scholarly journals Polemika Euzebiusza z Cezarei z Sossianusem Hieroklesem na temat porównania Apoloniusza z Tiany i Chrystusa jako reprezentantów kultury pogańskiej i chrześcijańskiej

Vox Patrum ◽  
2015 ◽  
Vol 64 ◽  
pp. 491-502
Author(s):  
Adam Tondera

In the period of the growing importance of Christianity the pagan culture put forward Apollonius of Tyana as its eminent representative and a rival of Christ. At the beginning of the “great persecution” of the Christians Sossianus Hierocles, a high official in the administration of Diocletian, published his anti-Christian tract called The Lover of Truth, in which he drew a formal comparison between Apollonius and Christ. This way he tried to exalt Apollonius and the authors of the stories about him and the followers of the pagan culture. On the other hand he wanted to humiliate Christ and his apostles and all the Christians. Eusebius of Caesarea, the Christian historian, wrote a treatise in answer, in which he submitted the imagine of Apollonius, used by Hierocles in his anti- Christian propaganda, to a critical examination. His historical and philosophical critique reverses the objections of the adversary and shows some elements of pa­gan culture, represented by Apollonius, which should pass away.

During the last few years of his life Prof. Simon Newcomb was keenly interested in the problem of periodicities, and devised a new method for their investigation. This method is explained, and to some extent applied, in a paper entitled "A Search for Fluctuations in the Sun's Thermal Radiation through their Influence on Terrestrial Temperature." The importance of the question justifies a critical examination of the relationship of the older methods to that of Newcomb, and though I do not agree with his contention that his process gives us more than can be obtained from Fourier's analysis, it has the advantage of great simplicity in its numerical work, and should prove useful in a certain, though I am afraid, very limited field. Let f ( t ) represent a function of a variable which we may take to be the time, and let the average value of the function be zero. Newcomb examines the sum of the series f ( t 1 ) f ( t 1 + τ) + f ( t 2 ) f ( t 2 + τ) + f ( t 3 ) f ( t 3 + τ) + ..., where t 1 , t 2 , etc., are definite values of the variable which are taken to lie at equal distances from each other. If the function be periodic so as to repeat itself after an interval τ, the products are all squares and each term is positive. If, on the other hand, the periodic time be 2τ, each product will be negative and the sum itself therefore negative. It is easy to see that if τ be varied continuously the sum of the series passes through maxima and minima, and the maxima will indicated the periodic time, or any of its multiples.


Res Publica ◽  
1970 ◽  
Vol 16 (1) ◽  
pp. 117-132
Author(s):  
Bernard Remiche ◽  
Charles-Etienne Lagasse

The 1970 amended Belgian Constitution is at the cross-roads of two currents of history, on one hand, once more the traditional values of the Occidental society ; on the other hand a double communal pressure contests an unitary state : from underneath affirmation of three Belgiannational communities, from above, apparition of a «supra-national party».The authors make a critical examination of the cropping up of bonding institutions in a «pré-fédéral» state, then they clearly state the principles of a really federal Constitution based upon the acknowledgement of the 2 large communities and the 3 regions and the principles of a democratic organization of an economic politic.


Traditio ◽  
1976 ◽  
Vol 32 (1) ◽  
pp. 353-358 ◽  
Author(s):  
J. A. S. Evans

I shall begin with a definition. I am dealing with ‘secular historians,’ and thus I am excluding ecclesiastical history, and chronography. The second of these two genres, chronography, continued a tradition which goes back as far as Thucydides' contemporary, Hellanicus, but under a Christian empire it acquired a Christian bias and dropped any pretence of literary style. ‘Ecclesiastical history,’ which, as far as we know, was invented by Eusebius of Caesarea, and displays a somewhat unclassical passion for documentation, dealt with the church and history as it affected the church. Its presuppositions about historical causation were Christian. The secular historians, on the other hand, continued the classical traditions of historiography begun by Herodotus and Thucydides, and their subject matter was war and politics, and the cross between the two, which was diplomacy.


