scholarly journals Analysis of Psychological and Verbal Pattern of Female Protagonists in Anita Desai's Fiction

Author(s):  
Dr. Pinky

Anita Desai likes to reach the depth of human psyche. Anita Desai discards the traditional, worn out eternal realism and dives deep into the minds of her protagonists to examine the values and principles that they live by. Even when she probes man’s relationship with his socials milieu, her stress falls on her characters’ private instincts and intuitions, feelings and emotions. All her characters are shown on one hand struggling with the changed realities of Indian life. In their neurotic condition they fail to adjust themselves to the harsh realities of life and they react aggressively and sometimes they don’t react and agree to strike a compromise with their situation after getting no other way. But both situations cause psychological disturbance and this is the case with Anita Desai’s protagonists.

Author(s):  
Dr. Tejaswini Behera

The inward or inner agony, pressure and any other issues of women life are reflected in a peculiar way through the Nature or its natural objects of as we can clearly point out in the novels of Anita Desai. The female protagonists of the novels of Anita Desai could not express their inner feelings before their male partners or anybody as they express themselves properly and smoothly through Nature and its different Natural objects. In other words, we can say that life of the women protagonists in the novels of Anita Desai and Nature are closely connected with each other. As Nature and women both have the power of nurturing and sustenance, which means both of them carry maximum similar feminine qualities. So to maintain peace and equality in the society, we should have to understand the inward feelings of both women and Nature.


2016 ◽  
Author(s):  
Archana Parashar

The fantasy genre is not uniform, but has rather developed distinct varieties over time as authors have innovated on and responded to the traditions established by previous works. Fantasy is a work that evokes a sense of wonder in the reader; that has some relationship with traditional tales, myths and legends: that evokes the belief that is presented as real, not a dream, vision, or possible hallucination and that usually takes place in a secondary world with the inner consistency of reality. This paper focuses on the perception between fantasy and reality in the prominent fiction of Anita Desai. As a genre, fantasy seeks to validate the unconscious world of dreams, to insist not merely on its existence in the human psyche, but on its essential, vital presence.


2020 ◽  
Vol 5 (1) ◽  
pp. 65-73
Author(s):  
Eliza Preston

This article explores what the work of Sigmund Freud has to offer those searching for a more spiritual and philosophical exploration of the human experience. At the early stages of my psychotherapy training, I shared with many peers an aversion to Freud’s work, driven by a perception of a mechanistic, clinical approach to the human psyche and of a persistent psychosexual focus. This article traces my own attempt to grapple with his work and to push through this resistance. Bettelheim’s (1991) treatise that Freud was searching for man’s soul provides a more sympathetic lens through which to explore Freud’s writing, one which enabled me to discover a rich depth which had not previously been obscured. This article is an account of my journey to a new appreciation of Freud’s work. It identifies a number of challenges to Bettelheim’s argument, whilst also indicating how his revised translation allowed a new understanding of the relevance of Freud’s work to the modern reader. This account may be of interest to those exploring classical psychotherapeutic literature as well as those guiding them through that process.


Author(s):  
Enrique Ajuria Ibarra

The Eye (Gin Gwai, 2002) and its two sequels (2004, 2005) deal with pan-Asian film production, gender, and identity. The films seem to embrace a transnational outlook that that fits a shared Southeast Asian cinematic and cultural agenda. Instead, they disclose tensions about Hong Kong’s identity, its relationship with other countries in the region, and its mixture of Western and Eastern traditions (Knee, 2009). As horror films, The Eye series feature transpositional hauntings framed by a visual preference for understanding reality and the supernatural that is complicated by the ghostly perceptions of their female protagonists. Thus, the issues explored in this film series rely on a haunting that presents textual manifestations of transposition, imposition, and alienation that further evidence its complicated pan-Asian look. This chapter examines the films’ privilege of vision as catalyst of a transnational, Asian Gothic horror aesthetic that addresses concepts of identity, gender, and subjectivity.


2008 ◽  
Vol 1 (2) ◽  
pp. 187-199
Author(s):  
KATHRYN WALLS

According to the ‘Individual Psychology’ of Alfred Adler (1870–1937), Freud's contemporary and rival, everyone seeks superiority. But only those who can adapt their aspirations to meet the needs of others find fulfilment. Children who are rejected or pampered are so desperate for superiority that they fail to develop social feeling, and endanger themselves and society. This article argues that Mahy's realistic novels invite Adlerian interpretation. It examines the character of Hero, the elective mute who is the narrator-protagonist of The Other Side of Silence (1995) , in terms of her experience of rejection. The novel as a whole, it is suggested, stresses the destructiveness of the neurotically driven quest for superiority. Turning to Mahy's supernatural romances, the article considers novels that might seem to resist the Adlerian template. Focusing, in particular, on the young female protagonists of The Haunting (1982) and The Changeover (1984), it points to the ways in which their magical power is utilised for the sake of others. It concludes with the suggestion that the triumph of Mahy's protagonists lies not so much in their generally celebrated ‘empowerment’, as in their transcendence of the goal of superiority for its own sake.


