scholarly journals “Our bitterest enemies...” An Examination of Thebes’ Role in Athenian Tragedy

2021 ◽  
Author(s):  
◽  
James Hugman

<p>This thesis concerns itself with the depiction of mythical Thebes in extant Greek tragedy, and how this relates to the tragedians’ view of Athens itself. Throughout the Classical Period, Thebes was one of Athens’ biggest enemy poleis, and this complex relationship is often mirrored in the dramas that feature Thebes and Thebans in principal roles. For the purposes of this thesis, I am limiting my scope to dramas that deal with the “Seven Against Thebes” mythic cycle and, to pare the topic down even further, I am only examining those tragedies that feature either Eteocles, Polynices, or both.  Chapter one deals with Aeschylus’ Seven Against Thebes, where I argue that Thebes is not only presented as a positive force, but actually comes to be identified as a stand-in for Athens. The Thebes of Aeschylus’ play shares many common factors with Athens of the early fifth-century B.C.  Chapter two is about Euripides’ Phoenician Women. The main argument here is that Euripides uses his Theban characters as mouthpieces for his own ideas on political rhetoric, particularly political issues that are of importance to contemporary Athens. Additionally, Phoenician Women’s fragmented, episodic plot and its large cast of characters contribute to an image of Thebes as a disorganised, chaotic polis, and one that is the antithesis of Athens. At the same time, its emphasis on the feminine complicates this picture somewhat; although this contributes to the “anti-Athens” image, whether or not this is a positive thing is unclear.  My third and final chapter concerns Sophocles’ Oedipus at Colonus and the lack of consistency in its depiction of Theban characters. Polynices and Creon are characterised negatively, but Oedipus and especially Antigone and Ismene appear in a much more positive light. Furthermore, Theseus appears in the OC as a representative of Athens so, fundamentally, the OC is about the relationship between the two poleis, and an exhortation for Thebes to strive to be more like Athens.  My conclusion is that tragedy’s treatment of Thebes is malleable and that there is not necessarily one standard way of depicting mythical Theban characters. At the same time, I also conclude that, no matter how Thebes is represented, there is always an underlying tension regarding how Thebes relates to Athens; the two cities are in a constant state of comparison and contrast.</p>

2021 ◽  
Author(s):  
◽  
James Hugman

<p>This thesis concerns itself with the depiction of mythical Thebes in extant Greek tragedy, and how this relates to the tragedians’ view of Athens itself. Throughout the Classical Period, Thebes was one of Athens’ biggest enemy poleis, and this complex relationship is often mirrored in the dramas that feature Thebes and Thebans in principal roles. For the purposes of this thesis, I am limiting my scope to dramas that deal with the “Seven Against Thebes” mythic cycle and, to pare the topic down even further, I am only examining those tragedies that feature either Eteocles, Polynices, or both.  Chapter one deals with Aeschylus’ Seven Against Thebes, where I argue that Thebes is not only presented as a positive force, but actually comes to be identified as a stand-in for Athens. The Thebes of Aeschylus’ play shares many common factors with Athens of the early fifth-century B.C.  Chapter two is about Euripides’ Phoenician Women. The main argument here is that Euripides uses his Theban characters as mouthpieces for his own ideas on political rhetoric, particularly political issues that are of importance to contemporary Athens. Additionally, Phoenician Women’s fragmented, episodic plot and its large cast of characters contribute to an image of Thebes as a disorganised, chaotic polis, and one that is the antithesis of Athens. At the same time, its emphasis on the feminine complicates this picture somewhat; although this contributes to the “anti-Athens” image, whether or not this is a positive thing is unclear.  My third and final chapter concerns Sophocles’ Oedipus at Colonus and the lack of consistency in its depiction of Theban characters. Polynices and Creon are characterised negatively, but Oedipus and especially Antigone and Ismene appear in a much more positive light. Furthermore, Theseus appears in the OC as a representative of Athens so, fundamentally, the OC is about the relationship between the two poleis, and an exhortation for Thebes to strive to be more like Athens.  My conclusion is that tragedy’s treatment of Thebes is malleable and that there is not necessarily one standard way of depicting mythical Theban characters. At the same time, I also conclude that, no matter how Thebes is represented, there is always an underlying tension regarding how Thebes relates to Athens; the two cities are in a constant state of comparison and contrast.</p>


