scholarly journals El lenguaje y la ficción encarnada. Un acercamiento fenomenológico a Cuento amarillo.

Sincronía ◽  
2021 ◽  
Vol XXV (79) ◽  
pp. 223-234
Author(s):  
Joselyn Pérez Pérez ◽  
Keyword(s):  
Literary Work ◽  
Body Language ◽  
The Body ◽  
Theoretical Base ◽  
Theoretical Discussion ◽  
Phenomenology Of Perception ◽  
The World

This article is a literary approach that seeks to answer the question about the phenomenological relationship between body-language and the storyteller Cuento amarillo. For this, he uses the Merleau-Ponty phenomenology as a theoretical base in two base works, The Prose of the World and The Phenomenology of Perception, from which he seeks to explore how the concepts of body, language and fiction are operating within the narrative with the purpose is to glimpse the textual guidelines that make up the characters of this literary work and within phenomenology itself and therefore create a new proposal towards the body with a view to a theoretical discussion with language.

Differenzierungen im Begriff, Gegenwart‘ bei Husserl und Merleau-Ponty

2017 ◽  
Vol 2017 (1) ◽  
pp. 39-54
Author(s):  
Jörg Zimmer
Keyword(s):  
Modern Philosophy ◽  
The Body ◽  
Fundamental Concept ◽  
Phenomenological Description ◽  
Philosophy Of Time ◽  
Phenomenology Of Perception ◽  
The World ◽  
Classical Philosophy ◽  
The Moment ◽  
Empty Time

In classical philosophy of time, present time mainly has been considered in its fleetingness: it is transition, in the Platonic meaning of the sudden or in the Aristotelian sense of discreet moment and isolated intensity that escapes possible perception. Through the idea of subjective constitution of time, Husserl’s phenomenology tries to spread the moment. He transcends the idea of linear and empty time in modern philosophy. Phenomenological description of time experience analyses the filled character of the moment that can be detained in the performance of consciousness. As a consequence of the temporality of consciousness, he nevertheless remains in the temporal conception of presence. The phenomenology of Merleau-Ponty, however, is able to grasp the spacial meaning of presence. In his perspective of a phenomenology of perception, presence can be understood as a space surrounding the body, as a field of present things given in perception. Merleau-Ponty recovers the ancient sense of ‘praesentia’ as a fundamental concept of being in the world.

The Poetic and the Political in Valery Podoroga’s Analytical Anthropology

2021 ◽  
Vol 32 (5) ◽  
pp. 50
Author(s):  
Oleg Aronson
Keyword(s):  
Special Kind ◽  
Literary Work ◽  
Social Institution ◽  
Cultural Practice ◽  
The Body ◽  
The Political ◽  
The World ◽  
Life Itself ◽  
The Creation ◽  
Analytical Tools

The article is devoted to an analysis of the creative work of the Russian philosopher Valery Podoroga. It focuses on the special discipline he created, namely, “analytical anthropology”, and the book “Anthropograms”, in which Valery Podoroga sets out the basic principles and analytical tools of his philosophical work. Examining the books of the philosopher that preceded the creation of analytical anthropology and those that were written later, it is possible to single out two important lines of his research. First, the philosophy of literature and second, research in the field of the political. Podoroga’s understanding of literature is broader than that of a cultural practice or a social institution. For him, it is the space of the corporal experience of contact with the world, in which the affective aspect of thinking is realized. This line of analysis points to the “poetic” dimension of the experience of thinking, since the emphasis here is on what Jakobson called the “poetic function of language”, its orientation toward itself. It is precisely the literary aspect that becomes important when analyzing the texts of philosophers (Kierkegaard, Nietzsche, Heidegger); however, what is even more important is that in the very experience of fiction Podoroga is trying to find new means for philosophy. His “poetic line” is closely connected with the poetics of space (Bachelard) and the phenomenology of the body (Merleau-Ponty, Henry). It is the combination of poetics and phenomenology that allows Podoroga to overcome both the orientation of poetics exclusively toward language and the categorical apparatus of philosophy. The main result of Valery Podoroga’s work is the creation of an “anthropogram”, a special kind of scheme in which the action of the Work (a literary work, but not only) is immanent to the dynamics of the world. Is it possible to create such anthropograms outside the field of literature? Podoroga does not specify. The article attempts to show how Podoroga’s ways of working with literary texts correlate with his works dealing with the technologies of power and violence, transforming separate political and ethical terms into anthropograms, that is, forms of thought immanent to life itself.