2019 ◽  
Vol 7 (11) ◽  
pp. 18
Author(s):  
Dr. Indu Goyal

Marriage is an important thing in the life of a woman. The importance that our society attaches to marriage is reflected in our literature and it is the central concern of Shashi Deshpade’s novels. In our society where girl learns early that she is ‘Paraya Dhan’, and she is her parents’ responsibility till the day she is handed over to her rightful owners. What a girl makes of her life, how she shapes herself as an individual, what profession she takes up is not as important as whom she marries. Marriage is the ultimate goal of a woman’s life. This paper attempts to probe into the problems of marriage through the protagonists of her novels where one enjoys the freedom of marriage and the other accepts the traditional marriage. Shashi Deshpade highlights the problems of marriage faced by middle-class people in finding suitable grooms for their daughters. This problem is well-illustrated through the characters of her novels. Since the girl’s mind over her childhood is tuned that she is another’s property, she tries to attach a lot of importance to it. it is indeed a tragedy that even in the modern age, Indian females echo the same sentiment where it was marriage which mattered most of them but not to the men. It is a beginning of females sacrifices in life that marriage brings to her. Shashi Deshpande encourages her female protagonists to rise in rebellion against the males in the family matters, instead she wants to build a harmonious relationship between man and woman in a mood of compromise and reconciliation.  


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 1036-1041
Author(s):  
Steffi Santhana Mary. S ◽  
Dr Anita Albert

Human behaviour is constructed by unconscious drives and impulses. To Freud, thoughts are supposed to be guided by desires and these desires are the fundamental basis of humankind, life, and psyche. Not being expressed directly, they take other shapes in order to be expressible in personal and social situations. They are repressed because they could not be fitted into social norms and laws. Freud believes that many of our actions are motivated by psychological forces unknown to others which he calls ‘the unconscious’. The objective of the present paper is to read Munro's Runaway in the mirror of Sigmund Freud to detect the psychological aspects of the characters.


Think India ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 434-438
Author(s):  
R. CELIN DIANA

MRS. R. CELIN DIANA A female is God's lovable creature to balance man. She is mentally and physically weak through creation itself, but she express her feelings unexpectedly in the battle against her. She is even spoiled for that. A women’s picture is a central theme to literature writings around the globe. The writings of Anita Nair is concerned with man, females, nature, true life, and social convention. She explores the existential struggle of her protagonists in most of her novels. Nair describes particularly, how Indian women are exploited, abused, marginalized even in the modern times both by individuals and by the society. Apart from the society women are tossed even by her family members. Anita Nair emphasizes the need for creating awareness in women. Her female protagonists are conscious of the injustice in marriage brought to them.Probably, the protagonists of Nair’s novels denies to flow along the current.  They seem to be adamant or aggressive, but the fact is that they underwent much pain and suffering. Apart from the pain the protagonists are the losers of life, respect, family, dignity and everything. This paper is an effort to bring to light the pathetic conditions of the protagonists,and to study the social, family and economic picture of women's suffering in life. Though the protagonist characters are brave, they seem pathetic and losers of a common simple life, they dream to live. Anita Nair defines circumstances or occurrences that harm or kill characters due to the aggressive nature of characters in her novels.


2020 ◽  
Vol 23 (1) ◽  
pp. 100-122
Author(s):  
Máté Veres

Abstract Pyrrhonian inquiry responds to the hope of intellectual tranquillity, and aims at the achievement and maintenance of said tranquillity. According to the Tranquillity Charge, philosophical inquiry aims at the truth; hence, insofar as Pyrrhonian inquiry aims at tranquillity, it does not qualify as philosophical inquiry. Furthermore, Pyrrhonian philanthropy rests on the Partisan Premise, i.e. the claim that all philosophers aim at the removal of psychological disturbance. I show that the origin-story of Pyrrhonism evades the Tranquillity Charge, and that the Partisan Premise is not as partisan as it seems. Unlike previous attempts, my reconstruction preserves all tranquillity-related features of Sextan Pyrrhonism.


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