‘Do you Think you’re Clever? Solve this Riddle, then!’ The Comic Side of Byzantine Enigmatic Poetry

2017 ◽  
Author(s):  
Simone Beta
Keyword(s):  
Fifth Century ◽  
Ancient Greek ◽  
Old Comedy ◽  
The Many

‘Comic’ is not an adjective one would normally use in connection with or ancient Greek Byzantine riddles. Yet Greek riddles began to show their comic side after the fifth century BCE, when they became typical sympotic pastimes. At some point, ainigmata turned into griphoi and, according to the definition given by the Peripatetic philosopher Clearchus of Soli, became a ‘a problem put in jest’. The comicality we see in in the many griphoi Athenaeus took from Attic comedy in the tenth book of the Deipnosophists is more evident, and less dangerous; and it is generally agreed that such drollery is mostly absent from Byzantine riddles. A survey shows how the unknown Byzantine authors who took pleasure in composing these little conundrums were even able, in some circumstances, to jest with Holy Scripture and to linger on topics more suitable for Old Comedy.

LYKOPHRON AND EPIGRAPHY: THE VALUE AND FUNCTION OF CULT EPITHETS IN THEALEXANDRA

2014 ◽  
Vol 64 (1) ◽  
pp. 91-120 ◽  
Author(s):  
Simon Hornblower
Keyword(s):  
Present Article ◽  
Literary Text ◽  
Fifth Century ◽  
Ancient Greek ◽  
Greek Religion ◽  
Local Origin ◽  
History Of ◽  
The Subject ◽  
The Many ◽  
And Function

The subject of this paper is a striking and unavoidable feature of theAlexandra: Lykophron's habit of referring to single gods not by their usual names, but by multiple lists of epithets piled up in asyndeton. This phenomenon first occurs early in the 1474-line poem, and this occurrence will serve as an illustration. At 152–3, Demeter has five descriptors in a row: Ἐνναία ποτὲ | Ἕρκυνν' Ἐρινὺς Θουρία Ξιφηφόρος, ‘Ennaian … Herkynna, Erinys, Thouria, Sword-bearing’. In the footnote I give the probable explanations of these epithets. Although in this sample the explanations to most of the epithets are not to be found in inscriptions, my main aim in what follows will be to emphasize the relevance of epigraphy to the unravelling of some of the famous obscurity of Lykophron. In this paper, I ask why the poet accumulates divine epithets in this special way. I also ask whether the information provided by the ancient scholiasts, about the local origin of the epithets, is of good quality and of value to the historian of religion. This will mean checking some of that information against the evidence of inscriptions, beginning with Linear B. It will be argued that it stands up very well to such a check. TheAlexandrahas enjoyed remarkable recent vogue, but this attention has come mainly from the literary side. Historians, in particular historians of religion, and students of myths relating to colonial identity, have been much less ready to exploit the intricate detail of the poem, although it has so much to offer in these respects. The present article is, then, intended primarily as a contribution to the elucidation of a difficult literary text, and to the history of ancient Greek religion. Despite the article's main title, there will, as the subtitle is intended to make clear, be no attempt to gather and assess all the many passages in Lykophron to which inscriptions are relevant. There will, for example, be no discussion of 1141–74 and the early Hellenistic ‘Lokrian Maidens inscription’ (IG9.12706); or of the light thrown on 599 by the inscribed potsherds carrying dedications to Diomedes, recently found on the tiny island of Palagruza in the Adriatic, and beginning as early as the fifth centuryb.c.(SEG48.692bis–694); or of 733–4 and their relation to the fifth-centuryb.c.Athenian decree (n. 127) mentioning Diotimos, the general who founded a torch race at Naples, according to Lykophron; or of 570–85 and the epigraphically attested Archegesion or cult building of Anios on Delos, which shows that this strange founder king with three magical daughters was a figure of historical cult as well as of myth.

