does not advance the debate. </p><p>Validity is a dead-end because it only transforms the question. Logicians clarify validity by giving a definition. But it is a well-established fact that there is more than one way of defining a relation of logical consequence. So, how does one determine whether a given definition is correct? Or to put it another way, how does one know whether that definition captures validity? On this point, opinions are deeply divided. Moreover, there is no clear strategy for resolving the difference of opinion. MacFarlane comments that appeals to intuitions about validity are prevalent in these debates. Furthermore, he remarks, these intuitions are a product of education. </p><p>In many parts of the advanced literature, logicians agree that the subject matter of logic is validity. But this explanation won't do as an introduction for a beginner. As Newton-Smith says, this 'has the fault of explaining the obscure in terms of the equally obscure.' Instead, teachers must give what Mates calls 'an informal and intuitive account of the matters with which logic is primarily concerned.' </p><p>The constraints on introductory explanations provide an opportunity to investigate the subject matter of logic in a novel way and perhaps reveal the source of intuitions about validity, which might, in turn, shed light on questions of pluralism and normativity. My thesis examines the way that teachers introduce the subject matter of logic to beginners. </p><p>I begin by exploring a slice of history and a tradition of logic instruction. I argue that a reliance on this tradition leads to flawed teaching in the modern context. After that, I examine modern introductory texts and the strategies they use to present the subject matter of logic. I draw several lessons from this examination. </p><p>I conduct three interviews with Gillian Russell, Dave Ripley, and Johan van Benthem in which I ask philosophic and pedagogic questions directed by each of their interests. These dialogues are illuminating on their own. But brought together they show the interaction between the teacher's theory of the subject matter of logic and the practice of introductory logic teaching. </p><p>After this investigation into modern logic pedagogy, I present a framework for a solution to the pedagogic problem. It is a framework because there is no single best way to introduce logic to a beginner. But it is possible to develop a guiding structure. The solution which I present relies on a widely accepted 'trivial' form of pluralism and a kind of relativism which I introduce, and argue for, in this thesis. This discussion also includes practical suggestions for developing introductory logic courses.</p>


Author(s):  
Carla Maia

Focusing on the relational dimension of some selected works, this essay proposes to consider the subject matter as films with women rather than films of women. The main effort is to understand something that takes place in-between spaces – before and after the camera, but also between viewer and film – and critically reflect on the aesthetic, ethical and political potential that a cinema marked by different women’s perspectives can bring to light. The author concludes that instead of reflecting a certain proximity between women, most films by contemporary female documentarists in Brazil, are suffering from the impact of the difference in social station between the director and the women being filmed.


Author(s):  
Lloyd P. Gerson

This chapter discusses Plato's critique of Naturalism. A metaphysics of the natural world as conceived of by Naturalists is quite different from a metaphysics of the natural world conceived of by Platonists. For Naturalists, topics like identity, existence, cause, and time, all have to be approached as principles exclusively for knowledge of entities in a three or four-dimensional framework. By contrast, Plato assumes and Aristotle argues that identity is equivocally applied not just to artifacts and to things that exist in nature, but also to that which is immaterial. Plato's designation of the subject matter of philosophy as, roughly, “the intelligible world,” obviously excludes an extension of the term “philosophy” to that which is non-intelligible. But the sensible world, as Plato says in Republic, participates in the intelligible world in some way. Accordingly, insofar as it does, it belongs to the subject matter of philosophy. The difference between the natural scientist and the philosopher on this account is, as Plato says, that the former “hypothesizes” its foundations, while the latter grounds these in the “unhypothetical first principle.” The chapter then studies Socrates' “autobiography” in Phaedo, as well as the subject matter of philosophy in Republic, Theaetetus, and Sophist.