Perception

2017 ◽  
Author(s):  
Emmanuel Alloa
Keyword(s):  
The Body ◽  
Phenomenology Of Perception ◽  
The World ◽  
General Concern

This chapter deals with the ‘first phase’, placed under the general concern with ‘perception’ as the key to embodied existence. It highlights Merleau-Ponty early engagement with the empirical sciences, psychology and biology, retraces the evolution from The Structure of Behavior to the Phenomenology of Perception and focuses on the discovery that the body is not a thing in the world, but a medium to the world. Subchapters: (Dis)avowal of Science, Between the Mechanical and Gestalt, Milieu, From the Milieu to the World, The Problem of Transcendence

scholarly journals Lattice tendency class and rebellion in the poetry of hope Donqol (analytical study -ffineh)

2018 ◽  
Vol 222 (1) ◽  
pp. 135-164
Author(s):  
Assit. Prof: Dr.luay .sh. Mahmood
Keyword(s):  
Analytical Study ◽  
Body Language ◽  
The Body ◽  
Researcher Note ◽  
The World ◽  
The Way

shrug researcher note Bcharih hope Donqol, unless the pain the life of the poet, which was characterized by (b deprivation, poverty, oppression), and they form (rejection), which led to the insurgency; and because poet haunted by Jesse excellence who longed to find the form of guarantees for Vshehadh job: (Interestingness and persuasion), Interestingness: document to sculpture in the body language, and the wealth of aesthetic and cultural variety of the elements, and persuasion: backed deep devoutly usefulness of poetry and its ability to achieve communication, and payment collective conscience that transcends to achieve attributes: (penetration and combustion), breakthrough: to block out time, and then the combustion creative to constitute a poet -aml Dnql- read, but based on the way that warms the joints of the society in which injury weakness, as well as on the fire of the motor to rise to the world of purity is impossible combustion breakthrough

scholarly journals The understanding of the body and movement in Merleau-Ponty

2019 ◽  
Vol 42 (1) ◽  
pp. 201-226
Author(s):  
Patricia Moya Cañas
Keyword(s):  
The Body ◽  
Phenomenology Of Perception ◽  
The World ◽  
Real Value

Abstract: The author seeks an explanation for Merleau-Ponty's expression "the body understands", to which a real value is applied: the objects of the world have a signification that the body grasps by way of perception. The analysis focuses on Merleau-Ponty's Phenomenology of perception and on notes from two of his courses, Le monde sensible et le monde de l'expression and La nature. In these works, there is a constant allusion to the I can as an underlying and grounding mode with regard to the I think. The French philosopher thus grants a central role to movement that demonstrates the interweaving of the body with the world.

The Body, Unbounded

2016 ◽  
Author(s):  
Scott C. Richmond
Keyword(s):  
The Body ◽  
Theoretical Discussion ◽  
The World

The fifth chapter uses Alfonso Cuarón’s Gravity to offer an in-depth theoretical discussion of the term “proprioceptive aesthetics,” and offers a schematic discussion of the main aesthetic problems of the proprioceptive cinema. Taking Gravity as an exemplar and developing proprioceptive aesthetics in terms of its fundamental aesthetic problems, the chapter argues that in the locution proprioceptive aesthetics, the term proprioceptive is not merely some qualification of a previously understood aesthetics, but a modular adjective specifying a region of aesthetics. Rather, proprioceptive aesthetics entails the sense of aesthetics in which it names how we resonate with the world and attune ourselves to it.

scholarly journals Body Language: Symbiosis Between Art, Culture and Animated World

2019 ◽  
Vol 8 (11S2) ◽  
pp. 236-241
Keyword(s):  
Body Language ◽  
The Body ◽  
Short Film ◽  
3D Animation ◽  
Visual Storytelling ◽  
The World ◽  
Animated Film

Inside the world from movies, it’s very important to apply the body language of each part of characters. The purpose of this research is to study the important and ways of robotic body language in animated film. This research also will focus on the important of mood and body language related to movement in Malaysia’s animated series which is can make a way to look in deep of visual storytelling, art of acting and others technical sequences that involve when making an Animated Short Film. Thus, from this research a prototype short animated film known as “SpiDay” will be produce by using 3D animation media technique.