Back Views of the Ancient Greek Kithara

1975 ◽  
Vol 95 ◽  
pp. 175-175
Author(s):  
Martha Maas
Keyword(s):  
Three Dimensional ◽  
Fourth Century ◽  
Fifth Century ◽  
First Century ◽  
Sixth Century ◽  
National Museum ◽  
Ancient Greek ◽  
Front View ◽  
Three Dimensional Objects ◽  
The Many

In an appendix to their article ‘Lute-Players in Greek Art’ (JHS lxxxv [1965], 62–71) R. A. Higgins and R. P. Winnington-Ingram included useful material on the shape of the kithara, with a list of representations that attempt to show the depth and shape of the back of the kithara sound-box. The list includes a mid-sixth-century metope from Delphi, back views from late fifth-century to late fourth-century coins, Hellenistic terra-cottas, and a back view on a late second- or early first-century relief, Athens National Museum 1966. These more-or-less three-dimensional objects show us a characteristic of the kithara that may affect the possibilities of playing technique, one that cannot be guessed by looking at the many front-view paintings: the back of the kithara soundbox bulges out at the top, tapering toward the base; and in examples from the fifth century and later, it rises to a vertical ridge running down the centre of the back.To this group of objects should be added one more important item from the fifth century: the back view of a kithara which is part of the Parthenon frieze of the Panathenaic procession (447–432 B.C.).

Precursors to Public Choice

2019 ◽  
pp. 796-816
Author(s):  
Iain McLean
Keyword(s):  
Public Choice ◽  
Social Choice ◽  
Choice Theory ◽  
Social Choice Theory ◽  
Ancient Greek ◽  
The Social ◽  
Mathematical Skill ◽  
The Many ◽  
Selection Of

This chapter reviews the many appearances, disappearances, and reappearances of axiomatic thought about social choice and elections since the era of ancient Greek democracy. Social choice is linked to the wider public-choice movement because both are theories of agency. Thus, just as the first public-choice theorists include Hobbes, Hume, and Madison, so the first social-choice theorists include Pliny, Llull, and Cusanus. The social-choice theory of agency appears in many strands. The most important of these are binary vs. nonbinary choice; aggregation of judgement vs. aggregation of opinion; and selection of one person vs. selection of many people. The development of social choice required both a public-choice mindset and mathematical skill.

THE SUCCESSION TO THE SPARTAN KINGSHIP, 520–400 BC

2011 ◽  
Vol 54 (2) ◽  
pp. 43-58
Author(s):  
BRENDA GRIFFITH-WILLIAMS
Keyword(s):  
Fifth Century ◽  
Ancient Greek ◽  
Formal Procedure ◽  
Fixed Order

Abstract According to ancient Greek historiographers, succession to the Spartan kingship in the sixth and fifth centuries BC followed a fixed order based on the principle of male primogeniture. A king who left no son was succeeded by his oldest surviving brother or closest collateral kinsman. If the deceased king left only a daughter, his male heir was probably expected to secure the succession by marrying her; and, if the new king already had sons by a previous wife, it is possible that they were excluded from the succession in favour of his sons by the deceased king's daughter. At least by the fifth century, Sparta had a formal procedure for the adjudication of a contested succession, or the deposition of a reigning king who was found not to be a legitimate descendant of Heracles. It may be that physical or mental incapacity could also disqualify a contender from the kingship.

Patterns of Politics in Ancient Greek Athletics

2021 ◽  
pp. 108-123
Author(s):  
Panos Valavanis
Keyword(s):  
State Formation ◽  
Fifth Century ◽  
Political Capital ◽  
Alexander The Great ◽  
Ancient Greek ◽  
Philip Ii ◽  
Elite Status ◽  
The Status ◽  
Group A ◽  
Chariot Racing

Greek athletics were of high political significance in view of their place in religion and communal festivals. This is reviewed in terms of votive offerings; the status of a group, a ruler, or an individual within a community; interstate rivalries, colonization and state formation; elite status, kudos, and political capital, especially in chariot-racing. The examples of Cleisthenes of Sikyon and the Alcmaeonids of Athens, among others, are discussed. The rivalry of Athens and Sparta in athletics and chariot events is also examined, e.g. the cases of the Spartans Lichas, Cynisca, and Agesilaus, and the Athenian Alcibiades. The participation of ‘peripheral’ Greek cities (Italy, Sicily, Cyrene) in Panhellenic games bolstered their Greek identity and served their rulers too. Macedonian rulers, e.g. Alexander I, Philip II and Alexander the Great, notably took part in Greek games for the fifth century on, and so asserted their Greek identity and their domain. The Panathenaic Games served political aims not only for Athenian elite, but also for Ptolemies and Macedonians.

