Track 2.a Introduction

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Sucharita BENIWAL ◽  
Sahil MATHUR ◽  
Lesley-Ann NOEL ◽  
Cilla PEMBERTON ◽  
Suchitra BALASUBRAHMANYAN ◽  
...  
Keyword(s):  
Case Studies ◽  
Local Knowledge ◽  
Ways Of Knowing ◽  
Social Contexts ◽  
Knowledge Systems ◽  
Theoretical Frameworks ◽  
Native Communities ◽  
Cultural Systems ◽  
Local Practices

The aim of this track was to question the divide between the nature of knowledge understood as experiential in indigenous contexts and science as an objective transferable knowledge. However, these can co-exist and inform design practices within transforming social contexts. The track aimed to challenge the hegemony of dominant knowledge systems, and demonstrate co-existence. The track also hoped to make a case for other systems of knowledges and ways of knowing through examples from native communities. The track was particularly interested in, first, how innovators use indigenous and cultural systems and frameworks to manage or promote innovation and second, the role of local knowledge and culture in transforming innovation as well as the form of local practices inspired innovation. The contributions also aspired to challenge through examples, case studies, theoretical frameworks and methodologies the hegemony of dominant knowledge systems, the divides of ‘academic’ vs ‘non-academic’ and ‘traditional’ vs ‘non-traditional’.

scholarly journals Ways of Knowing the Body, Bodily Ways of Knowing

2016 ◽  
Vol 22 (2) ◽  
Author(s):  
Peter Martens
Keyword(s):  
Case Studies ◽  
Music Theory ◽  
Music Cognition ◽  
Ways Of Knowing ◽  
Music Analysis ◽  
The Body ◽  
Musical Score ◽  
Research Methodologies

The central role of the body in producing music is hardly debatable. Likewise, the body has always played at least an implicit role in music theory, but has only been raised as a factor in music analysis relatively recently. In this essay I present a brief update of the body in music analysis via case studies, situated in the disciplines of music theory and music cognition, broadly construed. This current trajectory is part of a broader shift away from the musical score as the sole focus for analysis, which admittedly—though, in my view, delightfully—raises a host of challenging epistemological questions surrounding the interaction of performer (production) and listener (perception). While the concomitant research methodologies and technologies may be unfamiliar to scholars trained in humanities disciplines, I advocate for a full embrace of these approaches, either by individual researchers or in the form of cross-disciplinary collaboration.

scholarly journals The role of Indigenous knowledges in psychedelic science

2019 ◽  
Vol 4 (1) ◽  
pp. 16-23
Author(s):  
Evgenia Fotiou
Keyword(s):  
Scientific Inquiry ◽  
Current Model ◽  
Knowledge Systems ◽  
Multiple Perspectives ◽  
Theoretical Frameworks ◽  
Indigenous Knowledges ◽  
Indigenous Worldviews ◽  
Indigenous Knowledge Systems ◽  
Ontological Turn

This paper reflects on potential contributions from anthropology to the field of “psychedelic science.” Although the discipline’s beginnings went hand in hand with colonialism, it has made significant contributions to the understanding of Indigenous knowledge systems. Furthermore, recent calls to decolonize our theoretical frameworks and methodology, notably the “ontological turn,” open up the space for engaging meaningfully with Indigenous worldviews. At this critical juncture of the “psychedelic renaissance,” it is important to reflect on whether the current model is satisfactory and on ways to decolonize psychedelic science. What we need is a shift in paradigm, one that will acknowledge the validity of Indigenous worldviews as equal partners to scientific inquiry. Acknowledging the contributions of Indigenous knowledges to psychedelic science is necessary and needs to go hand in hand with attempts to revise biomedical models to be more inclusive in substantial ways. The paper does not argue for the abandonment of the scientific paradigm, rather for the abandonment of its privileged position. Decolonizing psychedelic science will require allowing multiple perspectives to coexist and contribute equally to our efforts going forward.

Curating pandemic contingencies: Remote collaboration and display reconfiguration in practice

2021 ◽  
Vol 8 (2-3) ◽  
pp. 313-337
Author(s):  
Mankit Lai
Keyword(s):  
Hong Kong ◽  
Conceptual Framework ◽  
Case Studies ◽  
Social Contexts ◽  
Remote Collaboration ◽  
Site Specific ◽  
International Collaborations ◽  
Shed Light

Amid the restrictions on travelling and gathering imposed during the COVID-19 pandemic, exhibitions with international collaborations in Hong Kong experimented with curating across borders and time. This article examines recent curatorial practices in Hong Kong’s art institutions, particularly relating to site-specific installations and performances that had to cope with the artist’s physical absence and institutional restrictions. Two site-specific art commissions – Shirley Tse’s Negotiated Differences (2020), installed at the M+ Pavilion, and Eisa Jocson’s Zoo (2020), performed at Tai Kwun Contemporary – serve as cases in point illustrating how curatorial practices enabled remote collaboration and display reconfiguration to address authorial absence and institutional interventions during the installation and exhibition phases due to the pandemic. The former case study decentralized the authorial control of artistic criticality from the artist to a collective curation and installation process, while the latter evolved in accordance with protean institutional and social contexts by actively changing the display during the exhibition. Despite the pandemic-imposed separation and restrictions, these two case studies shed light on how curators collaborated with artists and participants across distance and time, actively and flexibly forging responsive and relevant connections between site-specific artworks and the immediate present. Their curatorial practices – as artistic mediation – complicated the conceptual framework of artworks and exhibitions through co-curation and co-production with artists, thus lending a collaborative dimension to the model of exhibition-making and the role of the curator as the ‘curator-as-artist’.

