Greek and Roman Pottery in the African Kingdom of Meroe: Ways of Penetration and Influence

2021 ◽  
pp. 6
Author(s):  
Svetlana E. Malykh
Keyword(s):  
Roman Empire ◽  
Ancient Greece ◽  
Asia Minor ◽  
Vase Painting ◽  
Mediterranean Origin ◽  
Hellenistic World ◽  
Sea Ports ◽  
Southern Neighbour ◽  
Main Consumer ◽  
Archaeological Excavations

The article analyzes the ceramic imports found on the territory of the Meroitic Kingdom – the southern neighbour of Egypt, which existed on the territory of modern Sudan since the second half of the 6th century B.C. until the middle of the 4th century A.D. The imported pottery revealed in the process of archaeological excavations of necropoleis, residential and temple complexes are mainly of Mediterranean origin and are associated with the Hellenistic world that later became a part of the Roman Empire. The finds are mostly rare and are represented by fragments of amphorae from various regions of Italy, Aegean region, Asia Minor, the Levant, northern Africa, as well as the European provinces of the Roman Empire – Baetika and Gaul. The main consumer of foreign goods, in small numbers reaching the middle and upper reaches of the Nile, was probably the Meroitic elite. It is logical to assume that the penetration of Mediterranean ceramics into Meroe was facilitated by the trade ties of its northern neighbour – Egypt:trade with the Mediterranean took place through Egyptian river and caravan routes; although hypothetically, one cannot exclude the possibility of goods entering Meroe bypassing Egypt, through the Red Sea ports. Despite a small share of imported products in the Meroitic Kingdom and regardless of the ways of their movement, they had a significant influence on the local pottery manufacturing; a reflection of this process was the appearance in the African kingdom of Hellenistic forms of vessels (kraters, askoses, lekythoi, clepsydras, etc.) and vase painting in the Greek style. As a result, a very special synthesis of artistic ideas emerged, embodied in Meroitic ceramics. Along with the local Nubian features, Egyptian and Hellenistic themes, techniques and ceramic forms are recognized there, which are characteristic for the pottery of Late and Ptolemaic Egypt, ancient Greece and Rome and allows us to see the Kingdom of Meroe as the extreme southern outpost of the Hellenistic world.

Atalanta as Model: The Hunter and the Hunted

1996 ◽  
Vol 15 (1) ◽  
pp. 48-76 ◽  
Author(s):  
Judith M. Barringer
Keyword(s):  
Gender Roles ◽  
Rites Of Passage ◽  
Social Roles ◽  
Ancient Greece ◽  
Vase Painting ◽  
Male And Female ◽  
Visual Evidence ◽  
Male Perceptions ◽  
Material Record ◽  
Insight Into

Atalanta, devotee of Artemis and defiant of men and marriage, was a popular figure in ancient literature and art. Although scholars have thoroughly investigated the literary evidence concerning Atalanta, the material record has received less scrutiny. This article explores the written and visual evidence, primarily vase painting, of three Atalanta myths: the Calydonian boar hunt, her wrestling match with Peleus, and Atalanta's footrace, in the context of rites of passage in ancient Greece. The three myths can be read as male and female rites of passage: the hunt, athletics, and a combination of prenuptial footrace and initiatory hunt. Atalanta plays both male and female initiatory roles in each myth: Atalanta is not only a girl facing marriage, but she is also a female hunter and female ephebe. She is the embodiment of ambiguity and liminality. Atalanta's status as outsider and as paradoxical female is sometimes expressed visually by her appearance as Amazon or maenad or a combination of the two. Her blending of gender roles in myth offers insight into Greek ideas of social roles, gender constructs, and male perceptions of femininity. Erotic aspects of the myths of the Calydonian boar hunt and the footrace, and possibly also her wrestling match with Peleus, emphasize Atalanta as the object of male desire. Atalanta challenges men in a man's world and therefore presents a threat, but she is erotically charged and subject to male influence and dominance.