The Physical Cosmos: Aristotelian Dialectics

2018 ◽  
pp. 76-109
Author(s):  
Anthony Cordingley
Keyword(s):  
World View ◽  
Narrative Structure ◽  
Ancient World ◽  
Ancient Greek ◽  
Trinity College Dublin ◽  
Creative Transformation ◽  
Cosmic Order ◽  
Spatio Temporal ◽  
The Many ◽  
The Impact

This chapter explores the impact of the dialectics of the Ancient world after Plato upon Beckett’s French novels and the peculiar set of relations between characters and their physical environment in How It Is. It accounts for the presence of Aristotelian ideas of cosmic order, syllogism, space and time. Beckett’s study of formal logic as a student at Trinity College, Dublin and his private study of philosophy in 1932 is examined in this light; particularly his “Philosophy Notes,” along with further sources for his knowledge. The Aristotelian world view of his “I” is shown to be confronted with a set of relations resembling those of the Ancient Greek Stoics. The materiality of spatio-temporal relations in How It Is and the metaphysical coordinates between the “I”, its cosmos and any transcendent other are interrogated. The dialectic between Aristotelian and Stoic physics and metaphysics in How It Is emerges as a conceptual framework for exploring many of the novel’s contradictions, as well as the many confusions and digressions of its narrator/narrated. Beckett’s creative transformation of this ancient dialectic is shown, furthermore, to lead him to formal innovations, such as the novel’s continuous present tense and its complex narrative structure.

Urban Patterns in the Greek Period: Athens, Paestum, Morgantina, Miletus/Priene, and Pergamon as Formal Types

1993 ◽  
Author(s):  
Dora P. Crouch
Keyword(s):  
General Rule ◽  
Fifth Century ◽  
Capital City ◽  
Careful Examination ◽  
Ancient Greek ◽  
Period 2 ◽  
Urban Patterns ◽  
Residential Quarters ◽  
The Impact

In order to assess the impact of the delivery and drainage of water on the urban pattern in the ancient Greek world, it is necessary to have clear ideas of what forms their cities took. Thus a brief discussion of urban patterns will be useful. Traditional descriptions of ancient Greek cities characterize them by typical street patterns, usually two major types: the Hippodamean grid of Miletus of the fifth century, and the terraces like the blades of a fan found at Pergamon of the late third and second centuries, called “scenographic urbanism.” Yet a more careful examination of the evidence suggests that for different centuries B.C., there are many more urban types than two. Examples standing for both the repertory of physical patterns and the changes in those patterns over time that we may cite are: 1. 7th century B.C.—Akragas (frontispiece): irregular hill-top site of the archaic period 2. 6th century—Paestum (Fig. 5.IB): “bar and stripes” 3. 5th century—Athens (Fig. 5.1A): organic, focused on central acropolis and agora, similar to Akragas pattern 4. 5th century—Morgantina (Fig. 5.1C): typical West Greek pattern of two flat hills with residential quarters grid platted and lower agora between them 5. 4th and 3rd centuries—Priene (Fig. 51.D): based on prototype grid at Miletus (early 5th century—Fig. 22.4) and refinement of grid as used at Rhodes (mid to late 5th century—Fig. 8.3), an adaption of Hippodamean regularity to a small plateau 6. 3rd and 2nd centuries—Pergamon (Fig. 5.1E): scenographic urbanism, with wedge-shaped terraces It is difficult to classify urban plans solely by pattern or by century. This is because the changes did not go together in any simple fashion. Inspection of the street patterns of ancient Greek cities, and the relation of those patterns to the sites, allows them to be classified into five basic types, which for easy remembrance I name after representative cities of each type: 1. Athens-type. A general rule for cities of a[n ancient] culture states that “the capital city is unlike the others in form.” Athens, a seemingly formless, organic city, is quite unlike the well-regulated cities (many of them colonies) of the other types.

