The Poetic and the Political in Valery Podoroga’s Analytical Anthropology

2021 ◽  
Vol 32 (5) ◽  
pp. 50
Author(s):  
Oleg Aronson
Keyword(s):  
Special Kind ◽  
Literary Work ◽  
Social Institution ◽  
Cultural Practice ◽  
The Body ◽  
The Political ◽  
The World ◽  
Life Itself ◽  
The Creation ◽  
Analytical Tools

The article is devoted to an analysis of the creative work of the Russian philosopher Valery Podoroga. It focuses on the special discipline he created, namely, “analytical anthropology”, and the book “Anthropograms”, in which Valery Podoroga sets out the basic principles and analytical tools of his philosophical work. Examining the books of the philosopher that preceded the creation of analytical anthropology and those that were written later, it is possible to single out two important lines of his research. First, the philosophy of literature and second, research in the field of the political. Podoroga’s understanding of literature is broader than that of a cultural practice or a social institution. For him, it is the space of the corporal experience of contact with the world, in which the affective aspect of thinking is realized. This line of analysis points to the “poetic” dimension of the experience of thinking, since the emphasis here is on what Jakobson called the “poetic function of language”, its orientation toward itself. It is precisely the literary aspect that becomes important when analyzing the texts of philosophers (Kierkegaard, Nietzsche, Heidegger); however, what is even more important is that in the very experience of fiction Podoroga is trying to find new means for philosophy. His “poetic line” is closely connected with the poetics of space (Bachelard) and the phenomenology of the body (Merleau-Ponty, Henry). It is the combination of poetics and phenomenology that allows Podoroga to overcome both the orientation of poetics exclusively toward language and the categorical apparatus of philosophy. The main result of Valery Podoroga’s work is the creation of an “anthropogram”, a special kind of scheme in which the action of the Work (a literary work, but not only) is immanent to the dynamics of the world. Is it possible to create such anthropograms outside the field of literature? Podoroga does not specify. The article attempts to show how Podoroga’s ways of working with literary texts correlate with his works dealing with the technologies of power and violence, transforming separate political and ethical terms into anthropograms, that is, forms of thought immanent to life itself.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

scholarly journals „Wygrani” i „przegrani”. Analiza zmian poparcia uzyskanego przez radnych sejmików wojewódzkich kandydujących do parlamentu

2019 ◽  
Vol 4 ◽  
pp. 37-58
Author(s):  
Katarzyna Dojwa-Turczyńska
Keyword(s):  
Social Sciences ◽  
Social Support ◽  
The Political ◽  
Bottom Up ◽  
Parliamentary Elections ◽  
Political Sphere ◽  
Electoral Support ◽  
The World ◽  
The Creation ◽  
Recruitment And Selection

Problematyka kreacji instytucjonalnych elit władzy jest zagadnieniem, które absorbowało i nadal absorbuje przedstawicieli nauk społecznych. Procesy rekrutacji i selekcji, zdobywania poparcia społecznego i oddolnej legitymacji zdają się interesować nie tylko świat ludzi nauki, praktyków sfery politycznej, lecz także obywateli — wyborców. W niniejszym artykule podjęto próbę udzielenia odpowiedzi na pytania dotyczące udziału radnych sejmików województw wybranych w 2014 r. w wyborach parlamentarnych kolejnego roku. Zastanawiano się nad kwestią samej skali aktywności radnych, problemami ich związania lub nie z poszczególnym blokiem politycznym i z określonym terytorium, wreszcie analizie poddano zmiany dotyczące uzyskanego przez nich poparcia wyborczego. “Winners” and “losers.” Analysis of changes in the support received by provincial assembly councillors running for parliamentThe issues of the creation of institutional elites of the authorities constitute a problem that absorbs representatives of social sciences to this day. The processes of recruitment and selection, gaining social support and bottom-up legitimization seem to absorb not only the world of academics and practitioners of the political sphere but also citizens-electors. In this paper, an attempt has been made to give answers to questions concerning the participation of provincial assembly councillors elected in 2014 in the parliamentary elections held the following year. The issue of the scale of councillors’ activity, problems of their connection or its lack with a specific political bloc and specific territory have been considered, while the rest of the analysis refers to changes regarding the electoral support they gained.