Christianisation and Local Names in Asia Minor: Fall and Rise in Late Antiquity

2019 ◽  
pp. 258-276
Author(s):  
Sylvain Destephen
Keyword(s):  
Roman Empire ◽  
Cultural Diversity ◽  
Late Antiquity ◽  
Indigenous Languages ◽  
Asia Minor ◽  
Late Antique ◽  
Personal Names ◽  
The Rich

This article analyses processes in detail based on the evidence now provided by the relevant volumes of Prosopographie chr�tienne du Bas-Empire, Prosopography of the Later Roman Empire, Lexicon of Greek Personal Names and the rich cemetery at Korykos. It is argued that the onomastic patrimony of late antique Asia Minor underwent a twofold process of transformation and simplification but did not vanish. The complete hegemony that the Romans achieved in Asia Minor in the 1st century BC induced a Latinisation of the region that was only superficial. This development had two contrasting effects. Firstly, Hellenistic and Roman influences reduced ethnic and cultural diversity in Asia Minor to the point where indigenous languages were more or less extinct when Christianity arose. Secondly, Hellenisation and Romanisation allowed a general enrichment of the onomastic patrimony in Asia Minor. The study of names therefore provides a balanced response since Asia Minor possesses a rich, varied onomastic patrimony. It also relates to how the conversion of the Roman Empire in general, and of Asia Minor in particular, brought about an overall transformation of the names people bore, even though modifications occurred more rapidly within ecclesiastical and monastic milieus than among ordinary laymen.

Conclusion

2021 ◽  
pp. 126-128
Author(s):  
Ersin Hussein
Keyword(s):  
Roman Empire ◽  
Material Culture ◽  
Near East ◽  
Roman Period ◽  
Asia Minor ◽  
Collective Identities ◽  
Roman Provinces ◽  
The Subject ◽  
Cultural Networks ◽  
Written Sources

The Conclusion revisits the questions that lie at the heart of studies of the Roman provinces and that have driven this study. What is the best way to tell the story of a landscape, and its peoples, that have been the subject of successive conquests throughout history and when the few written sources have been composed by outsiders? What approach should be taken to draw out information from a landscape’s material culture to bring the voices and experiences of those who inhabited its space to the fore? Is it ever possible to ensure that certain evidence types and perspectives are not privileged over others to draw balanced conclusions? The main findings of this work are that the Cypriots were not passive participants in the Roman Empire. They were in fact active and dynamic in negotiating their individual and collective identities. The legacies of deep-rooted connections between mainland Greece, Egypt, Asia Minor, and the Near East were maintained into the Roman period and acknowledged by both locals and outsiders. More importantly, the identity of the island was fluid and situational, its people able to distinguish themselves but also demonstrate that the island was part of multiple cultural networks. Cyprus was not a mere imitator of the influences that passed through it, but distinct. The existence of plural and flexible identities is reflective of its status as an island poised between multiple landscapes

The Founder

2020 ◽  
pp. 25-39
Author(s):  
Duane W. Roller
Keyword(s):  
Black Sea ◽  
Third Century ◽  
Asia Minor ◽  
The Black Sea ◽  
Alexander The Great ◽  
Northern Asia ◽  
Black Sea Coast ◽  
New States ◽  
Hellenistic World ◽  
Sea Coast

The Pontic state began with the ambitions of Mithridates I, known as “the Founder,” a refugee from the unforgiving politics of the generation after Alexander the Great. He sought refuge in the rugged country of northern Asia Minor and declared himself king in the early third century BC, establishing what came to be called the kingdom of Pontos, creating its first capital, the fortress city of Amaseia on the Iris River. He also established a foothold on the Black Sea coast at Amastris. By the time of his death in 266 BC, Pontos had begun to emerge as one of the new states of the Hellenistic world.

Pergamum as Paradigm

2005 ◽  
Author(s):  
Bernhard Weisser
Keyword(s):  
Roman Empire ◽  
The Other ◽  
Asia Minor ◽  
Solid Base ◽  
Local Elites ◽  
Geographical Mobility ◽  
Imperial Period ◽  
Imperial Family ◽  
The Relationship ◽  
The City

The Editors of this Book Requested a study of an individual city to contrast with the broader regional surveys. This contribution attempts to demonstrate the advantages of a fuller exploration of the specific context of a civic coinage by focusing on selected issues from the coinage of Pergamum— alongside Ephesus and Smyrna one of the three largest cities in the Western part of Asia Minor. In the Julio-Claudian period Pergamum’s coin designs were dominated by the imperial succession and the city’s first neocorate temple (17 BC–AD 59). In AD 59 Pergamum’s coinage stopped for more than two decades. When it resumed under Domitian (AD 83) new topics were continuously introduced until the reign of Caracalla (AD 211–17). These included gods, cults, heroes, personifications, architecture, sculpture, games, and civic titles. After Caracalla the city concentrated on a few key images, such as Asclepius or the emperor. At the same time, coin legends— especially civic titles—gained greater importance. This trend continued until the city’s coinage came to an end under Gallienus (AD 253–68). The overall range of Pergamum’s coin iconography was broadly similar to that of other cities in the East of the Roman empire. Coins of Pergamum from the imperial period fall into (at least) sixty-four issues, the most diverse of which employed twenty different coin types. In all, around 340 different types are currently known. They provide a solid base from which to explore various relationships. These include the relationship between coin obverses and reverses, as well as the place of an individual coin type within its own issue, and within the city’s coinage as a whole. Coin designs could allude to objects and events within Pergamum itself, or focus on the city’s connections with the outside world: with small neighbouring cities, with the other great cities within the province of Asia, or with Rome and the imperial family. Communication via the medium of civic coinage was in the first instance presumably directed towards the citizens of Pergamum. At the same time coinage also reflected developments outside the city. Social and geographical mobility was encouraged by an imperial system which allowed distinguished members of local elites access to the highest military and administrative posts.

