The Russian Avant-Garde, Maiakovskii, and the Maiakovskii Museum

Journeys ◽  
2007 ◽  
Vol 8 (1) ◽  
pp. 77-91
Author(s):  
Andrew A. Gentes
Keyword(s):  
Personal Experience ◽  
Avant Garde ◽  
Starting Point

My visit to Moscow's Maiakovskii Museum serves as starting point for an exploration, informed by Peter Bürger's Theory of the Avant-Garde, of the influence of the Russian avant-garde and poet Vladimir Maiakovskii's role within this movement. It also queries the essentialism and functionality of the museum dedicated to him, as well as the personal experience of my visit.

scholarly journals Fragments Over Experimental Film: Liminal Zones of Cinema, Art and Theory

2018 ◽  
Author(s):  
Miško Šuvaković
Keyword(s):  
Experimental Music ◽  
Experimental Film ◽  
Experimental Theater ◽  
Avant Garde ◽  
Experimental Art ◽  
Institutional Power ◽  
Starting Point ◽  
Singular Event ◽  
Unknown Control ◽  
Second World

In what follows, I will point to theorization of concept of the experimental film. My main thesis is that experimental art is based on the project, research practice, innovation and open transgressive or subversive artworks. Art focused on subversion of institutional power features as a singular event performed within a particular social relationship, as a critical actionist, engaged, or activist practice. Transgression – literally – refers to: infraction, violation of a law or an order, while in geological terms it implies penetration and expansion of the sea over the mainland. The notion of transgression relates to excess, overrunning or, more precisely, departing the familiar for the unknown, control for freedom. Experimental art was created in different disciplines such as experimental music, experimental film, experimental theater, etc. John Cage’s concept of ‘experimental music’ has been the starting point for new experimental art and artistic practices since 1950. Experimental film (experimental, new, avant-garde or neo-avant-garde cinema) has featured since the Second World War. The concept and term describe a range of filmmaking styles which are generally quite different from, and often opposed to, the practices of mainstream commercial and documentary filmmaking and entertainment-oriented cinematography. In the second and third part of the essay, I will present an analysis of the experimental films of the artists the OHO group and Neša Paripović. Article received: December 2, 2017; Article accepted: December 18, 2017; Published online: April 15, 2018; Original scholarly paper How to cite this article: Šuvaković, Miško. "Fragments Over Experimental Film: Liminal Zones of Cinema, Art and Theory." AM Journal of Art and Media Studies no 15 (2018): . doi: 10.25038/am.v0i15.225

scholarly journals Simple Emergency Triage (SET) – the new perspective on mass casualty incident triage

2020 ◽  
Vol 7 (2) ◽  
pp. 120-123
Author(s):  
Jerzy Jaskuła ◽  
Marek Siuta
Keyword(s):  
Personal Experience ◽  
Emergency Services ◽  
Statistical Data ◽  
First Aid ◽  
Mass Casualty Incident ◽  
Mass Casualty ◽  
Starting Point ◽  
Analysis And Synthesis ◽  
The Subject ◽  
New Perspective

The aim: Incidents with large number of casualties present a major challenge for the emergency services. Incident witnesses are always the first on scene. Authors aim at giving them an algorithm arranging the widely known first aid rules in such way, that the number of potential fatalities before the services’ arrival may be decreased. Material and methods: The authors’ main aim was creating an algorithm for mass casualty incident action, comprising elements not exceeding first aid skill level. Proceedings have been systematized, which led to creation of mass casualty incident algorithm. The analysis was based on the subject matter literature, legal acts and regulations, statistical data and author’s personal experience. Results: The analysis and synthesis of data from various sources allowed for the creation of Simple Emergency Triage (SET) algorithm. It has been proven – on theoretical level – that introducing an organized way of proceeding in mass casualty incident on the first aid level is justified. Conclusions: The SET algorithm presented in the article is of an implemental character. It may be a supplement to basic first aid skills. Algorithm may also be the starting point for further empirical research aimed at verifying its effectiveness.

scholarly journals Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern

2007 ◽  
Vol 43 (2) ◽  
pp. 287-303
Author(s):  
Susanne Kogler
Keyword(s):  
20Th Century ◽  
Conceptual Knowledge ◽  
Aesthetic Experience ◽  
New Music ◽  
Avant Garde ◽  
Starting Point ◽  
Traditional Language ◽  
Art Philosophy ◽  
Language Of Music ◽  
The One

