scholarly journals Recovering and Reanimating ‘Lost’ Traces: The Digital Archiving of the Rehearsal Process in Siobhan Davies RePlay

2013 ◽  
Vol 31 (2) ◽  
pp. 144-156 ◽  
Author(s):  
Sarah Whatley

Siobhan Davies RePlay provides open access to a significant collection of performances, photographs, and text-based materials, and includes a large number of rehearsal tapes that offer a unique insight to the dance making process. Following the development of simple capture technologies, Davies’ dancers have recorded and reviewed their own movement experiments or ‘scratches’. These previously private memory objects enter the public domain via the archive. Though raw and unedited captures they become traces of an intelligent process that is rarely available for public scrutiny. When made available alongside films and other documents relating to performances, these scratches offer a unique insight to the choices made by the artists; what is left out and what is featured. It might be argued that these scratches accrue cultural capital through their inclusion in the archive, and when distributed online. This article examines the extent to which the tapes generate new readings of dance, transmit new knowledge, create new kinds of tools for reconstruction and/or prompt a reconsideration of the relationship between dancer, choreographer and audience to re-conceptualise the dance-making process. It will be argued that the tapes broaden expectations of what is traditionally held within an archive, revealing the rich potential for dance archives to enhance and enrich our understanding of dance.

Author(s):  
Joy Damousi

It is in the US that the case study genre is reinvented within a politicised psychiatric-psychoanalytical framework in the work of Viola Bernard. Bernard’s writings pose enduring questions about the relationship between activism and US psychiatry, politics and race relations. This chapter traces Bernard’s efforts to develop a new, authoritative and politically effective narrative through her case notes and advocacy about black subjects. This involved mobilising the case study genre in the public domain at large, for political as well as medical purposes, in the context of a turbulent period in US history.


2012 ◽  
Vol 28 (3) ◽  
pp. 260-271 ◽  
Author(s):  
Julie Hudson

With a rich mix of theatrical material to bring to the table, the climate-change debate playing out in the public domain would seem well adapted to the stage, and has often been presented in docu-dramatic form, as in Al Gore's well-known film An Inconvenient Truth. But until relatively recently climate change and the science relating to it have been conspicuous by their absence from the stage. Early movers on the climate-change theatre scene included Caryl Churchill's 2006 climate-change libretto for the London Proms, We Turned on the Light, and John Godber's 2007 play Crown Prince. Since then, interest has steadily increased. In 2009 came Steve Waters's double bill The Contingency Plan (On the Beach and Resilience). This was quickly followed by Earthquakes in London by Mike Bartlett in 2010, and by three further plays in the spring of 2011: Greenland, the collaborative work of Moira Buffini, Matt Charman, Penelope Skinner, and Jack Thorne; The Heretic by Richard Bean; and Wastwater by Simon Stephens. In this article Julie Hudson focuses on three of these works to explore how the plays engage with the debate through the medium of climate-change science. As her article suggests, these British climate-change plays make an important and occasionally subversive contribution to the long-running discourse on the relationship between science, the ecosystem, and human beings. In performance, they succeed in turning a subject that has been overplayed for effect in the public domain into compelling theatre. Julie Hudson is currently a visiting fellow at the Smith School of Enterprise and the Environment, Oxford University.


2015 ◽  
Vol 9 (4) ◽  
pp. 397-411
Author(s):  
Martin Prudký

The religious traditions and texts of ancient Israel have shaped European civilization and culture in a fundamental way. One of the key motifs that the Hebrew Bible has contributed to the formation of the spiritual traditions of this culture is the conception that faith entails a ‘stepping out’ of the status quo on the new journey to which God calls a person. An archetypal story in this respect is the narrative concerning the call of Abram (Gen. 12:1–3). This paper presents the basic motifs of Abram’s call in the context of the book of Genesis and sketches their impact on subsequent religious traditions. It pursues the question of the relationship of vocation and mission (of ‘stepping out’ and ‘charting a course’), which are two fundamental aspects of Abraham’s role as ‘the father of the faith’. In addition, this paper reflects on these motifs’ potential to impact the public domain.