1897 ◽  
Vol 21 ◽  
pp. 129-136 ◽  
Author(s):  
A. T. Masterman

Some little time ago a preliminary note upon Phoronis was read before the Eoyal Society, and therein it was stated that a study of the anatomy of this group had led one to believe that its nearest phyletic allies were to be found in the Hemichorda, a group comprising a few species with primitive chordate characters.In attempting to class Phoronis with these, an important difficulty presented itself. It has been usual to define the Chordata as having three essential characters in common, either temporarily in ontogeny or permanently throughout life, i.e., a dorsal nervous system, paired gill-slits, and a notochord.With regard to these features, there can be no doubt that the nervous system of Phoronis is dorsal in position, and its arrangement is exactly comparable to that of Balanoglossus; but, on the other hand, there are no gill-slits in the adult Phoronis, and the notochord is as certainly absent.In the case of the gill-slits, we find upon critical examination that they are extremely variable in extent of number and position in the different Chordata, and in one species, Rhabdopleura, they are, according to present knowledge, entirely absent. For these reasons it is well not to insist on the presence of gill-slits as an essential character. With respect to the notochord a different condition prevails-the hypoblastic origin and vacuolated character of this organ mark it out from all other skeletal structures, and it figures more or less prominently in all the Chordata.


Author(s):  
Carsten Zelle

Abstract This article focuses on Karl Viëtor’s (1892–1951) literary-sociological oriented Baroque research and follows its development up to a generalized literary-sociological research program. Viëtor defines his stance on the sociology of literature by distancing himself from two strands of thought: on the one hand, from different versions of “Geistesgeschichte” (represented e. g. by Fritz Strich, Oskar Walzel, or Emil Ermatinger), and, on the other hand, from various materialistic positions based on the base/superstructure-model (such as those by Franz Mehring or Karl August Wittfogel). First, I will examine Viëtor’s unpublished lecture History of German Literature in the Age of Baroque (Geschichte der deutschen Literatur im Zeitalter des Barock, 1922/1923 until 1937), which is his repository for his baroque publications in the 1920 s, that also inspired in-depth research conducted by his students. Secondly, I will analyze Viëtor’s Program of a Sociology of Literature (Programm einer Literatursoziologie, 1934), a critical examination of relevant contributions by Erich Rothacker and others, both from bourgeois and Marxist backgrounds. In this text, Viëtor outlines the sociology of literature in two ways: as a sociology of literary life and as a sociology of literary works.


2020 ◽  
Vol 21 (1) ◽  
pp. 159-179
Author(s):  
Eunice. U. Ibekwe

Music is presented in this discourse as a coin with two sides –thus as an Art also as a science. Looking at music as an Art draws one’s attention to the artistic features and characteristics of music such as styles and skills of performances as in dancing, singing, playing instrument and its position in other related areas with similar attributes. On the other hand, seeing music from the perspective of a science, the study of acoustics, sound productions, mathematical relationships and intervallic applications are evident. Art involves creative thinking and inspiration to achieve an expected goal or a set objective. Science on its own employs knowledge interaction and inquiries to produce new scientific discoveries. Music co-habits these two complex entities in a seemingly integrative association. This paper therefore is a critical examination and evaluation of musical potency that qualifies it as an art as well as science. The argument is anchored on qualitative evaluation of materials drawn from related literatures and sources. It finally draws the conclusion that since music fits in properly, and performs creditably as an art, as well as maintains great affinity with science, it should be treated as a bicameral discipline. Keywords: Art, Science, Relationship, Music, Imagination, Inspiration