That art functions as a corrective to rational-scientific insights is one of the formative thoughts of art philosophy. The fact that artistic expression represents a corrective to linguistically-rationally affected insight also ranks among the constants of art philosophy in the 20th century. “Expression is the opponent of articulating something” can be read, for instance, in Adorno’s Aesthetic Theory with regards to the character of language in art and Jean François Lyotard wrote on aesthetic experience: “What happens to us is by no means something which we would have controlled, programmed or conceptually apprehended beforehand”. The uneducible, conceptually unattainable is also at the centre of current art production of the 21st century. On the basis of Lyotard’s and Adorno’s positions, the article shows that one should acknowledge a constancy of the topos of art as non-conceptual knowledge on the one hand as the continuing function of a tradition defined from the philosophical aesthetics of modernity to post-modernity and orientated on the artistic avant-garde. On the other hand and beyond this a continuous line of tradition of New Music becomes clear, leading to the expressionistic avant-garde of the 20th century which represented the starting point for Adorno’s music philosophy, through Lyotard’s focus on John Cage, up to the avant-garde of New Music in the era of post modernity. Specific features of contemporary art, such as rebellion against linguistic standards, an understanding of expressivity that opposes the traditional language of music and operates on the verge of silence, as well as the utopian vision of a modified reality which aims at transcendency enable a conception of art as non-conceptual knowledge, corresponding with the positions of art philosophy in modernity and post-modernity in important points. The relevance of focusing on this line of tradition for musicology lies in the fact that it sheds new light on the musical avant-garde and its further function and, last but not least, that it opens new perspectives in understanding contemporary artistic productions.

scholarly journals The Pandemic, the Arctic and Me: A Levels of Analysis Discussion of Arctic Security Focusing on the 2020 Global Pandemic

2021 ◽  
Vol 16 (2) ◽  
Author(s):  
Soazic Dacal
Keyword(s):  
Personal Experience ◽  
Indigenous Communities ◽  
The Arctic ◽  
Levels Of Analysis ◽  
Global Challenge ◽  
Global Pandemic ◽  
Starting Point ◽  
The World ◽  
Arctic Security ◽  
Local Parameters

The Covid-19 pandemic hit the world during the winter 2020. Still on-going, it impacts everyone’s everyday life on a great scale. While the pandemic is considered as a global challenge, it has particular effects in the Arctic due to local parameters, such as remoteness, need of communication, other health challenges, presence of indigenous communities, etc. Using the author’s personal experience as a starting point, this paper aims to provide a broad and objective analysis in order to identify and discuss major stakes of the pandemic as well as the opportunities it provides.

Cinematic Intermediality

2021 ◽  
Keyword(s):  
Theory And Practice ◽  
The Other ◽  
Moving Image ◽  
Avant Garde ◽  
Digital Era ◽  
Art Form ◽  
Starting Point ◽  
World Cinema ◽  
New Directions ◽  
Probing Questions

As a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema, and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be.

Is Medieval Music the New Avant-Garde? The Wilful, the Wayward and the Playful

2017 ◽  
Author(s):  
Graham Coatman
Keyword(s):  
Nineteenth Century ◽  
Case Studies ◽  
Creative Process ◽  
Point Of View ◽  
Early Music ◽  
Avant Garde ◽  
Medieval Music ◽  
Starting Point ◽  
New Research

In his masterful exposé, The Modern Invention of Medieval Music, Daniel Leech-Wilkinson deliciously debunks much traditional thinking about medieval music, arguing that changing perspectives on this increasingly re-discovered and available body of work may be more dependent on the personality of the scholars and performers involved in its dissemination than the findings of new research. In this chapter, writing from the point of view of a composer and musician equally involved in the performance of both new and early music, Graham Coatman examines the work of contemporary composers who have chosen medieval models as their starting point. Is their use of medieval material a means to establish identity and authenticity, or a reaction against the harmonic and formal legacy of the nineteenth century? How is the use of pre-existent material integrated into the contemporary creative process? With reference to selective case studies, Coatman finds parallels with their medieval counterparts that make their work all the more compelling.

