scholarly journals “I am making myself remember that awful time”: Juvenilia, Hiroshima, and the Politics of Peace

2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Caroline Lieffers

In 1951, Asata Orada, a professor of education at Hiroshima University, took on the grim task of collecting first-hand accounts from children who had survived the atomic bombing of August 6, 1945. Of the over 1000 testimonials he received, he compiled 105 into Genbaku no ko: Hiroshima no shonen to shojo no uttae [Children of the A-Bomb: The Testament of the Boys and Girls of Hiroshima], a book meant to honour the dead and make a bold contribution to peace education. This article argues that children’s writing about the atomic bombing was implicated in multiple, interrelated political projects. The first section examines the writers’ work of navigating the meaning of their survival, as well as Japan’s new pacifist identity; some of the children express ambivalence or even distrust toward this new national script. The second section picks up the more explicit politics that the children’s stories came to represent. The left-leaning Japan Teachers’ Union sponsored two films based on the book, but neither fully achieved the goal of communicating both the deplorable intensity of war and the spiritual imperative of peace to a broader audience. The third section dwells on the extent to which children fought to articulate their grief, and focuses on the unwilling writer, an unusual figure in juvenilia studies. The children were asked to sublimate their pain into the work of peace, but their writing testified instead to an experience that defied articulation altogether, and to a need for resolution that was ultimately beyond their ability or responsibility to deliver. Through Children of the A-Bomb, juvenilia studies can recognize children’s writing as a tool for political action, a site of traumatic memory, and also a fundamentally limited form of communication that could only know the surface of human pain, and leave readers wondering at the soundless depths below.

2013 ◽  
pp. 116-123
Author(s):  
Claire Bompaire-Evesque

This article is a inquiry about how Barrès (1862-1923) handles the religious rite of pilgrimage. Barrès stages in his writings three successive forms of pilgrimage, revealing what is sacred to him at different times. The pilgrimage to a museum or to the birthplace of an artist is typical for the egotism and the humanism of the young Barrès, expressed in the Cult of the Self (1888-1891). After his conversion to nationalism, Barrès tries to unite the sons of France and to instill in them a solemn reverence for “the earth and the dead” ; for that purpose he encourages in French Amities (1903) pilgrimages to historical places of national importance (battlefields; birthplace of Joan of Arc), building what Nora later called the Realms of Memory. The third stage of Barrès’ intellectual evolution is exemplified by The Sacred Hill (1913). In this book the writer celebrates the places where “the Spirit blows”, and proves open to a large scale of spiritual forces, reaching back to paganism and forward to integrative syncretism, which aims at unifying “the entire realm of the sacred”.


2012 ◽  
Vol 42 (2) ◽  
pp. 70-80
Author(s):  
Edward A. Beckstrom

For centuries a mystery has surrounded the meaning of Jesus' term “The Son of Man” in his ministry, and today it is often called “The Son of Man Problem.” Studying “Son of Man” in all of its biblical references, and apocryphal usages, together with insights from the Dead Sea Scrolls, I propose a solution that the idiom means “Priest” or “High Priest,” but most especially “Heavenly High Priest” and is framed in the third person by Jesus because it is expressed as his destiny given by God—it is the Will of God. “The Son of Man” is distinct from Jesus own will, but is the destiny he follows. It is also the use of this term that caused Caiaphas to cry “blasphemy” at Jesus' Sanhedrin trial, who then sent him to Pilate for crucifixion, yet asserting that Jesus proclaimed himself “King of the Jews.” Caiaphas, knew, I believe, that “Son of Man” was synonymous with “High Priest.”


2021 ◽  
pp. 1329878X2110558
Author(s):  
Kerrie Foxwell-Norton ◽  
Claire Konkes

An obituary for the Great Barrier Reef (the Reef) by travel and food writer Rowan Jacobsen (2016) commemorated its ‘lifetime accomplishments’ in Outside, the US outdoor recreational magazine. ‘News’ of the Reef's demise went viral and the economic and political furore that followed was immense. Tourism industries, especially reliant on international arrivals, were impacted as potential visitors accepted the Reef's passing as fact. Politicians scampered to reassure Australians and the globe that the Reef was indeed still alive and beautiful. In the Australian public sphere, climate science deniers, alongside those advocating for climate action, collided over the impacts of global warming to Reef health. Subsequent mass coral bleaching events in 2016, 2017 and 2020 sustained at the very least, the idea that the Reef was, or was soon to be, dead. Our paper follows the idea of a ‘dead Reef’ in the context of historical and recent debates about Reef protection. Using Google Trends, we identify Jacobsen's article as the source of increased Australian and global ideation of a ‘dead Reef’. As a site of local and global environmental communication – where human relations to nature are expressed and understood - the Reef holds extraordinary story telling power. At the current junction then, the way we communicate the Reef is critical to public understanding and political action on climate change. We conclude Jacobsen's article is an example of the problems of satirical communication, serving to amplify existing conflicts and undermine efforts to foster to climate action.