2020 ◽  
Vol 9 (4) ◽  
pp. 77
Author(s):  
Maria José Sá José Sá ◽  
Sandro Serpa

The academic/scientific publication in Open Access is already a current practice with several advantages, and the trend is that it will continue to be adopted worldwide by academics and researchers to disseminate the results of their work among the scientific community and the public at large. At a time when Open Access is not only unavoidable but tends to become generalised as a form of scientific publication, this paper seeks to put forth, discuss and analyse some emerging issues, which are directly related to the financing of the publication of scientific research in Open Access, and which are directly linked to the consequences for academic freedom and the impact of the dissemination of the scientific publication, as current questions that shape the scientific publication that we will have and wish. The results of this analysis allow concluding that, for this new way of publishing science to grow in a sustained way, it is necessary to ensure, among other aspects, the existence of independent scientific advisory boards; freedom of publication within certain boundaries; a sustainability strategy to plan for the operation of the platform; transparency in public scrutiny; and respect for the law.


2013 ◽  
Vol 44 (1) ◽  
pp. 1
Author(s):  
Graeme W Austin

This article is an edited transcript of Professor Graeme W Austin's Inaugural Lecture, delivered in the Council Chamber of Victoria University of Wellington on 15 November 2012. Professor Austin was appointed Chair in Private Law in the Faculty of Law in November 2010. This lecture explores claims that in copyright law, the public domain is necessarily in opposition to proprietary rights, and suggests that in many contexts the incentives offered by copyright contribute to the vibrancy and volume of material that is available for downstream creativity and innovation. Drawing on his earlier work on the relationship between human rights law and intellectual property, Professor Austin's lecture advances the idea that cognisance of the human rights dimensions of intellectual property, including creators' human rights, should inform our understanding of the appropriate scope of the rights of copyright owners. The lecture concludes with a warning against the "Walmartization" of copyright.


CytoJournal ◽  
2011 ◽  
Vol 8 ◽  
pp. 23 ◽  
Author(s):  
Vinod B. Shidham ◽  
Richard M. DeMay ◽  
Martha B. Pitman

CytoJournal, with its continued contribution of scientific cytopathology literature to the public domain under open access (OA) charter, thanks its dedicated peer reviewers for devoting significant efforts, time, and resources during 2011. The abstracts of poster-platform submissions to the 59th Annual Scientific Meeting (November 2011) of the American Society of Cytopathology (ASC) in Baltimore, MD, USA, were peer reviewed by the ASC Scientific Program Committee.


Author(s):  
Jean-Bernard Auby

This chapter examines the distinction between public law and private law. It stresses the importance of being aware of this difference between the public/private and public law/private law dichotomies. The public–private divide is universal even if, from one society to another, it can be conceived differently in certain ways. All human communities have an idea about the relationship between the private sphere and the public domain. By contrast, the distinction between public law and private law is not universal. It may be ignored, rejected, or confined to a very limited sphere of operation as, traditionally, in common law systems. Conversely, the public law/private law distinction may be understood as an essential feature of the juridical world, as was the approach of Roman law, inherited by the continental legal systems.


Author(s):  
Stephen Tsekea

The open access movement came as a result of the rising cost of learning materials and the need for having publicly funded research or works available on the public domain. This is a movement which is in support of having educational learning resources freely available on the internet. Despite the intellectual properly issues surrounding use of learning resources, many institutions in Africa are adopting these digital learning resources. The chapter documents how the OER movement started, its advantages and disadvantages, copyright and licensing issues, models, and challenges in adopting OERs.


Polar Record ◽  
2011 ◽  
Vol 48 (2) ◽  
pp. 199-201 ◽  
Author(s):  
Klaus J. Dodds

ABSTRACTThis note considers some of the WikiLeaks Arctic cables, and their possible implications for how we might understand the framing of the region. What matters is not so much the content of the leaked cables but rather the way in which their release stirred up debate about the underlying behaviour and motivation of interested parties, especially the Arctic Ocean coastal states. Their existence in the public domain usefully highlights the potential role for new knowledge networks and actors in the www era.


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