scholarly journals New Zealand’s ‘Critics of Empire’: Domestic Opposition to New Zealand’s Pacific Empire, 1883-1948

2021 ◽  
Author(s):  
◽  
Nicholas Hoare

<p>The recent resurgence of interest in the ‘other side’ of New Zealand’s colonial history has reaffirmed the need to view the nation’s history in its Pacific context. This historiographical turn has involved taking seriously the fact that as well as being a colony of Britain, New Zealand was an empire-state and metropole in its own right, possessing a tropical, Oceanic empire. What has yet to have been attempted however is a history of the ‘other side’ of the imperial debate. Thus far the historiography has been weighted towards New Zealand’s imperial and colonial agents. By mapping metropolitan critiques of New Zealand’s imperialism and colonialism in the Pacific (1883-1948), this thesis seeks to rebalance the historiographical ledger. This research adds to our understanding of New Zealand’s involvement in the colonial Pacific by demonstrating that anticolonial struggles were not only confined to the colonies, they were also fought on the metropolitan front by colonial critics at once sympathetic to the claims of the colonised populations, and scathing of their own Government’s colonial policy. These critics were, by virtue of their status as white, metropolitan citizens, afforded greater rights and freedoms than indigenous colonial subjects, and so were able to challenge colonial policy in the public domain. At the same time this thesis demonstrates how colonial criticism reflected national anxieties. The grounds for criticism generally depended on the wider social context. In the nineteenth-century in particular, critiques often contained concerns that New Zealand’s Pacific imperialism would disrupt the sanctity of ‘White New Zealand’, however as the twentieth-century wore on criticism bore the imprint of anti-racism and increasingly supported indigenous claims for self-government. By examining a seventy year period of change, this thesis shows that at every stage of the ‘imperial process’, New Zealand’s imperialism in the Pacific was a subject open to persistent public debate.</p>

2021 ◽  
Author(s):  
◽  
Nicholas Hoare

<p>The recent resurgence of interest in the ‘other side’ of New Zealand’s colonial history has reaffirmed the need to view the nation’s history in its Pacific context. This historiographical turn has involved taking seriously the fact that as well as being a colony of Britain, New Zealand was an empire-state and metropole in its own right, possessing a tropical, Oceanic empire. What has yet to have been attempted however is a history of the ‘other side’ of the imperial debate. Thus far the historiography has been weighted towards New Zealand’s imperial and colonial agents. By mapping metropolitan critiques of New Zealand’s imperialism and colonialism in the Pacific (1883-1948), this thesis seeks to rebalance the historiographical ledger. This research adds to our understanding of New Zealand’s involvement in the colonial Pacific by demonstrating that anticolonial struggles were not only confined to the colonies, they were also fought on the metropolitan front by colonial critics at once sympathetic to the claims of the colonised populations, and scathing of their own Government’s colonial policy. These critics were, by virtue of their status as white, metropolitan citizens, afforded greater rights and freedoms than indigenous colonial subjects, and so were able to challenge colonial policy in the public domain. At the same time this thesis demonstrates how colonial criticism reflected national anxieties. The grounds for criticism generally depended on the wider social context. In the nineteenth-century in particular, critiques often contained concerns that New Zealand’s Pacific imperialism would disrupt the sanctity of ‘White New Zealand’, however as the twentieth-century wore on criticism bore the imprint of anti-racism and increasingly supported indigenous claims for self-government. By examining a seventy year period of change, this thesis shows that at every stage of the ‘imperial process’, New Zealand’s imperialism in the Pacific was a subject open to persistent public debate.</p>


Author(s):  
James Meffan

This chapter discusses the history of multicultural and transnational novels in New Zealand. A novel set in New Zealand will have to deal with questions about cultural access rights on the one hand and cultural coverage on the other. The term ‘transnational novel’ gains its relevance from questions about cultural and national identity, questions that have particularly exercised nations formed from colonial history. The chapter considers novels that demonstrate and respond to perceived deficiencies in wider discourses of cultural and national identity by way of comparison between New Zealand and somewhere else. These include Amelia Batistich's Another Mountain, Another Song (1981), Albert Wendt's Sons for the Return Home (1973) and Black Rainbow (1992), James McNeish's Penelope's Island (1990), Stephanie Johnson's The Heart's Wild Surf (2003), and Lloyd Jones's Mister Pip (2006).