Author(s):  
Sarah Hickmott

The final chapter brings together all three thinkers and demonstrates the way in which they all – albeit in different ways – inherit and deploy aspects of a Romantic and idealist conception of music. It considers their writings on Wagner in order to ascertain more clearly how their different positions play out over a shared question: to what extent is Wagner’s music fascist or anti-Semitic? Rather than seek to solve this problem, the chapter argues that their positions on this question relate to their a priori understanding of the relationship between music and philosophy, their broader political-philosophical commitments, and their characterization of what is ‘essentially’ musical. The chapter also draws on Irigaray’s work in order to show how both Nancy and Lacoue-Labarthe reinstate a gendered foundationalism (specifically the musical maternal-feminine which logically and chronologically precedes the symbolic, language, and culture) that is so at odds with their broader projects; by contrast, though Badiou never identifies music ‘itself’ with the feminine, the way in which he constructs ‘truth’ nonetheless rehabilitates a certain feminine exceptionalism alongside a pervasive misogyny in his work. The concluding analytic argues for multiply intersecting planes of mediation and a non-reductive approach to both music and gender that refuses to attribute a single essence to either.


2021 ◽  
Author(s):  
◽  
Sheryn Simpson

<p>This thesis is a case study of the relationship between Mycenae and Argos. It has been a longstanding tendency in scholarship to assume that Argos developed primarily in comparison to and in competition with Sparta. This has been primarily due to Herodotus’ presentation of the history between the two poleis. It is suggested here that this view should be reconsidered, and the probability of other influences taken into account. This thesis presents the view that instead of Sparta, a consideration of the possibility that Mycenae was the rival Argos was consistently reacting against. Mycenae, in the weakened state of the Geometric and Archaic period, is admittedly not the first candidate that comes to mind when reviewing the options of poleis which challenged Argos’ identity, but there is strong evidence to suggest that this was a rivalry of Argos’ own making. The manufacturing of Argive ethnic identity was therefore both an appropriation of, and reaction against, Mycenaean history and mythology. The study begins with a consideration of how Argos expressed the insecurity felt towards Mycenae by claiming hegemony over Mycenaean religion and an important sanctuary, which became inextricably linked with Argos in historic times. The second chapter is an examination of the textual transmission of the Iliad. It is argued that Argos strongly influenced this transmission at different points in the development of the text. The period of development of the text is followed chronologically; beginning with the earliest identifiable evidence of the tradition. Following the evolutionary path of the text through to the Alexandrian period, important stages in each period and their relation to the text are considered. Chapter Three is a recounting and comparison of different genealogical histories which revolve around the Argolid. The primary focus is the myth of the Return of the Heracleidae. As with the rivalry between Sparta and Argos, the Heracleidae story was taken as a historical event by scholars in the past. Within this chapter, the event itself is proven to have been a myth. This point in and of itself is no longer news to academia; however, the evidence is then reviewed in order to pinpoint the likely reason for this myth’s creation. It is argued that it was created as a reaction against Mycenaean history and claims within the Argolid. Furthermore, there is a study which recounts the way in which Argive mythology appropriated and subsumed Mycenaean identity. All of these points work towards the overall conclusion that Argos deliberately appropriated Mycenaean legend in order to express its own identity and ownership of the Argolid. This was used as propaganda within the Argolid and the rest of Greece. The final chapter considers the historical relationship between the Argives and Mycenaeans. The continuous attempt to quell the Mycenaeans through a long deconstruction of their own identity did not entirely work. The conclusion of this thesis is that a significant part of the reason for the destruction of Mycenae is the Mycenaeans’ own reaction against and challenge to the Argive manufactured identity.</p>