1973 ◽  
Vol 9 (1) ◽  
pp. 11-23 ◽  
Author(s):  
D. A. Cruse

The term ‘agentive’ is a familiar one in current discussions of the syntax of English (and other languages). Although most who use it seem, at first glance, to be referring to more or less the same semantic feature, the term is employed in a variety of ways. For instance, Fillmore (1968: 24) talks of an ‘agentive case’; Gruber (1967: 943) has ‘agentive verbs’; Lyons and others speak of ‘agentive nouns’; while Halliday (1967: 196), although he does not use the term ‘agentive’, distinguishes a feature of clauses which is clearly related to the notion of agentivity. Apart from this disagreement as to what, precisely, the term ‘agentive’ is to be predicated of, there is a further divergence of opinion over which nouns (or verbs, etc.) are to be considered agentive. For instance, Lyons marks the surface subject of see as agentive (1968: 387). Fillmore, on the other hand, assigns this to the dative case, and Gruber classifies see as a non-agentive verb. Again, Lyons and Halliday take up what are in effect incompatible positions with regard to the status of the prisoners in John marched the prisoners. In view of this indeterminacy, it seems worthwhile to attempt a critical examination of the notion of agentivity, in the hope that a clearer characterization of it might emerge.


2020 ◽  
Vol 10 ◽  
pp. 243-258
Author(s):  
Sławomir Bralewski

Based on the testimony of emperor Constantine the Great himself, Eusebius of Caesarea presented a labarum in the form of crux dissimulata crowned with the Chi-Rho. The continuers of his Church History in the next century, Rufinus of Aquileia, Philostorgius, Socrates of Constantinople, and Sozomen, only kept the cross-shape of the banner, excluding the christogram. This might have happened because in two main sources informing about the vision of Constantine – the accounts of Eusebius of Caesarea and Lactantius – it was not only the monogram of Christ that played a significant role. The motif of the cross also appears in them, in the account of Eusebius directly, and Lactantius indirectly. Furthermore, Christians interpreted the cross explicitly as a sign of victory. Eusebius wrote about the cross as a symbol of immortality, a triumphant sign of Christ overcoming death. In the account of the bishop of Caesarea, on the other hand, Constantine’s supposed vision included a triumphal sign in the form of a luminous cross, or the symbol of the trophy of salvation. Numismatic evidence also cannot be ignored. Already during the reign of Constantine the Great, the Chi-Rho appeared on the coins both on the shields and on the labarum. However, starting from the reign of Constantius II, coins that were minted included the cross instead of the Chi-Rho on the labarum. It also began to be placed on the shields, in their central part, where the monogram of Christ used to be. Over time, the cross replaced the entire labarum. The iconography present on the coins may prove that the phenomenon of identifying the labarum or Chi-Rho with the cross was not limited to church historiography and was more widespread, although it should be remembered that coins continued to also be decorated with the letters Chi-Rho. Therefore, the representation of the cross did not replace this symbol. However, it cannot be ruled out that the increasingly common image of the cross on coins also contributed to the aforementioned perception of the labarum by church historians.


1999 ◽  
Vol 173 ◽  
pp. 249-254
Author(s):  
A.M. Silva ◽  
R.D. Miró

AbstractWe have developed a model for theH2OandOHevolution in a comet outburst, assuming that together with the gas, a distribution of icy grains is ejected. With an initial mass of icy grains of 108kg released, theH2OandOHproductions are increased up to a factor two, and the growth curves change drastically in the first two days. The model is applied to eruptions detected in theOHradio monitorings and fits well with the slow variations in the flux. On the other hand, several events of short duration appear, consisting of a sudden rise ofOHflux, followed by a sudden decay on the second day. These apparent short bursts are frequently found as precursors of a more durable eruption. We suggest that both of them are part of a unique eruption, and that the sudden decay is due to collisions that de-excite theOHmaser, when it reaches the Cometopause region located at 1.35 × 105kmfrom the nucleus.


Author(s):  
A. V. Crewe

We have become accustomed to differentiating between the scanning microscope and the conventional transmission microscope according to the resolving power which the two instruments offer. The conventional microscope is capable of a point resolution of a few angstroms and line resolutions of periodic objects of about 1Å. On the other hand, the scanning microscope, in its normal form, is not ordinarily capable of a point resolution better than 100Å. Upon examining reasons for the 100Å limitation, it becomes clear that this is based more on tradition than reason, and in particular, it is a condition imposed upon the microscope by adherence to thermal sources of electrons.


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