Intersectional Avant-Garde: Paul Leni’s Rebus-Film Series and the Confluence of Experimental Visual Styles

2021 ◽  
pp. 97-115
Author(s):  
Erica Tortolani
Keyword(s):  
Modern Art ◽  
Short Film ◽  
Close Reading ◽  
Avant Garde ◽  
Starting Point ◽  
Short Films ◽  
Film Series ◽  
Magazine Articles ◽  
The City

This chapter focuses on Leni’s eight-part short film series, Rebus-Film (1925-26), and the ways that it relates to various avant-garde art movements of the 1910s and 1920s. Using Rebus-Film Nr. 1 as a starting point, the essay analyses the series’ connections to contemporaneous artistic movements such as Cubism, Futurism, and Dada and to cinematic styles and genres of the time, including Soviet montage and the ‘City Symphony’ films. To supplement this analysis, the essay draws upon reviews, trade magazine articles, and other written records from the period. This chapter sheds light on the ways that critics and audiences received the films and regarded Leni’s use of experimental aesthetic styles. While it is debatable as to whether Leni considered himself a modern art practitioner, a close reading of these short films shows that they are in dialogue with the visual avant-garde. This chapter also discusses the ways that the series fits into, and extends, Leni’s German and American careers.

scholarly journals Applied Art: Innovative Thinking From a Material Perspective

2013 ◽  
Vol 2 (2) ◽  
Author(s):  
Anneli Hoel Fjærli ◽  
Ida Haugland
Keyword(s):  
New Technology ◽  
Social Contexts ◽  
Whole Body ◽  
Modern World ◽  
Avant Garde ◽  
Applied Art ◽  
Starting Point ◽  
The Future ◽  
Future Society ◽  
On The Road

The modern world is continuously engaged in a racing processes aimed towards building a favourable future society. In this development, the apparent tools seem to be related to theoretical thought, new technology, avant-garde approaches and innovation. The bodily focus and the societal micro level processes are often left behind in this race. Though, in our aspiration towards urban development and the future society, we should not forget that the bodily functions and the possibilities that these give, represent one of the most fundamental and basic tools we have. This article would like to form an argument carrying out the seeming advantage of bringing in not just technological and theoretic avant-garde to the term of innovation and development, but to invite the whole body into the forming of the future, thereby seeing the term innovation from a material perspective. As the art field today is more often approaching subject matters that are primarily societal, we would like to introduce the potential of a mutual approach from the other end, seeing the art field as a central part in the creation of engagement and progress that can instigate another form of efficiency and present an expanded understanding of what innovative activity can be, and how it can be perceived and comprehended. We would like to debate an art form that takes the bodily, active and relational focus and its social context as a base and starting point on the road towards societal consciousness and potential development. Looking at the example of the art project «The Collectivity Project», this article takes it’s starting point in the following question; How can applied art projects in connection to social contexts, like The Collectivity Project, show the art field and the bodily sensuousness as a tool in the forming of values pointing towards an alternative way of thinking societal consciousness and development?

An Annotated Aboriginal Science Bibliography

1990 ◽  
Vol 18 (5) ◽  
pp. 34-43
Author(s):  
W.P. Palmer
Keyword(s):  
Science Education ◽  
Secondary Schools ◽  
Personal Experience ◽  
Northern Territory ◽  
Teaching Science ◽  
Aboriginal Education ◽  
Trainee Teachers ◽  
Aboriginal Students ◽  
Starting Point ◽  
To Receive

Science is one area within Aboriginal Education which appears to receive comparatively little attention.The author experienced this in practice when he was lecturing in science education to trainee teachers on the topic of teaching science to Aboriginal students in secondary schools. As a newcomer to the Northern Territory the author does not have direct personal experience in this area and so he decided to search the literature. No previous bibliography of this topic was found. Initially searching revealed very little, but slowly the collection of interesting articles has increased, and whilst it is realised that the selection included in this bibliography is far from complete, it is offered to the reader as a starting point.

scholarly journals Who Sees Corruption? The Bases of Mass Perceptions of Political Corruption in Latin America

2019 ◽  
Vol 11 (2) ◽  
pp. 133-160
Author(s):  
Damarys Canache ◽  
Matthew Cawvey ◽  
Matthew Hayes ◽  
Jeffery J. Mondak
Keyword(s):  
Latin America ◽  
Personal Experience ◽  
Political Corruption ◽  
Past Research ◽  
Political Accountability ◽  
Vicarious Experience ◽  
Public Officials ◽  
Starting Point ◽  
Multi Level ◽  
Important Test

The capacity of citizens to see political corruption where it exists and to link such perceptions to evaluations of public officials constitutes an important test of political accountability. Although past research has established that perceived corruption influences political judgments, much less is known regarding the critical prefatory matter of who sees corruption. This article develops a multifaceted theoretical framework regarding the possible bases of perceived corruption. Experiential factors – personal experience and vicarious experience with bribery – mark the starting point for our account. We then incorporate psychological dispositions that may colour judgments about corruption and that may strengthen or weaken the links between experiences and perceptions. Expectations derived from this framework are tested in a series of multi-level models, with data from over 30,000 survey respondents from 17 nations and 84 regions in the Americas.

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