The Bloomsbury Love Triangle
In this essay, Marler shows how queer connections and fluid identities served to foster more lasting bonds among the Bloomsberries, making lifelong loving and working partnerships possible where by stricter definitions no such connection could have been made. While the young group of friends may have launched into love triangles experimentally, or as the expected outcome of romantic rivalries, the triangle would often prove to complicate but bolster the original dyads. At a time when sodomy was a felony, primary heterosexual relationships also nicely concealed homosexual relationships. Or the presence of a desirable woman in a triangle sometimes allowed a physical relationship to bloom between a homosexual man (Lytton Strachey or Duncan Grant, say) and a mostly-straight man, such as Ralph Partridge or David Garnett. The Bloomsbury triangle not only rejected Victorian sexual mores but, more radically, placed sexual and celibate love on equal footing.