On Poetic Fiction and Historical Truth: Concerning a song composed by Yu.G. Vinogradov

2021 ◽  
Vol 81 (3) ◽  
Keyword(s):  
Historical Truth ◽  
Poetic Fiction

‘Behind the Poetic Fiction’: Freud, Schnitzler and Feminine Subjectivity

2004 ◽  
Vol 6 (2) ◽  
pp. 201-223
Author(s):  
Elizabeth Goodstein
Keyword(s):  
Sigmund Freud ◽  
The Other ◽  
Modernist Literature ◽  
Arthur Schnitzler ◽  
Feminine Subjectivity ◽  
The Uncanny ◽  
Poetic Fiction ◽  
Psychoanalytic Theories

In 1922 Sigmund Freud wrote to fellow Viennese author and dramatist Arthur Schnitzler: ‘I believe I have avoided you out of a sort of fear of my double’. Through a series of reflections on this imagined doubling and its reception, this paper demonstrates that the ambivalent desire for his literary other attested by Freud's confession goes to the heart of both theoretical and historical questions regarding the nature of psychoanalysis. Bringing Schnitzler's resistance to Freud into conversation with attempts by psychoanalytically oriented literary scholars to affirm the Doppengängertum of the two men, it argues that not only psychoanalytic theories and modernist literature but also the tendency to identify the two must be treated as historical phenomena. Furthermore, the paper contends, Schnitzler's work stands in a more critical relationship to its Viennese milieu than Freud's: his examination of the vicissitudes of feminine desire in ‘Fräulein Else’ underlines the importance of what lies outside the oedipal narrative through which the case study of ‘Dora’ comes to be centered on the uncanny nexus of identification with and anxious flight from the other.

The Guatemalan Genocide Through Indigenous Mayan Literature Twenty Years After the Peace Accords: Rigoberta Menchú, Humberto Ak´Abal and Victor Montejo

2017 ◽  
Vol 7 (1) ◽  
pp. 31
Author(s):  
David Caballero Mariscal
Keyword(s):  
Social Exclusion ◽  
Dark Period ◽  
Social Situation ◽  
Point Of View ◽  
Contemporary History ◽  
Rigoberta Menchu ◽  
Testimonial Literature ◽  
History Of ◽  
Peace Accords ◽  
Historical Truth

Guatemala experienced a cruel genocide in the early eighties, in the context of a repressive Conflict. Due to the different governments´ repressive policies, this terrible social situation was little known abroad, and even in the own country. Just after the Peace Accords, several organisms worked to uncover the historical truth. In any case, we cannot forget that testimonial literature is a privileged mean to know this dark period of the contemporary history of Guatemala. This genre is particularly relevant, because the main writers are originally Mayans, and have directly suffered both repression and social exclusion due to ethnic reasons. Rigoberta Menchú, Unmberto Ak´abal and Víctor Montejo represent a new and original point of view in the measure in which they describe feelings and situations from the perspective of those who experience them personally. Testimonial literature or the Testimonio becomes an ethnographic document that allows us to know not just a period but a people who have suffered from repression and exclusion for centuries.

The screen performance as an instrument of propaganda (on the example of Ivan Kavaleridze’s film «Koliivshchyna», 1933)

2019 ◽  
Vol 25242644 ◽  
pp. 63-68
Author(s):  
Alina Lisnevska
Keyword(s):  
Video Content ◽  
The Public ◽  
Screen Media ◽  
Social Settings ◽  
Soviet Ideology ◽  
The One ◽  
Historical Truth ◽  
Screen Performance ◽  
Personalized Video ◽  
Remote Past