2016 ◽  
Vol 78 (4) ◽  
pp. 551-570 ◽  
Author(s):  
Paulina Kewes

AbstractThis essay provides a contextual reading of Titus Andronicus, paying close attention to the play's collaborative authorship. Peele and Shakespeare are shown to have manufactured a superficially compelling but in reality utterly fake image of the Roman state as an imaginary laboratory for political ideas, especially the elective principle. Topical allusions and deliberate anachronisms encourage the audience to relate the subject matter to the present, viz., late Elizabethan England in the throes of a succession crisis and rent by confessional divisions. Unlike Peele's solo works, which exhibit a potent anti-Catholic bias, Titus remains confessionally elusive. The play invites the audience to reflect on the viability of particular modes of succession without committing itself either way, and shows that it is not institutional structures and processes but those who use and abuse them that make the difference to the state of the polity.


1982 ◽  
Vol 55 (3) ◽  
pp. 683-694
Author(s):  
Leonard Zusne

The subject matter of anomalistic psychology is human behavior and experiences for which paranormal or occult causation is claimed and which appear to violate some of the basic principles on which nature is known to operate. The ambivalence and skepticism of American psychologists concerning paranormal and occult matters are examined historically, as is the relationship between academic psychology, psychical research and parapsychology, and anomalistic psychology. The difference between parapsychology and anomalistic psychology in terms of two contrasting orientations is stressed. The reasons for the persistence of beliefs in ESP and related phenomena are examined, and the need for psychology to come to grips with them is stated.


Philosophy ◽  
2004 ◽  
Vol 79 (1) ◽  
pp. 67-96
Author(s):  
Jonathan Harrison

(i) It is propositions, not sentences, that are true or false. It is true ‘Dogs bark’ does not make sense. It is true that dogs bark does. (ii) and (iii) Davidson wrong about ‘that’. (iv) The difference between ‘implies’ and ‘if ... then ...’. (v), (vi), (vii) and (viii) Russell, not Quine, right about the subject matter of logic. (ix) The objectual and substitutional interpretations of quantifiers compatible. (x), (xi), (xii), (xiii), (xiv), (xv) and (xvi) Implications for well-known theories of truth; truth correspondence. (xvii), (xviii) and (xix) and (xx) Implications for the principle of bivalence, the law of excluded middle, and the principle of non-contradiction. (xxi) Recapitulation. (xxii) ‘That’ and entailment. (xxiii) Propositions not entities, subsistent or otherwise.


Author(s):  
Vladimír Kulil

Abstract The subject matter of this thesis is a proposal for a method of valuation of special effects that may have impact on real estate prices. It deals with proposed procedures for valuation of intangible assets, and definitions of such property. Special effects are in particular name, historical value, design, quality of layout, security aspects, accessibility, conflict groups of inhabitants in or near the property, and location. The value of special effects can be calculated as the difference between usual and material value of such property without coefficients of merchantability.


2014 ◽  
Vol 1020 ◽  
pp. 760-764
Author(s):  
Vladimír Kulil

The subject matter of this thesis is a proposal for a method of valuation of special effects that will impact real estate prices. It deals with proposed procedures for valuation of intangible assets (goodwill), and definitions of such property. Special effects are in particular name, historical value, design, quality of layout, security aspects, accessibility, conflict groups of inhabitants in or near the property, location and other. The value of special effects can be calculated as the difference between market value and the material value of such property without coefficients of merchantability.