Continuity and Change in the Belfast Press, 1900–1994

2020 ◽  
pp. 377-395
Author(s):  
Nora Moroney ◽  
Stephen O’Neill
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
The Political ◽  
World War ◽  
National Library ◽  
News Letter ◽  
Irish History ◽  
Continuity And Change ◽  
The World ◽  
The Creation

This chapter examines the political and textual transformations of the Belfast Telegraph, the Irish News, and the Belfast News Letter in the twentieth century. It discusses the creation and expression of separate forms of national and editorial identities in regard to the northern Unionist-leaning Telegraph and News Letter, and the nationalist Irish News. All three would eventually be transformed by their reportage of the World War, and the later Troubles. Describing the enduring popularity of all three papers as platforms for political expressions across the spectrum of twentieth century Irish history and politics, it argues that their longevity speaks to the success of their readjustments during these tumultuous years. Drawing on archives in the National Library of Ireland and the Belfast Central Library, the chapter includes case studies focusing on how each paper reported the failure of the Boundary Commission in 1925, the Belfast Blitz in 1941, and the IRA Ceasefire in 1994.

Theater und Politik als Weg zur Integration

2020 ◽  
Author(s):  
Christiane Lemke ◽  
Amalia Sdroulia
Keyword(s):  
The Body ◽  
The Political ◽  
Cultural Backgrounds ◽  
Daily Lives ◽  
Written Texts ◽  
The Creation ◽  
Stage Performance ◽  
The Way

Since the creation of the theater, the theater stage has been closely connected to the political. Can theater play also pave the way for integration? In this book, amateur actors from different language and cultural backgrounds develop a play based on their own experiences with flight, alienation and starting new. The authors present suggestions for the instructional processing of self-written texts, exercises for testing different forms of expressions of the body as well as practical tips for the stage performance. Interviews with participating migrants, refugees and German students about their experiences with theater and integration in their daily lives complete the text.

The Eye is the Lamp of the Body (Matthew 6.22–23=Luke 11.34–36)

1987 ◽  
Vol 33 (1) ◽  
pp. 61-83 ◽  
Author(s):  
Dale C. Allison
Keyword(s):  
Human Body ◽  
The Body ◽  
Ancient Greek ◽  
Similar Nature ◽  
Recent Contribution ◽  
Human Eye ◽  
The World ◽  
The Creation

The most significant recent contribution to the understanding of Matt 6. 22–23 (= Luke 11. 34–36: Q) comes from Hans Dieter Betz. In his article on ‘Matthew vi.22f. and ancient Greek theories of Vision’ Betz claims to find in the pre-Socratics, in Plato, and in Philo the clues by which the enigmatic logion about the eye as the lamp of the body can best be elucidated. He directs attention to the following texts in particular: (1) Plato, Timaeus 45B–46A. In discussing the creation of the human body by the gods, Plato speaks of the ‘light-bearing eyes’(φωσφόραμματα), and he asserts that, within the human eye, there is a type of fire, a fire which does not burn but is, as Bury translates, ‘mild’. When we see, this fire, which is both ‘pure’ (είλıκρωές) and ‘within us’ (έντòς ὴμῶν), flows through the eyes and out into the world, where it meets the light of day. Now since like is attracted to like, the light of the eyes coalesces with the light of day, forming one stream of substance. And then, to quote Plato, ‘This substance, having all become similar in its properties because of its similar nature, distributes the motions of every object it touches, or whereby it is touched, throughout all the body, even unto the soul, and brings about the sensation which we term seeing.’ In fine, we see because we have within us a light that streams forth through our eyes.

Looking back from somewhere: reflections on what remains ‘critical’ in critical theory

2007 ◽  
Vol 33 (S1) ◽  
pp. 25-45 ◽  
Author(s):  
FRIEDRICH KRATOCHWIL
Keyword(s):  
Critical Theory ◽  
World Order ◽  
The State ◽  
The Political ◽  
The World ◽  
Analytical Tools ◽  
Looking Back ◽  
Blind Spots

ABSTRACTThis article revisits some of the theoretical debates within the field of IR since Ashley and Cox challenged the mainstream. But in so doing it attempts also to show that the proposed alternatives have their own blind spots that are subjected in the second part to discursive criticism. Neither Ashley’s celebration of the wisdom of old realists nor their ‘silence’ on economics, nor the notion of ‘internationalisation of the state’ and of the world order are adequate for understanding politics in the era of globalisation. Instead, a critical theory has to examine the political projects that were engendered by the Hobbesian conception of order and rationality. Highlighting the disconnect between our present political vocabularies and the actual political practices, I argue that a critical theory has not only to ‘criticise’ existing approaches but has to rethink and re-conceptualise praxis, which is ill served by the analytical tools which are imported to this field from ‘theory’.

scholarly journals THE FACT OF CREATION AND THE LIMITS OF SCIENTIFIC KNOWLEDGE

2020 ◽  
Vol 4 (1) ◽  
pp. 85-101
Author(s):  
Ion Marian CROITORU ◽  
Keyword(s):  
New Physics ◽  
The Body ◽  
Christian Theology ◽  
The World ◽  
The Creation ◽  
Science And Theology ◽  
To Come ◽  
The Times ◽  
The Moment ◽  
The Universe

