Calling the West Indies: Una Marson’s Wireless Black Atlantic

Author(s):  
Ian Whittington

As a colonial subject and woman of colour, Una Marson occupies a unique place in the history of wartime broadcasting in Britain. Her weekly programCalling the West Indies began as a “message home” program for Caribbean soldiers stationed in the UK but grew, as the war progressed, into a literary and cultural forum for writers from across the Black Atlantic. Though barred from advocating openly for independence, Marson used her program to promote West Indian cultural autonomy by spotlighting emerging Caribbean literary figures and forging connections with activists and intellectuals from the U.S., Britain, Africa, and elsewhere. Beyond building such transatlantic networks, Calling the West Indies afforded listeners in the Caribbean the first opportunities to hear literature spoken in the West Indian forms of English which Edward Kamau Brathwaite would go on to call “nation language.” By focusing on Marson’s wartime work, this chapter rectifies a persistent tendency, in histories of Caribbean literature and broadcasting, to omit not only the central role played by this progressive feminist intellectual, but also the role of the war itself as catalyst to the postwar literary renaissance in the West Indies.

1998 ◽  
Vol 72 (3-4) ◽  
pp. 283-289
Author(s):  
Frank Birbalsingh

[First paragraph]The Art of Kamau Brathwaite. STEWART BROWN (ed.). Bridgend, Wales: Seren/Poetry Wales Press, 1995. 275 pp. (Cloth US$ 50.00, Paper US$ 22.95)Atlantic Passages: History, Community, and Language in the Fiction of Sam Selvon. MARK LOOKER. New York: Peter Lang, 1996. x + 243 pp. (Cloth n.p.)Caliban's Curse: George Lamming and the Revisioning of History. SUPRIYA NAIR. Ann Arbor: University of Michigan Press, 1996. viii + 171 pp. (Cloth US$ 34.50)Phyllis Shand Allfrey: A Caribbean Life. LlZABETH PARAVISINI-GEBERT. New Brunswick NJ: Rutgers University Press, 1996. xii + 335 pp. (Cloth US$ 55.00, Paper US$ 18.95)Of the four books to be considered here, those on Brathwaite, Selvon, and Lamming fit snugly together into a natural category of literature that has to do with the emergence of a Creole or African-centered Caribbean culture, and related issues of race, color, class, history, and nationality. The fourth is a biography of Phyllis Shand Allfrey, a white West Indian, who is of an altogether different race, color, and class than from the other three. Yet the four books are linked together by nationality, for Allfrey and the others are all citizens of one region, the English-speaking West Indies, which, as the Federation of the West Indies between 1958 and 1962, formed a single nation.


Author(s):  
Olwyn M. Blouet

Bryan Edwards was a Jamaican planter and politician who published a well–respected History of the West Indies in 1793. He articulated the planter view concerning the value of the West Indian colonies to Great Britain, and opposed the abolition of the slave trade. Edwards disputed European scientific speculation that the ‘New World’ environment retarded nature, although his scientific interests have largely gone unnoticed. Elected a Fellow of The Royal Society in 1794, he became a Member of Parliament in 1796, and wrote a History of Haiti in the following year. As Secretary of the African Association, Edwards edited the African travel journals of Mungo Park.


2020 ◽  
Vol 94 (1-2) ◽  
pp. 39-74
Author(s):  
Devin Leigh

Abstract Bryan Edwards’s The History of the British West Indies is a text well known to historians of the Caribbean and the early modern Atlantic World. First published in 1793, the work is widely considered to be a classic of British Caribbean literature. This article introduces an unpublished first draft of Edwards’s preface to that work. Housed in the archives of the West India Committee in Westminster, England, this preface has never been published or fully analyzed by scholars in print. It offers valuable insight into the production of West Indian history at the end of the eighteenth century. In particular, it shows how colonial planters confronted the challenges of their day by attempting to wrest the practice of writing West Indian history from their critics in Great Britain. Unlike these metropolitan writers, Edwards had lived in the West Indian colonies for many years. He positioned his personal experience as being a primary source of his historical legitimacy.


