scholarly journals The British Raj and Modernization of Indian Society: A Critical Analysis

2018 ◽  
Vol 1 (4) ◽  
Author(s):  
Hassan Imam
Religions ◽  
2021 ◽  
Vol 12 (12) ◽  
pp. 1068 ◽  
Author(s):  
Kenneth Bo Nielsen ◽  
Alf Gunvald Nilsen

What role does the Islamophobic theory of “love jihad” play in the politics of Hindu nationalist statecraft—the legal codification of Hindu nationalist ideology—in India today? In this article, we address this question through a critical analysis of how the idea of “love jihad” relate to both (a) a conservative politics of governing gender and intimacy in which women are constituted as subjects of protection and (b) an authoritarian populism grounded in a foundational opposition between true Indians and their anti-national enemies within. The article begins by exploring how “love jihad” has transformed from an idea that was used to legitimize extra-legal violence by Hindu nationalist vigilantes to the status of law, with a particular focus on the BJP-ruled state of Uttar Pradesh. We then situate the “love jihad” laws in relation to a regime of gender governance that constitutes women as subjects of protection - and specifically protection by state and nation—and discuss how this resonates with a pervasive patriarchal common sense in Indian society. Finally, we show how “love jihad” laws and the wider conservative politics of gender and intimacy within which it is embedded feeds into the authoritarian politics of the Modi regime, in which Muslims are consistently portrayed as enemies of the Indian nation, and reflect on what this entails for the country’s secular political order.


Author(s):  
Pankaj Kumar Verma ◽  
◽  
Prabha Shankar Dwivedi ◽  

The paper aims to lay out a critical analysis of eco-aesthetical wisdom of pan-Indian society through the lens of ancient seers whose insights for environment and ecology were shaped in the form of the teachings of Vedas and Upani?ads. With the passage of time, the bond between humans and non-humans has largely weakened, and humans have increased exploiting the natural resources without caring for their regeneration. Consequent nature bred hostility is emerging as a bigger crisis in front of the 21st Century world that may sooner turn to be, if not taken seriously, an existential crisis for the whole human race. The Upani?ads enlighten us not only with the knowledge of maintaining the relationship between human beings and physical environment but also among various inhabitants of ecology. Therefore, as Deep Ecology proposes, there should be a shift from human at the centre (anthropocentricism) to ecology at the centre (ecocentrism) which very much was existing in Indian society. So, this paper attempts to deal with the global ecological crisis co-opting with the ecological/environmental ideas and attitude of the classical Indian treatises.


2019 ◽  
Vol 7 (4) ◽  
pp. 213-224
Author(s):  
Afaq Ahmad

Hindi cinema has acquired a universal identity in Indian society as it is one of the most popular forms of entertainment, education and information in India. As purveyor of entertainment, Bollywood has provided a platform to many actors to flourish their talents as an actor. As far as Aamir Khan is concerned, acting is the life, blood, and soul of Aamir Khan. The way he portrays various characters in his movies, make him a perfect actor of versatile genre. Less studies have been conducted on Aamir Khan and his movies, and on the versatile portrayal of Aamir Khan contained in his movies. The purpose of this paper is to understand the versatile characteristics played by Aamir Khan in his movies. The present paper makes an attempt to critically analyse the three movies of different genres of Aamir Khan. These movies were purposively selected as Lagaan – a patriotic, productional and nostalgic movie, Rang De Basanti – a revolutionary, nationalistic and rebellious movie, and Taare Zameen Par – an inspirational, experimental and directorial movie, on account of their distinguishing stories. As the selected films etched a niche in the hearts and minds of cinemagoers and movie viewers due to their innovative stories and splendid cinematography, the thematic analysis was undertaken. It has been found from the study that message-oriented aspects depicted in these movies. Further, the informative, inspirational, patriotic, reformative, and revolutionary characteristics predominantly glimpsed in his movies. The versatile characteristics of Aamir Khan was also meticulously scrutinized. It has been found after having a critical analysis that Aamir Khan has versatile characteristics as depicted in these three selected movies under study.


2020 ◽  
Vol 69 (3) ◽  
pp. 402-413
Author(s):  
Amites Mukhopadhyay

Yogendra Singh, the sociologist and the Professor emeritus of Jawaharlal Nehru University (JNU) passed away in May this year. Professor Singh’s demise is not only a loss to the sociology fraternity, but also to the scholarship on and more importantly, to the tradition of critical studies in India. The article remembers Yogendra Singh and reflects on his career as a teacher, an academic and institution builder. Yogendra Singh was not simply a professor of JNU, but he collaborated with his colleagues in the late sixties in making possible the school of social sciences of JNU. The paper remembers him as a fine human being careful with his words and committed to the society he made the subject of his study. His sociology taught him to be critical about his ascriptive ancestry. In spite of being born in a zamindar family in Uttar Pradesh, Singh made caste, hierarchy and privileges an object of his critical analysis. The paper looks at Professor Singh’s contribution to different domains of sociology and Indian society, particularly modernizing India, Indian tradition, caste, class and hierarchies. He is also remembered for his works on historical roots of Indian sociology and institutions of science and critical learning.


Author(s):  
A. N. Salwathura

Hindi is the official language of India which is spoken by around 350 million of people in India. Hindi and English have an incestuous relationship ever since India became colonized. Since then, Hindi began to mix with English and became famous as ‘Hinglish’ in Indian society. ‘British-Raj’ is considered as the first Hinglish word which was used in the colonial period and now Hinglish has become a common phenomenon practice in India in day-to-day life. Due to the popularity of Hindi movies and television, Hinglish has been spread beyond the metropolitan areas in India. Therefore, it is expected to examine the impact of using Hinglish by Hindi speaking people in India on the existence of standard Hindi language. The language spoken in North India and the language used in media were utilized as primary resource. Books, magazines, journal articles related to Hindi language were used as secondary resources. This paper highlights that Hinglish has been acquired a big demand in Indian society and now it is hard to eliminate this trend which has largely affected the day-to-day communication of Indians. This paper emphasizes that the extensive use of Hinglish by the Hindi speaking people in India has become a huge challenge for the existence and the values of standard the Hindi language.


2007 ◽  
Vol 177 (4S) ◽  
pp. 126-126
Author(s):  
Matthew E. Nielsen ◽  
Danil V. Makarov ◽  
Elizabeth B. Humphreys ◽  
Leslie A. Mangold ◽  
Alan W. Partin ◽  
...  

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