Although scientific research is in full bloom regarding, for instance, the environment, the fact of creation cannot be ignored either, even if some scientists deny it, while others ascertain it, albeit from perspectives, however, foreign to the patristic vision specific of the Orthodoxy. Consequently, the limits of cosmology are structured as well by Christian theology, which shows that the study of the world, guided by laws of physics in a limited framework, is carried out inside the creation affected by the consequences of the primordial sin, so that the reality of the world before sin is known only to those who reach spiritual perfection and holiness, therefore, from an eschatological perspective, since they, too, go through the moment of separation of the soul from the body, waiting for the general resurrection. Therefore, a new way of being is affirmed in the Orthodox Church, by the personal experience of each believer, which is a transformation on the personal and cosmic level, according to Jesus Christ’s resurrected body, which means the reality of a new physics, which concerns both the beginning of the universe, but also its new dimension, at the Lord’s Second Coming, when heaven and earth will be renewed by transfiguration. Regarding the existence of the universe, the differences are given by the perceptions of two cosmologies. Thus, the theonomous cosmology highlights man’s purpose on earth, the necessity of moral and spiritual life, and the transfiguration of creation, explaining God’s presence in His creation, but also His work in it, namely the transcendence and the immanence in relation to the creation. The autonomous cosmology engenders the evolutionist theory, which leads to secularism and, consequently, to the gap between the contemporary man’s technological progress, and his spiritual and moral regress. Today, more scientists are turning their attention also to the data of the divine Revelation, the way it makes itself known by its organs, the Holy Scripture and the Holy Tradition, in the one Church, which will mean a deepening of the dialogue between science and theology in favour of the man from everywhere and from the times to come.

scholarly journals El lenguaje y la ficción encarnada. Un acercamiento fenomenológico a Cuento amarillo.

Sincronía ◽  
2021 ◽  
Vol XXV (79) ◽  
pp. 223-234
Author(s):  
Joselyn Pérez Pérez ◽  
Keyword(s):  
Literary Work ◽  
Body Language ◽  
The Body ◽  
Theoretical Base ◽  
Theoretical Discussion ◽  
Phenomenology Of Perception ◽  
The World

This article is a literary approach that seeks to answer the question about the phenomenological relationship between body-language and the storyteller Cuento amarillo. For this, he uses the Merleau-Ponty phenomenology as a theoretical base in two base works, The Prose of the World and The Phenomenology of Perception, from which he seeks to explore how the concepts of body, language and fiction are operating within the narrative with the purpose is to glimpse the textual guidelines that make up the characters of this literary work and within phenomenology itself and therefore create a new proposal towards the body with a view to a theoretical discussion with language.

scholarly journals Provençal Landscapes in Aldous Huxley’s Fiction and Non-Fiction

2019 ◽  
pp. 357-367
Author(s):  
Grzegorz Moroz
Keyword(s):  
Olive Tree ◽  
The Political ◽  
Aldous Huxley ◽  
Spatial Turn ◽  
Political Situation ◽  
Non Fiction ◽  
The World ◽  
Analytical Tools

The paper focuses on the analysis of different ways in which Aldous Huxley chose to represent Provençal landscapes in his novels, such as Eyeless in Gaza or Time Must Have a Stop, as well as in his essays, such as “Music at Night” or “The Olive Tree”. The analytical tools which have been developed by scholars of the so called ‘spatial turn’ have been used (particularly the notion of ‘polysensory landscapes’), while Huxley’s representations of Provence are considered in the context of Aldous Huxley’s biography and the political situation in France in particular and in the world in general in the 1930s.

scholarly journals Karakteristik Sastra Sufi (Content Analysis Karya-karya Sastra Indonesia)

2019 ◽  
Vol 2 (1) ◽  
pp. 59-66
Author(s):  
Lidya Arman
Keyword(s):  
Content Analysis ◽  
Human Life ◽  
Literary Work ◽  
Social Institution ◽  
Literary Works ◽  
The Past ◽  
Library Research ◽  
The World ◽  
History Of ◽  
Changing Times

Literary work is an inseparable part of human life. Literature appears along with the history of human existence. In fact, it can be said that from the literature produced, it reflected the support of human civilization. As a social institution, literature reflects the expression of appreciation and inner experience of the narrator or the author of certain authors or situations. Literature always experiences development along with changing times and the emergence of new thoughts in every aspect of life. This also applies in the world of literature. Parallel aspects will show a clear picture of literature from the past until now. Methodologically this research uses library research or library research. The object of the study in this study is Sufi literary works. The approach used in this study is descriptive qualitative, in which this study describes not intended to test certain hypotheses. Literary works with religious characteristics will be able to direct readers to make conscience more serious, pious and conscientious in inner consideration. So that religious works make the reader pensive and template.

Sign in / Sign up

Export Citation Format

Share Document