Author(s):  
William Ghosh

This chapter is about the novel form in the West Indies in the 1960s. The novel, in this period, was a key site in which debates about decolonization, originality, and cultural sovereignty took place. Naipaul’s A House for Mr Biswas was central to this debate. It responds to a history of West Indian novels and novel theory, and became an influential text in novels, criticism, and social theory in the region. Work by George Lamming, Kamau Brathwaite, and Sylvia Wynter is discussed in detail. By tracing the changing reception of A House for Mr Biswas in the Caribbean through the 1960s, we can also trace changing ideas and priorities in Caribbean social thought.


2008 ◽  
Vol 36 (2) ◽  
pp. 317-329 ◽  
Author(s):  
Julia Sun-Joo Lee

InImperialism at Home, Susan Meyer explores Charlotte Brontë's metaphorical use of race and empire in Jane Eyre. In particular, she is struck by Brontë's repeated allusions to bondage and slavery and wonders, “Why would Brontë write a novel permeated with the imagery of slavery, and suggesting the possibility of a slave uprising, in 1846, after the emancipation of the British slaves had already taken place?” (71). Meyer speculates, “Perhaps the eight years since emancipation provided enough historical distance for Brontë to make a serious and public, although implicit, critique of British slavery and British imperialism in the West Indies” (71). Perhaps. More likely, I would argue, is the possibility that Brontë was thinking not of West Indian slavery, but of American slavery.


2016 ◽  
Vol 15 (4) ◽  
pp. 418-445 ◽  
Author(s):  
Jamie L. Pietruska

This article examines the mutually reinforcing imperatives of government science, capitalism, and American empire through a history of the U.S. Weather Bureau's West Indian weather service at the turn of the twentieth century. The original impetus for expanding American meteorological infrastructure into the Caribbean in 1898 was to protect naval vessels from hurricanes, but what began as a measure of military security became, within a year, an instrument of economic expansion that extracted climatological data and produced agricultural reports for American investors. This article argues that the West Indian weather service was a project of imperial meteorology that sought to impose a rational scientific and bureaucratic order on a region that American officials considered racially and culturally inferior, yet relied on the labor of local observers and Cuban meteorological experts in order to do so. Weather reporting networks are examined as a material and symbolic extension of American technoscientific power into the Caribbean and as a knowledge infrastructure that linked the production of agricultural commodities in Cuba and Puerto Rico to the world of commodity exchange in the United States.


1982 ◽  
Vol 23 (2) ◽  
pp. 141-149 ◽  
Author(s):  
David D. Mays

On Monday, October 16, 1758., Hugh Gaine reported a novelty. “Friday last,” he told his readers in the New-York Mercury, “arrived here from the West Indies, a Company of Comedians; some Part of which were here in the Year 1753.” This brief notice, which went on to assure its readers that the company had “an ample Certificate of their Private as well as publick Qualifications,” marks the beginning of the most significant event in American theatre history: the establishment of the professional theatre on this continent. The achievements of the Company of Comedians during its sixteen-year residence in North America are virtually without parallel in the history of the theatre, and have not received sufficient recognition by historians and scholars.


1949 ◽  
Vol 3 (1) ◽  
pp. 166-166

The third session of the West Indian Conference opened at Guadeloupe, French West Indies on December 1, 1948 and closed on December 14, after considering policy to be followed by the Caribbean Commission for the next two years. The Conference was attended by two delegates from each of the fifteen territories within the jurisdiction of the commission and observers invited by the commission from Haiti, Cuba, the Dominican Republic, and the United Nations and its specialized agencies.


1962 ◽  
Vol 52 (4) ◽  
pp. 957-962
Author(s):  
D. H. Shurbet

abstract The long duration and high frequency of P and S phases from earthquakes along the West Indian island are are deseribed. These phases have been described previously in the literature without explanation. It is shown that the long duration, high frequency, and velocity of both phases can be explained as due to a minimum velocity channel slightly below the M-discontinuity. Other observations are shown to indicate the probable presence of the minimum velocity channel.


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