2017 ◽  
Vol 13 (3) ◽  
pp. 55-65
Author(s):  
M R Hasanov

The Article examines the preconditions of the struggle of the mountaineers Sevres-Eastern Caucasus in the 20-50-ies of the XIX century On the basis of analysis of sources and existing literature reveals the principal causes of the struggle of the mountaineers against the colonial policy of tsarism and the local rulers. It stresses that the dissatisfaction of the highlanders was caused by construction on arable land fortresses, device the so-called fortified lines with the Cossack settlements, permanent mobilization of the local population to build roads, fortresses, requirements, burdensome taxes and the heavy duties and activities assigned to mountain communities and possession of the king's officers and the commandant of managers to intervene in the internal life of the highlanders. The article talks about the brutal repression used by the Royal officials in relation to the unhappy mountaineers - the burning of entire villages, destruction of crops and grain reserves, the destruction of the gardens - all this aroused the indignation of the mountaineers and led to the struggle against tsarist oppression and local feudal lords. The article is subjected to criticism the concept of M. M. Bliev, if the mountaineers lived by raids on their neighbors. His thesis is that in the first half of the nineteenth century the mountaineers have experienced a period of expansion of tribal relations, not only clarifies the issue of their struggle in the 20-50 years of the XIX century, but also confuses the history of the peoples of the region. The publication highlights how local authorities based on the Royal arms, brutally oppressed rank and file of the highlanders, were taken from their last horse or bull, the last under the grain in the tax bill. The article presents material about the ill-treatment of Aslan-Khan Kyurinsky and the other lords with their subordinates. The feudal lords levied a population with taxes and duties at its discretion, enriched by direct robbery. Therefore, according to the article, the idea of anti-colonial protest in the minds of the highlanders were merged with the anti-feudal aspirations.


Author(s):  
Gavin Flood

On the one hand, we have the development of science from the seventeenth to nineteenth century, while on the other, we have a focus on life in philosophy at the dawn of the nineteenth century. Here, life is understood in terms of nature as a dynamic process linked to impulse or drive. Partly stemming from a mystical discourse in the seventeenth century, the concern for life comes to be disseminated through the history of both Romantic poetry and Romantic philosophy. This vitalist spirit can be traced through to the twentieth century. Life itself comes to be articulated through a mystical theological discourse that ends in Romantic poetry and through a philosophical discourse that ends in phenomenology.


2010 ◽  
Vol 39 (1) ◽  
pp. 127-142 ◽  
Author(s):  
Deborah Lutz

By the time the nineteenth centuryreached its close, it was already possible to look back at Victorian death culture with nostalgia. With the rise of secularism, the slide toward what Diana Fuss has called the death of death had begun. No longer was it common practice to hold onto the remains of the dead. Rarely would a lock of hair be kept by, to be worn as jewelry, nor did one dwell on the deathbed scene, linger upon the lips of the dying to mark and revere those last words, record the minutiae of slipping away in memorials, diaries, and letters. Rooms of houses were increasingly less likely to hold remains; no one had died in the beds in which the living slept. Walter Benjamin, who wrote often about what was lost in the nineteenth century, sees the turning away from death as going hand in hand with the disappearance of the art of storytelling. Writing in the early 1930s, he called his contemporaries “dry dwellers of eternity” because “today people live in rooms that have never been touched by death” (Illuminations94). Avoiding the sight of the dying, Benjamin argues, one misses the moment when life becomes narrative, when the meaning of life is completed and illuminated in its ending. He privileges the shared moment of death, when relatives, and even the public, gather around the dying to glean final words of wisdom, to know perhaps, in the end, the whole story. Historian of death Philippe Ariès describes a Christian account of the final ordeal of the death bed, when in the moment of death the salvation or damnation of the dying is determined, thus changing or freezing, for good, the meaning of the whole life. Scholars of nineteenth- and twentieth-century death culture tend, on the whole, to agree that towards the end of the century, a process that began earlier reached a completion – that the death of the other not only became less of a shared experience among a community, but last things such as final words and remains were increasingly to be pushed to the back of consciousness and hence to the lumber room of meaning and importance.