2021 ◽  
Author(s):  
◽  
Sheryn Simpson

<p>This thesis is a case study of the relationship between Mycenae and Argos. It has been a longstanding tendency in scholarship to assume that Argos developed primarily in comparison to and in competition with Sparta. This has been primarily due to Herodotus’ presentation of the history between the two poleis. It is suggested here that this view should be reconsidered, and the probability of other influences taken into account. This thesis presents the view that instead of Sparta, a consideration of the possibility that Mycenae was the rival Argos was consistently reacting against. Mycenae, in the weakened state of the Geometric and Archaic period, is admittedly not the first candidate that comes to mind when reviewing the options of poleis which challenged Argos’ identity, but there is strong evidence to suggest that this was a rivalry of Argos’ own making. The manufacturing of Argive ethnic identity was therefore both an appropriation of, and reaction against, Mycenaean history and mythology. The study begins with a consideration of how Argos expressed the insecurity felt towards Mycenae by claiming hegemony over Mycenaean religion and an important sanctuary, which became inextricably linked with Argos in historic times. The second chapter is an examination of the textual transmission of the Iliad. It is argued that Argos strongly influenced this transmission at different points in the development of the text. The period of development of the text is followed chronologically; beginning with the earliest identifiable evidence of the tradition. Following the evolutionary path of the text through to the Alexandrian period, important stages in each period and their relation to the text are considered. Chapter Three is a recounting and comparison of different genealogical histories which revolve around the Argolid. The primary focus is the myth of the Return of the Heracleidae. As with the rivalry between Sparta and Argos, the Heracleidae story was taken as a historical event by scholars in the past. Within this chapter, the event itself is proven to have been a myth. This point in and of itself is no longer news to academia; however, the evidence is then reviewed in order to pinpoint the likely reason for this myth’s creation. It is argued that it was created as a reaction against Mycenaean history and claims within the Argolid. Furthermore, there is a study which recounts the way in which Argive mythology appropriated and subsumed Mycenaean identity. All of these points work towards the overall conclusion that Argos deliberately appropriated Mycenaean legend in order to express its own identity and ownership of the Argolid. This was used as propaganda within the Argolid and the rest of Greece. The final chapter considers the historical relationship between the Argives and Mycenaeans. The continuous attempt to quell the Mycenaeans through a long deconstruction of their own identity did not entirely work. The conclusion of this thesis is that a significant part of the reason for the destruction of Mycenae is the Mycenaeans’ own reaction against and challenge to the Argive manufactured identity.</p>


Author(s):  
Steven Hurst

The United States, Iran and the Bomb provides the first comprehensive analysis of the US-Iranian nuclear relationship from its origins through to the signing of the Joint Comprehensive Plan of Action (JCPOA) in 2015. Starting with the Nixon administration in the 1970s, it analyses the policies of successive US administrations toward the Iranian nuclear programme. Emphasizing the centrality of domestic politics to decision-making on both sides, it offers both an explanation of the evolution of the relationship and a critique of successive US administrations' efforts to halt the Iranian nuclear programme, with neither coercive measures nor inducements effectively applied. The book further argues that factional politics inside Iran played a crucial role in Iranian nuclear decision-making and that American policy tended to reinforce the position of Iranian hardliners and undermine that of those who were prepared to compromise on the nuclear issue. In the final chapter it demonstrates how President Obama's alterations to American strategy, accompanied by shifts in Iranian domestic politics, finally brought about the signing of the JCPOA in 2015.


Author(s):  
Daniele Miano

This chapter considers the relationship between Fortuna and Tyche as one of translatability. The first half of the chapter focuses on Tyche, with the aim of determining semantic and structural elements common with Fortuna. The second part of the chapter looks at instances in which Fortuna is translated in Greek. The appearance of bronze strigils bearing the epithet soteira from Praeneste in the fourth century BC seems to presuppose this translation, and also points to the salvific meanings of Fortuna as a base for the process of translation. This process of translation had probably occurred through early contacts between Latium, Sicily, and Magna Graecia, where Tyche seems to be associated with salvation already from the fifth century BC. Other instances of translations of Fortuna and Tyche are studied across the Aegean.