Khusro’s Fateful Decision

2021 ◽  
pp. 103-133
Author(s):  
James Howard-Johnston
Keyword(s):  
Roman Empire ◽  
Asia Minor ◽  
Summit Meeting ◽  
Jewish Immigration

The first decisive moment in the war came in winter 615–16, when Khusro rejected a grovelling plea for peace made by the Senate, based on terms discussed by Heraclius and Shahen at a summit meeting on the Bosporus in 615. This was tantamount to a decision to liquidate the Roman Empire, which made sense in the context of the threat posed by the Turkish khaganate in the east. The following five years saw the Persians take over Palestine (616), raid Asia Minor (617), and conquer Egypt (619). In Palestine they reintroduced controls on Jewish immigration into Jerusalem and designated the Ghassan their chief clients among the neighbouring Arab tribes.

scholarly journals Roman Religion in the Classroom: Spotlight on the Mysteries of Mithras

2018 ◽  
Vol 19 (38) ◽  
pp. 4-12
Author(s):  
Ersin Hussein
Keyword(s):  
Roman Empire ◽  
Age Groups ◽  
Asia Minor ◽  
Pedagogical Issues ◽  
Roman Britain ◽  
Roman Religion ◽  
Ancient Religion ◽  
History Of ◽  
Rich Material ◽  
Theoretical Developments

There appears to be no ‘tail end’ in sight for academic enquiry into the worship of Mithras in the Roman Empire. Interest in this ancient religion, and its popularity and longevity as a topic of study, has no doubt been secured by its status as an elective cult and by its rich, and at times controversial, surviving evidence, which is predominantly archaeological in nature and packed with astrological symbolism. No written documentation representing a theological canon, which might outline its origins, traditions and customs, has ever been discovered. Furthermore, the few surviving literary accounts present snapshots of the cult and are written by ‘outsiders’. Though strongly associated with Zoroastrianism, an ancient religion widely worshipped across Asia Minor and Persia, the exact origins of Mithras, his identity as a god, and the development of his worship remain unclear. With the reopening of the London Mithraeum last year the spotlight has once again been cast on the spread and impact of the cult in Roman Britain. This article accompanies pieces in this volume ofJCTand the next which focus on this sacred and once exclusive space. Organised in two sections, part one will begin with a brief introduction to the history of scholarship, focusing mostly on some methodological and theoretical developments in recent studies. Following this, attention will be paid to the nature of the evidence for the mysteries of Mithras and popular interpretations drawn from it. Part two will discuss methods for bringing this rich material to life in the classroom and reflect on pedagogical issues relating to teaching Mithraism as part of the Latin GCSE syllabus. The tried and tested exercises presented in this part of the article and are applicable to a variety of classroom settings, sizes and age groups.

Representations of Children in Ancient Greece

2018 ◽  
Author(s):  
Olympia Bobou
Keyword(s):  
Material Culture ◽  
Large Scale ◽  
Ancient Greece ◽  
Fourth Century ◽  
Fifth Century ◽  
Roman Period ◽  
Hellenistic Period ◽  
Vase Painting ◽  
Funerary Reliefs ◽  
The Relationship

Children’s representations appear early in the Greek visual material culture: first they appear in the large funerary vases of the geometric period, while in the archaic period they appear in funerary reliefs and vases. To the representations in vase painting, those in terracotta statuettes can be added in the fifth century, but it is in the fourth century bc that children become a noteworthy subject of representation, appearing both in small- and large-scale objects in different media. This chapter considers the relationship between changing imagery of children in ancient Greece and social and religious developments from the geometric period, through the Hellenistic period and into the Roman period in Greece.

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