Itinerario ◽  
2000 ◽  
Vol 24 (3-4) ◽  
pp. 75-88
Author(s):  
Janet Hunter

Much of the recent work on the economic and social history of Tokugawa Japan (1600–1867) has been driven by a desire to identify what T.C. Smith has called ‘native sources ofJapanese industrialisation’. From the Marxist-influenced historians in the 1920s who sought to explain the pre-industrial roots of the structure of production in interwar Japan, through to contem-poraryJapanese historians' studies of the pattern of Japanese development, a major part of the agenda has been to identify how Japan had got to where it was, in other words, what was the secret of its twentieth century successes and weaknesses. It is not possible to explore the situation of Japan's economy in the century 1750–1850 without benefit of this hindsight, without being aware that while Japan's situation may have been in many ways analogous to that of China and Europe in the mid-eighteenth century, its economic fortunes were by the latter part of the nineteenth century experiencing their own ‘great divergence’ from those of China, India and the other countries of Asia and the near East. To search for the antecedents of this divergence is for economic historians of Japan a parallel exercise o t any search for the sources of the European ‘miracle’. While a focus on the period 1750–1850 as an era of European/Asian divergence means, therefore, that we must highlight the situation inJapan during that century, it must also be accepted that in the case of Japan any comparison with other countries or regions may also suggest the causes of Japan's own divergence some fifty to a hundred years later.


2004 ◽  
Vol 35 (1) ◽  
pp. 165 ◽  
Author(s):  
Tom Bennion

This paper discusses the history of treaty-making between Pacific island nations and European powers during the nineteenth century in order to assess the validity of the Treaty of Waitangi at international law. The author also draws some brief comparisons with treaty-making in Africa. The particular focus of the paper is an assessment of how the colonial powers would have viewed a document such as the Treaty. The conclusion of the paper is that the signatories would have presumed that the Treaty would have serious effect, and would be binding in international law.Editor’s note: This paper was originally written in 1987 as part of the Administrative Law LLM course at Victoria University of Wellington. After it was recently cited with approval in Sir Kenneth Keith's article "Public Law in New Zealand" (2003) 1 New Zealand Journal of Public and International Law 3, it transpired that access to the paper was very limited. Despite its age, and the fact that much scholarship has been done in the intervening time, on the Treaty in particular, the material is still of considerable interest. Some changes have been made to the original text to cater for the passage of time.


Author(s):  
Meredith L. Goldsmith

Chapter 8 responds to two prevailing arguments about the fiction of Jessie Fauset—the one labeling her work retrograde, the other regarding it as subtly subversive—by viewing the writer’s work as part of a history of long nineteenth-century representation. Countering the dominant perception of the Harlem Renaissance as a break from the past—a view that has shunted Fauset’s work to the sidelines—the essay argues that Fauset’s work explores the legacy of late-nineteenth-century US culture in the emergent modernity of the early twentieth century. Excavating the literary, cultural, and scientific tropes of feminine representation that burst from the pages of Fauset’s fiction, the essay identifies a recent literary past that informs Fauset’s constructions of her modern urban heroines.


2011 ◽  
Vol 10 (02) ◽  
pp. A01 ◽  
Author(s):  
Peter Hodder

In colonial times in New Zealand the portrayal of science to the public had a sense of theatre, with nineteenth and early twentieth century grand exhibitions of a new nation’s resources and its technological achievements complemented by spectacular public lectures and demonstrations by visitors from overseas and scientific ‘showmen’. However, from 1926 to the mid-1990s there were few public displays of scientific research and its applications, corresponding to an inward-looking science regime presided over by the Government science agency, the Department of Scientific and Industrial Research. The subsequent development of science centres with their emphasis on visitor participation has led to an increase in the audience for science and a revival of theatricality in presentation of exhibitions, demonstration lectures, café scientifiques, and science-related activities.


2017 ◽  
Vol 5 (1) ◽  
pp. 85-96

This article seeks to understand the links between mining and archaeology in shell mounds of coastal Brazil, vastly used as lime sources since the early colonization. The shell mounds are the most ancient traces of the occupation of the Brazilian coast and many of them are extinct, because of the mining, which converted their shells into the cement of colonial buildings. Between devastation and cooperation, there are connected activities that were revealed by the scientific papers, published in the nineteenth century, and by the history of the public management of those sites through the twentieth century.


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