The myth-making processes in the communicative space are the «cornerstone» of ideology at all times of mankind’s existence. One of the tools of the effective impact of propaganda is trust in information. Today this come round due to the dissemination of information on personalized video content in social networks, including through converged media. New myths and social settings are creating, fate of the countries is being solved, public opinion is being formed. It became possible to create artificially a model of social installation using the myths (the smallest indivisible element of the myth) based on real facts, but with the addition of «necessary» information. In the 20–30 years of the XX century cinematograph became the most powerful screen media. The article deals with the main ideological messages of the Ukrainian Soviet film «Koliivshchyna» (1933). In the period of mass cinematography spread in the Soviet Ukraine, the tape was aimed at a grand mission – creation of a new mythology through the interpretation of the true events and a con on the public, propaganda of the Soviet ideology. This happened in the tragic period of Ukrainian history (1933, the Holodomor) through the extrapolation of historical truth and its embodiment in the most formative form at that time – the form of the screen performance. The Soviet authorities used the powerful influence of the screen image to propagate dreams, illusions, images, stereotypes that had lost any reference to reality. I. Kavaleridze’s film «Koliivshchyna» demonstrates the interpretation of historical events and national ideas, the interpretation of a relatively remote past through the ideology of the «Soviet-era». The movie is created as a part of the political conjuncture of the early 1930s: the struggle against Ukrainian «bourgeois nationalism» and against the «Union of Liberation Ukraine», the repressive policies against the peasants, the close-out of the «back to the roots» policy. The movie, on the one hand, definitely addresses to the Ukrainian ideas, on the other hand it was made at the period of the repressions against the Ukrainian peasantry. In the movie «Koliivshchyna», despite the censorship, I. Kavaleridze manages to create a national inclusive narrative that depicts Ukrainian space as multi-ethnic and diverse, but at the same time nationally colorful.

Statistical Data as a Source of Information on the Great Patriotic War

2020 ◽  
Vol 27 (6) ◽  
pp. 105-113
Author(s):  
T. G. Nekhaeva
Keyword(s):  
World War Ii ◽  
Information Sources ◽  
Statistical Data ◽  
Logical Structure ◽  
The Body ◽  
Information Warfare ◽  
Great Patriotic War ◽  
Historical Truth ◽  
Great Victory

The article examines publication of statistical data commemorating the anniversaries of the USSR Victory in the Great Patriotic War as the most important information sources for an objective analysis of historical events. The reason for writing this article was the release of the statistical handbook of Rosstat, dedicated to the 75th anniversary of the Great Victory. In the introduction, the author argues the current urgency of issues addressed in the article caused by information warfare aimed at distorting the historical truth about the role of our country in the anti-Hitler coalition and the defeat of fascism in the World War II. The body of the article describes the concept and content of the anniversary edition. An important point of the article is the analysis of data sources used in the preparation of the handbook. The author reviews the anniversary handbook structure that includes a preface and the following sections: Population, Economic, Living conditions, Mobilization of population, Partisan movement, Evacuation during the war, Casualties and losses during the war, Military memorials and cemeteries, State awards, References. It is noted that the handbook maintains the tradition of previous statistical publications dedicated to the anniversaries of the Great Victory. Lastly, the author substantiates the novelty of data presented in the anniversary handbook and the logical structure of statistical materials in it. The author draws conclusions about the paramount importance of, and need to continue popularization of data on the great exploits of the Soviet people during the war and to introduce new statistical information into scientific circulation, which is causing further comprehension of primary information sources about the Great Patriotic War of 1941-1945.

Grassroots Archive Collection at CDRCSL

2021 ◽  
pp. 107780042110146
Author(s):  
Yunxiang Yan ◽  
Tian Li ◽  
Yanjie Huang
Keyword(s):  
Social Sciences ◽  
Qualitative Research ◽  
Case Studies ◽  
Social Life ◽  
Primary Sources ◽  
Primary Data ◽  
Social Sciences And Humanities ◽  
Special Collection ◽  
Historical Truth ◽  
Written Materials

This article aims to introduce the value of grassroots archives at the Center for Data and Research on Contemporary Social Life (CDRCSL) at Fudan University for qualitative research in social sciences and humanities. This special collection includes written materials on various aspects of social life that are left outside the official archive system. We first introduce the types and features of the grassroots archives collection and then briefly review the values of these primary sources, illustrated by two examples. We conclude with brief discussion on some case studies based on the primary data from the CDRCSL collection and our reflection on the tension between the protection of subject privacy and preservation of historical truth.

scholarly journals The Poetic Fiction of José Lezama Lima

1984 ◽  
Vol 58 (4) ◽  
pp. 575
Author(s):  
Ana María Hernández ◽  
Raymond D. Souza
Keyword(s):  
Jose Lezama Lima ◽  
Poetic Fiction
Sign in / Sign up

Export Citation Format

Share Document