scholarly journals The Case for a Native American 1968 and Its Transnational Legacy

2019 ◽  
Vol 12 (2) ◽  
pp. 49-70
Author(s):  
György Tóth
Keyword(s):  
Social Movements ◽  
Native American ◽  
Cold War ◽  
Native Americans ◽  
American Indian ◽  
American Indians ◽  
The Us ◽  
Native American Activism ◽  
The 1960S ◽  
The Cold War

Partly as a result of compartmentalized academic specializations and history teaching, in accounts of the global upheavals of 1968, Native Americans are either not mentioned, or at best are tagged on as an afterthought. “Was there a Native American 1968?” is the central question this article aims to answer. Native American activism in the 1960s was no less flashy, dramatic or confrontational than the protests by the era’s other struggles – it is simply overshadowed by later actions of the movement. Using approaches from Transnational American Studies and the history of social movements, this article argues that American Indians had a “long 1968” that originated in Native America’s responses to the US government’s Termination policy in the 1950s, and stretched from their ‘training’ period in the 1960s, through their dramatic protests from the late 1960s through the 1970s, all the way to their participation at the United Nations from 1977 through the rest of the Cold War. While their radicalism and protest strategies made Native American activism a part of the US domestic social movements of the long 1960s, the nature of American Indian sovereignty rights and transnationalism place the Native American long 1968 on the rights spectrum further away from civil rights, and closer to a national liberation struggle—which links American Indian activism to the decolonization movements of the Cold War.

Bilateralism, Multilateralism, and the Making of an Alliance Consensus

2019 ◽  
pp. 25-56
Author(s):  
Andrew Yeo
Keyword(s):  
Cold War ◽  
South Korea ◽  
The Philippines ◽  
Political Elites ◽  
The Us ◽  
The 1960S ◽  
The Cold War ◽  
Over Time

Chapter 2 recounts the origins of bilateralism in Asia and the legitimization of the US-led hub-and-spokes system among Asian elites during the Cold War. It also outlines the rise of ASEAN in the 1960s. Exploring postwar US alliances forged with the Philippines, Japan, South Korea, Australia, and Thailand, I demonstrate how material threats, institutions, and ideas interact to produce an alliance consensus among political elites in Asia. Despite periodic domestic opposition to US alliances, and the weakness of ASEAN, the hub-and-spokes system and ASEAN become entrenched over time.

Native Americans in Cold War Public Diplomacy: Indian Politics, American History, and the US Information Agency

2012 ◽  
Vol 36 (2) ◽  
pp. 1-22
Author(s):  
Andrew Denson
Keyword(s):  
Cold War ◽  
Native Americans ◽  
Civil Rights ◽  
Civil Rights Movement ◽  
Public Diplomacy ◽  
Early Years ◽  
Indian Politics ◽  
The Us ◽  
History Of ◽  
The Cold War

This essay examines the depiction of Native Americans by the US Information Agency (USIA), the bureau charged with explaining American politics to the international public during the Cold War. In the 1950s and 1960s, the USIA broadcast the message that Americans had begun to acknowledge their nation's history of conquest and were working to redress old wrongs through an activist government. That message echoed the agency's depiction of the African American Civil Rights Movement and allowed the USIA to recognize Indian resistance to assimilation. It offered little room for tribal nationhood, however, during these early years of the modern American Indian political revival.

Through native eyes: American Indians write about their art

1992 ◽  
Vol 17 (4) ◽  
pp. 5-12
Author(s):  
Mary B. Davis
Keyword(s):  
Native American ◽  
Native Americans ◽  
American Indian ◽  
20Th Century ◽  
American Indians ◽  
American Art ◽  
Native American Art ◽  
Art Historians ◽  
The Subject ◽  
Easel Painting

During the 20th century, and particularly since its adoption of easel painting, the continuing development of American Indian art has resisted attempts to contain and circumscribe it within definitions and categories imposed by outsiders — art critics, art historians, and the authors of many of the most readily available books on the subject. Native Americans are determined not only to remain in control of their art but also to have a say in how it is interpreted. A bibliography of sources follows an introductory survey of Native American statements about Native American art.

Offensiveness of Native American Names, Mascots, and Logos in Sports: A Survey of Tribal Leaders and the General Population

2009 ◽  
Vol 2 (1) ◽  
pp. 81-99 ◽  
Author(s):  
Fraser Laveay ◽  
Coy Callison ◽  
Ann Rodriguez
Keyword(s):  
Native American ◽  
Native Americans ◽  
American Indian ◽  
American Indians ◽  
Media Coverage ◽  
Past Research ◽  
Party Affiliation ◽  
Sports Teams ◽  
National Congress ◽  
Political Party Affiliation

The pervasiveness of media coverage of sports teams with American Indian names and imagery has arguably supported stereotypical beliefs of those referenced. Past research investigating opinions on sports teams using American Indian themes has been inconsistent in findings and drawn criticism for lacking valid samples of Native Americans. Through a survey of National Congress of American Indians leaders (n = 208) and random U.S. adults (n = 484), results reveal that Native Americans are more offended by sports teams employing American Indian imagery, as well as more supportive of change, than is the general public. Investigation of how demographic characteristics influenced perceptions show that although age and education level have little influence, political party affiliation does correlate with opinions, with those voting Democrat viewing the teams with American Indian names, logos, and mascots as most offensive and in need of change.