Author(s):  
Zoran Oklopcic

As the final chapter of the book, Chapter 10 confronts the limits of an imagination that is constitutional and constituent, as well as (e)utopian—oriented towards concrete visions of a better life. In doing so, the chapter confronts the role of Square, Triangle, and Circle—which subtly affect the way we think about legal hierarchy, popular sovereignty, and collective self-government. Building on that discussion, the chapter confronts the relationship between circularity, transparency, and iconography of ‘paradoxical’ origins of democratic constitutions. These representations are part of a broader morphology of imaginative obstacles that stand in the way of a more expansive constituent imagination. The second part of the chapter focuses on the most important five—Anathema, Nebula, Utopia, Aporia, and Tabula—and closes with the discussion of Ernst Bloch’s ‘wishful images’ and the ways in which manifold ‘diagrams of hope and purpose’ beyond the people may help make them attractive again.


Author(s):  
Muriel Debié ◽  
David Taylor

This chapter analyzes how Syriac historiography is a rare example of non-etatist, non-imperial, history writing. It was produced, copied, and preserved entirely within Christian church structures. The Syriac-using Christians, however, were divided into numerous rival denominations and communities as a consequence both of the fifth-century theological controversies and of geopolitical boundaries. And since both of these factors strongly influenced both the motivations which underpinned the production of history writing and the forms it took, historians need to have some knowledge of these rival Syriac denominations. Because of internal Christian debates about the relationship of the divinity and humanity within Christ during the fifth century, the Syriac-using churches fragmented. All accepted that Christ was perfect God and perfect man, but differed fiercely about how to articulate this.


Author(s):  
Miyoung Lee ◽  
Yeon-Suk Kim ◽  
Mi-Kyoung Lee

Prenatal depression is an important factor in predicting postpartum depression. Most studies have assessed factors affecting prenatal depression by focusing on pregnant wives. However, the emotional and psychological aspects of both expectant parents need to be considered. Therefore, the purpose of this study was to examine the effect of spouse-related stress in expectant couples on prenatal depression and investigate the mediating effects of marital intimacy on this relationship. A total of 120 expectant couples from two cities in Korea at more than 15 weeks of completed pregnancy participated in the study. Using a structured questionnaire, we assessed the general characteristics of the participants, spouse-related stress, prenatal depression, and marital intimacy. The results revealed that four actor effects and one partner effect were significant. Marital intimacy and prenatal depression among expectant parents were affected by spouse-related stress. Moreover, spouse-related stress in the husbands completely mediated marital intimacy in pregnant wives, demonstrating partner effects on prenatal depression in pregnant wives. Therefore, it was observed that paternal factors affect prenatal depression in pregnant wives. This warrants the inclusion of husbands in marital interventions and strategies to improve marital intimacy in pregnant wives.


2021 ◽  
Vol 6 (1) ◽  
Author(s):  
Tamar Kricheli-Katz ◽  
Tali Regev

AbstractResearch suggests that gendered languages are associated with gender inequality. However, as languages are embedded in cultures, evidence for causal effects are harder to provide. We contribute to this ongoing debate by exploring the relationship between gendered languages and the gender gap in mathematics achievements. We provide evidence for causality by exploiting the prominent (but not exclusive) practice in gendered languages of using masculine generics to address women. In an experiment on a large representative sample of the Hebrew-speaking adult population in Israel, we show that addressing women in the feminine, compared to addressing them in the masculine, reduces the gender gap in mathematics achievements by a third. These effects are stronger among participants who acquired the Hebrew language early in childhood rather than later in life, suggesting that it is the extent of language proficiency that generates one’s sensitivity to being addressed in the masculine or in the feminine. Moreover, when women are addressed in the masculine, their efforts (in terms of time spent on the maths test) decrease and they report feeling that “science is for men” more than when addressed in the feminine. We supplement the analysis with two experiments that explore the roles of general and task-specific stereotypes in generating these effects.


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