1970 ◽  
Vol 90 ◽  
pp. 117-120 ◽  
Author(s):  
Mary O. Knox

The interesting thing about the word for ‘palace’ in Homer is that there is no such word. All the words that mean ‘house’ (δόμος, δῶ, δῶμα, μέγαρον, οἶκος, οἰκία) may be applied to a royal palace, but all of them (and their plurals) may equally well be used of the house of an ordinary citizen, μέγαρον is often translated ‘palace’, or some other word with connotations of kingly majesty. But it too, when it is not more narrowly localised to the living-room, means just a house in general.Just as there is no separate word to designate a palace in Homer (τὰ βασίλεια occurs first in Herodotus), so a qualifying adjective is never used to indicate that a particular house is ‘royal’ (the first occurrence of such a periphrasis is βασίλειοι οἶκοι Aeschylus, Ag. 157). In fact, to Homer there is no sharp distinction between a palace and a house, except that a king is likely to have a bigger and better home, more sumptuously furnished.The Iliad and the Odyssey are much concerned with kings. So it is odd that no word serves to designate the king's palace and no other dwelling, especially when the poet so delights in describing the splendour of royal homes (for example, the description of Alcinous' palace and its grounds in Od. vii 81 ff.). The major archaeological sites of the Mycenaean period, in which the main stories of the poems are set, all contain a palace which is easily recognised, even in its ruinous state. Can one imagine a new arrival at a great Mycenaean site needing to be shown which was the palace, as Odysseus was shown at Phaeacia? It seems highly unlikely that the Mycenaeans should have had no special word for a palace, though there is so far no firm evidence for (or against) the existence of such a word in Linear B. If a ‘palace’ word existed, its special significance, if not the word itself, must have been forgotten by Homer's time, when a great many houses might be found within the city wall, as at Smyrna. There may, however, be traces of the ‘palace’ meaning still detectable.In Table 1, which has been compiled from the concordances of Prendergast and Dunbar, I have tabulated the frequency with which each of the regular words for ‘house’ is used to denote a dwelling occupied by gods, lesser divinities, mortals or animals. Various interesting points arise from this table.It is apparent that there is a far higher proportion of gods' houses mentioned in the Iliad than in the Odyssey. The figures for δόμος and δῶμα show this particularly clearly. But the difference is probably due entirely to the subject-matter: far more of the action is taken up with scenes among the gods in the Iliad than in the Odyssey.


2021 ◽  
Vol 3 (01) ◽  
pp. 15-33
Author(s):  
Muhammad Afif

Eksekusi hukuman mati dalam hukum positif Indonesia dilakukan dengan cara hukuman mati, yang berarti bahwa eksekusi hukuman mati tidak dilakukan di depan orang banyak atau tidak dipublikasikan. Dalam hukum pidana Islam, dieksekusi dengan cara dipenggal, dilempar dengan batu (Rajam) dan dieksekusi di depan umum, artinya eksekusi hukuman mati disaksikan oleh publik. Jenis penelitian merupakan penelitian normative.Pokok bahasan dari artikel ini adalah bagaimana eksekusi hukuman mati memberikan efek jera bagi masyarakat? karena salah satu tujuan hukuman mati adalah memberikan efek jera kepada seseorang / masyarakat agar tidak melakukan kejahatan. Tidak ada perbedaan antara eksekusi hukuman mati dilihat dalam hukum positif Indonesia dan hukum Islam, pada dasarnya kedua tindak pidana tersebut sama-sama memberikan efek jera berupa ketakutan kepada publik untuk melakukan kejahatan atau tindakan yang melanggar hukum. Perbedaan antara hukum positif Indonesia dan hukum Islam, hanya dalam hal prosedur eksekusi. Abstract The execution of the death penalty in Indonesian positive law is carried out by means of a death shot, meaning that the execution of the death penalty is not carried out in front of a crowd or unpublished. In Islamic criminal law, the execution is executed by beheaded, thrown with stone (Rajam) and the execution is executed in front of the public, meaning that the execution of capital punishment is witnessed by the public. this type of research is normative research. The subject matter of this article is how the execution of capital punishment theoretically gives more deterrent effect to society? because one of the objectives of criminalizing, especially capital punishment is to give deterrent effect to a person / society in order not to commit a crime / crime. The execution of the death penalty between two criminal sides namely the positive crime of Indonesia and Islamic crime, basically the two criminal act equally give a deterrent effect in the form of fear to the public to commit a crime or a crime that violates the law. It's just possible to see the difference between positive criminal Indonesia and Islamic crime in terms of the procedure of execution execution.  


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