The dangers of US interventionism

2002 ◽  
Vol 28 (3) ◽  
pp. 577-597 ◽  
Author(s):  
Alan P. Dobson
Keyword(s):  
Foreign Policy ◽  
Cold War ◽  
International Crises ◽  
Post Cold War ◽  
Continuity And Change ◽  
The Us ◽  
The Usa ◽  
The 1960S ◽  
The Cold War ◽  
The Impact

Both policy articles about US post-Cold War foreign policy and the recent rhetoric of US policymakers appears to be slipping back into the language of the ‘arrogance of power’, against which Senator Fulbright warned America in the 1960s. In what follows, the USA's style of foreign policy; its criteria for intervention; its invasion of Panama; its capabilities; its intervention in Bosnia; and the impact of contending theories about changes in the international sphere will be examined with a view to casting some light on how the USA has responded to the world outside its boundaries after the Cold War. Finally, in the light of Senator Fulbright's criticisms of US interventionism in the recent past, the essay draws towards its conclusion by specifically addressing the key questions of the whens, whys and wherefores of US intervention into and exits from international crises. It explores some of the problems posed by continuity and change in the struggle to adjust US foreign policy to a non-Cold War world and examines the wisdom of enthusiastic calls for the US to spread democracy abroad.

Mind Bending, Mental Seduction and Menticide: Brainwashing in British Spy Dramas of the 1960s

2013 ◽  
Vol 10 (1) ◽  
pp. 27-48 ◽  
Author(s):  
Alan Burton
Keyword(s):  
Cold War ◽  
Thought Control ◽  
Cultural Contexts ◽  
Scientific Background ◽  
Mind Control ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War ◽  
The Mind ◽  
Cultural Fantasy

Brainwashing assumed the proportions of a cultural fantasy during the Cold War period. The article examines the various political, scientific and cultural contexts of brainwashing, and proceeds to a consideration of the place of mind control in British spy dramas made for cinema and television in the 1960s and 1970s. Particular attention is given to the films The Mind Benders (1963) and The Ipcress File (1965), and to the television dramas Man in a Suitcase (1967–8), The Prisoner (1967–8) and Callan (1967–81), which gave expression to the anxieties surrounding thought-control. Attention is given to the scientific background to the representations of brainwashing, and the significance of spy scandals, treasons and treacheries as a distinct context to the appearance of brainwashing on British screens.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

Rewriting the Narrative

2019 ◽  
Vol 96 (4) ◽  
pp. 54-77
Author(s):  
Nicolas G. Rosenthal
Keyword(s):  
Twentieth Century ◽  
Native American ◽  
American Indian ◽  
Modern Society ◽  
Mixed Media ◽  
The State ◽  
Historical Narratives ◽  
Recent Scholarship ◽  
Art Scene ◽  
The 1960S

A vibrant American Indian art scene developed in California from the 1960s to the 1980s, with links to a broader indigenous arts movement. Native American artists working in the state produced and exhibited paintings, prints, sculptures, mixed media, and other art forms that validated and documented their cultures, interpreted their history, asserted their survival, and explored their experiences in modern society. Building on recent scholarship that examines American Indian migration, urbanization, and activism in the twentieth century, this article charts these developments and argues that American Indian artists in California challenged and rewrote dominant historical narratives by foregrounding Native American perspectives in their work.

Native Americans and the Third World Strike at UC Berkeley

2019 ◽  
Vol 42 (2) ◽  
pp. 32-39
Author(s):  
LaNada War Jack
Keyword(s):  
Native American ◽  
Native Americans ◽  
Personal Experience ◽  
Third World ◽  
Leadership Roles ◽  
The Third ◽  
The Creation ◽  
The 1960S ◽  
The Third World ◽  
The University

The author reflects on her personal experience as a Native American at UC Berkeley in the 1960s as well as on her activism and important leadership roles in the 1969 Third World Liberation Front student strike, which had as its goal the creation of an interdisciplinary Third World College at the university.

Nasser's Gamble

2012 ◽  
Author(s):  
Jesse Ferris
Keyword(s):  
Cold War ◽  
Middle East ◽  
Arab World ◽  
Decisive Role ◽  
Original Material ◽  
Egyptian Revolution ◽  
Arab Nationalism ◽  
The 1960S ◽  
The Cold War ◽  
The Arab Spring

This book draws on declassified documents from six countries and original material in Arabic, German, Hebrew, and Russian to present a new understanding of Egypt's disastrous five-year intervention in Yemen, which Egyptian president Gamal Abdel Nasser later referred to as “my Vietnam.” The book argues that Nasser's attempt to export the Egyptian revolution to Yemen played a decisive role in destabilizing Egypt's relations with the Cold War powers, tarnishing its image in the Arab world, ruining its economy, and driving its rulers to instigate the fatal series of missteps that led to war with Israel in 1967. Viewing the Six Day War as an unintended consequence of the Saudi–Egyptian struggle over Yemen, the book demonstrates that the most important Cold War conflict in the Middle East was not the clash between Israel and its neighbors. It was the inter-Arab struggle between monarchies and republics over power and legitimacy. Egypt's defeat in the “Arab Cold War” set the stage for the rise of Saudi Arabia and political Islam. Bold and provocative, this book brings to life a critical phase in the modern history of the Middle East. Its compelling analysis of Egypt's fall from power in the 1960s offers new insights into the decline of Arab nationalism, exposing the deep historical roots of the Arab Spring of 2011.

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