scholarly journals D. S. MEREZHKOVSKY AS A STUDENT OF THE THIRD GYMNASIUM (COMMENTATOR’S NOTES) PART 2

2021 ◽  
Vol 2 ◽  
pp. 104-133
Author(s):  
Ksenia Andreevna Kumpan ◽  

The article introduces the academic community to a vast collection of the unknown documents from the archives of the Third Gymnasium (Classical School) and from Merezhkovsky’s personal foundation, which contains the experiments of his early years. As the result, a picture emerges that depicts the school routine, featuring the portraits of the professors and the analysis of the studies in humanities. Besides, a detailed commentary on the «Gymnasium» fragments of the autobiographical poem The Ancient Octaves is offered, and conclusions are drawn regarding the reliability of the assessments of education contained in it.

2021 ◽  
Vol 1 ◽  
pp. 122-144
Author(s):  
K.A. Kumpan ◽  

The article introduces the academic community to a vast collection of the unknown documents from the archives of the Third Gymnasium (Classical School) and from Merezhkovsky’s personal foundation, which contains the experiments of his early years. As the result, a picture emerges that depicts the school routine, featuring the portraits of the professors and the analysis of humanitarian subjects. Besides, a detailed commentary on the «Gymnasium» fragments of the autobiographical poem The Ancient Octaves is offered, and conclusions are drawn regarding the reliability of the assessments of education contained in it.


Author(s):  
Jens Meierhenrich

This chapter provides the biographical and historical context necessary for understanding Fraenkel and his time. The analysis is organized into three sections: his early years, the Weimar Years, and the Nazi years. In the first section, I trace Fraenkel’s upbringing in a secular household influenced by the so-called Jewish Enlightenment, or Haskalah; explore the origins of his life-long predilection for social democracy; and recount the intellectual effects of his military service in World War I. In the second section, I reconstruct Fraenkel’s education and socialization as a young lawyer and interpret Fraenkel’s most important Weimar-era writings. I explicate the roles they played in preparing the ground for the writing of The Dual State. In the third section, finally, I commence my analysis of Fraenkel’s Nazi-era thought and conduct up until his escape to freedom in 1938.


Author(s):  
Arkady I. Korolev ◽  
◽  
Vladimir N. Myshkin ◽  
Anton A. Shalapinin

Introduction. This is a report on the results of archaeological excavations at Maksimovka I, the subterranean burial ground located in the forest-steppe Volga region. The site is unique because it contains burial complexes of different epochs. The purpose of the paper is to introduce the materials found during the 2018 excavations for the attention of the academic community. In particular, the paper focuses on the description and characterization of the archaeological complexes under investigation, and, also, on their cultural-chronological attribution. Data. The cultural layer was not particularly rich but contained fragments of Neolithic, Eneolithic, and Bronze Age ceramics, stone tools, and waste left after stone processing. Three burials were examined in the excavation area. The first burial comprised the skeleton of a deceased person in a supine position; the head oriented to the north-northeast; the grave goods included iron items (a fragment of a boiler and of a bit, rod-shaped items, and a firesteel), grindstones, and flints. The second buried person was found in the seated position, leg bones bent at the knee joint, head oriented to northeast; the finds included a nonferrous metal ring, a bone pendant, a silicon wafer, and tubular beads. The third buried person was also in a seated position, head oriented to the northeast; no grave goods were found in the third burial. Also, two other burial constructions recovered on the site were partially examined. Results. The first burial was attributed to the Golden Horde period in the Middle Ages (the second half of the 13th or the 14th c.). The second burial has a number of parallels to burial complexes of mid-late Eneolithic era of the forest-steppe Volga region. The third burial was left unidentified in terms of its cultural-chronological attribution, granted the non-standard position of the skeletal remains in the grave and the absence of goods. Conclusions. The examination of the subterranean burial ground Maksimovka I has allowed to introduce the archaeological material of different periods, such as Neolithic, Eneolithic, Bronze, and Middle Ages.


1985 ◽  
Vol 31 ◽  
pp. 172-196

David Gwynne Evans was born in Atherton, near Manchester, on 6 September 1909 of Welsh parents; his father, a schoolmaster, was from Pembrokeshire and his mother from Bangor, North Wales. He was the third of four children in a distinguished family. His older brother, Meredith Gwynne, became Professor of Physical Chemistry in Leeds and later in Manchester and was a Fellow of the Royal Society. His sister, Lynette Gwynne, took a degree in modern languages at Manchester University and taught in girls’ high schools. His younger brother, Alwyn Gwynne, after holding a lectureship in Manchester University was appointed to the Chair of Physical Chemistry in Cardiff University. David left Leigh Grammar School in 1928 at the age of 18 years and worked for two years in a junior capacity for the British Cotton Growers’ Association at the Manchester Cotton Exchange. However, when Alwyn went up to Manchester University in 1931, David decided to go with him and both graduated B.Sc. in physics and chemistry three years later and M .S c. after a further year. At this time Professor Maitland in the Department of Bacteriology wanted a chemist to help in the public health laboratory which was run by his department. Professor Lapworth recommended David for the post and thus David entered the field of bacteriology and immunology, to which he was to contribute so much. He was appointed Demonstrator and soon afterwards Assistant Lecturer in the University Department. During these early years he worked with Professor Maitland on the toxins of Haemophilus pertussis (now Bordetella pertussis ) and related organisms, work that provided a sound basis for his subsequent interest in whooping cough immunization and later for his abiding interest in vaccination against other diseases and in the standardization of vaccines and antisera.


