The Era of the French Revolutionary and the Napoleonic Wars

Author(s):  
Peter M. R. Stirk
Keyword(s):  
Author(s):  
G. John Ikenberry

The end of the Cold War was a “big bang” reminiscent of earlier moments after major wars, such as the end of the Napoleonic Wars in 1815 and the end of the world wars in 1919 and 1945. But what do states that win wars do with their newfound power, and how do they use it to build order? This book examines postwar settlements in modern history, arguing that powerful countries do seek to build stable and cooperative relations, but the type of order that emerges hinges on their ability to make commitments and restrain power. The book explains that only with the spread of democracy in the twentieth century and the innovative use of international institutions—both linked to the emergence of the United States as a world power—has order been created that goes beyond balance of power politics to exhibit “constitutional” characteristics. Blending comparative politics with international relations, and history with theory, the book will be of interest to anyone concerned with the organization of world order, the role of institutions in world politics, and the lessons of past postwar settlements for today.


Author(s):  
Noel Malcolm

This book of essays covers a wide range of topics in the history of Albania and Kosovo. Many of the essays illuminate connections between the Albanian lands and external powers and interests, whether political, military, diplomatic or religious. Such topics include the Habsburg invasion of Kosovo in 1689, the manoeuvrings of Britain and France towards the Albanian lands during the Napoleonic Wars, the British interest in those lands in the late nineteenth century, and the Balkan War of 1912. On the religious side, essays examine ‘crypto-Christianity’ in Kosovo during the Ottoman period, the stories of conversion to Islam revealed by Inquisition records, the first theological treatise written in Albanian (1685), and the work of the ‘Apostolic Delegate’ who reformed the Catholic Church in early twentieth-century Albania. Some essays bring to life ordinary individuals hitherto unknown to history: women hauled before the Inquisition, for example, or the author of the first Albanian autobiography. The longest essay, on Ali Pasha, tells for the first time the full story of the role he played in the international politics of the Napoleonic Wars. Some of these studies have been printed before (several in hard-to-find publications, and one only in Albanian), but the greater part of this book appears here for the first time. This is not only a contribution to Albanian and Balkan history it also engages with many broader issues, including religious conversion, methods of enslavement within the Ottoman Empire, and the nature of modern myth-making about national identity.


Author(s):  
Erik Simpson

This chapter describes the emergence of the terminology of improvisation in the English language. Terms relating to improvisation began to appear in the eighteenth century and came to be used frequently in the nineteenth. Germaine de Staël’s 1807 novel Corinne ou L’Italie (published in French and translated into English the same year) was an important part of this emergence of improvisation. By attending to the content and language of Corinne, including the novel’s earliest translations, the chapter argues that the novel helped create a sense of improvisation as an Italianate artistic practice with political overtones specific to the context of the Napoleonic Wars. For the Staëlian improviser, art and history alike progress not toward pre-ordained goals but by taking new information into account and improvising new ends.


2021 ◽  
Vol 60 (2) ◽  
pp. 403-415
Author(s):  
Mark Philp

AbstractThe frequent references to the actors and events of the French Revolutionary and Napoleonic wars in the titles of the dance tunes of the period raise the question of how we should understand their significance. This article argues that the practice is one of a number of examples of music and song shaping people's lived experience and behavior in ways that were rarely fully conscious. Drawing on a range of music collections, diaries, and journals, the article argues that we need to recognize how significant aural dimensions were in shaping people's predisposition to favor the status quo in this period of heightened political controversy.


2021 ◽  
Vol 14 (2) ◽  
pp. 127-139
Author(s):  
Annelies Andries ◽  
Clare Siviter
Keyword(s):  

The Napoleonic Wars took place from 1802 to 1815 and fundamentally altered the political, social, cultural, and military structures of Europe and, to a lesser extent, the rest of the world. This created a collective memory that influenced, and continues to influence, the modern world in a myriad of ways. The conflicts were a continuation of the French Revolutionary Wars, which bear their own collective and historical memory. They involved nearly every power in Europe, affecting them each to varying degrees. Political and legal systems changed, both as a result of Revolutionary ideals and the introduction of the Code Napoléon. Nationalism and national identity formation accelerated during the period, often benefiting from opposition to Napoleon or the destruction of existing systems wrought by the Revolutionary spirit that French armies brought to occupied territories, spurring the creation of national memory wherever they appeared. Napoleon and his power, undeniable genius, success, and ultimate failure have proven an irresistible and enduring figure of autobiographical and biographical memory in realms as diverse as fiction, wargaming, and history, both popular and academic. The methods of his armies became the paradigm for contemporary militaries, and their legacy continues to form the bedrock of collective, institutional, and popular memory. The arts contain their own cultural memory of Napoleon, many of which remain current. Collectively, the various aspects of the cultural and historical memory of the Napoleonic Wars have become a part of many important areas of history and historiography. As a result, works on Napoleon, his empire, and the Napoleonic Wars are voluminous and grow significantly every year.


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