Sapere Aude?

2016 ◽  
Author(s):  
Gregg Lambert
Keyword(s):  
Post Colonial ◽  
The Relationship

Employing Foucault’s 1984 reflection on the ‘critical ethos’ of modernity, the opening return statement interrogates the relationship between the Kantian concept of enlightenment and the contemporary reactions associated with post-secular and post-colonial thought.

Tense and Tender Ties: The Politics of Comparison in (Post) Colonial Studies

Itinerario ◽  
2003 ◽  
Vol 27 (3-4) ◽  
pp. 263-284 ◽  
Author(s):  
Ann Laura Stoler
Keyword(s):  
Ways Of Knowing ◽  
Child Rearing ◽  
Colonial History ◽  
Racial Categories ◽  
Post Colonial ◽  
Colonial Studies ◽  
Truth Claims ◽  
Colonial Encounter ◽  
The Relationship ◽  
Research Domain

This essay takes as its subject how intimate domains - sex, sentiment, domestic arrangement and child rearing - figure in the making of racial categories and in the management of imperial rule. For some two decades my work on Indonesia's Dutch colonial history has addressed patterns of governance that were particular to that time and place but resonant with practices in a wider global field. My perspective thus is that of an outsider to, but an acquisitive consumer of comparative historical studies, one long struck with the disparate and congruent imperial projects in Asia, Africa and the Americas. This essay invites reflection on those domains of overlap and difference. My interest is more specifically in what Albert Hurtado refers to as ‘the intimate frontiers’ of empire, a social and cultural space where racial classifications were defined and defied, where relations between coloniser and colonised could powerfully confound or confirm the strictures of governance and the categories of rule. Some two decades ago, Sylvia van Kirk urged a focus on such ‘tender ties’ as a way to explore the ‘human dimension’ of the colonial encounter.’ As she showed so well, what Michel Foucault has called these ‘dense transfer point[s]’ of power that generate such ties were sites of production of colonial inequities and, therefore, of tense ties as well. Among students of colonialisms in the last decade, the intimacies of empire have been a rich and well-articulated research domain. A more sustained focus on the relationship between what Foucault refers to as ‘the regimes of truth’ of imperial systems (the ways of knowing and establishing truth claims about race and difference on which macro polities rely) and those micro sites of governance may reveal how these colonial empires compare and converge.

Jainism in Danger? Temple entry and the rhetoric of religion and reform in post-colonial India

2020 ◽  
pp. 1-37
Author(s):  
MANISHA SETHI
Keyword(s):  
Twentieth Century ◽  
The State ◽  
The Other ◽  
Post Colonial ◽  
Colonial India ◽  
The Public ◽  
Public Debates ◽  
Definition Of ◽  
Open The Doors ◽  
The Relationship

Abstract A bitter debate broke out in the Digambar Jain community in the middle of the twentieth century following the passage of the Bombay Harijan Temple Entry Act in 1947, which continued until well after the promulgation of the Untouchability (Offences) Act 1955. These laws included Jains in the definition of ‘Hindu’, and thus threw open the doors of Jain temples to formerly Untouchable castes. In the eyes of its Jain opponents, this was a frontal and terrible assault on the integrity and sanctity of the Jain dharma. Those who called themselves reformists, on the other hand, insisted on the closeness between Jainism and Hinduism. Temple entry laws and the public debates over caste became occasions for the Jains not only to examine their distance—or closeness—to Hinduism, but also the relationship between their community and the state, which came to be imagined as predominantly Hindu. This article, by focusing on the Jains and this forgotten episode, hopes to illuminate the civilizational categories underlying state practices and the fraught relationship between nationalism and minorities.

scholarly journals The Values of Versatility: Pharmacists, Plants, and Place in the French (Post)Colonial World

2016 ◽  
Vol 58 (2) ◽  
pp. 432-462 ◽  
Author(s):  
Laurence Monnais ◽  
Noémi Tousignant
Keyword(s):  
Medicinal Plant ◽  
Scientific Activity ◽  
Public Health Care ◽  
French West Africa ◽  
Post Colonial ◽  
Plant Medicine ◽  
History Of ◽  
French Colonial ◽  
Simple Equations ◽  
The Relationship