Although the liquid-in-glass thermometer came into use either in the last decade of the sixteenth or during the early years of the seventeenth century (1), it was not until the eighteenth century that reproducible scales of temperature were established, arising from the work of Fahrenheit (2), Reaumur (3) and Celsius (4). So far as eighteenth-century chemists were concerned, the upper limit of temperature to which the liquid-in-glass thermometer could be used was set by the boiling point of mercury, at that time assumed to be 600 °F (5). In the latter half of the seventeenth century any temperatures attained in chemical operations could be indicated only by reference to a scale comprising some seven ‘degrees of heat’. In the middle to upper ranges, for example, to quote from Glaser’s The Compleat Chymist , the third ‘degree’ was that of hot ashes; the fourth ‘degree’ was that of hot sand, and the fifth that of hot iron filings; the sixth ‘degree’ was attained in the closed reverberatory charcoal fire, and the seventh and highest ‘degree’ was the ‘Flaming-Fire or Fire of Fusion’, made with wood or charcoal (6).


Author(s):  
Hannah Kosstrin

This chapter follows the alignment of Anna Sokolow’s choreography with postrevolutionary Mexican political values within transnational communist and Jewish discourses during her early years in Mexico City. First, this chapter engages how The Exile (1939), Sokolow’s indictment of the Third Reich’s treatment of Jews, reflected the precarious position of Holocaust refugees in Mexico. It explains how Sokolow’s dance highlighted contemporary persecution of Jews that recalled a longer history of Jewish exile that connected Europe, North America, and South America. Second, the chapter argues that Mexican modernism’s reliance on indigenous elements fed Sokolow’s revolutionary modernism in the choreography she made there with the collaborative company La Paloma Azul, including Don Lindo de Almería (1940) and El renacuajo paseador [The Fable of the Wandering Frog] (1940).


1983 ◽  
Vol 29 ◽  
pp. 26-41 ◽  

Johannes Martin Bijvoet* was born on 23 January 1892 in Amsterdam. His father, Willem Frederik Bijvoet, owned a dye factory. His mother was Barendina Margaretha Ruefer. He was the third of four sons in a harmonious family. His eldest brother, Willem Frederik, became a well known gynaecologist; his second brother, Bernard, became a famous architect; and his youngest brother, Frederik, succeeded his father in the management of the dye factory. The family lived in a traditional old house on the banks of one of his beloved Amsterdam’s many canals, the Binnenkant. In addition, they owned a small summer house in the dunes near IJmuiden, which was, in Bijvoet’s own words, ‘unequalled for romantic beauty, but in later years wiped out by the extension of a blast furnace site, so that even at an early age I met with the reverse of industrial blessing’. From 1897 to 1903 young Bijvoet went to the primary school ‘Zeemanshoop’ (sailor’s hope) at the Prins Hendrikkade, and from 1903 to 1908 he attended secondary school, the ‘Eerste vijfjarige HBS’ (literally: first five-year higher civil school) on the Keizersgracht. From these early years, spent in the old centre of the city, dated his lifelong attachment to Amsterdam .


Pneuma ◽  
1992 ◽  
Vol 14 (1) ◽  
pp. 185-197
Author(s):  
Donald L. Gelpi

AbstractIn 1992 the Catholic Charismatic Renewal is celebrating its twenty-fifth anniversary. In the course of those twenty-five years the Renewal has influenced thousands of lives in this country and has become an international movement in Christian spirituality. After a quarter of a century of charismatic spirituality, we would do well to take stock of its theological significance: both its contributions and the problems it has raised. My remarks on those contributions and problems fall into four sections. The first section attempts to reflect on the theological context within which the charismatic renewal originally occurred. The second section considers the initial theological impact that the renewal had on popular faith and the initial response it provoked in the academic community. The third section deals with some of the theological insights that have emerged from reflection on the renewal. The fourth section deals with the charismatic renewal's unfilled theological promise.


1996 ◽  
Vol 32 (1) ◽  
pp. 63-66
Author(s):  
N. E. A. Malenga

SUMMARYThe response to nitrogen of four high yielding good quality clones of tea was investigated on fertile virgin soil. The yields of all the clones examined were maintained without additional nitrogen during the first two years after planting but Clone PC 81 responded to nitrogen in the second year after planting. This was the earliest recorded stage at which seedling or clonal tea had responded to nitrogen in Malawi. The other clones examined all responded to nitrogen in the third year after planting, and the yields of all the clones were substantially increased by the higher rates of nitrogen applied in the early years after planting, though the responses to nitrogen differed between seasons.


Author(s):  
Lisa West

This chapter surveys Charles Brockden Brown’s early biography into five sections. The first provides background on eighteenth-century Quaker history and culture in Philadelphia, including the unlawful arrest and banishment of Elijah Brown, Charles’s father. The second section reviews Brown’s youth, adolescence, and education. The third discusses his law apprenticeship from 1787 to 1793, a period during which he participated in literary clubs, experimented with writing, and developed meaningful friendships. His letters during these years show interest in a variety of moral issues and sometimes critique traditional tenets of Christianity. The fourth section discusses Brown’s early publications and his manuscript epistolary narratives. The final section focuses on the years 1793–1795, when Brown strengthened connections with the New York intellectual circle and distanced himself from his Philadelphia social network, culminating in a cogent rejection of Christianity.


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