scholarly journals Applied Art: Innovative Thinking From a Material Perspective

2013 ◽  
Vol 2 (2) ◽  
Author(s):  
Anneli Hoel Fjærli ◽  
Ida Haugland

The modern world is continuously engaged in a racing processes aimed towards building a favourable future society. In this development, the apparent tools seem to be related to theoretical thought, new technology, avant-garde approaches and innovation. The bodily focus and the societal micro level processes are often left behind in this race. Though, in our aspiration towards urban development and the future society, we should not forget that the bodily functions and the possibilities that these give, represent one of the most fundamental and basic tools we have. This article would like to form an argument carrying out the seeming advantage of bringing in not just technological and theoretic avant-garde to the term of innovation and development, but to invite the whole body into the forming of the future, thereby seeing the term innovation from a material perspective. As the art field today is more often approaching subject matters that are primarily societal, we would like to introduce the potential of a mutual approach from the other end, seeing the art field as a central part in the creation of engagement and progress that can instigate another form of efficiency and present an expanded understanding of what innovative activity can be, and how it can be perceived and comprehended. We would like to debate an art form that takes the bodily, active and relational focus and its social context as a base and starting point on the road towards societal consciousness and potential development. Looking at the example of the art project «The Collectivity Project», this article takes it’s starting point in the following question; How can applied art projects in connection to social contexts, like The Collectivity Project, show the art field and the bodily sensuousness as a tool in the forming of values pointing towards an alternative way of thinking societal consciousness and development?

2020 ◽  
Vol 74 ◽  
pp. 02012
Author(s):  
Elena Pavlova ◽  
Irina Paliy

The modern world is firmly connected with the phenomenon of globalization. In fact, globalization means a new stage in the historical development of society, where the economic, political and cultural interaction of the countries of the modern world is becoming more intense and profound. The method of temporal analysis and the method of personalistic and ideal-typical reconstruction, a tool that is adequate to the author’s interpretation of inter-personal understanding in the era of globalization as a process of constituting the temporal and ethical dominance of individuals and collectivities that formalize the integrity of the cultural epoch, will become the immediate, applied methodological basis. The article deals with the phenomenon of social understanding, as important interaction between individuals in the global modern society through the analysis of information systems and inter-machine communication. The authors are convinced that as a result of all these processes we can speak about principal new level of individual relationship. In our opinion, information communication systems created by people are the ideal communication model for the future society. The article is devoted to for the inter-personal understanding in the future society based on information systems.


In this chapter, the authors present final observations and concluding thoughts about the future social implications of artificial intelligence (AI). One of the major reasons why humans stand out from other creatures is because of our mental capacity and demonstration of intelligence. However, AI has the potential to eclipse human potential with the same and potentially greater capacity as it matures towards ‘general' and ‘super' intelligence. However, the immediate challenge remains our capacity to feel safe with AI innovations and to have faith in their capacity to conduct themselves without prejudice, to eliminate any mistakes, and to conduct themselves in an equitable manner. It is expected that humanity will have a better understanding of what principles of awareness and aptitude are. Thankfully, these are issues with a lot of relevance in the modern world; the opportunity to develop an AI future society with positive benefits is achievable – if we act collectively and multi-laterally on a global scale.


1970 ◽  
pp. 43-45
Author(s):  
AWAL Women Society

Since coming to power in 1999, King Shaikh Hamad bin Isa Al-Khalifa of Bahrain has initiated important political reforms. Whether these reforms are a sincere attempt at democratic reform or a limited appeasement of the internal opposition is the challenge at hand. A review of the recent changes in Bahrain may shed light on how this small nation can move to a stable democracy that respects the rights of all its citizens, including women. We will have to determine the nature of these reforms and whether they will concretely take Bahrain on the road to participatory democracy. The starting point of these reforms was in February 2001, when Bahrain held a plebiscite in which an overwhelming proportion of Bahrainis approved the National Action Charter, a series of wide-ranging proposals for democratic reforms.


2017 ◽  
Vol 43 (2) ◽  
pp. 302-323 ◽  
Author(s):  
Nassim JafariNaimi

The discourse around self-driving cars has been dominated by an emphasis on their potential to reduce the number of accidents. At the same time, proponents acknowledge that self-driving cars would inevitably be involved in fatal accidents where moral algorithms would decide the fate of those involved. This is a necessary trade-off, proponents suggest, in order to reap the benefits of this new technology. In this article, I engage this argument, demonstrating how an undue optimism and enthusiasm about this technology is obscuring our ability to see what is at stake and explaining how moving beyond the dominant utilitarian framings around this technology opens up a space for both ethical inquiry and innovative design. I suggest that a genuine caring concern for the many lives lost in car accidents now and in the future—a concern that transcends false binary trade-offs and that recognizes the systemic biases and power structures that make certain groups more vulnerable than others—could serve as a starting point to rethink mobility, as it connects to the design of our cities, the well-being of our communities, and the future of our planet.


1987 ◽  
Vol 32 (5) ◽  
pp. 479-479
Author(s):  
No authorship indicated

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.


Journeys ◽  
2007 ◽  
Vol 8 (1) ◽  
pp. 77-91
Author(s):  
Andrew A. Gentes

My visit to Moscow's Maiakovskii Museum serves as starting point for an exploration, informed by Peter Bürger's Theory of the Avant-Garde, of the influence of the Russian avant-garde and poet Vladimir Maiakovskii's role within this movement. It also queries the essentialism and functionality of the museum dedicated to him, as well as the personal experience of my visit.


1992 ◽  
Vol 33 (2) ◽  
pp. 303-320
Author(s):  
Ya'acov Oved
Keyword(s):  

Public Voices ◽  
2016 ◽  
Vol 10 (2) ◽  
pp. 68 ◽  
Author(s):  
Jens Ivo Engels

The so-called “long 19th century”, from the French Revolution to the First World War, ranks as the crucial phase in the genesis of the modern world. In the Western countries this period was characterized by the differentiation of the public and the private spheres, the birth of the modern bureaucratic state and the delegitimation of early modern practices such as clientelism and patronage. All these fundamental changes are, among other things, usually considered important preconditions for the modern perception of corruption.This paper will concentrate on this crucial phase by means of a comparative analysis of debates in France, Great Britain and the United States, with the aim to elucidate the motives for major anti-corruption movements. The questions are: who fights against corruption and what are the reasons for doing so? I will argue that these concerns were often very different and sometimes accidental. Furthermore, an analysis of political corruption may reveal differences between the political cultures in the countries in question. Thus, the history of corruption serves as a sensor which enables a specific perspective on politics. By taking this question as a starting point the focus is narrowed to political corruption and the debates about corruption, while petty bribery on the part of minor civilservants, as well as the actual practice in the case of extensive political corruption, is left aside.


Author(s):  
Elizabeth Gaskell ◽  
Dinah Birch

A man … is so in the way in the house!’ A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell’s Cranford describes a community dominated by its independent and refined women. Undaunted by poverty, but dismayed by changes brought by the railway and by new commercial practices, the ladies of Cranford respond to disruption with both suspicion and courage. Miss Matty and her sister Deborah uphold standards and survive personal tragedy and everyday dramas; innovation may bring loss, but it also brings growth, and welcome freedoms. Cranford suggests that representatives of different and apparently hostile social worlds, their minds opened by sympathy and suffering, can learn from each other. Its social comedy develops into a study of generous reconciliation, of a kind that will value the past as it actively shapes the future. This edition includes two related short pieces by Gaskell, ‘The Last Generation in England’ and ‘The Cage at Cranford’, as well as a selection from the diverse literary and social contexts in which the Cranford tales take their place.


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