The Periodic System

2019 ◽  
Author(s):  
Eric Scerri
Keyword(s):  
Middle Ages ◽  
Point Of View ◽  
Platonic Solid ◽  
Ancient Greek ◽  
Platonic Solids ◽  
System P ◽  
Chemical Inertness ◽  
Dimensional Shape ◽  
The Many

In ancient Greek times, philosophers recognized just four elements—earth, water, air, and fire—all of which survive in the astrological classification of the 12 signs of the zodiac. At least some of these philosophers believed that these different elements consisted of microscopic components with differing shapes and that this explained the various properties of the elements. These shapes or structures were believed to be in the form of Platonic solids (figure 1.1) made up entirely of the same two-dimensional shape. The Greeks believed that earth consisted of microscopic cubic particles, which explained why it was difficult to move earth. Meanwhile, the liquidity of water was explained by an appeal to the smoother shape possessed by the icosahedron, while fire was said to be painful to the touch because it consisted of the sharp particles in the form of tetrahedra. Air was thought to consist of octahedra since that was the only remaining Platonic solid. A little later, a fifth Platonic solid, the dodecahedron, was discovered, and this led to the proposal that there might be a fifth element or “quintessence,” which also became known as ether. Although the notion that elements are made up of Platonic solids is regarded as incorrect from a modern point of view, it is the origin of the very fruitful notion that macroscopic properties of substances are governed by the structures of the microscopic components of which they are comprised. These “elements” survived well into the Middle Ages and beyond, augmented with a few others discovered by the alchemists, the precursors of modern-day chemists. One of the many goals of the alchemists seems to have been the transmutation of elements. Not surprisingly, perhaps, the particular transmutation that most enticed them was the attempt to change the base metal lead into the noble metal gold, whose unusual color, rarity, and chemical inertness have made it one of the most treasured substances since the dawn of civilization.

scholarly journals Seeing the Dog: Naturalistic Canine Representations from Greek Art

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 14
Author(s):  
Kenneth F. Kitchell
Keyword(s):  
Real Life ◽  
Ancient Greek ◽  
Seminal Work ◽  
Greek Art ◽  
The Many ◽  
Animal World

This study attempts to demonstrate that ancient Greek authors and vase painters (mostly of the late sixth and early fifth centuries) were well attuned to the many bodily gestures and positions exhibited by dogs in real life and utilized this knowledge in producing their works. Once this is clear, it becomes evident that the Greek public at large was equally aware of such canine bodily gestures and positions. This extends the seminal work on gestures of Boegehold and Lateiner to the animal world and seeks also to serve as a call for further study of similar animals throughout ancient Greek times.

UNE SCIENCE ATHÈNIENNE DE LA NATURE. LA PROMESSE ET LE TESTAMENT D’ANAXAGORE

Méthexis ◽  
2011 ◽  
Vol 24 (1) ◽  
pp. 21-43
Author(s):  
ARNAUD MACÈ
Keyword(s):  
Fifth Century ◽  
Ancient Greek ◽  
Divine Mind

Anaxagoras brought to Athens the hope that becoming, despite the tradition of the Eleatic school, might still be intelligible, not only because he sees it as the effect of an order crafted by a divine mind, but also because he opposes the Parmenidean claim that there is no point in trying to know the ϕύσις (i.e. essence) of things that need to grow (ϕύεσθαι). Anaxagoras finds in the growth (ϕύεσθαι) of vegetais a principle of identity that makes becoming intelligible. Using parts of animals to which ancient Greek also applies the same verb (we grow flesh, nails and hair), Anaxagoras extends the consistency of vegetal becoming to all beings, all of them now coming from seeds. The essence (ϕύσις) of things, can now be explained through its origins -that from which it grows (ϕύεσθαι). The new philosophical fifth century meaning of ϕύσις, as origin, could have stemmed from such a new impulse to inquire about the seeds of all things.

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