“Publishing” the Gospel, Reading the Nahda: Protestant Print Culture in Late Ottoman Syria

Author(s):  
Deanna Ferree Womack

Chapter 2 turns to the American Mission Press in Beirut, which was a site of American-Syrian collaboration and a resource for Syrian Protestants to participate in the Arab cultural and literary renaissance. Locating the Nahda in Beirut within the context of broader nineteenth-century Ottoman reform movements, the chapter explores the socio-cultural contributions of Protestant men who wrote for the American Mission Press beginning in the 1870s. It demonstrates that these authors - including the nahdawi scholar Ibrahim al-Hurani - engaged in Nahda production not only through Arabic poetry, scientific studies, and other “secular” publications, but also in their writings on Islam and through press debates with Jesuit missionaries, Syrian Catholics, and Greek Orthodox leaders.

Author(s):  
Jaime Harker

In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women’s liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of intersectional radicalism, transgressive sexuality, and liberatory space. Including in her study well-known authors—like Dorothy Allison and Alice Walker—as well as overlooked writers, publishers, and editors, Harker reconfigures the southern literary canon and the feminist canon, challenging histories of feminism and queer studies to include the south in a formative role.


Author(s):  
Deanna Ferree Womack

Chapter 1 considers what it meant to become Protestant in the sectarian landscape of nineteenth-century Ottoman Syria in a period of widespread socio-cultural and political transformation. It compares and contrasts American missionary and Syrian Protestant views of evangelical identity and religious conversion as it examines Protestant conversion accounts written after 1860, including an account by the renowned scholar Butrus al-Bustani. Drawing upon shared values of literacy, Bible reading, and evangelistic printing, these narratives demonstrate how Syrian and American Protestants upheld the printed word as a cultural force, a concept that fit with the intellectual currents of the Nahda in the late Ottoman period. Whereas traditional studies of this literary renaissance characterize it as a secular movement, Syrian Protestants tell a story of nahdawi identity entwined with evangelical commitments.


Author(s):  
Elizabeth Renker

American literary histories of the post-Civil War period typically treat “poetry” and “realism” as oppositional phenomena. The core narrative holds that “realism,” the major literary “movement” of the era, developed apace in prose fiction, while poetry, stuck in a hopelessly idealist late-romantic mode, languished and stagnated in a genteel “twilight of the poets.” This chapter excavates the historical origins of the twilight narrative in the last quarter of the nineteenth century. It shows how this narrative emerged as a function of a particular idealist ideology of poetry that circulated widely in authoritative print-culture sites. The chapter demonstrates that the twilight narrative was only one strain in a complex cultural debate about poetry, a debate that entailed multiple voices and positions that would later fall out of literary history when the twilight narrative achieved institutional status as fact.


2002 ◽  
Vol 30 (1) ◽  
pp. 289-304 ◽  
Author(s):  
Claire Nicolay

THOMAS CARLYLE’S CONTEMPTUOUS DESCRIPTION of the dandy as “a Clothes-wearing Man, a Man whose trade, office, and existence consists in the wearing of Clothes” (313) has survived as the best-known definition of dandyism, which is generally equated with the foppery of eighteenth-century beaux and late nineteenth-century aesthetes. Actually, however, George Brummell (1778–1840), the primary architect of dandyism, developed not only a style of dress, but also a mode of behavior and style of wit that opposed ostentation. Brummell insisted that he was completely self-made, and his audacious self-transformation served as an example for both parvenus and dissatisfied nobles: the bourgeois might achieve upward mobility by distinguishing himself from his peers, and the noble could bolster his faltering status while retaining illusions of exclusivity. Aristocrats like Byron, Bulwer, and Wellington might effortlessly cultivate themselves and indulge their taste for luxury, while at the same time ambitious social climbers like Brummell, Disraeli, and Dickens might employ the codes of dandyism in order to establish places for themselves in the urban world. Thus, dandyism served as a nexus for the declining aristocratic elite and the rising middle class, a site where each was transformed by the dialectic interplay of aristocratic and individualistic ideals.


2021 ◽  
Vol 14 (2) ◽  
pp. 128-150
Author(s):  
Nicole A. Jacoberger

This article examines the contrasting evolution in sugar refining in Jamaica and Barbados incentivized by Mercantilist policies, changes in labor systems, and competition from foreign sugar revealing the role of Caribbean plantations as a site for experimentation from the eighteenth through mid-nineteenth century. Britain's seventeenth- and eighteenth-century protectionist policies imposed high duties on refined cane-sugar from the colonies, discouraging colonies from exporting refined sugar as opposed to raw. This system allowed Britain to retain control over trade and commerce and provided exclusive sugar sales to Caribbean sugar plantations. Barbadian planters swiftly gained immense wealth and political power until Jamaica and other islands produced competitive sugar. The Jamaica Assembly invested heavily in technological innovations intended to improve efficiency, produce competitive sugar in a market that eventually opened to foreign competition such as sugar beet, and increase profits to undercut losses from duties. They valued local knowledge, incentivizing everyone from local planters to chemists, engineers, and science enthusiasts to experiment in Jamaica and publish their findings. These publications disseminated important findings throughout Britain and its colonies, revealing the significance of the Caribbean as a site for local experimentation and knowledge.


2017 ◽  
Vol 14 ◽  
pp. 106-128
Author(s):  
Ruth Hemstad

“The campaign with ink instead of blood”: Manuscripts, print and the war of opinion in the Scandinavian public sphere, 1801–1814Handwritten pamphlets circulated to a high extend as part of the war of opinion which went on in the Norwegian-Swedish borderland around 1814. This ‘campaign with ink instead of blood’, as Danish writers soon characterized this detested activity, was a vital part of the Swedish policy of conquering Norway from Denmark through the means of propaganda. This ‘secret war of opinion’, as it was described in 1803, culminated around 1814, when Sweden accomplished its long-term goal of forming a union with Norway. In this article I am concerned with the role and scope of handwritten letters, actively distributed as pamphlets as part of the Swedish monitoring activities in the borderland, especially in the period 1812 to 1813. These manuscripts were integrated parts of the manifold of publications circulating within a common, although conflict oriented Scandinavian public sphere in the making at this time. The duplication and distribution of handwritten pamphlets, and the interaction with printed material, as Danish counter pamphlets quoting and discussing these manuscripts, illustrates that manuscripts remained important at the beginning of the nineteenth century. They coexisted and interacted with printed material of different kinds, and have to be taken into consideration when studying the public sphere and the print culture in this period.


2011 ◽  
Vol 29 (1) ◽  
pp. 43-60 ◽  
Author(s):  
Catherine E. Foley

For over a hundred years the Irish céilí, as an ‘invented’ social dance event and mode of interaction, has played a significant and changing role. This paper examines the invention of this Irish dance event and how it has developed in Ireland throughout the twentieth century. From the Gaelic League's cultural nationalist, ideological agenda of the late nineteenth century, for a culturally unified Ireland, to the manifestation of a new cultural confidence in Ireland, from the 1970s, this paper explores how the céilí has provided an important site for the construction, experiencing and negotiation of different senses of community and identity.


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