2021 ◽  
pp. 31-52
Author(s):  
Marina G. Kurgan ◽  

The House of the Dead was repeatedly compared with the first part of Dante’s The Divine Comedy even in F.M. Dostoevsky’s lifetime. However, his contemporaries usually focused on general analogies, while later scholars paid more attention to the narrative features or individual reminiscences. This research studies the main aspects of the artistic structure of the Dante code, constructing the space of Hell in Dostoevsky’s novel. 1. The organization of space. Alexander Petrovich Goryanchikov, the narrator in The House of the Dead, recreates a three-dimensional image that resembles a gradually narrowing funnel: from a bird’s-eye view, where the prison is seen in its entirety, the focus slowly descends, passing to smaller objects, and finally reaching the “three boards”, which limit Goryanchikov’s personal space. The same principle is employed to construct the space of Hell in Dante’s poem. In The House of the Dead, there is another significant indication of the spatial affinity of Dante’s hell and Dostoevsky’s katorga – active imagery associated with cobwebs and spiders. In the centre of the system of images associated with the designated semantic network is the parade- major, the head of the fortress and the owner of the inmate web. 2. The character system as an element constituting the space of Hell. The character system of The House of the Dead follows the compositional principle of Divine Comedy, where sinners are located in different circles in accordance with their main passion. There are three circles in the prison: the first is formal, according to the court decision; the second is informal, internal, formed by crafts and occupations; the third represents Goryanchikov’s perspective as an exponent of human and humane judgment, which distinguishes another person’s moral state. 3. Torment. The House of the Dead demonstrate a hierarchy in describing the tortures, while freedom becomes a fundamental category to embody the most important motif of physical and moral torment connecting Dostoevsky’s novel with Dante’s experience. The bodily torment ceases to be only the torment of the body to become a pain of the soul, comparable to physical torment, so the soul suffers and burns. Hell as a moral topos was the key for Dostoevsky. In The House of the Dead, he chooses the same way as Dante in The Divine Comedy: vivid corporeality conveys an esoteric metaphor of moral suffering and deep inner movements of the soul.


2017 ◽  
pp. 215
Author(s):  
Nicolás Fleet

ResumenEste artículo desarrolla, en tres pasos, una perspectiva original de la teoría de la dominación de Max Weber. El primer paso establece un vínculo necesario entre las formas típicas de dominación política y los intereses sociales, de modo que toda acción política debe legitimarse ante el interés general. El segundo paso explica las crisis de legitimación como una respuesta a cambios de identidad en la base social de la dominación política, de tal forma que se introduce un concepto dinámico de legitimidad. El tercer paso establece que los valores que habitan en las formas legitimas de dominación política son usados como orientaciones simbólicas por parte de intereses sociales y acciones políticas particulares, de manera que toda forma de legitimación de la autoridad encierra, en sus propias premisas, los argumentos que justifican luchas políticas hacia la modificación de los esquemas de dominación.Palabras clave: legitimidad, dominación, acción política, democratización.Abstract This article develops, in three steps, an orignal perspective of Weber’s legitimacy theory. The first one, establishes a necessary link that exists between the typical forms of legitimate domination and the social interests, in such a way that every political action that purse the realization of its interests has to legitimate itself before the general will. The second explains the legitimation crises as a response to indentity changes at the social base of the political domination and, in so doing, it introduces a dinamic concept of legitimacy. The third step states that the values that dwell in legitimate forms of political domination are used as symbolic orientations by particular social intersts and political actions, in a way that each form of authority legitimation encapsulate, in its own premises, the arguments that justify political struggles aiming toward the modification of the domination schemes.Key words: legitimacy, domination, political action, democratization.


2021 ◽  
Vol 3 (1) ◽  
pp. 135-161
Author(s):  
Luca Raffini ◽  
Anna Reggiardo ◽  
Andrea Pirni

Abstract Social innovation should represent a step forward activation policies, promoting a new balance between economic development and social cohesion, reducing inequalities and vulnerability. The Third sector is a privileged sphere of social innovation: there are many expectations on its ability to provide innovative answers to unaddressed social needs; one area of its intervention are youth policies. In Italy, the Third sector reform established new provisions on volunteering, civil service and social entrepreneurship, which should primarily benefit the youth. It allows to explore the double face of the Third sector transformation and of the European rhetoric on social innovation. On the one side institutions are trying to recognize emerging grass-root practices which combine social involvement, professional fulfillment and political action in order to respond new societal challenges. On the other side, the market is still fundamental in practices and discourses around social innovation, that maintain many contradictions of the activation policies.


Author(s):  
Chad Seales

This chapter addresses the fascinations of Protestants with certain “relics” of racial, political, and communal violence. In contrast to Catholicism, blatant Protestant relics are rare. While the ones they have are significant, there are not enough of them to comprise a Protestant tradition of devotional use of relics. However, there are southern Protestants who have had two major sources of relics as understood as the sacred remains of the dead: those produced by death in the Civil War and those made through the lynching deaths of African Americans. There are three possible options for the presence and persistence of religious relics in popular culture. The first is the importance of religious relics to subcultural memory. The second is the significance of religious relics to the cultural production and ritual construction of racial difference. The third is the power of those relics to resurface and strain against historical amnesia.


Author(s):  
Emmanuel Adugu

Using the marketplace as a site for political action with social change motives is referred as political consumption. Boycott, as a form of political consumption is an innovative way being used by citizens to directly express their attitudes, interests and concerns with the ultimate goal of influencing public affairs. This book chapter specifically examines the correlates of boycott as a form of political consumption in Africa using Wave 6 of the World Values Survey. Based on binary logistic regression, the correlates of boycott action are: level of education, gender, social class, media usage, gender equality, institutional confidence, social network, interest in politics, life satisfaction, seeing oneself as being part of world citizenship, seeing oneself as being embedded in local community, importance of doing something for the good of society, importance of traditions, and importance of riches or expensive things. These findings have implications for reaching out to boycotters.


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