scholarly journals The use of realist approaches for health research in Indigenous communities

2021 ◽  
pp. 117718012199606
Author(s):  
Dave A Bergeron ◽  
Marie-Claude Tremblay ◽  
Maman Joyce Dogba ◽  
Debbie Martin ◽  
Jonathan McGavock
Keyword(s):  
Local Knowledge ◽  
Health Research ◽  
Ways Of Knowing ◽  
Indigenous Communities ◽  
Knowledge Systems ◽  
Knowledge Process ◽  
Indigenous Epistemologies ◽  
Indigenous Ways Of Knowing ◽  
Process Oriented

Research approaches and underlying epistemologies should be carefully considered when conducting health research involving Indigenous communities in order to be aligned with the distinct Indigenous values and goals of the communities involved. If Western research approaches are used, it is helpful to consider how they might be consistent with Indigenous ways of knowing. Among Western research approaches, realist approaches might have some congruence with Indigenous epistemologies. For health research in Indigenous communities, realist approaches might be relevant because they are based on a wholistic approach congruent with Indigenous ontologies, anchored in local knowledge, process-oriented and dynamic. The use of these approaches might make it possible to link diverse knowledge systems into action that is meaningful for Indigenous communities.

scholarly journals Patterns of Elite Faunal Utilization at Moundville, Alabama

2003 ◽  
Vol 68 (3) ◽  
pp. 552-572 ◽  
Author(s):  
H. Edwin Jackson ◽  
Susan L. Scott
Keyword(s):  
Southeastern United States ◽  
Social Rank ◽  
Social Contexts ◽  
Late Prehistoric ◽  
Archaeological Data ◽  
Cultural Systems ◽  
Relative Status ◽  
Faunal Utilization ◽  
Cultural Rules

In recent years, zooarchaeological research has begun to examine the roles of animals as part of the suite of symbols employed in the ongoing social, ceremonial, and political dynamics of prehistoric cultural systems. In the southeastern United States, studies of late prehistoric Mississippian chiefdoms have documented differences in species composition and meat cuts associated with particular social contexts of consumption—for instance, ceremonial feasting vs. private meals—and also with gross distinctions in social rank—elite vs. commoner. Differences in the latter reflect elite control of procurement as well as cultural rules that assign meanings to certain species, which in so doing regulates access to their consumption. Faunal samples collected by recent mound excavations at the Moundville site in west-central Alabama provide the basis for an examination of more subtle differences in the consumption patterns of elite residents. Zooarchaeological samples produced by two elite households, although generally similar and fitting expectations for elite consumption well, are distinguished by differences in the distribution of rare species, the role of fish, and possibly by evidence of differences in food waste, distinctions that can be associated with interpretations of these households' relative status in Moundville society drawn from other classes of archaeological data.

Commentaries and Rejoinder on

2014 ◽  
Vol 45 (4) ◽  
pp. 327-334 ◽  
Author(s):  
Han Gong ◽  
Douglas L. Medin ◽  
Tal Eyal ◽  
Nira Liberman ◽  
Yaacov Trope ◽  
...  
Keyword(s):  
Moral Judgment ◽  
Psychological Distance ◽  
Temporal Distance ◽  
Moral Cognition ◽  
Cultural Systems ◽  
Moral Condemnation ◽  
Construal Levels

In the hope to resolve the two sets of opposing results concerning the effects of psychological distance and construal levels on moral judgment, Žeželj and Jokić (2014) conducted a series of four direct replications, which yielded divergent patterns of results. In our commentary, we first revisit the consistent findings that lower-level construals induced by How/Why manipulation lead to harsher moral condemnation than higher-level construals. We then speculate on the puzzling patterns of results regarding the role of temporal distance in shaping moral judgment. And we conclude by discussing the complexity of morality and propose that it may be important to incorporate cultural systems into the study of moral cognition.

Cultural Diversity and Critical Dietetics: A Scholarship of Cross-Cultural Engagement

2016 ◽  
Vol 3 (2) ◽  
pp. 23-31
Author(s):  
Craig Alan Hassel
Keyword(s):  
Ways Of Knowing ◽  
Cross Cultural ◽  
Knowledge Systems ◽  
Human Society ◽  
Health Issues ◽  
Post Colonial ◽  
Cultural Engagement ◽  
Cultural Perspectives ◽  
Culturally Different ◽  
Classical Chinese Medicine

As every human society has developed its own ways of knowing nature in order to survive, dietitians can benefit from an emerging scholarship of “cross-cultural engagement” (CCE).  CCE asks dietitians to move beyond the orthodoxy of their academic training by temporarily experiencing culturally diverse knowledge systems, inhabiting different background assumptions and presuppositions of how the world works.  Although this practice may seem de- stabilizing, it allows for significant outcomes not afforded by conventional dietetics scholarship.  First, culturally different knowledge systems including those of Africa, Ayurveda, classical Chinese medicine and indigenous societies become more empathetically understood, minimizing the distortions created when forcing conformity with biomedical paradigms.  This lessens potential for erroneous interpretations.  Second, implicit background assumptions of the dietetics profession become more apparent, enabling a more critical appraisal of its underlying epistemology.  Third, new forms of post-colonial intercultural inquiry can begin to develop over time as dietetics professionals develop capacities to reframe food and health issues from different cultural perspectives.  CCE scholarship offers dietetics professionals a means to more fully appreciate knowledge assets that lie beyond professionally maintained parameters of truth, and a practice for challenging and moving boundaries of credibility.

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