AbstractColonial pharmacists bio-prospected, acclimatized, chemically screened, and tinkered with plants and their parts, hoping to create products to supply colonial public health care, metropolitan industries, and imperial markets. This article's approach is to examine the trajectories of expertise of two French colonial pharmacists, Franck Guichard and Joseph Kerharo, to illuminate the history of modern medicinal plant research. Both men studied medicinal plants as part of their colonial duties, yet their interests in indigenous therapies exceeded and outlived colonial projects. We take this “overflow” as our point of departure to explore how science transformed medicinal plant values in French colonial and postcolonial contexts. Our focus is on the relationship between value and space—on the processes of conceptual and material (de-/re-)localization through which plant value is calculated, intensified, and distributed. We study and compare these processes in French Indochina and French West Africa where Guichard and Kerharo, respectively, engaged in them most intensively. We show that their engagements with matter, value, knowledge, and mobility defy easy categorizations of medicinal plant science as either extractive or neo-traditionalist. By eschewing simple equations of scientists' motivations with political projects and knowledge-production, we argue that approaching plant medicine through trajectories of expertise opens up grounds for finer analyses of how colonial power and projects, and their legacies, shaped scientific activity.

scholarly journals الإبداعات المغربية باللغات الأجنبية بين سلطة اللغة وسلطة الهوية: قراءة تراتبية

2015 ◽  
Vol 20 (80) ◽  
pp. 142-111
Author(s):  
فؤاد بوعلي
Keyword(s):  
Cultural Identity ◽  
Foreign Language ◽  
Literary Text ◽  
Post Colonial ◽  
Colonial Studies ◽  
Cultural Alienation ◽  
History Of ◽  
Points Of View ◽  
Creative Writings ◽  
The Relationship

أثارت الكتابة الإبداعية باللغات الأجنبية العديد من المواقف المتعارضة في الحقلين: الأكاديمي، والثقافي. فقد عرف تاريخ المغرب الحديث سجالاً قوياً بخصوص هوية الكتابات الإبداعية باللغات الأجنبية، بين مَن يرى فيها استلاباً ثقافياً، ومَن يرفض ربط الجنسية الأدبية بالانتماء اللغوي، بل وربطها بالمتخيّل الجماعي أكثر من أيّ شيء آخر، ثمّ بالمنتوج الأدبي بوصفه تجسيداً لهذا المتخيّل. فالتعبير عن الذات بلغة أجنبية يطرح للنقاش مفاهيم، مثل: الهوية الثقافية، والسلطة، والخصوصية، والعلاقة بالآخر. وباستخدام القراءة التراتبية التي ظهرت في الدراسات بعد الكولونيالية أمكننا إثبات التلازم بين استعمال اللغة الفرنسية في الإبداع ومسار الفرنكفونية بوصفها إيديولوجيا استعماريةً تفرض لغتها على الشعوب والفضاءات الذيلية. The debate over literary writing in a foreign language has instigated a lot of dichotomous points of view in Moroccan academic and cultural circles. History of modern Morocco has witnessed strong ongoing debates about the identity of creative writings in foreign language. There are those who would consider such writings as cultural alienation. Contrary to that, there are those who refuse to link literary text to language belonging, and link it instead to the collective imaginary and to the literary product as a manifestation of this imaginary. In fact, expressing the self by using a foreign language puts into question notions such as cultural identity, authority, nation-building, and otherness. By applying the theory of hierarchical reading which appeared in the post colonial studies, we have established the relationship between using French in creative writings and La Francophonie as a colonial ideology imposed on people and annexed spaces.

scholarly journals A proposal for Revaluation: Points of Contact and Sides of Likeness between William Blake and Walt Whitman

Hawliyat ◽  
2018 ◽  
Vol 18 ◽  
pp. 61-76
Author(s):  
Ryan J Davidson
Keyword(s):  
American Literature ◽  
Book History ◽  
Walt Whitman ◽  
William Blake ◽  
Colonial Literature ◽  
Post Colonial ◽  
Publication History ◽  
19Th Century American Literature ◽  
History Approach ◽  
The Relationship

This article proposes an approach to evaluating the relationship between William Blake and Walt Whitman. I begin by grounding my proposal in a critical framework. It is framed by a book history approach, but also an approach to 19th century American literature as a post-colonial literature. In regards to the book history element I trace an outline of Blake’s publication history and the poems of Blake’s that Whitman might have encountered. I then provide examples of the similarities between Blake and Whitman. This paper concludes with a discussion of the implications it may have on ideas of literary influence. This is the beginning of a much larger project wherein I trace the actual influences which created the similarities that I outline here.

Out of Empire into Socialist Modernity

2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung
Keyword(s):  
Soviet Union ◽  
Eastern Europe ◽  
Intellectual History ◽  
Post Colonial ◽  
The Soviet Union ◽  
History Of ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Relationship

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.