Time in the Phenomenology of Perception

Dialogue ◽  
1974 ◽  
Vol 13 (4) ◽  
pp. 773-785
Author(s):  
Eugene F. Bertoldi
Keyword(s):  
The Body ◽  
The Other ◽  
Phenomenology Of Perception ◽  
The World ◽  
The Subject

The chapter on time is one of the central investigations in Merleau-Ponty's Phenomenology of Perception. Throughout preceding chapters of that work one meets the claim that theoretical difficulties raised by the type of description of the perceiving subject that Merleau-Ponty offers are to be resolved in the investigation of time. For example, in describing perception, it begins to seem that the perceiving subject is neither a pure for-itself, nor an in-itself, but rather belongs to some category intermediate between these two. How is such an ambiguity to be understood ? Merleau-Ponty tells us that:On the level of being one will never understand that the subject must be at once naturans and naturatus, infinite and finite. But if we rediscover time beneath the subject, and if we relate to the paradox of time those of the body, the world, the thing and the other, we shall understand that there is nothing to understand beyond this.

scholarly journals Mengenal Fenomenologi Persepsi Merleau-Ponty tentang Pengalaman Rasa

MELINTAS ◽  
2016 ◽  
Vol 32 (1) ◽  
pp. 94
Author(s):  
Tanius Sebastian
Keyword(s):  
The Body ◽  
Sense Experience ◽  
Bodily Experience ◽  
Phenomenology Of Perception ◽  
The World ◽  
Analytical Attitude ◽  
Mode Of Being

<p><em>Phenomenology of Perception</em> is one of the main philosophical works of a France phenomenological philosopher, Maurice Merleau-Ponty. In this book, Merleau-Ponty elaborates his reflection on the nature of the body based on the perception of the world. In “Sense Experience,” which is part of <em>Phenomenology of Perception</em>, explains the bodily experience and its relation to human’s mode of being in the world. This part is important to look upon, for it serves as the basis for Merleau-Ponty’s phenomenological thought on perception. In “Sense Experience”, while affirming his critique on empiricism and intellectualism, Merleau-Ponty also reflects the meaning of sense experience, the unity of the sense, the analytical attitude, the nature of the body, and the ambiguity of sense experience itself. Two key ideas surface from “Sense Experience,” that is, sense experience with and through the body, and bodily experience with and through the world. One might speak of the world, yet one is part of it. It is the body that allows such ambiguity.</p>

Meta_Body

2015 ◽  
pp. 187-214 ◽  
Author(s):  
Catarina Carneiro de Sousa
Keyword(s):  
Virtual Environment ◽  
Creative Process ◽  
Real Life ◽  
Body Language ◽  
The Body ◽  
Art Exhibition ◽  
Collaborative Virtual Environment ◽  
Participatory Art ◽  
The World

This chapter discusses the Meta_Body participatory art project. Initiated in a collaborative virtual environment and in a “real life” art exhibition, it now continues in the metaverse creative flux. Meta_Body focuses on two aspects: first, the avatar as body/language, open to experimentation and potency; second, avatar building as a shared creative process and as aesthetical experience. Through the practice of avatar creation, distribution, embodiment and transformation, the artists aim to understand the processes of virtual corporeality constitution: to question the role of the body in virtual environment, its importance in engaging with the world and in self-expression, and explore its metaphorical aspects. The method used to implement this project is a shared creative process, in which multiple subjects come to be authors along different phases of the project. Through the embodiment and transformation of avatars, the artwork's aesthetical experience becomes a creative process.

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