Ambivalent reflections on violence and peacebuilding: Activist research in Croatia and the wider post-Yugoslav space1

2018 ◽  
Author(s):  
Paul Stubbs
Keyword(s):  
Ethical Challenges ◽  
The Real ◽  
Nationalist Movements ◽  
Post Colonial ◽  
Post Conflict ◽  
External Actors ◽  
The Relationship

The chapter explores theoretical, political and ethical challenges inherent in activist research in conflict and post-conflict environments, focusing on Croatia and the wider post-Yugoslav space. Framed in terms of ‘ambivalence’, ‘positionality’ and ‘reflexivity’, the chapter revisits themes which were especially important in the wars of the Yugoslav succession: the ‘projectisation’ of NGOs; the relationship between ‘the real’ and ‘the virtual’; the role of external actors within a ‘new humanitarianism’; the over-emphasis on medicalised understanding of ‘trauma’; and the limits and possibilities of anti-nationalist movements in times of nationalist mobilisation. The chapter emphasises the importance of multi-voiced ethnography, a conscious post-colonial positioning and a stance of deep humility as preconditions for activist research to open up new arenas of possibility, struggle and change.

The Politics of African Literature

2019 ◽  
Author(s):  
David Attwell
Keyword(s):  
20Th Century ◽  
Literary Culture ◽  
African Literature ◽  
Cultural Nationalism ◽  
International Markets ◽  
Culture Wars ◽  
Value Systems ◽  
Transnational Politics ◽  
Post Colonial ◽  
The Relationship

Noting that many pre- and post-colonial oral forms have always been political, the article focuses on the literary culture wars that arose in the context of mid-20th-century decolonization. These debates include the question of whether writers should use indigenous or colonial languages; the complexities of publishing with access to local and international markets; the adaptation and indigenization of European forms to African value-systems, mythic structures and social realities; and the relationship between cultural decolonization and debates in Europe after 1968, when the emphasis fell on questioning realism. The article concludes by noting that the cultural nationalism of the 20th century is giving way to new forms of transnational politics.

Protest and Music

2016 ◽  
Author(s):  
Sumangala Damodaran
Keyword(s):  
Conceptual Analysis ◽  
Protest Music ◽  
Post Colonial ◽  
Music And Politics ◽  
Art Form ◽  
The Social ◽  
Artistic Representation ◽  
European Colonialism ◽  
The Relationship

The relationship between music and politics and specifically that between music and protest has been relatively under-researched in the social sciences in a systematic manner, even if actual experiences of music being used to express protest have been innumerable. Further, the conceptual analysis that has been thrown up from the limited work that is available focuses mostly on Euro-American experiences with protest music. However, in societies where most music is not written down or notated formally, the discussions on the distinct role that music can play as an art form, as a vehicle through which questions of artistic representation can be addressed, and the specific questions that are addressed and responded to when music is used for political purposes, have been reflected in the music itself, and not always in formal debates. It is only in using the music itself as text and a whole range of information around its creation—often, largely anecdotal and highly context dependent—that such music can be understood. Doing so across a whole range of non-Western experiences brings out the role of music in societal change quite distinctly from the Euro-American cases. Discussions are presented about the informed perceptions about what protest music is and should be across varied, yet specific experiences. It is based on the literature that has come out of the Euro-American world as well as from parts that experienced European colonialism and made the transition to post-colonial contexts in Asia, Africa, and Latin America.

(Post)Colonial Culture and the South African Legal System: Understanding the Relationship between Living Customary Law and State Law

2007 ◽  
Vol 28 (2) ◽  
Author(s):  
Sindiso Mnisi
Keyword(s):  
South African ◽  
Paradigm Shift ◽  
Customary Law ◽  
State Law ◽  
The South ◽  
Value System ◽  
Post Colonial ◽  
Colonial Culture ◽  
Law Of Succession ◽  
The Relationship

AbstractThis paper traces the relationship between state law and indigenous systems in South Africa from its incipience, and argues that living customary law has been systematically ignored or inaccurately applied. In it, I advocate a paradigm shift as being fundamental to developing the theories, methods and standards adopted in consideration of customary law. I use the law of succession as a vehicle for displaying the clash of state and customary law and, herewith, expound the process by which this tension came about. In conclusion, I argue that a paradigm shift allowing for customary law to be understood within its own functioning and value system, rather than in a manner imposing western notions of society, culture and progress is necessary. This will enable the reunion of the South African legal order and reincorporation of customary communities into the national project.

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